Re: [AH] Using DI BOX with synths?

From Oakley Sound via analogue
Sent Mon, Jun 18th 2018, 09:37

 > Nice to know there's noise cancellation, even if it's not true balanced.

It is true balanced. Balancing is about matching impedances in the hot 
and cold lines - it does not require differential signalling. Solely 
balancing output impedances is sometimes called 'impedance balanced' but 
this is only an indication that it is not differential. It is still 
balanced and can be treated as such.

The problem with just matching impedances is the quality of the 
impedance setting resistors (1K is surely too high by the way) and the 
ability of the single op-amp output to perform as a zero ohm voltage 
source across the whole audio frequency band. I'm not sure a TL072 is 
quite up to the job as its open loop gain falls pretty fast.

Generally the lower the output impedance the better but most op-amp 
stages will perform badly with long lengths of cable so those output 
resistors tend to be quite high. Matching of input, and output, 
impedances between hot and cold can make all the difference when it 
comes to how much noise rejection can be achieved.

The traditional way of creating such a balanced output usually involved 
a transformer and it made sense to have inverted and non inverted 
signals present as a differential signal. Differential signals are 
easily created with a centre tapped transformer. As Brian says this 
gives a 6dB increase in maximum headroom over non differential systems.

Electronically balanced output stages (EBOS), ie. ones done with two 
simple op-amp stages, are not necessarily better than 'impedance 
balanced' outputs. Using a non balanced jack (TS) in a balanced TRS 
output will short the cold output and lead to excessive currents being 
drawn; the output impedance setting resistor of the cold output having 
to take the full output signal. AD8200 users take note.

Feedback systems can be employed to prevent the cold output being active 
but this can complicate the electronics and cause possible instabilities 
under some loads. THAT Corp have a nice little 8-pin driver chip that 
does the job admirably, although discrete versions can be found in most 
Soundcraft desks for example.

Transformers still out perform electronic input stages with regards to 
noise rejection. Although THD and bandwidth accuracy are usually better 
with an all electronic system.

Probably the best noise rejection electronic input stage is obtained by 
Bill Whitlock's In-Genius input stage:

http://www.thatcorp.com/1200-series_High_CMRR_Balanced_Line_Receiver_ICs.shtml

Tony

www.oakleysound.com