Re: (idm) PBO and Re: personal music manifesto...

From Aetehraplst
Sent Thu, Jun 3rd 1999, 19:57

> At 11:36 PM 6/2/99 -0500, you wrote:
> >i think that the "feeling" is what drives most of the conversations,
> >really.  and it plays a big part into what's thought of as overall
"good"
> >and "notsogood".  take, for example, the PBO 12" on skam.  i doubt that
> >anyone on the list would honestly claim that there was a "lack of
> >technicality" or whatnot on the 12"... but it didn't have much feeling. 
> 
> What do you mean by "feeling," though?  Are you talking about emotion?
> That's dangerously subjective ground.  In regard to the PBO 12", I don't
> think it's very happy or very sad sounding or what have you, but that
> doesn't make it less worthwhile.  I like it a lot, although I wouldn't
> consider it to be mind-blowing or ground-breaking.  It may not be very
> emotional, but much of it has groove.  For me, groove (for lack of a
better
> word) is just as worthwhile as any other thing (emotional impact, for
> example) that can be had from music.  
> 
> Jeff
>        

Well I agree that the PBO 12" is definitely funkeh.  I like it for that
fact at the very least.  And like I said, they definitely knew what they
were doing whilst making it, which is why I mentioned the technical
aspects.  But like a few others have said, it just "feels" different from
their prior output.  Which, I mean, isn't necessarily a bad thing.  I was
going more for the fact that "feeling" (note the quotes) is something that
the listener grabs from the music, and is different.  From those that I've
talked to and from myself, I've noticed that certain music appears to have
more feeling in it.  But you're right, it's incredibly subjective.

Like for me, the Drexciya "Journey Home" EP on Warp seems to have a lot of
feeling in it.  It just expresses that to me.  While "The Quest" 2xCd is
obviously good, the majority of it just doesn't express the same "feeling".
 Maybe it's just me.

I think that it can be extrapolated towards some of the issues that are
dealt with on the list with commercial music and whatnot, too.  It seems
that when an artist makes something to make money and be seen in the
public's eye, it has less "feeling" behind it, as compared to something
that they make for the fact that they want to?  Maybe not.  But it comes
across that way for me, almost all the time.

</soapbox>

-=aethersplat