(idm) Re: obsessive eye 3

From Eddie Peel
Sent Sat, Aug 8th 1998, 00:06

>Reply-To: "diskono" <xxxxxxx@xxxxxxxxx.xxx>
>From: "diskono" <xxxxxxx@xxxxxxxxx.xxx>
>To: "Eddie Peel" <xxxx@xxxx.xxx>
>Subject: Re: obsessive eye 3
>Date: Fri, 7 Aug 1998 20:17:08 +0100
>X-MSMail-Priority: Normal
>X-Mailer: Microsoft Outlook Express 4.72.2106.4
>X-MimeOLE: Produced By Microsoft MimeOLE V4.72.2106.4
>
>hi!
>
>just back from paris. trying to record the psychic footsteps of de bord
>
>re obsessive eye :
>
>SPREAD THE WORD!!! FWD this Message to  IDM or any other mailing lists you
>subscribe to - Dave is a fine person & Obsessive Eye is a worthy cause
>
>
>>From : xxxx@xxxxxx.xx.xx
>
>>Firstly, aplogies for the delay.   It's been a very tough 6-8 months,
>>but at last we can announce the release of Volume 3 of Obsessive Eye.
>>Edited and designed by Dave Howell of Fat Cat Records, this issue comes
>>as a 56-page, black & white A4  magazine.  With a bold, Futurist-style
>>layout and imagery lifted from Deconstructionist architecture, the issue
>>features in-depth / critical articles on the following:
>
>>SKAM;  PANASONIC;  V/VM;  MERZBOW;  CHRISTIAN MARCLAY;  IRDIAL;  PCP;
>>I-F & DEN HAAG scene;  REPRAZENT;  BOYMERANG;  PANACEA;  ROME;
>>FOEHN;DISKONO; JEGA;  VAINQUEUR.
>
>>Again, the magazine will come with a free 7" single, this time featuring
>>tracks from:
>
>>PANASONIC v ALAN VEGA
>>PANASONIC v FM EINHEIT
>>V/VM
>
>>Obsessive Eye Vol. 3 will be released in a limited run of 1,500 copies
>>and will be available in decent stores from AUGUST 23rd for =A33.00; or in
>>advance for =A33.75 (inc. p&p  UK) from:
>>60 Morrish Road, Brixton, London  SW2   4EG   UK....
>>(please make cheques payable to David Howell)
>
>>For those of you ordering from abroad, please convert =A3UK  into an IMO,
>>or e-mail me back for other arrangements.
>
>>Thank you for listening.
>>Do not hesitate to mail me back for any further info / requirements...
>>D.HOWELL
>
>[diskono note: AFAIK xxxx@xxxxxxxx will be carrying copies, so he is your
>best bet for credit card sales - xxxx@xxxxxxxx.demon.co.uk]
>
>
>re diskono
>
>x & y are being pressed as we write, i wasn't happy with one of the 7"s and
>had it recut,
>this acounts for the delay, graphics  for the 7" labels are now viewable on
>our www.site
>
>out 3-4 weeks, modern music is best bet
>
>re diskono 02..it's 99% finished, at mastering stage
>
>heres the propganda release for diskono 01 & 02 - it will reveal all- feel
>free to distribute as you like
>
>[press] <RELEASE> apologies if you are offended by true ART
>
>After a random throw of the dice, you have been chosen to recieve this mass
>produced secret :
>keywords :autonoumous, succinct, lucid, invective, daedal, capricious,
>impetuous, adroit, chimerical, intractable, insurgent, ardent, discord
>
>DISKONO, your Scottish friends dedicated to burning cigarette holes into=
 the
>carpet of 'ART',  a home for dystopic electronica, turntable terrorism,
>audio collage, found sound experiments and other fucked up shit from
>crazies, announce that after much delay, DISKONO 01 will be going to press
>end of this month, in formats to keep the consuming masses AWAY from our
>front door, remember folks consuming and desiring are NOT rational actions
>
>DISKONO #1 will take the form of 2 psycho-geographical experiments
>
>[the study of the specific effects of the geographical enviroment,
>consciously organized or not, on the emotions and behaviour of individuals.
>that which manifests the geographical enviroments direct emotional effects]
>
>Both experiments [X+ Y] were originally concepted to contain material from
>scottish resident or exiled artists, this concept has now undergone a
>process of negation, to now include non-scots, scottish native / exiled
>artists  remaining from original concept are donated by [s], we shall await
>the  negation of the negation with much interest, or maybe not.....
>
>7" [X]  feats *exclusive* tracks from
>
>BOARDS OF CANADA [skam / warp] * melancholic electronica, from before fame
>came their way [s]. check : http://www.ednet.co.uk/~ehx/artists/canada.htm
>ROOK VALLADE [switch / plug research / reflective] * max roach / zoviet
>france in a broom cupboard [s]
>FABRIC SOAP STARS * remixed by daniel j beattie, to electronic music, what
>beefheart was to flower power, fucking nutters [s]
>OFFICE PRODUCTS *crazies from portland, currently putting together an=
 elpee!
>for NEGATIVLAND=92s =91SEELAND=92 label, schizo speed jazz /cut up / total
>mutilations cut =93live=94 to 2-track utilising turtables, FX's and Midi=
 Guitar
>to trigger found sounds, collage  & homemade loops
>DANIEL J BEATTIE [spymania]  *satie like introspective piano passage from
>20th century classical composition student who released the final 12"=
 [DIAL]
>on spymania before it bit the dust [s],
>
>7" [Y]  feat *exclusive tracks* from
>
>VVM [vvm / fat cat / 0161]  *channel surfing noise from mancunian dada-film
>stars. check: http://www.sonic.net/~brap/vvm/index.html
>ITG Crew *surreal phone-in madness culled from compilation consisting of
>submissions from subscribers to NEGATVLAND  internet discussion list
>SNUGGLES
>FELIX KUBIN *it is still a complete enigma how he managed to telepathically
>contact the long-lost space pioneer yuri gagarin. indeed, Felix Kubin might
>very well be the most important clairvoyant for the now incorporeal
>cosmonaut, whose phantasmogorical concepts are telepathically transmitted
>through Felix Kubin as desolate and futuristic electronic compositions. is
>music is the melancholic hum of protons, look out for his lp of sci-fi pop
>on his owm GARGARIN records, avaliable from Hardwax in Berlin
>[xxxx@xxxxxxx.xxx]
>SUETSU & UNDERWOOD *
>*members of NY=92s lucky kitchen collective, constructing music from the=
 bits
>other people leave out
>and the occasional cooking show. check : http://www.luckykitchen.com
>
>DISKONO #2 [Project Synopisis] 8:98
>
>'IM SO BORED WITH THE USA' *Format 12"
>
>* critera for the tracks is that they have to be *exactly* 2minutes
>25seconds, [ie. same  length as clash track], we're interested in
>multi-artist compilations from the angle that it  encourages tourism and
>they state it is not our intention to document one particular niche scene
>either defined musically or demographically
>
>*contributors - include
>
>HRVATSKI
>
>detoured sounds from sources such as clash [@ 1600%], tristan tzara /
>richard huelsenbeck, john cale / terry riley, dennis coffey w/ atonal tenor
>sax & feedbacking guitar, check hrvatski's 12" on his own imprint
>reckankreuzungsklankewekzeuge' [attention cats] , a collage of wild drum n
>bass, found sound & musique concrete
>
>JAKE MANDELL
>
>polyrhythmic compressed cyber-funk, rhythmically disorientating, jake has
>previously released one 12" on his self-financed prime deep imprint, which
>received a rave review in THE WIRE, ambient soho's in-house label 'worm
>interface' have commisioned him to produce a long-player for them
>
>LESSER
>
>J [Lesser] from SF, indulges in cut-up mayhem fueled by a closet full of
>over 10 years of home-collage work, previous outings for vinyl
>communications have included a swipe at oval in the form of 'markus popp=
 can
>kiss my redneck ass' 12" and the '2XCD' collaboration with Matmos,
>constructed solely from the tortured souls skipping & mutilated cd's
>
>OFFICE PRODUCTS
>
>crazies from portland, who indulge in a schizo speed jazz /cut up / vinyl
>mutilations via turtables, FX's and Midi Guitar to trigger found sounds,
>collage & homemade loops, doug and dave are currently recording an album=
 for
>NEGATIVLAND=92s label SEELAND
>
>WHILE
>
>coming at ya from silversprings MD, while has just made his vinyl debut on
>mask 004, series of compilation 12"s co-released by manchester's skam
>records and munich's musik aus strom, while fuses jagged crypto=
 electro-funk
>with subtle melodies, watch out for a summer 12" on musik aus strom
>
>PEOPLE LIKE US
>
>uk based surreal & irreverent audio collage / sound manipulation artist.=
 PLU
>is currently working on a remix version of last years staalaplaat cd=
 'people
>like us hate people like you', mixes coming courtesy of vvm, coil, farmers
>manual, dummy run & many more crazies, as well as compling a cd culled from
>the tapes of the radio shows PLU took place in on their sojurn to the=
 states
>in collaboration with wobbly / wetgate and negativland's mark hosler / don
>joyce
>
>FELIX KUBIN
>
>see : diskono 01
>
>MAX KLEYDERSTURM
>
>brother of Felix, from from Berlin, KORG MS 20 maniac, electro-confusion
>dadapunk
>
>SUETSU & UNDERWOOD
>
>see : diskono 01
>
>AEROSPACE SOUNDWISE
>
>todd carter from chicago, who he has a super whack track on the 3rd
>consumation cd by ground zero. also jams in TV POW [BOX MEDIA / GENTLE
>GIANT]
>
>V/VM
>
>see : diskono 01
>
>WOBBLY / WET GATE
>
>contribution structured from a live broadcast,  "Over The Edge", radio=
 show,
>KPFA FM Berkeley, 9 April 98
>
>WET GATE : The projectionist trio.  The all-projector orchestra.  The A/V
>band.  Peter Conheim, Steven Dye and Owen O'Toole, from the San Francisco
>Bay Area, perform entirely with 16mm film loops and sound projectors to
>create a aural-image stew.  No tapes or other outside sound sources are
>utilized. Cine-minimal; the cruelty of economy; cinema for the ear.
>
>WOBBLY : proper began in 1990 as a free mix variable-format broadcast on
>KCSB FM in Santa Barbara, from critique to parody to habit.  Upon=
 relocating
>to San Francisco in 1994, Wobbly was acquired by the super corporation
>General Injectables and Signals, and employed as content providers.  More
>and more people are responding to the 'gritty' authenticity of cheap
>garbage. Wobbly radio sounds continue;  we'll see you at work.
>
>CARTESIAN FAITH
>
>textural sonic abstractions from Alaska, previous outings include projects
>on MSBR & XERXES [Japan], CLING-FILM [Belgium] and BoRFT [Sweden]
>
>
>MARCO PASSARANI
>
>transmitting electro viruses from planet rome in future time zone 2099
>
>DISKONO 00 - "Totally Illegal"Audio Collage CD
>DISKONO 04 - Stock Hausen & Walkman 7"
>DISKONO 05 - suetsu & underwood 10" w/ deconstruction via dad's new slacks,
>wobbly, d/p/c etc///
>
>Beyond that we can only speculate
>
>thanks for listening : contact us for details on where , who and what
>
>communication is welcomed on ANY topic
>
>"It is useless, to expect even a caricature of creativity from a  conveyor
>belt." Raoul Vaneigem
>
>
>--------___----__----^^^-----__^^^^---
>
>http://www.geocities.com/Eureka/Gold/2142/index.html
>
>une jeunesse que l'avenir inquiete trop souvent
>
>
>
>
>
>
>
>
>
>-----Original Message-----
>From: Eddie Peel <xxxx@xxxx.xxx>
>To: xxxxxxx@xxxxxxxxx.xxx <xxxxxxx@xxxxxxxxx.xxx>
>Date: 07 August 1998 05:19
>Subject: obsessive eye 3
>
>
>>
>>Hello,
>>
>>I'm wondering about this release and ordering it directly.  What's the
>>release date for the x and y 7"'s? The I'm so bored comp?  While? =
 Beattie?
>> How's diskono night going?  I don't even know if you've released anything
>>yet.  You are putting out records worth looking forward to.
>>
>>thanks for listening,
>>Eddie
>>
>
>