Re: The Wire reviews Syro

From Sham Beam
Sent Mon, Sep 15th 2014, 12:19

The review claims "Electronic music is now more aesthetically and 
economically segmented than ever[...]" at the very end. Is this really
true? Aren't most new releases now some strain of house, techno or bass 
music? Or maybe idm. I have no idea what "economically segmented" means.




On 9/15/2014 10:08 PM, Zombiefly wrote:
> apart from the 1000 words that meant nothing. music reviews for the
> over-educated :)
>
> On 15 September 2014 12:43, Esa Ruoho <xxxxxxxx@xxxxx.xxx
> <mailto:xxxxxxxx@xxxxx.xxx>> wrote:
>
>     there was nothing difficult to comprehend about their Syro review.
>
>
>     On 15 September 2014 14:27, CRAIG SIMPSON <xxxxxxxxxx@xxxxxxx.xxx
>     <mailto:xxxxxxxxxx@xxxxxxx.xxx>> wrote:
>
>         ah yes,  The Wire.
>
>         when your looking for willfully esoteric theres no better man....
>
>
>           you would need a  group of cryptologists to decipher their
>         Autechre reviews
>
>         ------------------------------------------------------------------------
>         Date: Mon, 15 Sep 2014 11:35:24 +0300
>         Subject: The Wire reviews Syro
>         From: xxxxxxxx@xxxxx.xxx <mailto:xxxxxxxx@xxxxx.xxx>
>         To: xxx@xxxxxxxxx.xxx <mailto:xxx@xxxxxxxxx.xxx>
>
>         scan at http://i.imgur.com/ORCD5BU.jpg
>
>         Also, seems that it is confirmed that the last track (Aisatsana)
>         is some studio version of "that swinging piano track".
>         (link: https://www.youtube.com/watch?v=NJHsT8kEyzs     )
>
>
>
>
>
>
>
> --
> _____________________________________________
> Sent from my Sinclair ZX Spectrum 48K
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>
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>
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> -------------------------------


-- 
Sham Beam