From Tim Walters Sent Thu, Jul 13th 2017, 15:57
From Tim Walters Sent Thu, Jul 13th 2017, 15:57
I started playing with microtuning back in the 80s (using Yamaha FM = synths), and ended up writing the scale and tuning libraries for = SuperCollider. I hardly ever do anything that's strictly standard = tuning. My most recent albums use a lot of just intonation in = particular: <https://vauxflores.com/vf-industrial/the-difficult-third-wish/> (tracks = 4 and 6, the rest don't really have pitch per se) <https://auralfilms.bandcamp.com/album/kilgrimal> (throughout) Not IDM at all, which is why I didn't announce them here when they came = out, but maybe of interest given the current subject. Wendy Carlos' "Beauty In The Beast" is the most famous album made with = advanced mictrotuning techniques. I didn't find it on a quick YouTube = scan, but maybe it's on your favorite streaming service. > On Jul 13, 2017, at 5:50 AM, Aleks tresorg <xxxx@xxxxxxx.xxx> wrote: >=20 > that just was an eye opener!!! > heres an ableton example for anyone thats interested in how to = microtune: http://subaqueousmusic.com/sof/ >=20 > cheers >=20 > On Wed, Jul 12, 2017 at 12:28 AM, Clint Anderson <xxxxxx@xxxxx.xxx> = wrote: > thanks for sharing this was a great interview=20 > very technical and not at all your typical magazine shit >=20 >=20 > Clint Anderson > Systems Engineer > "Freedom -- paint me a picture!" -- Burton Cummings >=20 >=20 > On Tue, Jul 11, 2017 at 7:03 AM, xxxxxx.xxxxxxxx@xxxxxxxxxx.xxx = <xxxxxx.xxxxxxxx@xxxxx.xxx> wrote: > http://item.warp.net/interview/aphex-twin-speaks-to-tatsuya-takahashi/ >=20 > Mem >=20 >=20