(idm) Funkstorung Live review (NME)

From Jonathan Tedds
Sent Wed, Jun 9th 1999, 14:59

                    Funkstorung
                    London King's Cross Crossbar

                    It's quite a name to drop - and not just
                    because saying 'Funkstorung' a lot is
                    good fun. These two men are probably best
                    known for Bjork's favourite remix of 'All
                    Is Full Of Love', but Funkstorung (that's
                    'radio interference', to you) have also
                    smoothed out countless other tracks with
                    their computer love since meeting in '92.

                    Tonight is Funkstorung's live UK debut,
                    and so it's difficult to know what to
                    expect. Until now, the German duo have
                    mostly been known as remixers: wriggling
                    with ideas, slick with pristine dynamics
                    and crazy-paved beats, all of which
                    surface on their ace 'Additional
                    Productions' mix compilation. As it is,
                    we don't recognise a note because
                    tonight's tracks are all new,
                    as-yet-unnamed productions, hewn from
                    their own musical quarries.
            [Image]
                    They are unmistakably ace, though.
                    Abstract shivers and disarrayed pops

                    gradually right themselves into killer
                    grooves; indelibly lovely shimmers morph
                    into steely breakdowns. It's complicated
            [Image] stuff, but irresistibly spring-heeled.
                    The frequent comparisons Funkstorung get
                    to Warp artists are justified - like when
                    Funkstorung's sneaky rhythms start to
                    slip and slide like an Aphex Twin track
            [Image] might. But there are moments when Michael
                    Fakesch (tall) and Chris De Luca (small)
                    twist and bend tones over lathered-up
                    beats like Orbital might if they were
                    playing Kraftwerk. Essentially,
                    wunderbar.
            [Image]
                                                 Kitty Empire