(idm) RE: Microstoria _Reprovisers_

From Bob Bannister
Sent Fri, Oct 23rd 1998, 16:53

Irene wrote:
> >microstoria "reprovisors"   (with the 3 12'' feat. stereolab,MoM, Ui,
> >jim O'rourke, etc.

>I only had the 3rd of these, with (I think) Jim O'R & Panasonic - had
>to return it to the shop the very next morning coz I found it
>unlistenable, but your appreciation may well differ.  I'm sure the
>S/lab & MoM mixes would have been more palatable to me.

Unless there were mutiple releases, the O'Rourke 12" paired him with 
Violent Onsen Geisha - one thing that was interesting (although not 
necessarily successful) about the project was that it brought together 
people more or less under the IDM rubric with noise/experimentalists who 
probably don't regard themselves as part of anything remotely "dance" 
related.
There isn't much in the way of beats on the whole CD which is more or less 
one big electronic collage and functions best as a whole - I have two of 
the 12"s but prefer the CD in general.
The O'Rourke track is one of the best (imho) whereas the Violent Onsen 
Geisha seems designed primarily to challenge your notion of what 
constitutes a "piece of music". It starts with about 35 seconds of a 
regular drum pattern, string hits and some strange background noises, then 
stops dead and totally falls apart, culminating in a segment that sounds 
like pots and pans being thrown down the stairs while someone bumps into a 
turntable.
On the 12" this seems a bit pointless, while on the CD it flows right into 
the Mouse on Mars track (which uses dissonant sounds in a slightly more 
regular structure) which somehow puts VOG in context.
Similarly the Stereolab snippet isn't much of a "single" but makes a 
beautiful bridge between the characteristically hissy/clicky Oval track and 
Jim O'Rourke's almost orchestral approach.

re: trombone propelled electronics - Nicolas Collins has been tinkering 
with this for at least 10 years but don't forget erstwhile "jazz" 
trombonist George Lewis whose been doing similar things since the late 70s.

Bob