From Tim Walters Sent Mon, Jan 7th 2019, 20:27
From Tim Walters Sent Mon, Jan 7th 2019, 20:27
I meant to respond to this as well. I have three IDM-ish albums as = Shalmaneser: http://www.doubtfulpalace.com/artists/Shalmaneser/index.html And four recent electroacoustic/dark-ambient-or-so-people-tell-me albums = under my own name and as a duo (Usufruct) with flutist/singer/composer = Polly Moller Springhorn: https://vauxflores.com/vf-industrial/austerity-measures/ https://vauxflores.com/vf-industrial/windfall/ https://auralfilms.bandcamp.com/album/kilgrimal https://vauxflores.com/vf-industrial/the-difficult-third-wish/ I do pretty much everything in SuperCollider except for acoustic = instruments (bass, recorder, dulcimer). Also a bunch of electronic and non-electronic music going back to the = Eighties: http://www.doubtfulpalace.com/music.html > On Jan 7, 2019, at 12:13 PM, Laurent Knauth <xxxxxxx.xxxxxx@xxxxx.xxx> = wrote: >=20 > Impressive ! >=20 > Personal favorites : > =E2=80=A2 1:10 : of course ! > =E2=80=A2 2:22 : Garbage-reminiscent (and =C2=ABmore cowbell=C2=BB = too) ! > =E2=80=A2 3:13 : irresistibly catchy, unexpectedly love it =E2=80=94 = this is the =C2=ABbegging for more=C2=BB kind ! >=20 > And nice acoustic textures overall. >=20 > And yes, Falcon seems to be the bomb. >=20 > On Mon, Jan 7, 2019 at 8:03 PM Steve Gualdoni <xxxxxxxxx@xxxxx.xxx> = wrote: > Just realized that the draft reply I began was sent incomplete. >=20 > I=E2=80=99ve been making music of different genres for quite a few = years. I was around Detroit when the techno/house thing took off, = repairing musical electronics professionally. I repaired the sound = system at Detroit's legendary Music Institute. I still own the tape = machine that Derrick May used there for loops. I did repairs and customs = for many of the notable Detroit acts and quite a few collaborations as = well, almost all of which are uncredited. I played in punk bands, = engineered for others, did warranty repairs for about any synth company = (Sequential and Moog were still alive when I began), was employed at a = larger live sound outfit, taught engineering, and ran studios. I've used = almost all of the gear you can think of from vintage to software-based. = I have little affection for cranky, old gear that makes me waste time at = the workbench. I'm a firm believe that most classic recordings were = great not because of the gear, but in spite of it. >=20 > I used Camel Audio's Alchemy synth for much of recent work but, since = it's only available in Logic these days, I spent some time researching = what synths other non-Logic Alchemy user migrated to. One name that kept = popping up was UVI's Falcon. I prefer the idea of having a number of = synthesis algorithms under the same interface which keeps me from having = to learn a multitude of interfaces ( I still own a Kurzweil K2500 for = that reason). I was quite pleasantly surprised to discover that Avid had = recently deposited a license for Falcon into my account (some kind of = special deal). It seems to be all that Alchemy is and a bit more. I've = done some microtonal ambient, and plan to do more, so it's ability to = import scala tuning files directly was a nice feature. I also use a = Yamaha MOX8 and AN1x (nice virtual analog) and EX-5 (the internal VL = synth is pretty unique). >=20 > https://soundcloud.com/eden909/demo-reel contains a wide variety of = stuff I've worked on, either as engineer/producer/mastering or composer. >=20 >=20 >=20 > Steve >>=20 > xxxxxxxxx@xxxxx.xxx >=20 > On Tue, Dec 25, 2018 at 9:19 PM Clint Anderson <xxxxxx@xxxxx.xxx> = wrote: > how many ppl are on this list who are not just fans but also artists = themselves? > would anyone care if ppl posted like, cool new audio software = tips/hints/sales stuff? >=20 > Clint Anderson > Systems Engineer > "Freedom -- paint me a picture!" -- Burton Cummings >=20