Re: [AH] Vocal Synthesis Processing Recommendation

From Kenny Balys
Sent Mon, Aug 6th 2018, 14:17

If you modulate two delay pedals with two sine waves that have
matching frequency & amplitude and are out of phase from 20 to 70 degrees,
this will give you a lot of the H3000 magic. 2 delays, single
audio input, stereo output.

The microphone is quite important too. It must have the characteristics
that are required. ie) the frequencies you need. If its talking
voice with a little crunch then I like to use a Telco carbon
microphone. Here are schematics to build one:
http://beatkamp.com/telemicrophone.shtml

A reverb that has the frequee sound that works for your music
is a must. Spring are great for random events, I love the Dynacord
VRS-23 BBD reverb, the AMS rack sounds so nice it can
cause bladder leakage.

The EH V256 Vocoder pedal is fantastic. It sounds nearly the same
as my rack EH, just much more stable. (this is both good & bad)

I wish that I had acquired the Doepfer Vocoder assemblage when it was
available. Never tried it out but it looked such that one could
stick anything into anything else.

ps: or just Moog 16 Channel Vocoder, a Neumann and an H3000 ;)


On 06.08.18 14:06 , Patrick Dohman wrote:
>
> What are the secret weapons of analog vocal processing & synthesis?
>
> Eventide - H3000
>
> Mixer with a Big Muff or other classic guitar pedal.
>
> Moog 16 channel vocoder
>
> What else...
>
> Later
> Patrick
>