(idm) PROEM review from new XLR8 magazine

From noze
Sent Tue, Jul 6th 1999, 16:18

> Subject: 
> >                    Re: proem/hydrant 
> >        Date: 
> >                    Sun, 4 Jul 1999 14:42:43 -0700 
> >       From: 
> >                    Tomas Palermo <>
>> > -- here's the review, in our Aug. issue. 
> > 
> > PROEM 
> > BURNPLATE #1 
> > Hydrant/US/CD 
> > The San Francisco Bay Area, and Californian in
> general, has been a hot bed of activity
> > recently for experimental electronic dance
> projects with releases from the likes of Kit
> > Clayton (San Francisco), Phthalocyanine (Los
> Angeles), if.then.else (Oakland) and
> > others. Could it be that culture is finally
> catching up to the programmers in this
> > technology rich silicon state? Proem inhabits the
> outer edges of dance music's fringe
> > where beats don't line up in orderly fours and
> laptop devices spit out increasingly
> > complex melodic codes. This 11-song debut owes
> much to the roads paved by
> > Autechre, Black Dog and Aphex Twin in the use of
> distorted rhythms and
> > echo-drenched, atonal melodics. Proem is able
> maintain it's own composure by
> > deconstructing the various component sounds of
> each track, breaking them down,
> > reversing and inverting the tones and notes so
> that by the end of spiny numbers like
> > "Ashes" or "3rd Shift" a completely new song has
> emerged. If dancing on electrocuted
> > metal floors is your thing "Red Block"'s devious
> funk or the retro-synths of "Old School
> > Pudding" should supply the energy. The world's
> many disciples of Booth-Brown, Hawtin
> > or Pritchard will be most pleased to have another
> high caliber electronic figure to
> > obsessively collect. Proem is worth it. Tomas 

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