Re: [AH] Favorite Eurorack drum modules?

From Jason Proctor
Sent Mon, Mar 11th 2019, 04:56

TBH, I've got all I ever wanted in terms of drums from my Electribe
ESX. Load sample into location, mangle it beyond recognition, add
effects, profeeet. Synced LFO -> panning ftw! And it slams. Only issue
is few outputs. YMMV.

On Sun, Mar 10, 2019 at 12:37 PM Justin Maxwell <xxx@xxxxxxx.xxx> wrote:
>
> Tom's mail finally hit the nail on the head for me: I don't use my modula=
r for drums.
>
> So, I have the following for sale or trade if anyone is looking to go thi=
s route:
>
> - Mutant Bassdrum (factory-built)
> - TipTop BD808
> - TipTop HATS808
> - Asteroid BD v4
> - NE Basimilius Iteritas (original, not alter)
>
> I would prefer to trade these but can assign prices to them if needed. Th=
is was just a spur of the moment response so I hadn't considered it further=
.
>
>
>
> On Sun, Mar 10, 2019 at 11:37 AM Tom Butcher <xxxxxxx@xxxxx.xxx> wrote:
>>
>> Agreed on the 909hats=E2=80=A6 for whatever reason I=E2=80=99ve never re=
ally liked doing drums in modular.  You need a lot of voices, and sequencin=
g to me isn=E2=80=99t as immediate as on the rhythm boxes.  That said, I do=
 use a couple of voices for percussion sometimes in the modular, and I like=
 to use Grids with regular non-drum modules to get some interesting things =
going.  I also like taking outputs from things like 808 909 606 Linn whatev=
er and running them through modular signal chains to screw them up or just =
add some nuance.
>>
>> Also I was going to mention BitBox as a great drum module but you=E2=80=
=99re not going to go super deep down the rabbit hole of synthesis with it.=
  Same goes with Assimil8or - great module with awesome fidelity/responsive=
ness (triggers in a handful of microseconds iirc)
>>
>> On Mar 7, 2019, at 2:15 PM, justin reed <xxxxxx.xxxx@xxxxx.xxx> wrote:
>>
>> way too many euro drums over here, my favorites are:
>>
>> TT hats909 - cv over pitch and amplitude bring these gritty samples to e=
uro-life
>> TT 909 kick - plainly jacking, limited range compared to a drum synth bu=
t lots of sweet spots going way beyond the orgiinal
>> delptronics thunderclap - great tones and range of voice, no cv controls=
 but easy to dial in powerful claps
>> end times Quark - rimshot generator with a shit ton of control and audio=
 in to route through the filter
>>
>>
>> On Thu, Mar 7, 2019 at 3:45 PM DJ Maytag <xxxxxxxx@xxxxxxxx.xxx> wrote:
>>>
>>> I have a DIY=E2=80=99ed Mutant Bass Drum and a TR-08, so I have that so=
und covered. However, the Erica Bass Drum is about all I=E2=80=99m using of=
 late for BD sounds, and I may end up selling or trading the Mutant Bass Dr=
um.
>>>
>>> Conversely, I passed on buying the Erica Clap from the same seller who =
sold me the Erica BD. The Erica Clap was pretty boring compared to the wide=
 range of sounds from the Mutant Clap.
>>>
>>> Like someone else said, don=E2=80=99t limit yourself to one manufacture=
r, or else your might not have as broad a palette to work with, or... you m=
ight have a broad palette of colors that you don=E2=80=99t really like. Mix=
 and match for what you like!
>>>
>>> On a non-synthesis note, the 1010 Music BitBox is one hell of a powerfu=
l sampler/sample player. It=E2=80=99s arguably the best thing shy of gettin=
g an ER301. That=E2=80=99s a module I=E2=80=99d definitely like to get in t=
he near future.
>>>
>>> On Thu, Mar 7, 2019 at 1:58 PM Jimmy Moore <xxxxxxxxx@xxxxx.xxx> wrote:
>>>>
>>>>  >So while musicians want a modular drum voice to be able to produce a=
  useful sound in nearly all of the range of available parameters, in fact =
what seems to happen is that each voice as a limited range. When you go out=
 of the useable range, you can produce a sound, but it may not actually be =
very useful.
>>>>
>>>> I'm struggling with this now.  I find myself wanting a broad sonic pal=
ette, but acknowledge that I'm most likely to stick to the sweet spots.  Ca=
se in point:  I am trying to compare Hex Inverter's Mutant Bass Drum agains=
t Erica Synths' Bass Drum.  Erica Synths seems less fully-featured and tame=
 by comparison but I wonder if that isn't a strength that would translate t=
o a wider, more usable range.
>>>>
>>>> SynthCube is having a sale, so I caved and picked up the Mutant Bass D=
rum panel and PCB for cheap.
>>>>
>>>> Buy everything. It's the only way to be sure.
>>>>
>>>> On Thu, Mar 7, 2019 at 12:17 PM Royce Lee <xxxxxxxxxx@xxxxx.xxx> wrote=
:
>>>>>
>>>>> Agreed about the Nord Modular. What's interesting is that the Nord Mo=
dular sounds in some instances will be superior to the analogue counterpart=
s. Not for all sounds, but for some.
>>>>>
>>>>> I'm not an engineer or manufacturer so can only guess as to why, but =
what I am suspecting is that all real analogue circuits have limitations an=
d trade offs between cost and flexibility. So while musicians want a modula=
r drum voice to be able to produce a  useful sound in nearly all of the ran=
ge of available parameters, in fact what seems to happen is that each voice=
 as a limited range. When you go out of the useable range, you can produce =
a sound, but it may not actually be very useful.
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> On Thu, Mar 7, 2019 at 12:58 PM Mike Perkowitz <xxxx@xxxxxxxxx.xxx> w=
rote:
>>>>>>
>>>>>>
>>>>>> This is totally not an answer to your question but might be interest=
ing: a virtual modular can be a ton of fun for making a drum kit. you can a=
ssemble the standard kinds of analog drum sounds and then go nuts from ther=
e, without of course needing to buy 57 oscillators. I have a couple of real=
ly nice kits on my original nord modular (I can fit 4-8 sounds in the DSP f=
or one slot, depending, and make a full kit from 2-3 slots) and am working =
on translating them to the G2. I also recently got an Axoloti and think you=
 could make a nice kit there, and end up with something pretty compact and =
useful. it's nice doing things like creating the kind of six-oscillator net=
work used for the 808 hats and using it as a source for hats and cymbal, an=
d being able to modulate the filters or play with the relative pitches to s=
ee what happens. obviously, basic 808 kick/tom stuff is pretty easy, but FM=
 plonks can be nice too. I also built some patches with resettable LFOs for=
 modulation that let me make loops that have semi-random modulation that st=
ill repeats each measure.
>>>>>>
>>>>>> here's a (crappy, sorry) video using the nord kit: https://youtu.be/=
JOQuvF0vczQ?t=3D170
>>>>>> and a recording of the g2 kit: https://soundcloud.com/perkowitzlabs/=
g2-beats
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> On Wed, Mar 6, 2019 at 12:01 PM Jimmy Moore <xxxxxxxxx@xxxxx.xxx> wr=
ote:
>>>>>>>
>>>>>>> I'm in the market for some drum sounds and I don't really know what=
's out there.  I saw  Quincas' kickall demo and figure I would crowd source=
 some people's favorites and take it from there.   To the extent it influen=
ces your feedback, I'm looking for nice and thuddy.
>>>>>>>
>>>>>>> My own short list:
>>>>>>>
>>>>>>> Kick: Entity Bass, MFB Bass (purely on the experience of the Tanzba=
r)
>>>>>>> Hats: Mutant HiHats, 2hp Hat
>>>>>>> Snare: Taking suggestions
>>>>>>>
>>>>>>> Any opinions?  And before it comes up, I'm probably also going to g=
et an Iteritas Alter for good measure.
>>
>>