Re: (idm) monkeys with samplers

From daniel
Sent Thu, Jun 10th 1999, 02:14

being a "mad" monkey I feel a need to respond.

Throughout this whole argument I have observed one thing.

1.  there are those who look at music strictly from an intellectual point
of view


I said this before but if you only look at music from an intellectual
stance you are missing out.  Music sometimes is just meant to be enjoyed
not over analyzed.  If it sounds good to you then why does it matter if it
was sampled or not?  This does not mean you can't analyze and theorize
about it.  What it means is that sometimes music is just music; while
other times it is an intellectual pursuit.  Learn to know when to apply
those principles. I guess what I am saying is that you cannot say
"samplers bad; synthesis good".  They both have their places and their
purposes.  And I have never understood the assertion that in order for
music to be good it has to be hard to make.  Difficulty is a matter of
perspective.


next question:

so why do I sample?

simple.  I cannot play drums and have no rhythm to speak of.  So what I do
is find a sample I like.  I then use it's underling structure as my basis.
Then the sample is processed and generally destroyed until it does not
sound anything like the original.  However, the structure (though by this
point it is not apparent)  is still there.

Example:

I sampled a basic hip hop beat.  Slowed it down; distorted it; applied
reverb (and a host of other things).  I then placed it into my sampler and
from my sequencer set the bpm to around 300.  The end result was a 4/4
beat.  But it still had the depth of the original sample without sounding
a thing like it.

-daniel
Head Monkey
Mad Monkey Records
http://monkey.eliteware.com