From laerm Sent Tue, Apr 21st 1998, 06:03
On Tue, 21 Apr 1998, NoZe Brotherhood wrote: > Got a rather unusual cd in the station today. It's by a band called > Cubanate and it's on Wax Trax/TVT. I threw it into the cd player and got > a surprise. I think it is the first attempt at meshing industrial with > drum n bass. Now, I know your thinking well what about Digital Hardcore? > Well it doesn't sound like DHR cause there aren't any hardcore speed > metal riffs or heavily distorted beats. Instead the vocals are distorted > (much like Ministry/Skinny Puppy), but placed over rather straighforward > drum n bass tracks. The result is pretty interesting and anyone that > likes the two genres should definetly check it out. as a big industrial dance/ebm fan, i will have to give my feelings on this cd: marc heal (mr cubanate) should not be allowed within 30 feet of a jungle beat. he destroyed the last cyber-tec album, imho. that said, here's some more on industrial meets d'n'b (& more): haujobb. haujobb. haujobb. these two germans are incredible. their second album, _freeze frame reality_ from '96, showed them taking a more techno/acid-y/experimental tack than their previous album (straightforward skinny puppy-esque industrial). lots of squeslchy analogs and bleeps and very harsh. but really good. their third, _solutions for a small planet_ ('97), is an absolute masterpiece. very experimental. some extremely distinct idm-ish elements: some tracks have clicks and whirrs a la autechre, some have fax-y ambience, all of them are awesome. now, i've always hated standard industrial lyrics and that way-overused ogre distortion effect on the voice, but the haujobb is all very clean, dry vox, often very understated and calm, and with a cerebral kinda futuristic technological vision. very good. the accompanying remix album, _matrix_, i voted for as best idm album of '97. it was the only completely original thing of the year, imho. all of the remixes are quite radical deconstructions, most very d'n'b-esque in an extremely experimental sense. no drill'n'bass or spunk jazz or fungle, but really clean crisp irregular patterns. hard to describe. there's an interesting kinda industrial house remix, a seefeel-y drone-y new track, a soaring detroit-y mix, and some minimalist fun. another worth checking out are x marks the pedwalk's last two albums. '96 brought us _meshwork_, full of lots of mingling 303 lines (reminiscent of the better hardfloor stuff) and vocoders galore. good, but '97's _drawback_ blew it away. this is industrial on the electro edge (except faster) with some minor d'n'b patterns for entertainment. one or two border trip-hop on the darkside, one pushes the house-y/techno-y/eurodance gig (and is a guaranteed floor-filler), and one borders on enigma-esque girl-y pap (program it out). some very interesting new vocoder ideas on this one, too. the guy behind xmtp has a real good sense of space and arrangement. and he kinda sounds like neil tennant sometimes. both haujobb and xmtp are extremely well-produced, and you can find 'em all on metropolis, based in the fine city of philadelphia; abroad it's offbeat for haujobb and zoth omnog for xmtp. * #### a disturbance in a system. #### laerm. @voicenet.com #### one time and you're a philosopher; two times and you're a pervert.