(idm) mp3 copyright issues in the UK - newstory

From David Hodgson
Sent Thu, May 28th 1998, 02:57

considering what was happening between the mp3 archives and Warp recently i
thought this was of relevance - sorry if anyone else has posted it but i'm
on digest - it's from the UK newspaper The Independent


A new CD costs £14.49. Or, you could download it for free on the Internet
ROCK STARS and record companies lined up to complain yesterday that fans
downloading free music from the Internet is costing them millions and could
kill off the British music industry. 
Launching a new lobby group, British Musical Rights, record company bosses
blamed the telecom industry for undermining its business and called on the
Government to set up a task-force to strengthen international copyright
agreements. 
Beatles producer Sir George Martin and Ashley Slater of the band Freakpower
gathered with record company executives because of the threat to their
income posed by fans placing CD-quality recordings on the Internet. Anyone
with the right technology can download their music and keep it for free. 
Slater, whose band had a number one hit with "Tune In Turn On Cop", said:
"If my copyright isn't protected I go out - a little twinkly light in the
Cool Britannia sign goes out - and I'm just one of tens of thousands of
musicians who rely on that. 
"It's virtually impossible to earn money through touring. After four years
we still owe our record company £350,000." 
William Booth of Sony Music said: "My company invests millions of pounds
each year in new writing talent and new composers and to recover that money
we need to be paid. If we don't get paid because it goes on the Internet we
can't continue to make that investment in new talent and we can't continue
to pay people to collect money for those new composers." 
Internet service providers and telecommunication companies which carried the
electronic messages should share some responsibility, he said. 
At the heart of the industry's worries is a new digital software - freely
available on the Internet - known as MP3 or MPEG, which can take as little
three minutes to download a song in perfect digital CD quality from a web
site. 
Most MP3 sites are created by fans in their bedrooms happy to share their
rare tracks and bootleg versions. MP3 aficionados trade songs and whole CDs
- if you don't bring something to trade it is known as "leeching".
Nevertheless, MP3 versions of CDs get left on the web for anyone to
download. 
And it only takes one Internet address for a CD of a popular band to become
well-known and thousands of copies can be made and thousands of potential
sales lost. 
In America the record industry, led by David Geffen of Geffen music, has
clamped down on MP3 sites, using copyright legislation to close as many as
250. However, the British record industry was told yesterday that as many as
26,000 sites exist on the World Wide Web. 
The problem for the authorities is that once closed down fans can set up a
new web site or they can disappear into the myriad so-called "chat rooms"
and discussion zones of the Internet where they can exchange their music
without being traced. 
"It can feel quite seedy," says Internet journalist Simon Waldman. "You chat
for a bit and then ask them if they have anything to swap. They usually have
Pearl Jam or another American band, either that or you get directed to an
address for a site in Poland where you can get a free Spice Girls CD." 
The overwhelming numbers of young American men using the Internet means that
the bands with the largest numbers of free music sites devoted to them tend
to be guitar bands like Metallica and Nirvana which has 3,462 MP3 sites
compared to Bob Dylan's paltry 546. 
In the UK, the British Phonographic Institute has acted to remove unlicensed
music from just five sites - but such is the confusion over Internet
copyright law that they acted not against students in a back bedrooms but
some of Britain's biggest companies. BT, the BBC, Demon Internet and Virgin
Net had all unknowingly placed music that could be copied on their sites and
the BPI forced them to remove it. 
The irony for the music industry is that the Internet is likely to be the
distribution system of the future for music sales. Once record companies
figure out an encryption technology that allows it to charge people for
on-line music, it would have a way to sell CDs without the cost of actually
pressing a record and keeping it in an expensive high street shop. 
David Bowie and The Rolling Stones have invested in ventures overseen by
Larry Rosen, a former record industry executive who has pioneered selling
and marketing music on the Internet. 
For less well known bands, however, the Internet provides a new way of
reaching an audience. Unsigned bands like Nottingham's Slug Oven have
created their own sites with playable music that means they can reach more
people than they ever will playing in the local pub. 
And not everyone agrees that the threat is yet so great: "It is still a long
way down the line that hardware that you can download on will be as
ubiquitous as the hi-fi," says John Harris of music magazine Select. "And
it's wrong that the copyright police should be stamping on 14-year old
bedroom enthusiasts." 
One 25-year old on-line pirate music specialist is unconcerned about the new
lobby group: "By the time they have changed the law to deal with MP3 there
will be some new technology along that their law won't cover. It all changes
too fast for them."