(idm) in defense of lavelle (delete at will)

From Brock Phillips
Sent Tue, Feb 2nd 1999, 01:30

I usually don't wade into such frays on this list as they inevitably lead
to even longer threads and countless flames, but...

> As far as I can tell, the man has no talent at all past having an ear
> for a good tune, a good roster on his label, and an unnerving ability
> for exploiting them and taking credit for stuff they do.
> 
> As it is, apparently he stands between two DJ's, the Scratch Perverts I
> think, and 'supervises' their DJing.  I mean, for fucks sake, is the guy
> so useless he can't even mix two records?  This isn't the first time
> he's done this though.  A while back a mix on a cream compilation was
> credited to him.  Closer inspection reveals it was actually done by the
> Psychonauts. 

To answer your question - no, he can't even mix two records. I used to go
down to the Bar Rhumba and check out his weekly, "That's How it Is" or
something like that. And he's atrocious, can't match a beat to save his
life, would let entire records grind into the run-out groove before
sorting out another one on the other deck. But all in all every tune he
dropped was fucking ace, I'd dance half the night and trainspot the other
half. But what's more important, mixing skills or track selection? I'll
take a shite DJ playing good tunes over a good DJ playing shite music any
day. And I'd say it takes talent to have a good ear; he's right up there
with Mixmaster Morris, Giles Peterson, and others whose opinion you can
trust without question. Admittedly the Psychonauts mixing under his name
was pretty lame. So maybe DJ'ing isn't his forte, but he runs a tight
label. For that I'll give him props.


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On Mon, 1 Feb 1999, Brock Phillips wrote:
>