Re: (idm) kool kieth and the current state of hiphop

From the Quaternions
Sent Thu, May 27th 1999, 07:01

> as far as i can tell, it's over in england that the hiphop sounds the
> freshest (by both definitions). as for their neighbours the french,
> unfortuantely i can't get past how silly rapping sounds en fran=E7ais.
>=20

I'm really curious about something.  How prevalent is hip-hop, American or
otherwise, in England's various pop music outlets (MTV, radio, concerts,
etc)?  In America it's become the pop music that dominates all others,
except among a certain cross-section of teenagers who like their
teenybopper pop.  But it's certainly more popular than most crappy
alt-rock.  IMO that's a great thing, because no matter how bad pop hip-hop
gets, at least you can dance to it, whereas with 3rd Eye Blind, there's no
recourse except hiding in a corner.

I ask because it seems like British hip-hop will never get to be
amazing unless it acquires a mass popularity there.  I mean, an artist
here
or there, sure.  But the reason for US hip-hop's continual self- renewal
is that it has so many fans, and thus so many creators.  Same way with
techno in the UK--our scene will never be great until techno becomes the
music of choice from cradle to grave for a large percentage of Americans.
It's a matter of exposure, I'd think.  Submersion in a certain genre leads
to a deeper understanding of the genre's possibilities, and a greater
mastery of its vocabulary. =20

So what Brit rappers are genuinely good, and not just novelty items?
Lewis parker... Who else?

Sam

PS--if I sent you a copy of my paper, I'd appreciate any
response/comments.  Criticize the fuck out of it if you want, but I'd like
to know what youi thought, even if only briefly.