Re: (idm) RePHLeXions

From Nuutti-Iivari Merilainen
Sent Thu, Oct 14th 1999, 13:57

Superfuzz wrote:
> 
> ----- Original Message -----
> From: Nuutti-Iivari Merilainen <xxxxxx@xxx.xx>
> 
> > She (like me) has a classical music education (we both played the
> > violin for a good while and learned other instruments on the side),
> 
> Er, not to pick a fight, but this statement seems to have little to do with
> anything. Does this make her judgement of RePHLeX records any more important
> than mine or anyone else?
> 
  At the risk of sounding like flamebait I state that musical education
_does_ have a profound impact on listening experience. If one has been
under the influence of classical music and theory for years, it does
twist your opinion. It is not a judgement call, it is an inhibition
created by studying and playing music that has more history and
convention than electronic music in all of its incarnations. If a
person with an education in music does not like something that sounds
like a drunken german karaoke contest at Oktoberfest with 4-bit
jingles separating the so-called music, I have no need to point fingers.

  Of course, as I wrote in my original message I find the record in
question (Bodenstadig 2000's 'Maxi German Rave Blast Hits 3') humorous
and very tongue-in-cheek, but I do not have to like it. I find Mike &
Rich's 'Expert Knob Twiddlers' annoying as hell, but in a different way
- since there is (supposedly) a very liquid reason for the album being
what it is. Some V/VM stuff gets the hairs on my neck to stand on end
and some records that I have in my collection (that some might argue
are sort of classic IDM) have been played just once and forgotten because
they are such excrement (I will not name any lest I be charged with
blasphemy).

  The reason records like this are released is that there are those
like me and perhaps some of you that just buy everything on a label
they can get their hands on, even if it was two 7" pieces of sandpaper
or a lock of hair or a few pieces of wire allegedly from Richard
James' gear. We really should get a life.

  The point that should have been read between the lines is the one in
the second sentence: having an education in music does away with your
free conceptions of music, thus inhibiting the potential range of music
you can listen to unless you teach yourself out of it or are very open
to new and interesting things. Bah, I am starting to contradict myself.

  For the definition of humour, see Webster's or somesuch.

  Now I will go and slap myself silly with a rather large trout and
forget about this thread (and later it will rise from the depths of
the electronic ocean as the dreaded Shub-Internet is being summoned by
the neo-satanists on the 'net. Ia! Ia! "Been reading Lovecraft lately?"
"How did you guess?").

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