(idm) This Sex Which Is Not One

From Peter Becker
Sent Tue, Feb 16th 1999, 14:51

Props to Drew for writing a very insightful ( by the way for all
of you scholars on the list, particularly the ones who pay attention to
spelling...its *insight* , not insite ) anyways, props to Drew for bringing
up the gender issue with a strong and intelligent bent.

Of course as with 99% of all intelligent posting on idm, his comments will
be ignored.
Time after time ( though I've only been here 2 years ) I've seen intelligent
commentary fall by the wayside.  Whenever soemeone realy hits an issue with
focus and clarity, it is typically bombarded with 50-100 "duh, yeah, me too "
retorts. Many idmers might remember Sean Cooper, or Stuart's posts from some
time ago and how generally, when someone threads with a brain, they are
ignored.

So while we're on the gender thread FOR THE TEN THOUSAND'TH FUCKING
TIME!!!!!!!!!!!!!! , how about
picking up where Drew leaves us, but first, a vocabulary contest:

Be the 900th idmer who answer this correctly ( by emailing me directly )
and you will win

*The *entire* Aphex Twin catalog, on vinyl, every piece autographed.*

Definitions- let 'er rip!

anecdotes
essentialism
paternalistic
rhetoric
transcended
rhetoric
socialization
bourgeois
populist
trajectory
truism
manifesto

Work hard idm'ers, and thanks again to Drew...= )

Peter

>
Date: Tue, 16 Feb 1999 02:35:53 -0800
From: xxxxx@xxxx.xxx
Subject: (idm) This Sex Which Is Not One

        People on this list are letting themselves make massive
generalizations about gender, and even the people citing anecdotes/personal
experience are tending to use them as support for their massive
generalizations about gender. It's called "essentialism", people, and it's
a drag. Substitute "left-handed" or "Philipino" for "woman" and switch the
music under discussion to "hip hop" or "rock" and you will realize just how
unconvincing ANY of your generalizations really are. Why do you expect
aesthetic pleasure to correspond neatly to social groups? What
paternalistic fantasies about educating the world in the mysteries of IDM
are you indulging in by way of this handwringing about how to welcome women
into your community, and who have you written out of the picture in order
to feel that "your" electronic music scene is originally (heterosexual)
male in the first place? Given the heavy rhetoric of the "unnatural" and
the "inhuman" surrounding electronic sound,  shouldn't we supposedly
sophisticated listeners be less eager to nail everything down in terms of
the traditional Male/Female opposition? If you've already transcended the
rhetoric of the natural and human when it comes to the art you make or
appreciate, why can't you leave that rhetoric alone when you're interacting
online/at shows/in everyday life?
        Maybe a discussion of how socialization has built up expectations
about the correspondence of gender to sound is in order here. A good place
to start is Richard Leppert's "The Sight of Sound: Music, Representation,
and the History of the Body", an account of how representations of music
have evolved in lockstep with the emergence of the bourgeois family, with
populist, collective and festive music making eclipsed in favor of the
private household model that centers around the "man of the house". Surely
the lone male bedroom knob twiddler, that figure of both identification and
oh-god-it's-not-me anxiety for many an IDMer, is in fact one expression of
this historical trajectory. Whatever, the points to be made are simply
these: Don't assume that you know something about what women as a group
really want, really like, ought to like etc. When you catch yourself
reaching for some time honored truism about gender ("women are soft and
they want to hear soft sounds") just negate it, laugh at its inadequacy,
think past it, and while you're at it, reach for a Laetitia de
Compaigne-Sonami, Kaia Saariajo, Nic Endo, Kelly Hand, Neotropic, Pauline
Oliveros, Laurie Anderson, Scissor Girls, Diamanda Galas, Joan La Barbara
(and on and on and on and on) CD . . .

Do I have to mention Walter/Wendy Carlos or Terre Thaemlitz as well? Don't
you people know the deal already?

why won't somebody write the definitive third sex electronic manifesto,

Drew

NP: Pauline Oliveros "Alien Bog"  some of the coldest, most inhuman
electronic sound imaginable
>