From Marc Weidenbaum Sent Thu, Nov 1st 2001, 18:54
From Marc Weidenbaum Sent Thu, Nov 1st 2001, 18:54
Yeah, I think that the "seamlessness" that you mention is what struck me as well. His 'Multila' was one of my favorites of 2000, and 'Anima' this year just enveloped me with the natural way that it unfolds. A lot of the lengthy compositons that I enjoy, like the work of Koji Asano and Bernhard Gunter, often has a kind of environmental/industrial sense to it, which ends up giving it a more casual, musique-concrete feel -- in other words, sounds that were happened upon as much as they were planned. 'Anima,' to the contrary, seemed -- to employ one of my favorite terms -- through-composed. M At 07:22 AM 11/1/01 -0800, Steven wrote: > > Vladislav Delay - Anima > > >REALLY? In your Top 10 for the year? What am I missing? I *like* >it, but not nearly enough to get into the top 30. Just curious what it >is about it that gets you going? > >Of course, this *is* an amazing record. It would be number one on my list >for this year >I think what does it for me is its seamlessness. Though it pretty much goes >back and forth between a couple of chords for over an hour ... - - - Marc Weidenbaum www.disquiet.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxx-xxxx@xxxxxxxxx.xxx