Re: [AH] Behringer Stringer

From Giles Ward
Sent Sat, Feb 10th 2018, 01:26

This is a prototype that they've sent to him.  Uli Behringer said on 
Gearslutz that they're still deciding if it will be an actual product.

On 09/02/2018 23:58, Steven Clements wrote:
> has it hit the stores yet?
> 
> *
> Steven***
> 
> On Fri, Feb 9, 2018 at 3:40 PM, Giles Ward <xxxxx@xxxxxxxxx.xxx 
> <mailto:xxxxx@xxxxxxxxx.xxx>> wrote:
> 
>     Hmm!
> 
>     https://www.youtube.com/watch?v=5E2oumeL_-4
>     <https://www.youtube.com/watch?v=5E2oumeL_-4>
> 
>     On 09/02/2018 22:31, Michael Taylor wrote:
> 
>         This is going to sell to indie rock kids.
> 
>         It will sell for the same reason the microkorg sold in the 00's.
> 
>         All our synth gobbledygook only really matters to synth people.
>         You really don't need my in the way of synthesis to play
>         strings, chords, and melodies in a five piece rock band.
> 
>         On Feb 9, 2018 5:20 PM, "Mike SynMike" <xxxxxxx@xxxxx.xxx
>         <mailto:xxxxxxx@xxxxx.xxx> <mailto:xxxxxxx@xxxxx.xxx
>         <mailto:xxxxxxx@xxxxx.xxx>>> wrote:
> 
>                  On Feb 9, 2018, at 10:40 AM, Marshall Craig
>             <xxxxxx@xx.xxx <mailto:xxxxxx@xx.xxx>
>                  <mailto:xxxxxx@xx.xxx <mailto:xxxxxx@xx.xxx>>> wrote:
>                  Question- why have a string machine, when you can have an
>                  analog(-ish) poly? Weren’t string machines a sort of
>             stop-gap 70’s
>                  poly, and faded when real polysynths became available?
> 
> 
>              String machines sound different from synthesizers because
>         of the top
>              octave generator and divide down and the chorus circuits. A
>              synthesizer can close to the sound sound, but it’s not exact. A
>              synthesizer is far more versatile, so better for most
>         people. But if
>              you want “that” sound, you need a string machine.
> 
>              That said, I don’t expect this Behringer to be successful.
>         I think
>              the guys who play string machines choose them at least in part
>              because they are old, ugly fake wood, limited, quirky,
>         brand names
>              that nobody but synth geeks recognize, and there is no way
>         the guy
>              down the street has the same one as you.
> 
>                  Also, these days I prefer /no/ keyboard and at least 8
>             voices. I
>                  already have some nice 76-key controllers.
> 
> 
>              I understand the choice for no keys. But if it has keys,
>         then it
>              should have enough keys to let the instrument do the job
>         properly.
> 
>              For you, it sounds like 76 keys is a good number. I like 61 for
>              polysynths; With split keyboard 76 might be better but I’m
>         willing
>              to live with 61 for portability sake. A vocoder with 4
>         octaves is
>              okay. A monosynth with 3 octaves is okay. But the synth
>         industry is
>              chasing the customer. Customers seem to be voting with
>         their dollars
>              with bigger numbers buying the cheapest stuff out there. So
>         one way
>              to lower price is to cut an octave off.
> 
>              This Behringer needs 4 octaves like the Roland it copies. The 3
>              octaves is way too limited for using the Split keyboard
>         function;
>              The lower side is only 1 octave.
> 
> 
>                      On Feb 9, 2018, at 11:34 AM, Mike SynMike
>                 <xxxxxxx@xxxxx.xxx <mailto:xxxxxxx@xxxxx.xxx>
>                      <mailto:xxxxxxx@xxxxx.xxx
>                 <mailto:xxxxxxx@xxxxx.xxx>>> wrote:
> 
>                      I’m intrigued to try it.
> 
>                      Unfortunately, many of the new synths coming out
>                 these days that
>                      interest me have 1 less octave than I want.
>                      That should have 4 octaves instead of 3.
>                      The Deepmind 12, OB6 and Prophet 6, System-8 and
>                 JD-XA, should
>                      all be 5 octaves instead of 4.
>                      The race to the bottom continues.
> 
>                      The number of 4 voice synths bothers me too. In the
>                 80s the synth
>                      industry kind of settled on the idea that a
>                 polysynth needs at
>                      least 6 voices.
> 
> 
>                          On Feb 9, 2018, at 5:13 AM, Kenny Balys
>                     <xxxxx@xxxxxxxx.xxx <mailto:xxxxx@xxxxxxxx.xxx>
>                          <mailto:xxxxx@xxxxxxxx.xxx
>                     <mailto:xxxxx@xxxxxxxx.xxx>>> wrote:
> 
> 
>                          First analogue stringer since the Hohner String
>                     Performer in 1981!
>                          (as far as I know)
> 
>                     https://i1.wp.com/www.synthtopia.com/wp-content/uploads/2018/02/behringer-string-synth-vocoder.jpg
>                     <https://i1.wp.com/www.synthtopia.com/wp-content/uploads/2018/02/behringer-string-synth-vocoder.jpg>
>                         
>                     <https://i1.wp.com/www.synthtopia.com/wp-content/uploads/2018/02/behringer-string-synth-vocoder.jpg
>                     <https://i1.wp.com/www.synthtopia.com/wp-content/uploads/2018/02/behringer-string-synth-vocoder.jpg>>
> 
> 
> 
> 
> 
>