(idm) Bringing horses back to life

From Simon Walley
Sent Wed, May 20th 1998, 10:00

>From: Brett McCormick <xxxxx@xxxxxx.xxxxxxx.xxx>
>Subject: Re: (idm) Autechre / Copyright infringement (fwd)
>
>I know this is a dead horse, but just because they said they chatted
>with sean and rob doesn't mean they did.  

Of course they fucking did. Rob/Sean are in and out of Warp offices all 
the time.


>From: Mark Kolmar <xxxxxxx@xxxx.xxx>
>Subject: Re: (idm) Autechre / Copyright infringement (fwd)
>
>Please note that WARP claims to have CONTROL over the phonorecordings 
as
>well as the underlying compositions.  If so, Sean Booth and Rob Brown 
have
>little if any legal CONTROL over their creations, whether "offended" or
>not. 

This makes sense if you're talking about some 'business deal' between a 
major label and an act but the Warp/Ae relationship is a hell of a lot 
closer than that. Rob and Steve from Warp happen to be good friends as 
well as business partners with Ae. Believe what you cynically like about 
Warp controlling everything (which legally, they do) but they will 
nearly always consult their artists (and especially Ae) about issues 
like this.


>From: "kiya \"i am a copier\" babzani" <xxxxxx@xx.xxxxxx.xxx>
>Subject: Re: (idm) Autechre / Copyright infringement
>
>and yes i know you can convert them to .wavs and burn a cd, but c'mon, 
how
>many people have the equipement/resources to do that, or are so cheap 
that
>they'd go through all that touble so that they wouldn't have to shell 
out
>the 14.99 price of tri repatae (2 discs!) on cd.  2 discs in america 
that
>is.

Possibly now (and quite a few people on IDM have access to this kind of 
tech already - they don't have to own it - their workplace or university 
or whatever might have the kit) but in about 6-12 months, this could 
change so easily. If you could download any Ae/AFX/whoever track from 
the net and burn a CD or whatever on cheap media over a super-fast 
internet, everybody would do it. Really. It's starting now. That guy 
putting an MP3 player in his car - thats just the start. And naturally 
record labels who want to pay their artists and pay their employees 
(from indies to majors), as well as the artists themselves, are getting 
concerned about this.

And to back Chris up, he *has* always been the voice of the public.

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