From doug Sent Mon, Dec 10th 2018, 14:55
From doug Sent Mon, Dec 10th 2018, 14:55
I believe the YS100 was based on the TX81z chips, but minimally editable (can be edited via SysEx, though). --- Doug Huseby http://synthark.com http://synthark.org On 2018-12-10 05:49, Bennett, Paul wrote: > You can’t beat the old K1 for cheap digital walls of noise. > > Stumbled across a YS100 6 months ago and that has an early LFO sound > to it too unlike the DX series. > > FROM: Em Wilson [mailto:xxxxxxxxxxx@xxxxx.xxx] > SENT: 05 December 2018 22:04 > TO: M V > CC: A. Horton; Royce Lee; analogueheaven > SUBJECT: Re: [AH] Mark Bell/ Varley/ LFO Synth Tricks > > http://www.muzines.co.uk/articles/deep-vibrations/854 > > On Wed, Dec 5, 2018 at 2:28 PM M V <xx_xxxxxx@xxxxxxx.xxx> wrote: > >> Listen to the whole catalogue... >> >> El Ef Oh! alone is timeless >> >> Sheath also has some sublime moments... Sleepy Chicken for one. >> >> I seem to recall from an interview that their setup was super >> minimal/parsed down. Nothing you wouldn't expect from a UK >> elektronic band of that era--101, 909, samplers, K1 (obvs) >> >> ------------------------- >> >> FROM: A. Horton <xxxxxx.xxxxxx@xxxxx.xxx> >> SENT: Wednesday, December 5, 2018 2:35 PM >> TO: Royce Lee >> CC: AH >> SUBJECT: Re: [AH] Mark Bell/ Varley/ LFO Synth Tricks >> >> Can you link some examples of what you're talking about? I'd love to >> hear him. Anything I've heard out of the guy sounds like a simple >> thudding 808 and a farting monosynth. >> On Wed, Dec 5, 2018 at 2:08 PM Royce Lee <xxxxxxxxxx@xxxxx.xxx> >> wrote: >>> >>> Hi AH >>> >>> It would seem that much as composers live on through their scores, >> electronic musicians could be remembered for their approaches to >> sound design and arrangement. >>> >>> I've found very little documentation of Advance and Sheath era >> production, while probably more than enough discussion of >> Frequencies. I come across some general description of approach with >> his work with Bjork, but these discussions are usually lacking >> detail. Although I understand that Frequencies was conceptually >> arresting, I find that some of the technique in Advance remains out >> of reach of even contemporary electronic music, despite the >> democratization of what once was esoteric gear. >>> >>> Any pointers to discussions, articles on this era of Mark Bell >> would be valuable to me and probably the archives as well! >>> >>> What little I've learned online has already proved valuable, such >> as discovering the Casio FZ filter. I find that even with that, I'm >> missing something that Mark Bell had mastery of. >>> >>> Royce >>> >>> > > -- > > Data you don't have at least two copies of is data you don't care > about.