From Florian Anwander Sent Thu, Aug 23rd 2018, 10:11
From Florian Anwander Sent Thu, Aug 23rd 2018, 10:11
Hi Roycee Am 22.08.2018 um 21:00 schrieb Royce Lee: > What musical applications are there for phasers in monophonic and > modular monosynths? The often forgotten use for a phaser is the static phaseshift, which only provides a (typically unrecognized) spectrum of the sound. It is like the first reflections in a reverb, which you do not really recognize. But as soon as you start to change the phaseshift manually (for example at the end of a bridge as buildup to a chorus), the effect on the listener is incredible. It is like someone begins to move the walls of the room in which you lived for many years. This is very different to the reception of a standard modulated phaser which is faded in. And something other I do very often is putting a phase on the FX-return of a stereo ping-pong delay. Example http://www.florian-anwander.de/musik/ripples_first.mp3. (I already posted this example here at some other time). It is only a drummachine and a arpeggio (either SH-101 or Juno-6 - I do not remember) in the phasered ping-pong delay. The delay is a clock synchronized MX-200 through a Dopefer A-101-3 phaser. Florian -- http://www.florian-anwander.de