From Mark Kolmar Sent Thu, Jun 4th 1998, 22:59
On Wed, 3 Jun 1998, Brother Alphabet wrote: > I listened to the track a number of times. I didn't get that impression at > all. A bit of historical perspective: Program music came about as a way to help give structure to music, as tonality was beginning to bend. The program (cf. Strauss, some Mahler, etc.) would offer some explanation of the supposed subject matter, or conceptual framework anyway. Mahler, for one, kept the programs mainly in his notebooks or private correspondence. He felt that the music (and sometimes lyrics) should be able to express or convey what was necessary. I am very suspicious of composers who are trying to communicate something very specific in their music. If the idea could be adequately described in words, then perhaps the music is not necessary. Conversely, if the music can communicate a specific idea effectively, then the explanation in words is beside the point. Furthermore, if a composer attempts to communicate some specific idea or impression which cannot be expressed adequately in another way, it is impossible to know whether the communication was successful or effective. Interpretation on a technical, formal level is more useful I think, but for different reasons. And probably more interesting to other composers. Anyway, that's another subject. --Mark __ <http://www.xnet.com/~mkolmar/BurningRome> < MPEG & RA audio clips > Forthcoming CD SENSELESS on Mindfield Records MINDCD03 Cathartium 14 "The electricity is no better off than on."