From Andrew Horton Sent Wed, Dec 5th 2018, 19:33
From Andrew Horton Sent Wed, Dec 5th 2018, 19:33
Can you link some examples of what you're talking about? I'd love to hear him. Anything I've heard out of the guy sounds like a simple thudding 808 and a farting monosynth. On Wed, Dec 5, 2018 at 2:08 PM Royce Lee <xxxxxxxxxx@xxxxx.xxx> wrote: > > Hi AH > > It would seem that much as composers live on through their scores, electr= onic musicians could be remembered for their approaches to sound design and= arrangement. > > I've found very little documentation of Advance and Sheath era production= , while probably more than enough discussion of Frequencies. I come across = some general description of approach with his work with Bjork, but these di= scussions are usually lacking detail. Although I understand that Frequenci= es was conceptually arresting, I find that some of the technique in Advance= remains out of reach of even contemporary electronic music, despite the de= mocratization of what once was esoteric gear. > > Any pointers to discussions, articles on this era of Mark Bell would be v= aluable to me and probably the archives as well! > > What little I've learned online has already proved valuable, such as disc= overing the Casio FZ filter. I find that even with that, I'm missing someth= ing that Mark Bell had mastery of. > > Royce > >