From GamePrg. Sent Fri, Jul 10th 1998, 00:38
On Thursday, 09-Jul-98, Che wrote [about (idm) drill & bass Re: it takes = the physical....]: >At 05:24 PM 7/8/98 -0400, mult santa wrote: >>i think i'm gonna sit down and write a book on the (brief) history of >>drill n bass ;-) >Since you're such an expert, maybe you can explain what subtle nuances m= ake >Squarepusher drill&bass, & T-Power, Spring Heel Jack, Photek, & Amon Tob= in >(at least his faster tracks) something else? All use a combination of >programmed hits & cut-up breaks (Amen used almost never) in varying rati= os, >and all have a much stronger emphasis on melody & density than mainstrea= m >drum&bass. Of course they all sound different, but to my ears at least,= >there's no more difference between them & say Black Dog, Autechre, & >Beaumont Hannant, who all seem to fit into the same genre. Photek is jungle, not drill'n'bass. but your point here somewhat crosses paths with what I was trying to say.. why should we call it drill'n'bass.. it caused everyone to corrolate the next wave of big hits as being drill'n'bass tracks, and suddenly the wave= became reality and now the wave has crashed and the ocean is calm again. >At 12:27 PM 7/8/98 -0400, Sebastien Dalphond wrote: >>Don't get me wrong. I love 4/4 techno, just as much as I love IDM in >>general and drum & bass. But I think that the whole electronica is >>based on samples, sequencers, hopefully giving it an organic feel to it= >>by pitching in *real* instruments, vocals, warmth, rich layers, etc. A= t >>least, that was the way it was at first. >Organic sucks. no way man.. there's only a few IDM hits that aren't organic, and those a= re mostly autechre tracks, that sound machinery clashing together. >*Real* instruments suck. well, I don't believe this.. it is tough to incorporate real instruments (without using samplers). I fell in love with and will always be in love with the sound of the vibraphone, upon playing it at a jazz festival thin= g at school. (I just played with it while the bandmembers took a break) I can imagine making some KICKASS ambient tracks with that as one of the instruments. it's got it's own reverb, and it's own vibrato :) >Vocals suck. well, I wouldn't go as to generalise it that far.. and just for those who= read what I said before and thought that I am anti-vocal, just know that = I hold anything Jimi Tenor has done close to my heart, and will always do s= o.. and I also put the latest Madonna album up there with what are the best albums as of late.. I mean there are lots of those.. it is definitely without a doubt thee best pop record to come out in 1998 (I dunno about bjork with mark bell, have not heard it..) but yes, the madonna vocals are a bit annoying, but it is after all, pop music, so. and most vocals do suck, because a lot of times it just ruins = the music, just with the way a lot of times MC's ruin the music.. now there a= re of course exceptions. I saw LTJ Bukem DJ with MC Conrad and MC Conrad did= n't ruin the music at all. Then I have a Sven V=E4th mixtape with some german= MC that if I was there I would have wanted to throw my shoe at. __ __\ \ / /_\ \ 1cQ<->uIN \_____/ 1.3777993 = "..in whatever you do, if you can't break new ground, what's the point?" - James Cameron