From richard chartier Sent Tue, Mar 1st 2005, 03:15
From richard chartier Sent Tue, Mar 1st 2005, 03:15
> LINE | FEB.28.2005 > > new release - AVAILABLE NOW > > artist: ASMUS TIETCHENS > title: E-MENGE > cat.no: LINE020 > release: MARCH.05 > edition: 500 > > http://www.12k.com/line > > LINE is proud to present e-Menge the new installment of the Mengen > series from influential German electronic music pioneer Asmus > Tietchens. LINE will be releasing the subsequent works in this series. > Epsilon-Menge means Epsilon quantity. > > The four pieces of this recording represent my aesthetic approach to > space. Space not as in a "spacey" or astronomic sense, but space as an > extension of the three-dimensional region in which we exist. Caused by > acoustic foregrounds and acoustic backgrounds, spaces of different > capacities occur. In the early 20th century the fine arts began to > abolished spatiality, I wish to restore it by sound. > - Asmus Tietchens, 2005 > > > Asmus Tietchens' first released his unique electronic music in 1980, > but created works since the late 1960s. Since then he has produced > about 30 more cutting edge recordings on numerous international labels > dealing with electronic sound and conctrete music. Other > collaborationive projects include the ongoing Kontakt der Jünglinge > with Thomas Köner. Tietchens' focus is the manipulation of found sound > in ways suggested by the material itself. German label Die Stadt has > begun to reissue his groundbreaking early works on cd in limited > edition. His latest critically acclaimed project, a series based > strictly on sine tones and white noise is the "Mengen" series released > by Ritornell/Mille Plateaux (Alpha-, Beta- and Gamma-Menge). > > -- > . . . . . . . . . . . . . . > 12k | LINE | HAPPY > WWW.12K.COM > > NOW: > CD: Taylor Deupree & Christopher Willits Mujo [Plop, Japan] > CD: January [Spekk, Japan] > CD: participant on Bip Hop Generation v.7 [Bip-Hop, France] > LIVE: Presences Electronique | Feb.18 | Paris > > SOON: > CD: Taylor Deupree & Kenneth Kirschner Post_Piano 2 > > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Mar 1 01:17:35 2005 Return-path: <microsound-return-34597-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 28 Feb 2005 20:17:35 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 28 Feb 2005 20:17:34 -0500 (EST) Received: (qmail 73028 invoked by uid 1095); Tue, 01 Mar 2005 01:17:32 +0000 Received: (qmail 73017 invoked from network); Tue, 01 Mar 2005 01:17:32 +0000 Date: Mon, 28 Feb 2005 20:17:26 -0500 From: vze26m98 <xxxxxxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx>, John Nowak <xxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <r02010400-1038-ACD4462F89EF11D99473000D932C0D78@[67.84.254.108]> MIME-version: 1.0 X-Mailer: Mailsmith 2.1.4 (Blindsider) Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT X-Priority: 3 Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx John Nowak wrote on 2/28/05: >I think my comments make sense when read in context... John- Didn't catch Filipe's original post and I think your comments do make sense in context. So apologies. A shame everyone's hunkered down in their bunkers, however... Best, Tad <xxxxxxxx@xxxxxxxxx.xxx> --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Mar 1 00:24:11 2005 Return-path: <microsound-return-34596-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 28 Feb 2005 19:24:11 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 28 Feb 2005 19:24:11 -0500 (EST) Received: (qmail 48406 invoked by uid 1095); Tue, 01 Mar 2005 00:24:08 +0000 Received: (qmail 48360 invoked from network); Tue, 01 Mar 2005 00:24:04 +0000 Date: Tue, 01 Mar 2005 09:23:57 +0900 From: Shinjiro_Yamaguchi <xxxxxxxxxx@xxxxxx.xx> Subject: [microsound] New Japanese CD-R Label by Hiroyuki Ura and ASAMO To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxx.xxxxxx.xx> MIME-version: 1.0 X-Mailer: Webmail-inter7 Content-type: text/plain; charset=ISO-2022-JP Content-transfer-encoding: 7BIT X-Priority: 3 Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hi all, We are proud to announce our first CD-R release venture "TWOLINES". TWO LINES is a new japanese cd-r label launched 2004. we have two series REGARDS and RE:LETTERS. The former is the series of sounds which is considered to be music. >past release : TWO LINES (RGRD01) | URA + SH_YA April 2004 $B!D!D(B The latter is the series of live and fieldrecording works. >NEW release : shibuya at intervals (RLTR01) | hiroyuki ura vs. asamo February 2005 $B!D!D(B >ALL ITEMS are 10 euro include shipping. available here http://www.two-lines.org visit.. have fun :) Thanks for your time all the very best Shinjiro Yamaguchi --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 28 23:59:46 2005 Return-path: <microsound-return-34595-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 28 Feb 2005 18:59:46 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 28 Feb 2005 18:59:46 -0500 (EST) Received: (qmail 37481 invoked by uid 1095); Mon, 28 Feb 2005 23:59:38 +0000 Received: (qmail 37467 invoked from network); Mon, 28 Feb 2005 23:59:38 +0000 Date: Mon, 28 Feb 2005 18:59:34 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <r02010400-1038-166E92CD89AE11D98F5F000D932C0D78@[67.84.254.108]> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-PopBeforeSMTPSenders: xxxx@xxxxxxxxx.xxx,xxxxxxxxx@xxxxxx.xxx X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - jet16.hasweb.com X-AntiAbuse: Original Domain - hyperreal.org X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - johnnowak.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <r02010400-1038-166E92CD89AE11D98F5F000D932C0D78@[67.84.254.108]> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 28, 2005, at 12:27 PM, vze26m98 wrote: > John Nowak wrote on 2/26/05: > >> Unquestionably correct. Do not even consider a music-centric program. >> You'll end up jamming pencils in your ears within a week. > > Hey John- > > I'm reminded of J. C.'s comment about pulling the pencils from your own > eyes before you get started on the pencils of others... > > laissez faire, > > Tad "I´m very interested in music but I want nothing to do with composition, I´m more into the relationship between the new digital media and specially sound." - Filipe Galante I think my comments make sense when read in context... perhaps you should take your own advice. Sorry if something I said put you on the defensive, but that's really something you need to address, and not due to any fault on my part. - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 28 20:26:20 2005 Return-path: <microsound-return-34594-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 28 Feb 2005 15:26:20 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 28 Feb 2005 15:26:20 -0500 (EST) Received: (qmail 28799 invoked by uid 1095); Mon, 28 Feb 2005 20:26:11 +0000 Received: (qmail 28788 invoked from network); Mon, 28 Feb 2005 20:26:10 +0000 Date: Mon, 28 Feb 2005 14:25:29 -0600 From: Francisco Alvarez Alvarez <xxxxxxxxxxxxxx@xxxxxxx.xxx> Subject: [microsound] call for works In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> X-Originating-IP: [81.41.182.32] X-Sender: xxxxxxxxxxxxxx@xxxxxxx.xxx To: xxxxxxxxxx@xxxxxxxxx.xxx Bcc: Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1; format=flowed Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Originating-Email: [xxxxxxxxxxxxxx@xxxxxxx.xxx] X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 28 Feb 2005 20:26:01.0313 (UTC) FILETIME=[B80D9510:01C51DD3] //////////////////////////////////////////////////////////////////////////////////////////////////////////////// VLF & EVP... PANTASMA=FANTASMA=GHOST //////////////////////////////////////////////////////////////////////////////////////////////////////////////// for further information write to xxxxxxxxxxxxxxxxxx@xxxxx.xx _________________________________________________________________ T1msn Fotos: Todo lo que quieres saber sobre fotografía digital http://search.t1msn.com.mx/ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 28 17:28:08 2005 Return-path: <microsound-return-34593-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 28 Feb 2005 12:28:08 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 28 Feb 2005 12:28:08 -0500 (EST) Received: (qmail 38034 invoked by uid 1095); Mon, 28 Feb 2005 17:28:06 +0000 Received: (qmail 38024 invoked from network); Mon, 28 Feb 2005 17:28:05 +0000 Date: Mon, 28 Feb 2005 12:27:57 -0500 From: vze26m98 <xxxxxxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <r02010400-1038-166E92CD89AE11D98F5F000D932C0D78@[67.84.254.108]> MIME-version: 1.0 X-Mailer: Mailsmith 2.1.4 (Blindsider) Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT X-Priority: 3 Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx John Nowak wrote on 2/26/05: >Unquestionably correct. Do not even consider a music-centric program. >You'll end up jamming pencils in your ears within a week. Hey John- I'm reminded of J. C.'s comment about pulling the pencils from your own eyes before you get started on the pencils of others... laissez faire, Tad <xxxxxxxx@xxxxxxxxx.xxx> --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 28 15:16:12 2005 Return-path: <microsound-return-34592-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 28 Feb 2005 10:16:12 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 28 Feb 2005 10:16:11 -0500 (EST) Received: (qmail 81662 invoked by uid 1095); Mon, 28 Feb 2005 15:16:08 +0000 Received: (qmail 81651 invoked from network); Mon, 28 Feb 2005 15:16:07 +0000 Date: Mon, 28 Feb 2005 09:17:04 -0600 From: john kannenberg <xxxx@xxxxxxxxxxx.xxx> Subject: [microsound] NEW: Micah Silver / ARCHIVE: Carol Genetti X-Originating-IP: 165.124.163.140 X-Sender: xxxx@xxxxxxxxxxx.xxx@mail.stasisfield.com To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <p06002003be48e630d90c@[209.86.96.128]> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-ELNK-Trace: 8044adbcdf4a5156069ad2b59907cf439ef193a6bfc3dd48d830b1be1c4fc40fb12b0145165c4f9627b02ac19e33883a350badd9bab72f9c350badd9bab72f9c X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx ----------------------------------------------- Stasisfield continues the 2005 release season with another new recording and another old favorite. ----------------------------------------------- + NEW RELEASE ----------------------------------------------- SF-4002:Utopian Artifacts : Micah Silver ----------------------------------------------- New York - based composer, visual artist and curator Micah Silver presents a pair of pieces derived from works for other media. Scale is a plaintive work for synthesizer and short wave radio that debuted as a sound installation. Houston/Touch ("for mark rothkowitz"), a piece for tone generators, noise and guitar, accompanies a video that evokes the gritty, intense spirituality of the abstract expressionist's late-period works, specifically the fourteen black paintings in Houston's Rothko Chapel. Although both pieces were originally composed seperately, together they create a balanced whole, fifty minutes of sonic stasis that are truly in motion while remaining still. Available for download and streaming at: [ http://www.stasisfield.com/releases/year04/sf-4002.html ] ----------------------------------------------- ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ----------------------------------------------- + ARCHIVE RELEASE ----------------------------------------------- [The second installment of a new feature at Stasisfield: every month we will present a release from a previous year that has been taken offline and archived onto our series of MP3 archive CDRs, making it available for one month only. Our first back-online archive release comes from the Stasisfield : Year 01 Archive CDR. ] ----------------------------------------------- SF-1008 : Grain : Carol Genetti ----------------------------------------------- Originally commissioned for con|text, the inaugural exhibition of Stasifield.com's digital art gallery Stasis_Space, renowned Chicago experimental vocalist Carol Genetti created this haunting track of half-words and vocal mis-steps to express the difficulties of post-modern communication. Originally released 10.06.2002 Available for download at: [ http://www.stasisfield.com/releases/archive/ ] ----------------------------------------------- ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ----------------------------------------------- + CALL FOR ENTRIES - STASIS_SPACE GALLERY ----------------------------------------------- Stage 01 of a new online exhibition, The resonant Image, is currently accepting submissions. Details: [ http://www.stasisfield.com/space/future ] ----------------------------------------------- As always, thanks for listening. ----------------------------------------------- >> john kannenberg [ http://www.johnkannenberg.com ] [ http://www.stasisfield.com ] --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 28 14:32:52 2005 Return-path: <microsound-return-34591-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 28 Feb 2005 09:32:52 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 28 Feb 2005 09:32:52 -0500 (EST) Received: (qmail 66147 invoked by uid 1095); Mon, 28 Feb 2005 14:32:49 +0000 Received: (qmail 66137 invoked from network); Mon, 28 Feb 2005 14:32:48 +0000 Date: Mon, 28 Feb 2005 15:28:45 +0100 From: th_ost <xxxxxx@xxx.xxx> Subject: [microsound] [ignore]test To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <001d01c51da1$d0195b30$xxxxxxxx@xxxxxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Mailer: Microsoft Outlook Express 6.00.2800.1437 Content-type: multipart/alternative; boundary="Boundary_(ID_RTTKyINcFmoR7QvjkTiBVg)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Authenticated: #3048294 X-Y-GMX-Trusted: 0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <003401c51cf2$478c0830$xxxxxxxx@xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_RTTKyINcFmoR7QvjkTiBVg) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit test... sorry, one of those ezmml warnings and no messages since yestrday... ignore if it gets through at all.. thostler °°° th_ost: tomoroh hidari_oliver stummer acronymic symbiosis of alter & ego http://www.tomoroh.com/ http://www.stiege44.com/ xxxxxx@xxx.xxx ay, sigue:56825202 >> we gonna fight for your right to apathy... << °°°°° ----- Original Message ----- From: Noisejihad To: List Microsound Sent: Sunday, February 27, 2005 18:32 Subject: [microsound] Noisejihad Live! net label yet another netlabel has come to life. The Noisejihad Live! netlabel provides you with exclusive live recordings of artists engaged by Noisejihad. A service from us to those of you who are prevented from showing up at the shows. All releases are free and covers are ready-to-print .pdf files. For starters we offer: NJL001: Mag Necro (J) + Ultimate Combat Noise (DK) NJL002: Ryfylke (N) + Danny Kreutzfeldt (DK) blasting noises and calm ambient, so there really isn't any reason why you shouldn't surf by www.noisejihad.dk and spend some of your broadband connection downloading these truly great recordings. thank you for your time! Noisejihad IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Next: Electrical Bonding on Desolation House >>> www.desolationhouse.com Now: Uncomfortable Positions - mp3-ep on Fukk God >>> www.fukkgod.org key to knowledge on danish noise >>> www.noisejihad.dk art >>> www.ideations.dk www.waldchengarten.dk --Boundary_(ID_RTTKyINcFmoR7QvjkTiBVg)-- From ???@??? Sun Feb 27 17:30:45 2005 Return-path: <microsound-return-34590-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta12.srv.hcvlny.cv.net (mta12.srv.hcvlny.cv.net [167.206.5.81]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sun, 27 Feb 2005 12:30:45 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta12.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sun, 27 Feb 2005 12:30:45 -0500 (EST) Received: (qmail 72481 invoked by uid 1095); Sun, 27 Feb 2005 17:30:42 +0000 Received: (qmail 72470 invoked from network); Sun, 27 Feb 2005 17:30:41 +0000 Date: Sun, 27 Feb 2005 18:32:15 +0100 From: Noisejihad <xxxx@xxxxxxxxxx.xx> Subject: [microsound] Noisejihad Live! net label To: List Microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <003401c51cf2$478c0830$xxxxxxxx@xxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Mailer: Microsoft Outlook Express 6.00.2800.1158 Content-type: multipart/alternative; boundary="Boundary_(ID_cw33gtbDNLVYY96oqLerwg)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_cw33gtbDNLVYY96oqLerwg) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit yet another netlabel has come to life. The Noisejihad Live! netlabel provides you with exclusive live recordings of artists engaged by Noisejihad. A service from us to those of you who are prevented from showing up at the shows. All releases are free and covers are ready-to-print .pdf files. For starters we offer: NJL001: Mag Necro (J) + Ultimate Combat Noise (DK) NJL002: Ryfylke (N) + Danny Kreutzfeldt (DK) blasting noises and calm ambient, so there really isn't any reason why you shouldn't surf by www.noisejihad.dk and spend some of your broadband connection downloading these truly great recordings. thank you for your time! Noisejihad IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Next: Electrical Bonding on Desolation House >>> www.desolationhouse.com Now: Uncomfortable Positions - mp3-ep on Fukk God >>> www.fukkgod.org key to knowledge on danish noise >>> www.noisejihad.dk art >>> www.ideations.dk www.waldchengarten.dk --Boundary_(ID_cw33gtbDNLVYY96oqLerwg)-- From ???@??? Sun Feb 27 16:56:47 2005 Return-path: <microsound-return-34589-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sun, 27 Feb 2005 11:56:47 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sun, 27 Feb 2005 11:56:47 -0500 (EST) Received: (qmail 62765 invoked by uid 1095); Sun, 27 Feb 2005 16:56:44 +0000 Received: (qmail 62755 invoked from network); Sun, 27 Feb 2005 16:56:44 +0000 Date: Sun, 27 Feb 2005 11:56:44 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 27, 2005, at 12:54 AM, Cory wrote: >> http://dt.parsons.edu > Can anyone recommend something like this in the Baltimore/D.C. area? Move to NY, eh? We can go out for coffee. - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sun Feb 27 05:54:11 2005 Return-path: <microsound-return-34588-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta11.srv.hcvlny.cv.net (mta11.srv.hcvlny.cv.net [167.206.5.86]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sun, 27 Feb 2005 00:54:11 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta11.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sun, 27 Feb 2005 00:54:11 -0500 (EST) Received: (qmail 42121 invoked by uid 1095); Sun, 27 Feb 2005 05:54:10 +0000 Received: (qmail 42110 invoked from network); Sun, 27 Feb 2005 05:54:10 +0000 Date: Sun, 27 Feb 2005 00:54:05 -0500 From: Cory <xxx.xxxxx@xxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: Cory <xxx.xxxxx@xxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=O4k8Ql28xrijDmetJOui2U59UQrNLq+T8aWz+PwyYVDXgdClcvLgF8sX9fBZJX5h92puErcANEVtJHPFNld71STvE9EVbPO9G862nAgWfc4DtcTENmjMyEVjaadY+oA2IAq4I/mON6TSyrRYr5DDOOjtEvogKb2bKvjBrFfQpcA= X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Can anyone recommend something like this in the Baltimore/D.C. area? Thanks, Cory ----------------------------- audio @ myspace.com/myo On Sat, 26 Feb 2005 13:02:15 -0500, John Nowak <xxxx@xxxxxxxxx.xxx> wrote: > http://dt.parsons.edu --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sun Feb 27 05:22:12 2005 Return-path: <microsound-return-34587-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta16.srv.hcvlny.cv.net (mta16.srv.hcvlny.cv.net [167.206.5.110]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sun, 27 Feb 2005 00:22:12 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta16.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sun, 27 Feb 2005 00:22:12 -0500 (EST) Received: (qmail 33993 invoked by uid 1095); Sun, 27 Feb 2005 05:22:04 +0000 Received: (qmail 33982 invoked from network); Sun, 27 Feb 2005 05:22:04 +0000 Date: Sat, 26 Feb 2005 21:20:42 -0800 From: Bill Jarboe <xxxxxxxxxx@xxxxxxxxx.xxx> Subject: [microsound] new online non-magazine X-Originating-IP: 4.242.15.2 To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm DomainKey-Signature: a=rsa-sha1; q=dns; c=simple; s=test1; d=earthlink.net; h=Mime-Version:Content-Transfer-Encoding:Message-Id:Content-Type:To:From:Subject:Date:X-Mailer; b=BNEbWg29pGNd124uzeDQZWmRCPzzv/D6J4pfnllz69GatNV/33QO5CHQOC7jVPW1; X-ELNK-Trace: f6dd78c2ac81c6498eb596e2db90c20d239a348a220c26090cd6240769351dbcfa82e994483b7fce350badd9bab72f9c350badd9bab72f9c350badd9bab72f9c X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx new online non-magazine + sound files http://klatch.co.uk/billjarboe/mdh.zip (200kb rtfd format) http://klatch.co.uk/billjarboe/immature_rework.zip (18 mb aac ) -- Bill --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 26 08:48:53 2005 Return-path: <microsound-return-34581-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 26 Feb 2005 03:48:53 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 26 Feb 2005 03:48:53 -0500 (EST) Received: (qmail 61120 invoked by uid 1095); Sat, 26 Feb 2005 08:48:54 +0000 Received: (qmail 61107 invoked from network); Sat, 26 Feb 2005 08:48:54 +0000 Date: Sat, 26 Feb 2005 10:48:46 -0800 From: gintas k <xxxxxxxx@xxxxx.xx> Subject: [microsound] Fw: ZERYNTHIA SOUND ART MUSEUM: Rome, February 26th 2005 To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: gintas k <xxxxxxxx@xxxxx.xx> Message-id: <001e01c51c33$cddf7210$xxxxxxxx@xxxxxxx> Organization: gintas k MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Mailer: Microsoft Outlook Express 6.00.2800.1437 Content-type: multipart/alternative; boundary="Boundary_(ID_7HhOwko9qCefCDIJ+laQPQ)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 26 Feb 2005 08:48:46.0414 (UTC) FILETIME=[FBAF16E0:01C51BDF] --Boundary_(ID_7HhOwko9qCefCDIJ+laQPQ) Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit e-flux 02/25/05 -------------------------------------------------------------------------- ZERYNTHIA SOUND ART MUSEUM an exhibition space dedicated to sound and vision a collection of sound-projects by artists a mobile archive Rome, February 26th 2005 http://www.radioartemobile.it -------------------------------------------------------------------------- The sound invades the scene of art and the artists' practice, triggering original, fascinating and, sometimes unforeseen, combinations. A new collective and international sensitiveness is seeking to gather and convey the reasons of these harmonies and these dissonances. 18:30 - 19:30 http://www.radioartemobile.it (Boston and N. Y. 12:30 p.m.; Bogota 1.30 p.m.; London 5.30 p.m.) live broadcasting in connection with 18:30 Larissa Harris at MIT Center for advanced visual studies Boston François Bucher Bogota Artists participating inthe show Inaudita Roma Ron Kuivila for Art in General New York 19:00 Daniel Soutif at Centro per l'Arte Contemporanea Luigi Pecci Prato Claire Staebler at Radio Day De Appel Amsterdam Ian Aman, Joachim Granit e Carsten Holler at Fargfabriken Stockholm Richard Crow e Lucia Farinati at IOR London Radio Arte Mobile, located in via Conte Verde 15 in Rome, will open its doors to the public on occasion of the inaugural exhibition INAUDITA of the Sound Art Museum. Installations by Acconci Studio, Markus Huemer, Donatella Landi, Stephen Vitiello and Achim Wollscheid, will be presented together with artworks of Mario Airo, Massimo Bartolini, Bruna Esposito, Vettor Pisani, Michelangelo Pistoletto, Annie Ratti, Gert Robijns. It will be displayed a selection of sound art from the Archive of the Sound Art Museum, which has already filed more than 350 international and national audio works. In collaboration with Nomads & Residents a series of appointments in istitutional locations all over the world is scheduled, where the archived materials will be available for public use. The curators of the Sound Art Museum are Lorenzo Benedetti free lance curator, Riccardo Giagni composer and musicologist, and Cesare Pietroiusti visual artist. The Sound Art Museum archive is a work in progress, all artists who have worked or are working with sound are always invited to send the an artwork on audio CD DVD or on a vinyl record. Please contact the following address via Conte Verde n.15/ 4a, 00185 Roma, t. +39 06 49382579/ +39 06 4940893 http://www.radioartemobile.it; http://www.soundartmuseum.net; xxxx@xxxxxxxxxxxxxx.xxx -------------------------------------------------------------------------- email to a friend contact subscribe electronic flux corporation / www.e-flux.com 295 greenwich street #532, nyc ny 10007 to unsubscribe click / here --Boundary_(ID_7HhOwko9qCefCDIJ+laQPQ)-- From ???@??? Sat Feb 26 18:45:44 2005 Return-path: <microsound-return-34586-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 26 Feb 2005 13:45:44 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 26 Feb 2005 13:45:43 -0500 (EST) Received: (qmail 74702 invoked by uid 1095); Sat, 26 Feb 2005 18:45:38 +0000 Received: (qmail 74692 invoked from network); Sat, 26 Feb 2005 18:45:38 +0000 Date: Sat, 26 Feb 2005 13:45:37 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 26, 2005, at 1:34 PM, Ben wrote: >> And apologies if I offend anyone here, but I strongly recommend >> against New York University (NYU) for undergraduate studies. > have heard really great things about / from the IT program at NYU ITP is a grad level program. - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 26 18:26:17 2005 Return-path: <microsound-return-34585-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 26 Feb 2005 13:26:17 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 26 Feb 2005 13:26:17 -0500 (EST) Received: (qmail 70933 invoked by uid 1095); Sat, 26 Feb 2005 18:26:05 +0000 Received: (qmail 70919 invoked from network); Sat, 26 Feb 2005 18:26:04 +0000 Date: Sat, 26 Feb 2005 13:34:48 -0500 From: Ben <xxxx@xxxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.606) Content-type: multipart/alternative; boundary="Boundary_(ID_sILQn/KvAjKaFDXH7fEibA)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-PopBeforeSMTPSenders: xxx@xxxxxxxxxx.xxx,xxxxxxx@xxxxxxxxxx.xxx,xxxx@xxxxxxxxxx.xxx X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - secure.wehostusa.com X-AntiAbuse: Original Domain - hyperreal.org X-AntiAbuse: Originator/Caller UID/GID - [0 0] / [47 12] X-AntiAbuse: Sender Address Domain - seasonalbk.net X-Source: X-Source-Args: X-Source-Dir: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_sILQn/KvAjKaFDXH7fEibA) Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 8bit have heard really great things about / from the IT program at NYU actually, there are some list members currently enrolled in this program, so maybe they will contact you off-list for more info. a friend Melissa Dubbin is a past IT student : sculpture, installation, and audio interfaces. http://www.dubbin-davidson.com/ best, On Feb 26, 2005, at 1:02 PM, John Nowak wrote: > > On Feb 24, 2005, at 8:08 PM, Filipe Galante wrote: > >> I´m probably going on the erasmus programme and I´d like to know if >> any of you know any good university (preference for NY) that relates >> to this emerging currentes of digital art and sound, I´m very >> interested in music but I want nothing to do with composition, I´m >> more into the relationship between the new digital media and >> specially sound. > > You sound like a perfect candidate for the design & technology program > at Parsons School of Design in New York City. It's the best of its > kind as far as I can tell (and perhaps the only one of its kind in > NY). > > http://dt.parsons.edu > > And apologies if I offend anyone here, but I strongly recommend > against New York University (NYU) for undergraduate studies. > > - John > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > www.seasonalbk.net --Boundary_(ID_sILQn/KvAjKaFDXH7fEibA)-- From ???@??? Sat Feb 26 18:04:01 2005 Return-path: <microsound-return-34584-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 26 Feb 2005 13:04:01 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 26 Feb 2005 13:04:01 -0500 (EST) Received: (qmail 65573 invoked by uid 1095); Sat, 26 Feb 2005 18:03:58 +0000 Received: (qmail 65562 invoked from network); Sat, 26 Feb 2005 18:03:58 +0000 Date: Sat, 26 Feb 2005 13:03:52 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 25, 2005, at 8:15 PM, Jason Thomas wrote: > For your intersts I would avoid music departments in > general. Try either arts departments or sound within > an arts school. Unquestionably correct. Do not even consider a music-centric program. You'll end up jamming pencils in your ears within a week. Again: http://dt.parsons.edu - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 26 18:02:22 2005 Return-path: <microsound-return-34583-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 26 Feb 2005 13:02:22 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 26 Feb 2005 13:02:22 -0500 (EST) Received: (qmail 63906 invoked by uid 1095); Sat, 26 Feb 2005 18:02:18 +0000 Received: (qmail 63896 invoked from network); Sat, 26 Feb 2005 18:02:17 +0000 Date: Sat, 26 Feb 2005 13:02:15 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 24, 2005, at 8:08 PM, Filipe Galante wrote: > I´m probably going on the erasmus programme and I´d like to know if > any of you know any good university (preference for NY) that relates > to this emerging currentes of digital art and sound, I´m very > interested in music but I want nothing to do with composition, I´m > more into the relationship between the new digital media and specially > sound. You sound like a perfect candidate for the design & technology program at Parsons School of Design in New York City. It's the best of its kind as far as I can tell (and perhaps the only one of its kind in NY). http://dt.parsons.edu And apologies if I offend anyone here, but I strongly recommend against New York University (NYU) for undergraduate studies. - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 26 11:30:23 2005 Return-path: <microsound-return-34582-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 26 Feb 2005 06:30:23 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 26 Feb 2005 06:30:23 -0500 (EST) Received: (qmail 88870 invoked by uid 1095); Sat, 26 Feb 2005 11:30:19 +0000 Received: (qmail 88860 invoked from network); Sat, 26 Feb 2005 11:30:18 +0000 Date: Sat, 26 Feb 2005 12:29:56 +0100 From: triPhaze <xxxxxxxx@xxxxxxxxxxxxx.xx> Subject: [microsound] :: privatelektro news :: 02 ::05 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <000e01c51bf6$83225fe0$xxxxxxxx@xxxxxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Mailer: Microsoft Outlook Express 6.00.2800.1106 Content-type: multipart/alternative; boundary="Boundary_(ID_b2/lZKy2IzjxM8EXFfgQqw)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_b2/lZKy2IzjxM8EXFfgQqw) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit hi friends, time travellers, intellectual b-boyz and girrlz:: some winter - news from us.. but spring will also arrive soon in germany :) +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ + winter tour 2005 . diary & thx. ++ new cd release privatelektro 07 soon +++ new privatelektro - artist: rob curgenven ++++ dates dates dates - concerts + live action +++++ playlist: igor hax +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ * winter tour 2005 . diary & thx. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ back from the successful mini-winter tour 2005. - to speak in the names of jen / [sic] and minimatika. xenia.. + marek /triPhaze.. we would like to thank all the people who supported us: the netmage 05 crew in italy:: big up!all the people we ve meet there in italy too - incl. the nosignal people.. - carlotta, for the house.. andrea for leading us the way back from TPO.. - leafcutter john & phil niblock for the talkings & sounds.. neuchatel. electripocnic crew - for housing and good parties!! - the pastor leumund (DADA) & jeroen in zürich, julia & all from fri_son. fribourg.. (great place!), the placard people at transmediale in berlin (to solve 70% of the techn. difficulties) the other 30% we didnt solve. sorry .. thats life :( leipzig:: homoelectric for the pa (last minute) xabier &dimitri for their great patience.. and all we forgot to mention here .. tour diary: http://www.privatelektro-news.de/phpBB2/viewtopic.php?t=308 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ** new release privatelektro 07 cd: soon +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ we are happy to announce the next "physical" privatelekto release will be rev.benn schipper: dancemusic for shitheads with the yyx cromosome 76 minutes / 9 titels / 16 page colour booklet finally out soon!! +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ **** new privatelektro artist: +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ we welcome a new family member: australian sound artist rob curgenven. is working in the context of quiet music, fieldrecordings, minimal soundsynthesis and as well sound-installations you can get some more background information and pics find here: http://www.privatelektro.de/rob_curgenven.html +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ **** dates +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ 24 / February / 2005 DIMENSION (Drum N Bass) + Igor Hax (privatelektro) / Apprentice / Oracle hosted by jackpot / visuals by vj buddha at the caledonia / catherine street / Liverpool / UK / 8:30pm to close / free entry +++ 26 / February / 2005 :: kick off 8 pm PRIVATELEKTRO & ALULA TON SERIEN . # 03 superkronik . Markranstädter Strasse 04 . Leipzig . Germany "all my love" release tour: underscan label live: rod- underscan, neo ouija - irland, menue:exit- underscan - berlin dj: marius reisser- repeatrepeat - berlin +++ 27 / February / 2005 . JOINT VENTURE 05: minimatika & privatelektro present: kick off 7 pm . zentrale randlage . berlin . schönhauser allee 172 live: sarcomasine bloc - (london-UK) - [sic] goldie + daniel beattie - Mr. Cannon Projects - (london-UK) - voice performance manami n. (tokyo, JP) & triPhaze - (GER)- voice + Electronics, Devices die perlonperücken (berlin/USA) - djing & disk-juggling +++ 27 / February / 2005 : DRONE New electronic music for Liverpool :: UK! strcprstskrskrk (hive) / Igor Hax (privatelektro / ar.d (Zoda) Bar Fresa / Colquitt Street, Liverpool / 6pm - 11pm / free +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ***** playlist: +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Igor Hax is listenig to: autechre - confield - warp zukanican - E 5number - pickled egg records plastikman - sheet one - emi strike50: v. a. - special musick for special people - shitkatapult douglas lilburn#1 - complete electro-acoustic works - atoll dncn - crayons ep - phush records various artists - stuff 001 - stuff records +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ we hope to see you soon somewhere out there. prepare your head for good music... the privatelektro -team.. +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ join the messageboard: http://privatelektro-news.de contact us: xxxx@xxxxxxxxxxxxx.xx booking: xxxxxxx@xxxxxxxxxxxxx.xx (world & east) new! xxxxxxxxx@xxx.xxx (uk, europe &scandinavia) privatelektro products are available at: http://www.staalplaat.com/search/label/privatelektro http://www.minorlabel.de/mailorder/index.htm http://www.stora.de http://www.dronerecords.de/ http://www.dust-dbugger.de/ dense - berlin / neurotitan - berlin / schall&rausch - leipzig / materia prima - porto / kellermusik - leipzig / drehmoment - berlin / r3s3t market - bern ----------------------------------------------------------------------------------------------------- --Boundary_(ID_b2/lZKy2IzjxM8EXFfgQqw)-- From ???@??? Sat Feb 26 07:27:57 2005 Return-path: <microsound-return-34580-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 26 Feb 2005 02:27:57 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 26 Feb 2005 02:27:57 -0500 (EST) Received: (qmail 44655 invoked by uid 1095); Sat, 26 Feb 2005 07:27:56 +0000 Received: (qmail 44644 invoked from network); Sat, 26 Feb 2005 07:27:55 +0000 Date: Fri, 25 Feb 2005 23:27:04 -0800 From: Bill Jarboe <xxxxxxxxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] (OT) Soundproofing In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> X-Originating-IP: 4.242.15.165 To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619) Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm DomainKey-Signature: a=rsa-sha1; q=dns; c=simple; s=test1; d=earthlink.net; h=Mime-Version:In-Reply-To:References:Content-Type:Message-Id:Content-Transfer-Encoding:From:Subject:Date:To:X-Mailer; b=KXpE0dR/t+C84+an0hgigS0YxzoVXRITmvu/MYAkKdM8psmedkji7VzKDYQPxDrv; X-ELNK-Trace: f6dd78c2ac81c6498eb596e2db90c20d239a348a220c260980c0dc4e2be1aa3771286c14560a7a81667c3043c0873f7e350badd9bab72f9c350badd9bab72f9c X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Well , if you'll excuse me for being so bold; that you need an anechoic structure in between. Now, I know alot about anechoic structures , even to the point of designing an anechoic jetplane once (or twice) , and an anechoic opera. Yet anyway I digress . The point is one doesn't need to be building an anechoic chamber n order to employ and enjoy anechoic structures. So, if you're too lazy to build the wedges yourself try the foamy stuff with the spikes . I'm sure it will work out ok. the simplified rain? On Feb 25, 2005, at 7:12 PM, Ben Swire wrote: > I recently moved into an apartment in which my bedroom > is separated from my roommate's room by a large > sliding door, measuring 6'x7.5'. I am trying to > figure out an easy affordable solution to help block > sound between the rooms. The door will remain > permanently closed. I would rather not have to deal > with the procedure of constructing a wall using > sheetrock, and I need something that I can remove upon > moving out of the apartment. I was thinking that > perhaps I would build a frame in the doorway in front > of the door on both sides using 2"x2" sheets of wood, > and then put up sheets of "Soundstop" insulation from > Home Depot behind plywood . Does anyone have > experience creating sound barriers. I am not > expecting the room to be dead quiet, I just want to > help cut down the sound in an efficient manner. Any > advice would be greatly appreciated. > > Thanks! > Ben > www.foundrysite.com/benswire > > > > > __________________________________ > Do you Yahoo!? > Yahoo! Mail - Find what you need with new enhanced search. > http://info.mail.yahoo.com/mail_250 > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 26 04:42:10 2005 Return-path: <microsound-return-34579-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta16.srv.hcvlny.cv.net (mta16.srv.hcvlny.cv.net [167.206.5.110]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 23:42:10 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta16.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 23:42:10 -0500 (EST) Received: (qmail 13119 invoked by uid 1095); Sat, 26 Feb 2005 04:42:09 +0000 Received: (qmail 13106 invoked from network); Sat, 26 Feb 2005 04:42:09 +0000 Date: Fri, 25 Feb 2005 23:42:03 -0500 From: precursor <xxxxxxxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] (OT) Soundproofing In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE45684B.4A16%xxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.0.6 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx on 2/25/05 10:12 PM, Ben Swire at xxxxxxx@xxxxx.xxx wrote: > I recently moved into an apartment in which my bedroom > is separated from my roommate's room by a large > sliding door, measuring 6'x7.5'. ?I am trying to > figure out an easy affordable solution to help block > sound between the rooms. ?The door will remain > permanently closed. ?I would rather not have to deal > with the procedure of constructing a wall using > sheetrock, and I need something that I can remove upon > moving out of the apartment. ?I was thinking that > perhaps I would build a frame in the doorway in front > of the door on both sides using 2"x2" sheets of wood, > and then put up sheets of "Soundstop" insulation from > Home Depot behind plywood . ?Does anyone have > experience creating sound barriers. I am not > expecting the room to be dead quiet, I just want to > help cut down the sound in an efficient manner. ?Any > advice would be greatly appreciated. > > Thanks! > Ben > www.foundrysite.com/benswire http://www.ethanwiner.com/acoustics.html --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 26 03:12:30 2005 Return-path: <microsound-return-34578-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 22:12:30 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 22:12:30 -0500 (EST) Received: (qmail 91866 invoked by uid 1095); Sat, 26 Feb 2005 03:12:27 +0000 Received: (qmail 91855 invoked from network); Sat, 26 Feb 2005 03:12:27 +0000 Date: Fri, 25 Feb 2005 19:12:22 -0800 (PST) From: Ben Swire <xxxxxxx@xxxxx.xxx> Subject: [microsound] (OT) Soundproofing To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=XcQ7urdAcEvWKEdRr9zVunjvYrHLK6b6nim3HJ5Hd9jcLsGoibZHQ5x+lEnBsVwtzNdm4DCFN5yXuoqC6wCVWy829OO0/a4zACtxpluq7H8ghKRNkPTnX0+wMNJ82c65oz6Qt7SirHqBVU22LH0W5lY2HbGPaAIhCB5Azx3REP4= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx I recently moved into an apartment in which my bedroom is separated from my roommate's room by a large sliding door, measuring 6'x7.5'. I am trying to figure out an easy affordable solution to help block sound between the rooms. The door will remain permanently closed. I would rather not have to deal with the procedure of constructing a wall using sheetrock, and I need something that I can remove upon moving out of the apartment. I was thinking that perhaps I would build a frame in the doorway in front of the door on both sides using 2"x2" sheets of wood, and then put up sheets of "Soundstop" insulation from Home Depot behind plywood . Does anyone have experience creating sound barriers. I am not expecting the room to be dead quiet, I just want to help cut down the sound in an efficient manner. Any advice would be greatly appreciated. Thanks! Ben www.foundrysite.com/benswire __________________________________ Do you Yahoo!? Yahoo! Mail - Find what you need with new enhanced search. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 26 02:44:41 2005 Return-path: <microsound-return-34577-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 21:44:41 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 21:44:41 -0500 (EST) Received: (qmail 83823 invoked by uid 1095); Sat, 26 Feb 2005 02:44:40 +0000 Received: (qmail 83813 invoked from network); Sat, 26 Feb 2005 02:44:40 +0000 Date: Fri, 25 Feb 2005 18:44:30 -0800 From: Kevin Ponto <xxxxx@xxxxxxxxxxxx.xxx> Subject: Re: [microsound] Biofeedback artists? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Provags-ID: perfora.net xxxxx@xxxxxxx.xxx login:85f6f213efa75345adbd40246e580591 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx yeah, they've got a MAX patch for it. kp On Feb 25, 2005, at 3:10 PM, nathan dickerson wrote: > have you seen this little device? > > brain/computer interface -- they have support for brainwave -> midi i > believe. > > http://www.ibva.com/ > > odd yet interesting > > > On Fri, 25 Feb 2005 12:54:15 +0000, Richard John Brill > <x.xxxxxx@xxx.xxxxx.xx.xx> wrote: >> Hello List, >> >> I'm writing a thesis on biofeedback sound installation and the >> science and technology behind it. What are your views on the subject, >> i.e., do you think that installations based on biofeedback technology >> can be called artistic if they rely too much on the technology?, such >> as Electroencephalograms, galvanic skin respone, and other general >> biofeedback technology. >> Thanks, >> >> Rbrill >> >> --------------------------------------------------------------------- >> To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >> For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >> website: http://www.microsound.org >> >> > > > -- > http://patternmedia.com/ > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 26 01:15:08 2005 Return-path: <microsound-return-34576-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 20:15:08 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 20:15:08 -0500 (EST) Received: (qmail 62108 invoked by uid 1095); Sat, 26 Feb 2005 01:15:07 +0000 Received: (qmail 62097 invoked from network); Sat, 26 Feb 2005 01:15:06 +0000 Date: Fri, 25 Feb 2005 17:15:03 -0800 (PST) From: Jason Thomas <xxxx@xxxxx-xxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx If you want to be specifically in NY, your options have for the most part been stated. Within reasonable commuting distance, however, is Wesleyan in Middletown CT, which has an M.A. in "experimental music." Not so sure about visual arts opps there. I've heard very high quality work from them. (Although low quantity due to small size of department...) I can personally recommend calarts and mills if the west coast isn't a dealbreaker, the former of which I know from experience would be a good environment for multidisciplinary work including image. Not so sure about mills but certainly worth looking into otherwise. For your intersts I would avoid music departments in general. Try either arts departments or sound within an arts school. Later, Jason --- Doran Massey <xxxxx_xxxxxx@xxxxxxx.xxx> wrote: > I'm not sure what school level you're at so its hard > to say specifically > what programs might work for you. I'm almost > through with an MFA in Studio > Art at NYU. I chose it because it's a very free, > self-directed program and > I could draw on the classes, professors, & visiting > artists of NYU as well > as Columbia U., Princeton U, Yale, CUNY Brooklyn & > Rutgers U. Though I > haven't used the other schools much. > > Some centers you might find interesting: > > NY area: > NYU: http://education.nyu.edu/depts/art/pages/7 > http://itp.tisch.nyu.edu/page/home > http://depthome.brooklyn.cuny.edu/art/frames/academic.html > http://www.nydigitalsalon.org/ > > Close to NYC: > Brown - RISD > http://www.arts.rpi.edu/index02.php > > West Coast > http://www.calarts.edu/schools/music/programs/composition-newmedia.html > http://www-crca.ucsd.edu/ > http://www.mills.edu/LIFE/CCM/CCM.homepage.html > http://www.washington.edu/dxarts/ > http://www.mat.ucsb.edu/matWeb/findex.html > > Other: > http://www.artic.edu/saic/programs/depts/graduate/sound.html > > Do you know Jose Carlos Teixeira from Porto? He > didn't like NYU & is at > UCLA now. > > ----- Original Message ----- > From: "Filipe Galante" <xxxxxxxxxxxxx@xxxxxxx.xxx> > To: <xxxxxxxxxx@xxxxxxxxx.xxx> > Sent: Thursday, February 24, 2005 8:08 PM > Subject: [microsound] New York university??? > > > > Hey microsounders!!!! > > I´m a portuguese musician/student and I´m very > interested in keep on > > studying this area. > > I´ve been studying sound and image in Porto, > Portugal, and now I´m in > > London doing Sonic Culture, but my need for > knowdlege does not stop so Im > > thinking of moving next year to New york and keep > on studying. > > I´m probably going on the erasmus programme and > I´d like to know if any of > > you know any good university (preference for NY) > that relates to this > > emerging currentes of digital art and sound, I´m > very interested in music > > but I want nothing to do with composition, I´m > more into the relationship > > between the new digital media and specially sound. > > So if any of you knows anything about this please > reply - I´ve been > > searching on the web but still havent found > anything suitable, sometimes a > > good tip is the best way to go, specially when u > trust the source. > > > > Thanks you > > Keep on rocking this incredible forum > > Filipe Galante A.K.A PIXEL82 > > > > > > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > > website: http://www.microsound.org > > > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > ===== Jason Thomas 346 N. Vermont Ave. # 615 Los Angeles, CA 90004 (323) 661-8093 http://www.jason-thomas.org xxxx@xxxxx-xxxxxx.xxx --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 23:10:54 2005 Return-path: <microsound-return-34575-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 18:10:54 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 18:10:54 -0500 (EST) Received: (qmail 27612 invoked by uid 1095); Fri, 25 Feb 2005 23:10:48 +0000 Received: (qmail 27602 invoked from network); Fri, 25 Feb 2005 23:10:48 +0000 Date: Fri, 25 Feb 2005 15:10:45 -0800 From: nathan dickerson <xxxxxxxxxx@xxxxx.xxx> Subject: Re: [microsound] Biofeedback artists? In-reply-to: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx>, x.xxxxxx@xxx.xxxxx.xx.xx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: nathan dickerson <xxxxxxxxxx@xxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=k7YbeXRPfjyG81pIf2twaF1YEPqRT+1fD6KMYxwkM/drSQcLMSF0hcSMCC3lFv9bjWwYpoqqtVVXc+8sEwu6qNiX+NZZi0qOl3GiOCbR/c/4rHrpQHNIX3ghX/H2SuJ/1TK2bXLsJ0xM63qDxwmm9ITQl16lsaO1lVS5USx1bvA= X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx have you seen this little device? brain/computer interface -- they have support for brainwave -> midi i believe. http://www.ibva.com/ odd yet interesting On Fri, 25 Feb 2005 12:54:15 +0000, Richard John Brill <x.xxxxxx@xxx.xxxxx.xx.xx> wrote: > Hello List, > > I'm writing a thesis on biofeedback sound installation and the science and technology behind it. What are your views on the subject, i.e., do you think that installations based on biofeedback technology can be called artistic if they rely too much on the technology?, such as Electroencephalograms, galvanic skin respone, and other general biofeedback technology. > Thanks, > > Rbrill > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > -- http://patternmedia.com/ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 22:32:09 2005 Return-path: <microsound-return-34574-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 17:32:09 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 17:32:09 -0500 (EST) Received: (qmail 13988 invoked by uid 1095); Fri, 25 Feb 2005 22:32:05 +0000 Received: (qmail 13977 invoked from network); Fri, 25 Feb 2005 22:32:05 +0000 Date: Fri, 25 Feb 2005 23:32:01 +0100 From: Arie van Schutterhoef <xxxxxx@xxxxxx.xx> Subject: Re: [microsound] Biofeedback artists? In-reply-to: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <l03130300be455748d865@[213.84.105.55]> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx >You might want to refer to the large body of artworks which are sensor >driven (or based on 'machine listening') for some context. You might >also want to do some readings in chance and indeterminacy in arts >practice and controller mapping in electronic music (Trends in the >Gestural Control of Music', an IRCAM publication, would be good for the >latter). -The following links should help: http://recherche.ircam.fr/equipes/analyse-synthese/wanderle/Gestes/Externe/index ..html http://www.notam02.no/icma/interactivesystems/wg.html AvS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...................................................................... ` |Schreck Ensemble . . . . . . . . . . . . . . . . . . . . + ` |# -laboratory for live electro-acoustic music- # | | http://www.schreck.nl/ | | http://www.xs4all.nl/~schreck/ | ` *===========================================================++ ` |Compositions http://www.xs4all.nl/~schreck/html/compo.html | ` |Samples http://www.xs4all.nl/~schreck/html/samp.html | ` |Patches http://www.xs4all.nl/~schreck/html/pat.html | ` |Videos http://www.xs4all.nl/~schreck/html/video.html | ` |Scores http://www.xs4all.nl/~schreck/html/scores.html | *===========================================================++ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...................................................................... --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 22:19:39 2005 Return-path: <microsound-return-34573-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 17:19:39 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 17:19:39 -0500 (EST) Received: (qmail 8817 invoked by uid 1095); Fri, 25 Feb 2005 22:19:37 +0000 Received: (qmail 8807 invoked from network); Fri, 25 Feb 2005 22:19:37 +0000 Date: Sat, 26 Feb 2005 09:19:25 +1100 From: Julian Knowles <xxxxxxxxxxxxx@xxx.xxx> Subject: Re: [microsound] Biofeedback artists? In-reply-to: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.553) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by OZtell Antivirus Daemon v1.1 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hi Richard, Let's do some interpreting... when you say 'rely too much on the technology' you've made an assessment and we are not party to your criteria for that assessment. If you want to develop a thesis argument then you will need to carefully consider your criteria for these kind of assessments within the broader context of artistic practice Now, if I were to guess as to what you are referring to when you say 'too much technology', I would take a stab and say that you are referring to a situation where the work is driven entirely by the readings from the sensors with little or no conscious input from the subject. Is that right? You might want to refer to the large body of artworks which are sensor driven (or based on 'machine listening') for some context. You might also want to do some readings in chance and indeterminacy in arts practice and controller mapping in electronic music (Trends in the Gestural Control of Music', an IRCAM publication, would be good for the latter). From such a contextual you might encounter a range of work which has the full range of human agency, from works which behave like conventional musical instruments to entirely automated works with little or no conscious human agency on the part of the participant. The greater the array of work you encounter, the more you come to realise that art is defined more by contextual factors than by some quality innate to the work itself. For this reason, trying to run an argument on what constitutes so-called 'artistic' practice is fraught with difficulties and you may be getting yourself in way over your head if you take this on. It may be better to try and gain insights into the artworks you are studying with a view to understanding how the technology is integrated into the overall artistic concepts that underpin the work. That is not to say that you cannot be critical of the use of the technology in the works you study, more that you will need to contain that argument to a scope which is defensible and not widen it to the point that you will be shot to pieces as soon as you write the second sentence!!! Sorry for the thesis coaching, but it is difficult to respond to your question without first clarifying the context. Cheers Julian On Friday, February 25, 2005, at 11:54 PM, Richard John Brill wrote: > Hello List, > > I'm writing a thesis on biofeedback sound installation and the science > and technology behind it. What are your views on the subject, i.e., do > you think that installations based on biofeedback technology can be > called artistic if they rely too much on the technology?, such as > Electroencephalograms, galvanic skin respone, and other general > biofeedback technology. > Thanks, --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 21:42:22 2005 Return-path: <microsound-return-34572-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 16:42:22 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 16:42:22 -0500 (EST) Received: (qmail 93205 invoked by uid 1095); Fri, 25 Feb 2005 21:42:18 +0000 Received: (qmail 93195 invoked from network); Fri, 25 Feb 2005 21:42:18 +0000 Date: Fri, 25 Feb 2005 16:42:13 -0500 From: "tobias c. van Veen" <xxxxxx@xxxxxx.xx> Subject: Re: [microsound] futurists and fascists (was us citizens... (OT) In-reply-to: <xxxxx.xxxxxxxxxx.xxxxx.xxxxxxxxxxxxx@xxxx.xx> To: Microsound <xxxxxxxxxx@xxxxxxxxx.xxx>, xxxxxxxxxxxxx@xxxx.xx, xxxxxxx@xxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE4505E5.1BB77%xxxxxx@xxxxxx.xx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Entourage/10.1.4.030702.0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx > I would probably hazard a >> guess that the larger lesson to be drawn might lie in considering >> if (and how) their [Futurist] work *was* co-opted, and how such might also >> be *our* lot. Marinetti was not co-opted; like Ezra Pound he support Mussolini. Russolo, however, and by all accounts, fled the scene. Futurism overall mind you supported War and various strategies of destruction. I've been writing and talking on these issues recently -- http://www.cut-up.com/news/detail.php?sid=330 Check the .microsound archives -- http://www.skylined.org/microsound -- as there's been some good debate and knowledge sharing on these topics in the past.. particularly back in the Fall of 2004. But moving on -- .microsound and other tech-arts are often forgetting the middle period, circa '50s-'70s, before video-art became the rage: Kinetic Art, Experiments in Art and Technology (EAT), and the Los Angeles County Museum's Art + Technology program, all with their corporate-cybernetic ties. Check out : Lee, Pamela. _Chronophobia: On Time in the Art of the 1960_. http://www.tate.org.uk/modern/eventseducation/talksdiscussions/pamlee1406.ht m http://mdcn.ca/tiki-print_article.php?articleId=11 best, tV tobias c. van Veen -----------++++ http://www.quadrantcrossing.org -- http://www.thisistheonlyart.com -- McGill Communication + Philosophy ICQ: 18766209 | AIM: thesaibot +++ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 11:38:55 2005 Return-path: <microsound-return-34563-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 06:38:55 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 06:38:55 -0500 (EST) Received: (qmail 44348 invoked by uid 1095); Fri, 25 Feb 2005 11:38:51 +0000 Received: (qmail 44310 invoked from network); Fri, 25 Feb 2005 11:38:51 +0000 Date: Fri, 25 Feb 2005 13:38:49 -0800 From: gintas k <xxxxxxxx@xxxxx.xx> Subject: [microsound] Depo club, Riga, To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx>, xxxxxxxx@xxxxx.xx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: gintas k <xxxxxxxx@xxxxx.xx> Message-id: <006d01c51b82$6487d890$xxxxxxxx@xxxxxxx> Organization: gintas k MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Mailer: Microsoft Outlook Express 6.00.2800.1437 Content-type: text/plain; charset=iso-8859-4 Content-transfer-encoding: 7BIT X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <20050222042144.1397121721.xxxxxxxx@xxxxx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 25 Feb 2005 11:38:49.0201 (UTC) FILETIME=[929B1610:01C51B2E] Friday 4th MARCH 2005 21.00 - 04.00, Depo club, Riga, Latvia microStraava [acoustic space beyond melody and rhythm] mini-festival of contemporary music and media arts http://www.microstraava.tk/ red room : scaepers [.lv - .by] gonzo & macrome [martinez gonzalez.com] invector [.lv] kriipis tulo [.lv] [tulo.org] gintas k [.lt] [cronicaelectronica.org ] ingarin's [.lv] rkha [.lv] blue room: kriipis tulo (dj set) [tulo.org] lost volume [.lv] sound meccano (dj set) [.lv] pooka [podavaax.tk] brannslokker [podavaax.tk] invector (dj set) [.lv] video: asnate ribena [.lv], marijus sagulinas [.lt], i_bo johansson [kooperativs shmerli.lv], mutal [.lv], gonzo & macrome [.lv], spiderman [.nz], wickiss [liquids.lv], closer view [.lv] ----- Original Message ----- From: "Plagasul" <xxxxxxxx@xxxxx.xx> To: "microsound" <xxxxxxxxxx@xxxxxxxxx.xxx> Sent: Monday, February 21, 2005 7:21 PM Subject: [microsound] Petition Hello. I am planning a trip for the weekend of the 4th, March, and i would like to know if there is anything interesting going on around Europe involving arts or sound, or both. After frustrating googleing i found that emailing the list members could be a fast an effective way of getting such an information. Any help or guidance will be greatly appreciated. Thank you! --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 19:59:21 2005 Return-path: <microsound-return-34571-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 14:59:21 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 14:59:21 -0500 (EST) Received: (qmail 38531 invoked by uid 1095); Fri, 25 Feb 2005 19:59:13 +0000 Received: (qmail 38520 invoked from network); Fri, 25 Feb 2005 19:59:13 +0000 Date: Fri, 25 Feb 2005 11:59:10 -0800 (PST) From: jeff gburek <xxxxxxxxxx@xxxxx.xxx> Subject: [microsound] SAN FRANCISCO In-reply-to: <BE44BD37.44E1%xxxxxxx@xxxxxxxxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=KmnCP24dzDFZWWaoP9YIH8nQh+e+YeixQMqslMg6LqbLBbp5/q5x2lYoGF7gfaiNChtRoN3VN53IMT3WIUv7PMJb1IQJHqj8akzID/Tj9kVTozDk8ehUauOWlqPyOn+qvYMVVyzygohpLpF8+1tJ+sXlnHBFnhblPqivJOMLBlg= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx i created from and will improvise upon fragments of artaud's voice for this unsound body performance in SF tonight and tommorrow... "wife, life, tripe, damnit and THAT" a performance of electro-acoustic sounding of the unsound body by Djalma Primordial Science dedicated to the spirit of Antonin Artaud February 25, 26, 2005 at 8pm, Jon Sims Center for the Arts, 1519 Mission Street, SF, $12, tel: 415-554-0402, www.jonsimsctr.org www.djalma.com "Then you will teach him to dance inside out/ as in the delirium of our accordion dances/and that inside out will be his true side out" Based in part on the banned 1948 radio-broadcast of French surrealist poet Antonin Artaud’s "To Have Done With The Judgement Of God", this work by Djalma Primordial Science cleaves to the roots of Artaud’s hallucinatory prophecies. The famous French poet was submitted to brutal electro-shock therapy during WWII and yet emerged to write and perform his greatest works which are drawn from in this presentation by Djalma Primordial Science. "wife, life tripe, damnit and THAT" is a work with teeth and current political relevance as Artaud’s monologue concerns the imagined practice of the American public schools usurping the seminal fluid of male students for the artificial cloning of armies to spread the superiority of American products throughout the world. Performed first by Artaud in 1948 on the eve of the Cold War, this work today sounds fresh, almost written into the present climate of war-mongering and consumerism, as if no time had elapsed at all. The original radio broadcast has been digitally stretched, spliced and manipulated by by Jeff Gburek and this new treatment of the text is supplemented by improvised textures on prepared guitars and live signal processing. Although the text presents Artaud’s vision, the work of movement theater artist Ephia explores the feminine elements of Artaud’s personality which emanated into his writings during his electro-shock therapy and came to be called "the unborn daughters of my heart". These semi-fictional daughter/lover/warrior/liberator--s, these innocent and filthy girls endure great hardships in their attempt to liberate their lover/father. Neneka is the youngest daughter, hence simultaneously the oldest, as this was also the name of Artaud's Turkish grandmother. Neneka is a fetal kitten slipped from the womb too soon, a spill on the floor, a formless body and dripping caul, a smudge. She is discovered in "the puddle state of electro-shock," a terrifying place of trembling void. "And my whole inward electric body, the whole lie of this inward electric body which for a certain number of centuries has been the burden of every human being, turned inside out, became like an immense turning outward in flames, monads of nothingness bristling to the limits of an existence held prisoner in my lead body, which could neither get out of its lead coating nor stand up like a lead soldier." The extensive research for "wife, life, tripe, damnit and THAT" took Djalma Primordial Science to Mexico’s Sierra Tarahumara in October 2003. Artaud visited the Tarahumara Indians in the 1930’s seeking to learn about the visionary experiences of those who "eat right out of the earth the delirium that gave birth to them" and whose vigorously physical spirituality Artaud thought offered a remedy to Western technological decadence. "wife, life tripe, damnit and THAT" a site-specific performance dedicated to the spirit of Artaud premiered April 25, 2004 in Austin, TX at a welder's studio: large machines looming, metal pipes bursting with flames. The next incarnations of this project appeared September 23, 2004 in Birmingham, AL at Omni Studios the site of an old slaughter house, October 21, 2004 in New Orleans, LA at The Jewel Gallery the site of an old brothel, and October 29, 2004 in Phoenix, AZ in Teatro Caliente Festival. Further incarnations will appear in 2005: January 31, February 1, 2005 The LIDA Project Theatre, 2180 Stout St., Denver, CO February 25, 26, 2005, Jon Sims Center for the Arts, 1519 Mission Street, San Fransisco, CA. March 8, 2005 at NISUS/Galeria Galou, 237 Kent Ave. Williamsburg, Brooklyn, NY March 13, 2005 at Meet Da Lama Festival, Copenhagen, Denmark DJALMA PRIMORDIAL SCIENCE: DJALMA PRIMORDIAL SCIENCE is the seven year collaboration of dancer Ephia and experimental musician Jeff Gburek. Intensely committed to improvisation (as a way of life) their unpredictable approach to performance constantly seeks to deepen and defy itself. "Our unsound bodies can be found within the low rumbling of the wind, within the shuddering and irregularly-shaped space of the heart’s murmur." Djalma’s process begins with elemental transformation of the body: the dancer’s bones reluctantly wring themselves out leaving a trail of moisture on the brow, her limbs become delicate tissue paper catching fire, her form evaporates and condenses again. Like the origin of sound in movement: the dance is not only seen but felt, transmitted directly from the body of the mover into the body of the viewer. Jeff Gburek correlates his work with reconfigured guitars, field recordings and altered electronic sources to the physical search of the unsound body as Ephia practices it. Body (extended) becomes ear entering an (in)animate realm of subtly shifting textures, iso-events and disruptions that impel the clattering machinery of dream, a terrain of chaotically ordered microcosms, cuts concealing grain. Accent is placed on receiving from the environment rather than producing. The works of Djalma Primordial Science---appearing throughout the United States and Europe in theaters, galleries, music venues, derelict buildings, gaping holes in the earth-- draw on the particulars of landscape and architecture in order to dismantle and reconfigure the illusory SPACE of "theater" into a real situation of intensely felt experience. For more information please visit: www.djalma.com PRESS: "Djalma Primordial Science is making real art. They have been using a hammer for a flute now for years, and are very skillful at making use of the new language the tools suggested to them. It may take an audience member a while to get used to this new language, but drinking in the syntax fundamentally alters the way you breathe, the way you are… This work doesn’t try to make friends; it is exactly what it is, just as a hurricane or an oil spill is what it is. Ephia takes her body apart and puts it back together wrong, so that her hand receives the messages the spleen was supposed to get, so that the eyes are in the soles of the feet, leaving her blind and trembling. We go with her on the journey of this new body across the room, and back again, and across the room, and back again, because the journey is not through space but through states of being. In a way this is journalism, a clear communication of the news from a foreign country."---Alexander Fearnside, Albuquerque Magazine "Fascinating sense of instrumentation and undissectable movement: hypnotic and dreamlike until a pitch of physical and sonic intensity forces you to look around the audience to see who is going to crack...a captivating work which really challenges the boundaries of the observer’s consciousness." Professor Eugene Douglas, Department of Theater and Dance, University of New Mexico. ARTIST BIOS: Ephia studied dance with Min Tanaka , Kazuo and Yoshito Ohno, Anzu Furukawa, and Akira Kasai. Following her interest in ritual dance, she traveled to study under reknown teachers in Ghana, Java and Bali. She holds a BFA in dance from Columbia University (NYC). She danced in the company of the late Anzu Furukawa in Berlin, appearing in Furukawa’s final production, Goya: La Quinta del Sordo. In 1998, she began her collaboration with musician Jeff Gburek. In the seven years of consistent performance and teaching with Djalma Primordial Science, Ephia’ s deeply physical practice has gradually been recast as the UNSOUND BODY, characterizing her concentrations on instability, frailty and magma as movement imperatives and her strong desire to scratch away the veil of illusion from theater, leaving a spare and potent bodily encounter within the shifting landscapes of sound, time, and place. Her production Null Achtzehn, a requiem for the nameless victims of the WWII Holocaust, has appeared in the theaters of Germany, Italy, and Poland. Djalma Primordial Science was a company in residence at the Tricklock Company's Revolutions International Theater Festival 2002. They performed the 12-hour-long Naufragio Ballante at The Land/ an art-site. After an extensive tour of the U.S. in 2004, their production MYOPIA the secret boxcars of pubescence was presented in Amsterdam in conjunction with an Excavations within the Unsound Body workshop sponsored by PIA. Current undertakings include the transmedia project ASYLUM: a study of place/ghost and Wife, Life, Tripe, Damnit & THAT, an homage to Antonin Artaud featured in Teatro Caliente Festival 2004 in Phoenix. In addition to their annual seven day workshop in the desert of New Mexico, INTEGRATING WITH/DISINTEGRATING INTO THE LAND, they regularly lead workshops for actors, dancers, therapists, and all those interested in unleashing a deep internal expression. Jeff Gburek has been playing guitars for 29 years and has been performing widely throughout Western Europe and the USA. During the 80’s he developed a personalized steel-string acoustic style influenced by Indian raga and Arabic maqamat, providing the technical backdrop for his more challenging table-top guitar & electro-acoustic treatments. He employs traditional & prepared guitar techniques, along with signal processing and field recordings, to create a blend of improvisational-compositional music drawing on the processes of musique concrete and the philosophy of the unsound body, crossing and re-crossing imaginary boundaries in sound. He studied Javanese gamelan with Pak Suhardi in Yogyakarta and has performed with gamelan ensembles in Cirebon, Jogja & NYC. Other projects include the Berlin-based electro-acoustic trio ZYGOMA with percussionist Michael Vorfeld and sampling by Michael Walz. Additional appearances with reknown East German trombonist Konrad Bauer and English guitar pioneer Keith Rowe, confirm a continual interest in European experimental music. In the USA, he has worked with Indian sitarist Neel Murgai, Kyle Bruckmann, Chris Forsyth and Daniel Carter and recorded the Javanese rebab for Indian dj Nitin Sawhney. A CD of guitar solos and electro-acoustic compositions called ENERGARIUMS has just been released by the German label NUR/NICHT/NUR. (visit www.energariums.com for ordering info). His 10 Improvisations for Shortwave Radio was broadcast as part of the Nonsequitur Foundation's AetherFest 2003, an international festival for radio art. O’um Kasr, Mother of All Ports, Track 3 from Energariums, is part of the touring exhibit Del Acuerdo Y Del Conflicto in Spain which is going to Cuba next. new reviews at bagatellen.com __________________________________ Do you Yahoo!? Yahoo! Mail - Find what you need with new enhanced search. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 19:53:21 2005 Return-path: <microsound-return-34570-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 14:53:21 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 14:53:21 -0500 (EST) Received: (qmail 34404 invoked by uid 1095); Fri, 25 Feb 2005 19:53:17 +0000 Received: (qmail 34394 invoked from network); Fri, 25 Feb 2005 19:53:16 +0000 Date: Fri, 25 Feb 2005 11:53:13 -0800 (PST) From: jeff gburek <xxxxxxxxxx@xxxxx.xxx> Subject: Re: [microsound] Berlin In-reply-to: <BE44BD37.44E1%xxxxxxx@xxxxxxxxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=Dp6irvtR5dlNYA05/sLRruoICoanG9HnG4AfZZdT1J/tMnfAxrCANZZKYapXY+8ypHfSEt0kNHF3H0+E9mNoRH0Z474DzeLsmjIl8OtTN027r+eqiV6tWhX+i9kDwPjHEsaJZ9kXS5JURvPrhrM023Q2AWLKAEBVyqySXNcyOeY= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx I am playing a concert at a new venue for experimental sound called Zibirische-Zelle on March 25, they have website you can google for. google also for echtzeit.com for many other interesting music events, notably those at ausland, kule, podewil, the staalplaat shop etc.... best, jeff gburek Hello; I'm planning a trip to Berlin from 22.03 to 26.03 and I just wanted to ask if there is any interesting concert or show planned during this days... Also if someone from Berlin can make a brief list of the main music shops there I would greately appreciate it. Thanks in advance. -- --- Richard Whitelaw <xxxxxxx@xxxxxxxxxxxxxxxx.xxx> wrote: > BARRY ANDERSON BURSARY > Grass roots funds for artists working in the UK. > > A small award of £150 is available each month for > Sonic Arts Network members > presenting work in their local regions (Not a > member? Visit > www.sonicartsnetwork.org for details). These funds > are intended to help with > the costs of staging an event. The money can be used > to pay for the hire of > a venue, some equipment, the production of > promotional materials like flyers > or with some advertising, travel expenses, the fees > of a guest artist or > other costs associated with producing a small-scale > event. > > In line with our commitment to offer members the > chance to help shape Sonic > Arts Network, this will be an opportunity for you to > decide who will receive > the bursary. Members will select the monthly project > that will be awarded > funding through a process of online voting. Only one > application will be > successful each month and the event must take place > within 3 months of > submitting your proposal. > > The Bursary is in memory of Barry Anderson, a > founder Chair of EMAS (the > former name of Sonic Arts Network) in 1979. Anderson > was an accomplished > composer and also music director of the West Square > Electronic Music > Ensemble based at the West Square Studios at Morley > College. The open access > evening classes he ran there, which mixed > established professionals with > enthusiastic starters, were glued together with > Barry's infectious > enthusiasm, endless energy and a real commitment to > public performance. > > ³I met Barry after a West Square concert at St. > John's Smith Square, I guess > in about 1976. We shared a passion for live > electronics and performance and > I remember the concert included Barry's own work > 'Mask' which combined > performers, tapes & electronics performed from > behind a huge Maori-inspired > mask from his native New Zealand. We had ten years > of great work ahead as > close friends, as well as colleagues on the EMAS > committee, sharing the > IRCAM composers course in 1981 which led to his > extensive work there in the > early and mid 1980s. His death in 1987 deprived us > of a great musician and > music director. > > His friendship and support for young composers and > performers need not live > on only in dusty programme notes but can continue > through these bursaries in > his name.² > > Simon Emmerson > > visit www.sonicartsnetwork.org for more information > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________ Do you Yahoo!? Yahoo! Mail - 250MB free storage. Do more. Manage less. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 18:18:14 2005 Return-path: <microsound-return-34569-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 13:18:14 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 13:18:14 -0500 (EST) Received: (qmail 87502 invoked by uid 1095); Fri, 25 Feb 2005 18:18:03 +0000 Received: (qmail 87492 invoked from network); Fri, 25 Feb 2005 18:18:03 +0000 Date: Fri, 25 Feb 2005 10:17:28 -0800 From: Craque <xxxxxx@xxxxxx.xxx> Subject: Re: [microsound] Biofeedback artists? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@x.xxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@x.xxxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 25 Feb 2005 18:22:31.0765 (UTC) FILETIME=[F8610850:01C51B66] I tend to disagree, since context and machinery are largely objective perspectives, alterable and insignificant, especially considering the outlook of the individual (insert here arguments about what is art, etc... I'm sure that's shown up on this list more than once). I personally don't believe art has a need to be present[ed|able]. It's very credible, in my view, that an EKG display on its own can be art. On Feb 25, 2005, at 9:10 AM, Scott Carver wrote: > Art always relies on technology (especially the kind of art we're > inclined to talk about on microsound)... but I'm skeptical of the > extent to which art can be nothing BUT technology. I find it difficult > to imagine eeg's, galvanic skin response graphs, other such bodily > data /by itself/ as being art, no matter how beautifully the data is > rendered, regraphed, played back as sound, projected on the wall, etc. > That's not to say that these kinds of data can /never/ be used for > art, but they seem to need more context, more machinery, than this. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 17:49:19 2005 Return-path: <microsound-return-34568-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 12:49:19 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 12:49:18 -0500 (EST) Received: (qmail 73353 invoked by uid 1095); Fri, 25 Feb 2005 17:49:15 +0000 Received: (qmail 73324 invoked from network); Fri, 25 Feb 2005 17:49:14 +0000 Date: Fri, 25 Feb 2005 18:49:02 +0100 From: xxxxxxxxxxx@xxx.xx Subject: Re: [microsound] Mysterious on air phenomenon... To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxx@xxx.xx> Organization: http://freemail.web.de/ MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hi, check out the work of Carl Michael von Hausswolff. He did a exhibition with all the archives and materials from Jürgenson at the Portikus in Frankfurt/Germany. There was a book and CD release in conjunction with the exhibition: VOICE TRANSMISSIONS WITH THE DECEASED, Firework Edition Friedrich Jürgenson - from the Studio for Audioscopic Research http://www.portikus.de/ArchiveA0125.html www.fireworkedition.com/ http://parc.web.fm/catalogue.html all the best Bernhard ______________________________________________________________ Verschicken Sie romantische, coole und witzige Bilder per SMS! Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 17:10:13 2005 Return-path: <microsound-return-34567-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 12:10:13 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 12:10:13 -0500 (EST) Received: (qmail 57504 invoked by uid 1095); Fri, 25 Feb 2005 17:10:09 +0000 Received: (qmail 57494 invoked from network); Fri, 25 Feb 2005 17:10:09 +0000 Date: Fri, 25 Feb 2005 09:10:05 -0800 From: Scott Carver <xxxxxxx@x.xxxxxxxxxx.xxx> Subject: Re: [microsound] Biofeedback artists? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@x.xxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Art always relies on technology (especially the kind of art we're inclined to talk about on microsound)... but I'm skeptical of the extent to which art can be nothing BUT technology. I find it difficult to imagine eeg's, galvanic skin response graphs, other such bodily data /by itself/ as being art, no matter how beautifully the data is rendered, regraphed, played back as sound, projected on the wall, etc. That's not to say that these kinds of data can /never/ be used for art, but they seem to need more context, more machinery, than this. - Scott Carver On Feb 25, 2005, at 8:54 AM, Craque wrote: > Why should the amount of technology involved define the relative > 'artisticness' of a work? Some art is nothing BUT technology - > especially music these days. Plenty of art relies heavy on technology; > of course this also depends on what you define as 'technology.' --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 16:55:11 2005 Return-path: <microsound-return-34566-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 11:55:11 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 11:55:11 -0500 (EST) Received: (qmail 49595 invoked by uid 1095); Fri, 25 Feb 2005 16:55:07 +0000 Received: (qmail 49539 invoked from network); Fri, 25 Feb 2005 16:55:06 +0000 Date: Fri, 25 Feb 2005 08:54:57 -0800 From: Craque <xxxxxx@xxxxxx.xxx> Subject: Re: [microsound] Biofeedback artists? In-reply-to: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 25 Feb 2005 16:59:35.0513 (UTC) FILETIME=[624D3C90:01C51B5B] Why should the amount of technology involved define the relative 'artisticness' of a work? Some art is nothing BUT technology - especially music these days. Plenty of art relies heavy on technology; of course this also depends on what you define as 'technology.' On Feb 25, 2005, at 4:54 AM, Richard John Brill wrote: > Hello List, > > I'm writing a thesis on biofeedback sound installation and the science > and technology behind it. What are your views on the subject, i.e., do > you think that installations based on biofeedback technology can be > called artistic if they rely too much on the technology?, such as > Electroencephalograms, galvanic skin respone, and other general > biofeedback technology. > Thanks, > > Rbrill > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 13:23:02 2005 Return-path: <microsound-return-34565-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta19.srv.hcvlny.cv.net (mta19.srv.hcvlny.cv.net [167.206.5.113]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 08:23:02 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta19.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 08:23:02 -0500 (EST) Received: (qmail 67885 invoked by uid 1095); Fri, 25 Feb 2005 13:22:55 +0000 Received: (qmail 67875 invoked from network); Fri, 25 Feb 2005 13:22:55 +0000 Date: Fri, 25 Feb 2005 14:22:53 +0100 From: =?ISO-8859-1?Q?j=E9r=E9my_frotey?= <xxxxxx.xxxxxx@xxxxx.xxx> Subject: Re: [microsound] Berlin In-reply-to: <xxxxxxxx.xxxxxxx@xxxxxx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: =?ISO-8859-1?Q?j=E9r=E9my_frotey?= <xxxxxx.xxxxxx@xxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=YtkPZcZTVddo0xlS/eGyfk9/f+gOPVLSuSX261tw8no6WtUHAIe8hgJfUJkcsU/D0dDd0oJYR2gRVbNsbN9oNqXKiQ28bkZ2Ozaga7YQym/4PUr8JDecEIVN+LAYgZx1k47tgY7H2qaVlmaAqmWMdrnmMsNTbwUxlxYmqkktRNs= X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxx.xxxxxxx@xxxxxx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx hello pol, *for record shops: dense, Danziger Str. 16. (dense.de) staalplaat, Torstr. 72 (staalplaat.com) hardwax, Paul-Lincke-Ufer 44a (hardwax.de) the first two rather on the "experimental" side, with lots of cds and some vinyls, the latter is a mythical techno shop, with mostly vinyls. *for concerts, check these websites, or ask the above shops: ausland-berlin.de (great venue) music-scan.de/nbi echtzeitmusik.de (calendar for improv concert) for clubbing, check de-bug.de/dates, and usual clubs (clubmaria.de, wmfclub.de, berghain.de...) have a nice time in berlin, and don't hesitate to ask for more details! jérémy --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 12:54:20 2005 Return-path: <microsound-return-34564-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 07:54:20 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 07:54:20 -0500 (EST) Received: (qmail 56949 invoked by uid 1095); Fri, 25 Feb 2005 12:54:17 +0000 Received: (qmail 56939 invoked from network); Fri, 25 Feb 2005 12:54:17 +0000 Date: Fri, 25 Feb 2005 12:54:15 +0000 From: Richard John Brill <x.xxxxxx@xxx.xxxxx.xx.xx> Subject: [microsound] Biofeedback artists? X-Sender: rbrill1 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: x.xxxxxx@xxx.xxxxx.xx.xx Message-id: <xxxxxxxxxx.xxxxxxxxx.xxxxxx@xxx.xxxxx.xx.xx> MIME-version: 1.0 X-Mailer: NetMail ModWeb Module Content-type: text/plain; charset=UTF-8 Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hello List, I'm writing a thesis on biofeedback sound installation and the science and technology behind it. What are your views on the subject, i.e., do you think that installations based on biofeedback technology can be called artistic if they rely too much on the technology?, such as Electroencephalograms, galvanic skin respone, and other general biofeedback technology. Thanks, Rbrill --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 11:32:20 2005 Return-path: <microsound-return-34562-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta16.srv.hcvlny.cv.net (mta16.srv.hcvlny.cv.net [167.206.5.110]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 06:32:20 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta16.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 06:32:19 -0500 (EST) Received: (qmail 42624 invoked by uid 1095); Fri, 25 Feb 2005 11:32:10 +0000 Received: (qmail 42613 invoked from network); Fri, 25 Feb 2005 11:32:10 +0000 Date: Fri, 25 Feb 2005 11:32:07 +0000 From: Richard Whitelaw <xxxxxxx@xxxxxxxxxxxxxxxx.xxx> Subject: [microsound] SAN announces Barry Anderson Bursary To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE44BD37.44E1%xxxxxxx@xxxxxxxxxxxxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Entourage/10.1.4.030702.0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx BARRY ANDERSON BURSARY Grass roots funds for artists working in the UK. A small award of £150 is available each month for Sonic Arts Network members presenting work in their local regions (Not a member? Visit www.sonicartsnetwork.org for details). These funds are intended to help with the costs of staging an event. The money can be used to pay for the hire of a venue, some equipment, the production of promotional materials like flyers or with some advertising, travel expenses, the fees of a guest artist or other costs associated with producing a small-scale event. In line with our commitment to offer members the chance to help shape Sonic Arts Network, this will be an opportunity for you to decide who will receive the bursary. Members will select the monthly project that will be awarded funding through a process of online voting. Only one application will be successful each month and the event must take place within 3 months of submitting your proposal. The Bursary is in memory of Barry Anderson, a founder Chair of EMAS (the former name of Sonic Arts Network) in 1979. Anderson was an accomplished composer and also music director of the West Square Electronic Music Ensemble based at the West Square Studios at Morley College. The open access evening classes he ran there, which mixed established professionals with enthusiastic starters, were glued together with Barry's infectious enthusiasm, endless energy and a real commitment to public performance. ³I met Barry after a West Square concert at St. John's Smith Square, I guess in about 1976. We shared a passion for live electronics and performance and I remember the concert included Barry's own work 'Mask' which combined performers, tapes & electronics performed from behind a huge Maori-inspired mask from his native New Zealand. We had ten years of great work ahead as close friends, as well as colleagues on the EMAS committee, sharing the IRCAM composers course in 1981 which led to his extensive work there in the early and mid 1980s. His death in 1987 deprived us of a great musician and music director. His friendship and support for young composers and performers need not live on only in dusty programme notes but can continue through these bursaries in his name.² Simon Emmerson visit www.sonicartsnetwork.org for more information --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 11:08:09 2005 Return-path: <microsound-return-34561-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta16.srv.hcvlny.cv.net (mta16.srv.hcvlny.cv.net [167.206.5.110]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 06:08:09 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta16.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 06:08:09 -0500 (EST) Received: (qmail 35205 invoked by uid 1095); Fri, 25 Feb 2005 11:08:09 +0000 Received: (qmail 35195 invoked from network); Fri, 25 Feb 2005 11:08:09 +0000 Date: Fri, 25 Feb 2005 06:07:52 -0500 From: Doran Massey <xxxxx_xxxxxx@xxxxxxx.xxx> Subject: Re: [microsound] New York university??? X-Originating-IP: [70.21.191.109] X-Sender: xxxxx_xxxxxx@xxxxxxx.xxx To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Mailer: Microsoft Outlook Express 6.00.2900.2180 Content-type: text/plain; format=flowed; charset=iso-8859-1; reply-type=response Content-transfer-encoding: 8BIT X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Originating-Email: [xxxxx_xxxxxx@xxxxxxx.xxx] X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 25 Feb 2005 11:08:00.0504 (UTC) FILETIME=[44B24F80:01C51B2A] I'm not sure what school level you're at so its hard to say specifically what programs might work for you. I'm almost through with an MFA in Studio Art at NYU. I chose it because it's a very free, self-directed program and I could draw on the classes, professors, & visiting artists of NYU as well as Columbia U., Princeton U, Yale, CUNY Brooklyn & Rutgers U. Though I haven't used the other schools much. Some centers you might find interesting: NY area: NYU: http://education.nyu.edu/depts/art/pages/7 http://itp.tisch.nyu.edu/page/home http://depthome.brooklyn.cuny.edu/art/frames/academic.html http://www.nydigitalsalon.org/ Close to NYC: Brown - RISD http://www.arts.rpi.edu/index02.php West Coast http://www.calarts.edu/schools/music/programs/composition-newmedia.html http://www-crca.ucsd.edu/ http://www.mills.edu/LIFE/CCM/CCM.homepage.html http://www.washington.edu/dxarts/ http://www.mat.ucsb.edu/matWeb/findex.html Other: http://www.artic.edu/saic/programs/depts/graduate/sound.html Do you know Jose Carlos Teixeira from Porto? He didn't like NYU & is at UCLA now. ----- Original Message ----- From: "Filipe Galante" <xxxxxxxxxxxxx@xxxxxxx.xxx> To: <xxxxxxxxxx@xxxxxxxxx.xxx> Sent: Thursday, February 24, 2005 8:08 PM Subject: [microsound] New York university??? > Hey microsounders!!!! > I´m a portuguese musician/student and I´m very interested in keep on > studying this area. > I´ve been studying sound and image in Porto, Portugal, and now I´m in > London doing Sonic Culture, but my need for knowdlege does not stop so Im > thinking of moving next year to New york and keep on studying. > I´m probably going on the erasmus programme and I´d like to know if any of > you know any good university (preference for NY) that relates to this > emerging currentes of digital art and sound, I´m very interested in music > but I want nothing to do with composition, I´m more into the relationship > between the new digital media and specially sound. > So if any of you knows anything about this please reply - I´ve been > searching on the web but still havent found anything suitable, sometimes a > good tip is the best way to go, specially when u trust the source. > > Thanks you > Keep on rocking this incredible forum > Filipe Galante A.K.A PIXEL82 > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 10:37:28 2005 Return-path: <microsound-return-34560-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 05:37:28 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 05:37:28 -0500 (EST) Received: (qmail 28737 invoked by uid 1095); Fri, 25 Feb 2005 10:37:28 +0000 Received: (qmail 28727 invoked from network); Fri, 25 Feb 2005 10:37:28 +0000 Date: Fri, 25 Feb 2005 11:37:16 +0100 From: xxxxxxxxxxxxx@xxxx.xx Subject: Re: [microsound] futurists and fascists (was us citizens... (OT) To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxx.xxxxxxxxxx.xxxxx.xxxxxxxxxxxxx@xxxx.xx> MIME-version: 1.0 X-Mailer: Medianet/v2.0 Content-type: text/plain; charset=ISO-8859-1 Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx if i remember well, Marinetti (considered as the father of futurism)became from the begining of italian fascism one of its most radical element in the futurist movement. He remained with the Salo republic - which can be considered as a political suicide - he approved the destruction of some really ancient borroughs in italian cities, and also depicted idyllic visions of the war trough paintings representating planes, bombs, etc... But surely they weren't all fascists : Luigi Russolo ("the art of noise") didn't join at all fascism... ----Message d'origine---- >Date: Sat, 06 Nov 2004 08:29:16 -0600 >De: Gregory Taylor <xxxxxxx@xxxx.xxx> >A: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> >Sujet: [microsound] futurists and fascists (was us citizens... (OT) > >It could be and has been argued that the futurists were willingly >co-opted by the Fascists (I believe that a lot of this concerns >their participation in... um... I think it's the Quattrocentro exhibition >in um... 1933 or so? (Sorry. I'm in Miami a great ways away from >my library.), and the extent to which one could read the earlier >work and see or not see this co-optation as something inevitable >is, similarly, posited and debated by historians and scholars. > >Such work is, apparently, complicated by the fact that the view of >some futurists as collaborators was sufficiently widespread in the >years following the second world war that the participants' work >fell into fairly serious obscurity. I heard an interesting talk by >Richard Kerby (who authored the very interesting and, happily, >back in print book "Futurist Performance," which to my knowledge >featured the first English translations of a number of theoretical >writings of the futurists) about the circumstances under which he >found and gathered the research that informed "Futurist Performance." >While people generally in groups like this bemoan the "loss" of >the intonarumori (and some basic idea of what was actually IN >some of those boxes), much more has been lost to us. > >While I can's say I've really got a dog in this fight at this point >(although I was somewhat more committed to the notion that >the co-optation of futurism was important during the first heady >days of industrial music, when a fair number of persons who >were largely ignorant of the movement's history appeared to >uncritically embrace futurism), I would probably hazard a >guess that the larger lesson to be drawn might lie in considering >if (and how) their work *was* co-opted, and how such might also >be *our* lot. > > > > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >website: http://www.microsound.org > > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 08:08:10 2005 Return-path: <microsound-return-34559-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 03:08:10 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 03:08:10 -0500 (EST) Received: (qmail 98047 invoked by uid 1095); Fri, 25 Feb 2005 08:08:09 +0000 Received: (qmail 98037 invoked from network); Fri, 25 Feb 2005 08:08:08 +0000 Date: Fri, 25 Feb 2005 09:07:40 +0100 From: Pol <xxx@xxxxxx.xx> Subject: [microsound] Berlin To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxxxx@xxxxxx.xx> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: 7BIT X-Accept-Language: en-us, en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla Thunderbird 1.0 (Windows/20041206) X-Virus-Scanned: by amavisd-new at nexica.com X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hello; I'm planning a trip to Berlin from 22.03 to 26.03 and I just wanted to ask if there is any interesting concert or show planned during this days... Also if someone from Berlin can make a brief list of the main music shops there I would greately appreciate it. Thanks in advance. -- ******************************************************************** Pol Santacana Ametller Comunidad de Profesionales Internet, S.A. http://www.ictnet.es -------------------------------------------------------------------- -How important is the concept of light in the making of your music ? -In darkness, it is hard to find the switches Ilpo Vaisanen, Pan Sonic ******************************************************************** --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 08:00:55 2005 Return-path: <microsound-return-34558-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 25 Feb 2005 03:00:55 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 25 Feb 2005 03:00:55 -0500 (EST) Received: (qmail 94775 invoked by uid 1095); Fri, 25 Feb 2005 08:00:49 +0000 Received: (qmail 94765 invoked from network); Fri, 25 Feb 2005 08:00:47 +0000 Date: Fri, 25 Feb 2005 03:00:35 -0500 (EST) From: Neil Wiernik <xxxx@xxxxxxxx.xxx> Subject: [microsound] reminder - BETA_LAB - Feb 26th 2005 - MTL To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxxx@xxxxxxxx.xxxxxxxx.xxx> MIME-version: 1.0 Content-type: TEXT/PLAIN; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by amavisd-new at dreaming.org X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx PHONIQ presents BETA-LAB when: saturday february 26th 2005 where: la salle d'attente (the back room of cafe esperanza) 5490 st-laurent, montreal, canada time: 9pm - 3am how much: FREE BETA-LAB is a monthly night of electronic music collaberation and experimentation featuring phoniq resident artists: naw, cyan, scant intone, various, anton along side a variey of monthly guests. This month's BETA-LAB will feature: Heart & Soul - Live - esoterik NAW V.S. Anton - live - antontrax.com/noisefactoryrecords.com Bopp - laptop DJ - bopp.ca for more info visit: www.phoniq.net ---------------------------------------------------- PRESS RELEASE The PHONIQ collective brings you another twist on another year of electronic music showcases. This time around PHONIQ is happy to present BETA-LAB a monthly showcase of electronic music collaberation and experimentation. BETA-LAB will focus on teaming up resident PHONIQ artists with other members of the canadian electronic music community. BETA-LAB is a space for experimentation to try out new ideas, for artists to try out new ideas, projects, collaberations. a testing ground for laptop artists, hardware musicians, djs and video artists a like. every month a different project or projects will be presented. each of these events are designed to act as an exploration into the different intersections between technology and music/art making. BETA-LAB is not designed to feature one artist in particular but to act more as an equal testing ground for all, for both the performer and the audience member. the BETA-LAB series is about an ever changing creative process, each months event details will be announced at www.phoniq.net BIOS/INFO PHONIQ www.phoniq.net phoniq is a collective of individuals dedicated to promoting bleeding edge electronic music/art in interesting variable environments, with an emphasis on exposing aural and visual talent that has not yet been exposed to the electronic arts communities of montreal and canada. we aim to showcase upstart music producers, djs, and emerging visual artists all working in electronic realms. our foremost goal is to showcase off the wall and raw genres of music and visual electronic arts- not just those that are currently "en vogue" or will be shortly. the concept for phoniq came together through the chance meeting of 2 active members of the montreal/canadian electronic music and digital arts community: ckut-fm dj/host cyan and dub glitch techno producer naw. phoniq has grown out of the combined histories of these 2 individuals. naw brings the clonk legacy that he created 6 years ago in toronto, which hosted such artists as: monolake, kit clayton and sutekh. cyan brings her ongoing involvement in community radio, event coordinating and dj talents. since then the collective has grown to include 5 core members responsible for keeping things running. after 6 short months, phoniq has grown from an idea of "how can we create a viable promotional vehicle for canadian electronic artists", into a music series, a net-label, an active community mailing-list and a canadian electronic music resource. HEART & SOUL Humanity receives hundreds of cosmic signals on a daily basis. Of these, certainly the most complex come from a place simply known as Planet Nebula.Chief among the Nebular codebreakers here on Earth is the team of Heart & Soul. Their working methods combine the pioneering inter-planetary research of the eminent Dr. Blowfin, the study of subterranean, or underground, wave-form activity, a careful monitering of circle makers, as well as their previously established Solar Mist Approach. The H&S team are working towards a comprehensive decryption program for the Nebular codes and a better understanding of what they can mean for us. BOPP www.bopp.ca Montreal based Laptop DJ Bopp currently plays the "Deep Fried Daze" netradio show on netmusique.com every friday at 4 pm. NAW www.noisefactoryrecords.com montreal native neil wiernik began his explorations in electronic music making as early as 1988. known to push the boundaries of his musical form, naws music is a blend of sound manipulation/design, experimental music and dub-tech rhythms, which on the surface sound quite simple, but incorporate a number of touches that steer this artist away from being simply another minimal techno or experimental laptop artist. he combines post-house, dubby minimal techno, microsound and thick ambience, to create his own version of deep techno, house and other electronic laptop oriented musics. neil has released music on various national and international record labels, including recent releases on clever-music, and his follow up full length to his 2002 noise factory release called green nights orange days. he has recently returned from tours in france, germany, and canada.to co-enside with his recent releases on these labels and plans to return to europe this summer for more tours including a performance at the now legendary sonar festival in barcelona, spain. ANTON www.antontrax.com recently relocated to montreal from the west coast, anton has been refining his sound since 1999. in an era where most are abandoning their hardware to go the software route, anton has taken advantage of cheap pawn-shop synths and samplers, made obsolete by economic cycle, but still rich with potential. his signature sound features emotive melodies, lush minor chords, and distant textures. as somewhat of a reaction to the clean computer-based sound prevalent today, antons music tends to be rough, gritty, and deeply compressed. the influence of the environment of the west coast of canada has certainly left its mark. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 02:30:05 2005 Return-path: <microsound-return-34557-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta16.srv.hcvlny.cv.net (mta16.srv.hcvlny.cv.net [167.206.5.110]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 21:30:05 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta16.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 21:30:05 -0500 (EST) Received: (qmail 14809 invoked by uid 1095); Fri, 25 Feb 2005 02:30:02 +0000 Received: (qmail 14799 invoked from network); Fri, 25 Feb 2005 02:30:01 +0000 Date: Thu, 24 Feb 2005 18:29:56 -0800 From: Kim Cascone <xxx@xxxxxxxxxxxxx.xxx> Subject: [microsound] ensemble robot To: microsound_list <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Loop-Detect: 1 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx http://www.ensemblerobot.com/robots.shtml --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 01:59:44 2005 Return-path: <microsound-return-34556-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 20:59:44 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 20:59:44 -0500 (EST) Received: (qmail 902 invoked by uid 1095); Fri, 25 Feb 2005 01:59:40 +0000 Received: (qmail 892 invoked from network); Fri, 25 Feb 2005 01:59:40 +0000 Date: Thu, 24 Feb 2005 21:07:43 -0500 From: Al C <xxxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] New York university??? In-reply-to: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE43F29F.845B%xxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx on 2/24/05 8:08 PM, Filipe Galante at xxxxxxxxxxxxx@xxxxxxx.xxx wrote: > Hey microsounders!!!! > I´m a portuguese musician/student and I´m very interested in keep on > studying this area. > I´m probably going on the erasmus programme and I´d like to know if any of > you know any good university (preference for NY) that relates to this > emerging currentes of digital art and sound, > Filipe Galante A.K.A PIXEL82 Hi Filipe, Not a University per say but a very good place to learn. Hope it helps. http://www.harvestworks.org/ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 25 01:10:41 2005 Return-path: <microsound-return-34555-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 20:10:41 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 20:10:41 -0500 (EST) Received: (qmail 83766 invoked by uid 1095); Fri, 25 Feb 2005 01:10:39 +0000 Received: (qmail 83756 invoked from network); Fri, 25 Feb 2005 01:10:39 +0000 Date: Fri, 25 Feb 2005 01:08:05 +0000 From: Filipe Galante <xxxxxxxxxxxxx@xxxxxxx.xxx> Subject: [microsound] New York university??? In-reply-to: <001301c512e1$ccd61190$xxxxxxxx@xxxxx> X-Originating-IP: [81.178.65.224] X-Sender: xxxxxxxxxxxxx@xxxxxxx.xxx To: xxxxxxxxxx@xxxxxxxxx.xxx Bcc: Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Originating-Email: [xxxxxxxxxxxxx@xxxxxxx.xxx] X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 25 Feb 2005 01:09:00.0981 (UTC) FILETIME=[97124E50:01C51AD6] Hey microsounders!!!! I´m a portuguese musician/student and I´m very interested in keep on studying this area. I´ve been studying sound and image in Porto, Portugal, and now I´m in London doing Sonic Culture, but my need for knowdlege does not stop so Im thinking of moving next year to New york and keep on studying. I´m probably going on the erasmus programme and I´d like to know if any of you know any good university (preference for NY) that relates to this emerging currentes of digital art and sound, I´m very interested in music but I want nothing to do with composition, I´m more into the relationship between the new digital media and specially sound. So if any of you knows anything about this please reply - I´ve been searching on the web but still havent found anything suitable, sometimes a good tip is the best way to go, specially when u trust the source. Thanks you Keep on rocking this incredible forum Filipe Galante A.K.A PIXEL82 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 24 22:19:34 2005 Return-path: <microsound-return-34554-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 17:19:34 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 17:19:34 -0500 (EST) Received: (qmail 28015 invoked by uid 1095); Thu, 24 Feb 2005 22:19:30 +0000 Received: (qmail 27988 invoked from network); Thu, 24 Feb 2005 22:19:30 +0000 Date: Thu, 24 Feb 2005 23:18:34 +0100 From: fantasmagramma / Phon <xxxxxxxxxxxxxx@xxxxx.xx> Subject: [microsound] Phon + fantasmagramma @ Raum - Bologna To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <005d01c51abe$c9b64040$xxxxxxxx@xxxxxxxxxxxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Mailer: Microsoft Outlook Express 6.00.2800.1106 Content-type: multipart/alternative; boundary="Boundary_(ID_H8NGq9LZ4P+4n6ZdExEUCQ)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_H8NGq9LZ4P+4n6ZdExEUCQ) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit Friday, february 25 h 22,00 @ Raum, via Ca' Selvatica 4/d, Bologna (Italy) -free entry- Phonorama, event curated by Nico and Corrado Senscibai, presents: Phon [label launch] | fantasmagramma [performance] Phon is a new music label based in Bologna, Italy, founded by Francesco Leoci and Marco Leoci, focused in releasing electronic sound works developed through radically experimental compositional formulations and a creative use of audio software and new tools. In this event will be presented the first label release, Oblique Ephemeral Topology, a cd-split including three new compositions realized by fantasmagramma (it), schurer (ch), kim cascone (u.s.a.). Immediately following, fantasmagramma will perfom their new set of minimalist computer music. www.phon-label.com www.xing.it/raum.html www.fantasmagramma.com --Boundary_(ID_H8NGq9LZ4P+4n6ZdExEUCQ)-- From ???@??? Thu Feb 24 20:19:45 2005 Return-path: <microsound-return-34553-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 15:19:45 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 15:19:44 -0500 (EST) Received: (qmail 82404 invoked by uid 1095); Thu, 24 Feb 2005 20:19:42 +0000 Received: (qmail 82394 invoked from network); Thu, 24 Feb 2005 20:19:42 +0000 Date: Thu, 24 Feb 2005 21:19:39 +0100 (CET) From: Onda Sonora Radio <xxxxxxxxxxxxxxx@xxxxx.xx> Subject: [microsound] CONTENTS ONDA SONORA 23/02/05 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_VsbpNs7IB5GGuVYjdgbE4A)" Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_VsbpNs7IB5GGuVYjdgbE4A) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit ONDA SONORA, Madrid (ES) Radio Círculo de Bellas Artes 100.4 FM - Miércoles/Wednesday 15h - www.circulobellasartes.com Radio Autónoma 88.8 FM - Mar-Jue/Tue-Thu 16h - www.uam.es/ra Escucha en directo a cualquier hora / Listen live real time - www.ondasonoraradio.com _________________________________ CONTENTS ONDA SONORA 23/02/05 01. ALVA NOTO Track: Remodel Album: Transvision (Transall) Label: Raster-Noton Comenzamos el programa de esta semana con el corte que abre "Transvision", uno de los nuevos trabajos de Carsten Nicolai en el sello Raster-Noton, para una serie titulada "Transall" que incluye 3 eps de 21 minutos de duración. Brillantemente diseñados por Nicolai en formato mini cd, pretenden ser un reflejo de las modernas sociedades occidentales, tratando temas como la velocidad ("Transrapid"), la visión utópica del mundo ("Transvision") y la disolución de ideas en fragmentos ("Transspray") We begin our weekly playlist with the track that opens "Transvision", one of Carsten Nicolai's new works in the Raster-Noton imprint, for his "Transall" series, that include 3 eps of 21 minutes long. Brilliantly designed by Nicolai in mini-cd format, they position themselves as a reflection of the modern western societies, abording subjects such as speed ("Transrapid"), the utopian vision of the world ("Transvision") and the breakup of ideas into fragments ("Transspray") 02. ALVA NOTO Track: Funkbugfx Album: Transrapid Label: Raster-Noton Este es precisamente el corte que abría el primero de los eps de la serie de Alva Noto, "Transrapid", en el que se relaciona la velocidad de nuestros días con el contínuo flujo de datos e información que saturan los sistemas This is the track that opens the first of the eps in Noto's Transall series, Transrapid, in which the speed of our days is related to the continiuos flow of data and information saturating the systems 03. BIBIO Track: I'm Rewinding It.... Album: Fi Label: Mush Debut de Stephen Wilkinson con el nombre Bibio, un disco que parte de samples de baja calidad a los que añade instrumentación en directo, grabaciones de campo y muchos efectos y manipulaciones. Este es uno de los 17 cortes compuestos para un álbum titulado "Fi" que edita el sello norteamericano Mush Records, plataforma de operaciones para muchos proyectos paralelos que tienen que ver con Anticon Debut album for Stephen Wilkinson with the nickname Bibio, a record departing from low quality samples with some posterior addings, such as live instrumentation, field recordings and some effects and manipulations. This is one of the 17 tracks composed for an album entitled Fi, released in the North American label Mush Records, operation platform for many parallel projects around Anticon 04. STEPHAN MATHIEU Track: Theme For Oud Amelisweerd Album: The Sad Mac Label: Headz Nuevo trabajo del compositor alemán Stephan Mathieu editado por la compañía japonesa Headz, que viene lanzando ultimamente trabajos de renombrados artistas europeos (Rafael Toral, Fennesz...) y norteamericanos, como David Grubbs, Sam Prekop o Jeff Parker. "The Sad Mac" es el título del nuevo album de Stephan Mathieu, en el que muta su estilo compositivo hacia una combinación de instrumentación real, grabaciones de campo, música barroca y -menos- computadoras New work by the German composer Stephan Mathieu released in the Japanese company Headz, that keeps on publishing renowned European artists (Rafael Toral, Fennesz...) and North American (David Grubbs, Sam Prekop, Jeff Parker). The Sad Mac is the title of Stephan Mathieu's new album, in which somehow changes his compositive style towards to a combination of real instrumentation, field recordings, Baroque music and -less- computers 05. LARSEN Track: 6 Album: Play Label: Important Nos marchamos a Italia con un combo eléctrico llamado Larsen, que presentan un disco de instrumentales hipnóticos y delicados inspirados en Autechre, en quienes basaron la música de un trabajo compuesto a partir de improvisaciones sobre sus cortes favoritos del dúo británico. Play es su cuarto álbum, ha sido recientemente editado por Important Records desde Massachussets We leave to Italy with an electric outfit called Larsen, that present a record of hypnotic and delicate instrumentals inspired by Autechre, who served as musical base to compose this work starting from improvisations on their favorite tracks from the British duet. Play is their fourth album, it has been recently released by Important Records from Massachussets 06. AUTECHRE Track: Lcc Album: Untilted Label: Warp Vamos ahora sí con Autechre. Esto es un adelanto de su nuevo trabajo, Untilted, casi dos años después de que Sean Booth y Rob Brown publicaran su último álbum hasta la fecha, Draft 7.30. Con una extensa discografía desde 1987, el dúo de Sheffield, edita su nuevo trabajo en Warp Records, desde el Reino Unido, aunque el disco estará disponible una semana antes en Japón This are finally Autechre themselves. Advance of their new work, Untilted, almost two years after Sean Booth and Rob Brown published their last album so far, Draft 7.30. With an extensive discography from 1987, the Sheffield duet release their new work in Warp Records, from the United Kingdom, although the disk will be available one week before in Japan 07. KNEAD Track: 2 Album: This Melting Happiness / This melting happiness I want you to realize that it is another trap Label: Fractal Knead, proyecto compuesto por el Keiji Haino, guitarrista de Fushitsusha, junto a Tatsuya Yoshida e Hisashi Sasaki del grupo Ruins, con su segunda grabación, un directo desde Tokyo titulado This Melting Happiness editado desde Francia por Fractal Records Knead, a project compound by Keiji Haino, guitarist of Fushitsusha, together with Tatsuya Yoshida and Hisashi Sasaki of the group Ruins, with their second recording, a live one from Tokyo entitled This Melting Happiness released from France by Fractal Records 08. SMEGMA Track: Electron Album: Rumblings Label: Hanson Banda de free noise formada en los años 70 alrededor de la Sociedad de Música Libre de Los Angeles, que ellos mismos ayudaron a formar. Smegma regresan con su primer disco en casi una década, sin contar su reciente colaboración con Wolf Eyes. Rumblings es un collage sonoro editado por Hanson Records y compuesto por grandes dosis de improvisación, free jazz y rock en un entorno más que ruidoso, con la colaboración del músico y escritor Richard Meltzer Free noise band formed in the seventies around the Los Angeles Free Music Society, that themselves helped to form. Smegma return with their first release in almost a decade, without counting their recent collaboration with Wolf Eyes. Rumblings is a sound collage released by Hanson Records and composed by big improvisation doses, free jazz and rock in more than noisy environment, with the collaboration of writer and musician Richard Meltzer ______ Nota: Este mensaje no ha sido solicitado, pero consideramos que podría interesarte. De no ser así, responde con un mensaje titulado “borrame” y serás inmediatamente eliminado del mailing. Muchas gracias Note: This is an undemanded message, but we have considered it could be interesting for you. If that’s not the case, then reply us with this subject for the message: “delete me”, and you will be inmediately out from the mailing. Thank you --------------------------------- --Boundary_(ID_VsbpNs7IB5GGuVYjdgbE4A)-- From ???@??? Thu Feb 24 20:17:00 2005 Return-path: <microsound-return-34552-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta16.srv.hcvlny.cv.net (mta16.srv.hcvlny.cv.net [167.206.5.110]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 15:17:00 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta16.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 15:17:00 -0500 (EST) Received: (qmail 78843 invoked by uid 1095); Thu, 24 Feb 2005 20:16:46 +0000 Received: (qmail 78832 invoked from network); Thu, 24 Feb 2005 20:16:45 +0000 Date: Thu, 24 Feb 2005 21:16:42 +0100 (CET) From: Onda Sonora Radio <xxxxxxxxxxxxxxx@xxxxx.xx> Subject: [microsound] CONTENTS ONDA SONORA 23/02/05 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_JdKixP1ZSDtAMosopCDegg)" Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_JdKixP1ZSDtAMosopCDegg) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit ONDA SONORA, Madrid (ES) Radio Círculo de Bellas Artes 100.4 FM - Miércoles/Wednesday 15h - www.circulobellasartes.com Radio Autónoma 88.8 FM - Mar-Jue/Tue-Thu 16h - www.uam.es/ra Escucha en directo a cualquier hora / Listen live real time - www.ondasonoraradio.com _________________________________ CONTENTS ONDA SONORA 23/02/05 01. ALVA NOTO Track: Remodel Album: Transvision (Transall) Label: Raster-Noton Comenzamos el programa de esta semana con el corte que abre "Transvision", uno de los nuevos trabajos de Carsten Nicolai en el sello Raster-Noton, para una serie titulada "Transall" que incluye 3 eps de 21 minutos de duración. Brillantemente diseñados por Nicolai en formato mini cd, pretenden ser un reflejo de las modernas sociedades occidentales, tratando temas como la velocidad ("Transrapid"), la visión utópica del mundo ("Transvision") y la disolución de ideas en fragmentos ("Transspray") We begin our weekly playlist with the track that opens "Transvision", one of Carsten Nicolai's new works in the Raster-Noton imprint, for his "Transall" series, that include 3 eps of 21 minutes long. Brilliantly designed by Nicolai in mini-cd format, they position themselves as a reflection of the modern western societies, abording subjects such as speed ("Transrapid"), the utopian vision of the world ("Transvision") and the breakup of ideas into fragments ("Transspray") 02. ALVA NOTO Track: Funkbugfx Album: Transrapid Label: Raster-Noton Este es precisamente el corte que abría el primero de los eps de la serie de Alva Noto, "Transrapid", en el que se relaciona la velocidad de nuestros días con el contínuo flujo de datos e información que saturan los sistemas This is the track that opens the first of the eps in Noto's Transall series, Transrapid, in which the speed of our days is related to the continiuos flow of data and information saturating the systems 03. BIBIO Track: I'm Rewinding It.... Album: Fi Label: Mush Debut de Stephen Wilkinson con el nombre Bibio, un disco que parte de samples de baja calidad a los que añade instrumentación en directo, grabaciones de campo y muchos efectos y manipulaciones. Este es uno de los 17 cortes compuestos para un álbum titulado "Fi" que edita el sello norteamericano Mush Records, plataforma de operaciones para muchos proyectos paralelos que tienen que ver con Anticon Debut album for Stephen Wilkinson with the nickname Bibio, a record departing from low quality samples with some posterior addings, such as live instrumentation, field recordings and some effects and manipulations. This is one of the 17 tracks composed for an album entitled Fi, released in the North American label Mush Records, operation platform for many parallel projects around Anticon 04. STEPHAN MATHIEU Track: Theme For Oud Amelisweerd Album: The Sad Mac Label: Headz Nuevo trabajo del compositor alemán Stephan Mathieu editado por la compañía japonesa Headz, que viene lanzando ultimamente trabajos de renombrados artistas europeos (Rafael Toral, Fennesz...) y norteamericanos, como David Grubbs, Sam Prekop o Jeff Parker. "The Sad Mac" es el título del nuevo album de Stephan Mathieu, en el que muta su estilo compositivo hacia una combinación de instrumentación real, grabaciones de campo, música barroca y -menos- computadoras New work by the German composer Stephan Mathieu released in the Japanese company Headz, that keeps on publishing renowned European artists (Rafael Toral, Fennesz...) and North American (David Grubbs, Sam Prekop, Jeff Parker). The Sad Mac is the title of Stephan Mathieu's new album, in which somehow changes his compositive style towards to a combination of real instrumentation, field recordings, Baroque music and -less- computers 05. LARSEN Track: 6 Album: Play Label: Important Nos marchamos a Italia con un combo eléctrico llamado Larsen, que presentan un disco de instrumentales hipnóticos y delicados inspirados en Autechre, en quienes basaron la música de un trabajo compuesto a partir de improvisaciones sobre sus cortes favoritos del dúo británico. Play es su cuarto álbum, ha sido recientemente editado por Important Records desde Massachussets We leave to Italy with an electric outfit called Larsen, that present a record of hypnotic and delicate instrumentals inspired by Autechre, who served as musical base to compose this work starting from improvisations on their favorite tracks from the British duet. Play is their fourth album, it has been recently released by Important Records from Massachussets 06. AUTECHRE Track: Lcc Album: Untilted Label: Warp Vamos ahora sí con Autechre. Esto es un adelanto de su nuevo trabajo, Untilted, casi dos años después de que Sean Booth y Rob Brown publicaran su último álbum hasta la fecha, Draft 7.30. Con una extensa discografía desde 1987, el dúo de Sheffield, edita su nuevo trabajo en Warp Records, desde el Reino Unido, aunque el disco estará disponible una semana antes en Japón This are finally Autechre themselves. Advance of their new work, Untilted, almost two years after Sean Booth and Rob Brown published their last album so far, Draft 7.30. With an extensive discography from 1987, the Sheffield duet release their new work in Warp Records, from the United Kingdom, although the disk will be available one week before in Japan 07. KNEAD Track: 2 Album: This Melting Happiness / This melting happiness I want you to realize that it is another trap Label: Fractal Knead, proyecto compuesto por el Keiji Haino, guitarrista de Fushitsusha, junto a Tatsuya Yoshida e Hisashi Sasaki del grupo Ruins, con su segunda grabación, un directo desde Tokyo titulado This Melting Happiness editado desde Francia por Fractal Records Knead, a project compound by Keiji Haino, guitarist of Fushitsusha, together with Tatsuya Yoshida and Hisashi Sasaki of the group Ruins, with their second recording, a live one from Tokyo entitled This Melting Happiness released from France by Fractal Records 08. SMEGMA Track: Electron Album: Rumblings Label: Hanson Banda de free noise formada en los años 70 alrededor de la Sociedad de Música Libre de Los Angeles, que ellos mismos ayudaron a formar. Smegma regresan con su primer disco en casi una década, sin contar su reciente colaboración con Wolf Eyes. Rumblings es un collage sonoro editado por Hanson Records y compuesto por grandes dosis de improvisación, free jazz y rock en un entorno más que ruidoso, con la colaboración del músico y escritor Richard Meltzer Free noise band formed in the seventies around the Los Angeles Free Music Society, that themselves helped to form. Smegma return with their first release in almost a decade, without counting their recent collaboration with Wolf Eyes. Rumblings is a sound collage released by Hanson Records and composed by big improvisation doses, free jazz and rock in more than noisy environment, with the collaboration of writer and musician Richard Meltzer ______ Nota: Este mensaje no ha sido solicitado, pero consideramos que podría interesarte. De no ser así, responde con un mensaje titulado “borrame” y serás inmediatamente eliminado del mailing. Muchas gracias Note: This is an undemanded message, but we have considered it could be interesting for you. If that’s not the case, then reply us with this subject for the message: “delete me”, and you will be inmediately out from the mailing. Thank you --------------------------------- --Boundary_(ID_JdKixP1ZSDtAMosopCDegg)-- From ???@??? Thu Feb 24 16:52:58 2005 Return-path: <microsound-return-34551-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 11:52:58 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 11:52:58 -0500 (EST) Received: (qmail 88938 invoked by uid 1095); Thu, 24 Feb 2005 16:52:47 +0000 Received: (qmail 88928 invoked from network); Thu, 24 Feb 2005 16:52:46 +0000 Date: Thu, 24 Feb 2005 08:52:44 -0800 (PST) From: guiver ben <xxxxxxxxx@xxxxx.xxx> Subject: [microsound] blatant self publicisation of radio appearance resonance fm tonight 12-2am UK time In-reply-to: <BE42A415.1BA83%xxxxxx@xxxxxx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=pfSE6N5J77WZCFC4BsipTuYG4H/HsxmJNsd7heXVVj51mz3ZFsbi4Ai50xTIrp5yIKMfHhvsDG/8V1jeskqptDUcxN07S/hYqczEE7yfikdqH3etQw4FH/FQ8ZMxt1lZ1iZDUPLb6RHER/qUe09dkQzLooOIrLYANxhmY1tkbRQ= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx hello all, as a follow on thingy from my art exhibition in kings cross london, i am doing some radio shows on resonance fm (104.4 fm dial, webstreamed also) tonight 12-2am uk time laters on the 'life and living show': watch this/resonance website space http://www.resonancefm.com i'll be playing some older abstract...ahhh its supposed to be a suprise........ if anyone wants jpegs from the exhibition then get in touch. otherwise a simple google search on ben guiver out of my head will suffice. best ben guiver __________________________________ Do you Yahoo!? Yahoo! Sports - Sign up for Fantasy Baseball. http://baseball.fantasysports.yahoo.com/ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 24 15:56:17 2005 Return-path: <microsound-return-34550-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 10:56:17 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 10:56:17 -0500 (EST) Received: (qmail 64354 invoked by uid 1095); Thu, 24 Feb 2005 15:56:08 +0000 Received: (qmail 64340 invoked from network); Thu, 24 Feb 2005 15:56:08 +0000 Date: Thu, 24 Feb 2005 16:55:50 +0100 From: festival garage <xxxx@xxxxxx-x.xx> Subject: [microsound] forget it! don't trust your archives - call for entries To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <p0620070ebe43a696831d@[192.168.100.101]> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=iso-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx German version below. Please forward this to any individuals or mailing lists that you feel it would be of interest to. Call for Entries: --------------------------------------------------------- 9th festival garage in August 2005 in Stralsund / Germany --------------------------------------------------------- forget it! don't trust your archives --------------------------------------------------------- Data, images, sounds, terms, definitions, signs, contacts, biometrical information, stamps ... Our culture is determined by the urge to collect and to archive, to save and to index, to systemise and to codify. Thanks to digitisation we are relieved of the tedious obligation to decide what is worth preserving - we therefore save everything and decide later what we need. The confidence we have in the perfection of recording technologies, database systems, search algorithms and collaborative filter mechanisms change our reception of reality. The awareness of the ability to save and recall everything for later use reduces our willingness to concentrate on the moment. Not the event is important but the condensed information in a practical storage format. Reference is security. To leave the field of what is considered secure is a risk. Imperfection, coincidence, spontaneity - what cannot be saved, recorded and documented? What is the quality of the non-permanent? What sense makes an archive nobody is looking at? How productive is oblivion? Rewriting of rules, breaking off processes, selecting and deleting - garage 05 is searching for artists' approaches and positions that critically discuss the technologies and mechanics of saving, archiving and forgetting. Send us your proposals and concepts for presentations, installations, performances, projects, papers, and workshops. Submission deadline for materials and proposals is 2nd May 2005. application forms and info: http://www.garage-g.de/call05 --------------------------------------------------------- all proposals should be submitted to: Festival garage Kastanienallee 73 10435 Berlin Germany questions? +49 (0) 30 441 20 15 xxxx@xxxxxx-x.xx --------------------------------------------------------- Ausschreibung --------------------------------------------------------- 9. Festival garage im August 2005 in Stralsund --------------------------------------------------------- forget it! don't trust your archives --------------------------------------------------------- Daten, Bilder, Toene, Begriffe, Definitionen, Zeichen, Kontakte, biometrische Informationen, Briefmarken ... Unsere Kultur ist gepraegt vom Drang zu sammeln und zu archivieren, zu speichern und zu katalogisieren, zu systematisieren und festzuschreiben. Da wir Dank Digitalisierung von der laestigen Verpflichtung befreit sind, uns entscheiden zu muessen, was sich aufzubewahren lohnt, sichern wir lieber alles und entscheiden spaeter, was wir davon brauchen. Das Vertrauen in die Perfektion von Aufzeichnungstechnologien, Datenbanksystemen, Suchalgorithmen und kollaborativen Filtermechanismen veraendert die Wahrnehmung von Realitaet. Das Wissen um die Moeglichkeit, alles speichern und fuer den spaeteren Gebrauch wieder abrufen zu koennen, verringert unsere Bereitschaft zur Konzentration auf den Moment. Nicht das Ereignis ist wichtig, sondern die kondensierte Information im praktischen Speicherformat. Referenz ist Sicherheit. Das Terrain des als gesichert Geltenden zu verlassen, ist Risiko. Imperfektion, Zufall, Spontanitaet - was laesst sich nicht speichern, aufzeichnen und dokumentieren? Was ist die Qualitaet des Fluechtigen? Wie viel Sinn macht ein Archiv, wenn sich niemand dafuer interessiert? Wie produktiv ist das Vergessen? Umschreiben von Regeln, Abbrechen von Prozessen, Auswaehlen und Loeschen - garage 05 sucht nach kuenstlerischen Ansaetzen und Positionen, die sich kritisch mit Technologien und Mechaniken des Speicherns, Archivierens und Vergessen auseinandersetzen. Eingereicht werden koennen Vorschlaege und Konzepte für Ausstellungen, Installationen, Performances, Projekte, Vortraege und Workshops. Einsendeschluss fuer Material und Vorschlaege ist der 2. Mai 2005. Anmeldeformular und Infos unter: http://www.garage-g.de/call05 --------------------------------------------------------- Ideen, Vorschlaege, Projektbeschreibung, Material bitte an: Festival garage Kastanienallee 73 10435 Berlin Germany Fragen? +49 (0) 30 441 20 15 xxxx@xxxxxx-x.xx --------------------------------------------------------- --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 24 15:09:33 2005 Return-path: <microsound-return-34549-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta12.srv.hcvlny.cv.net (mta12.srv.hcvlny.cv.net [167.206.5.81]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 10:09:33 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta12.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 10:09:33 -0500 (EST) Received: (qmail 46984 invoked by uid 1095); Thu, 24 Feb 2005 15:09:27 +0000 Received: (qmail 46974 invoked from network); Thu, 24 Feb 2005 15:09:27 +0000 Date: Thu, 24 Feb 2005 07:09:25 -0800 (PST) From: Eric b <xxxx_xxxxxxxx@xxxxx.xxx> Subject: [microsound] Live @ BPM, Brooklyn 8pm In-reply-to: <1CFAD01.BDA9%xxxxxx@xxxxxxx.xx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=whH/dWnVzzOQR1aqQzAWFE7vD48Ej1UZ6ptta1oDU2BitwRvjLNPrioVvPnK0Urc3fv9f2UAdRJEQAogrj6FjgEN/RssDeNlorFTzWR0xEr4AnNOOJfCGP+4x+lVWgpL9R0hJbtbZzRIDN1pM0/DiUXQIkF/pEa0BSDpWPhltSE= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx NISUS-GALERIA GALOU PRESENTS @ the BPM room – Friday,February 25, 2005 Eric Bollman/Enrique Sacasa Ben Owen/Andy Graydon Friday, February 25, 2005. Doors open at 8:00PM.Suggested donation $5.00 This event will feature a live performance that will be bringing together orchestrated duo collaborations between sound and video artists. In both sets, the artists will be improvising while responding to the video especially created for this presentation. Williamsburg, Brooklyn, NY 11211 237 Kent Ave. (bet. North 1 St. and Grand St.) ------------------------------------ http://www.ericbollman.com http://www.ericbollman.com/NISUS.jpg xxxx@xxxxxxxxxxx.xxx __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 24 12:30:03 2005 Return-path: <microsound-return-34548-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 24 Feb 2005 07:30:03 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 24 Feb 2005 07:30:03 -0500 (EST) Received: (qmail 5998 invoked by uid 1095); Thu, 24 Feb 2005 12:29:58 +0000 Received: (qmail 5988 invoked from network); Thu, 24 Feb 2005 12:29:57 +0000 Date: Thu, 24 Feb 2005 13:29:20 +0100 From: sylvain solaro <xxxxx@xxxxxx.xxx> Subject: Re: [microsound] Re: microsound Digest 19 Feb 2005 17:10:31 -0000 Issue 1356 In-reply-to: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Le 21 févr. 05, à 18:37, David Powers a écrit : > First, I buy almost all of these cheap electronics USED. They are > cheap > because they are obsolete. They may not have been cheap originally. > And people are exploited somewhere for almost every new item we buy > here > in the USA. Anyway, new musical instruments aren't actually cheap at > all here, at least typical gear might cost an entire month of my wages. > > Second, the developed world - and here I can only speak from experience > of the United States - has quite a few of those truly destitute people. > I see so many homeless people everyday here in Chicago, it's quite sad > really. And if you go into the worse off urban areas things are really > bad. Average working people are still exploited in the United States, > regardless of a somewhat better lifestyle, and wages have generally > been > decreasing over the last few years. Meanwhile, prisons are growing > larger and larger and entire communities are devestated by drug laws > which systematically remove "delinquent" parts of the population. Most > workers here hardly have lifestyles that are "opulent." Many people > are > one paycheck from being homeless and broke. Depending on where one > lives, one may have more income but it all goes towards higher rent. > Better off than workers in underdeveloped countries, sure, but hardly a > new aristocracy. Finally, a greater purchasing power vis-a-vis other > workers does not translate into political power and autonomy - > characteristics which one would expect to in an aristocracy. > > Third, yes, exploitation of labor in underdeveloped countries is a > serious global political issue. But I think this focus on consumption > is problematic. There are many conscious people that try to make > reasonable purchases for only things they really need and do not live > the hyper-consumer lifestyle that is promoted on television. I suggest > that a politics of guilt is in appropriate in this issue. In this > case, > the focus needs to be on what can be done to better the working > conditions and increase the bargaining power of the workers in > underdeveloped countries. In this area it is still the struggle > between > workers and global capital that is most important. Reducing the > position or income of, say, American workers isn't going to bring any > advantage to other workers in underdeveloped countries. > > Can I go back to button-pushing music now, PLEASE?! ;) > > As soon as I get off work, I'm going to play my lovely DX-21 with three > broken keys (luckily only at the extreme registers) thought I bought > for > $100. > > ~David > > > David Powers > Secretary > DePaul University, School of Education > Department of Leadership in Education, Language, and Human Services > 773-325-4806 > >>>> xxxxxxxx@xxx.xx 02/20/05 05:33PM >>> > Before you get too carried away, do not forget that those "cheap" > electronics are cheap largely because of the continued subjugation of > the truly poor who comprise such a huge part of our manufacturing base > > today (and who do not own computers). We in the developed > (overdeveloped?) world are all, with the exception of a few truly > destitute, the elite, privileged, aristocratic few, and the opulence of > > our lifestyle rivals that of noblemen throughout history. The > separation of rich and poor has not changed, it has merely been > globalized. At least, that has been my growing impression lately. > > Galen > > >> So if I can create music through the use of buttons and sliders, >> computers, cheap consumer electronics, and anything that is readily >> available and affordable to the working person, that's an incredible >> opportunity! I'm a piano player but I don't own a piano, so the >> availability of cheap keyboard instruments is also an amazing asset. > I >> don't understand why some people want music to be an elite activity >> only >> available to a privileged few. >> > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 24 03:15:16 2005 Return-path: <microsound-return-34547-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta11.srv.hcvlny.cv.net (mta11.srv.hcvlny.cv.net [167.206.5.86]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 22:15:16 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta11.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 22:15:16 -0500 (EST) Received: (qmail 66335 invoked by uid 1095); Thu, 24 Feb 2005 03:15:11 +0000 Received: (qmail 66324 invoked from network); Thu, 24 Feb 2005 03:15:10 +0000 Date: Thu, 24 Feb 2005 03:14:24 +0000 From: twonky yup <xxx_xxxxxx@xxxxxxx.xxx> Subject: [microsound] {bias peak license change} X-Originating-IP: [12.78.7.225] X-Sender: xxx_xxxxxx@xxxxxxx.xxx To: xxxxxxxxxx@xxxxxxxxx.xxx Bcc: Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Originating-Email: [xxx_xxxxxx@xxxxxxx.xxx] X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 24 Feb 2005 03:15:03.0495 (UTC) FILETIME=[08449D70:01C51A1F] as quaint as this sounds, i prefer SonicWORX to Peak, although its rather apples and oranges. i prefer to boot WORX up in OS9, even though i have it runs classic. for some things i fall back on peak. actually, when i was running windows and OS9, i prefered sound forge to peak, but i never bought the port to mac. i must now unbox the PC in the closet in order to use the windows plug-ins for a math lab, so the perk of this action is to get to use sound forge again after a couple of years. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 24 02:20:30 2005 Return-path: <microsound-return-34546-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 21:20:30 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 21:20:30 -0500 (EST) Received: (qmail 47755 invoked by uid 1095); Thu, 24 Feb 2005 02:20:26 +0000 Received: (qmail 47744 invoked from network); Thu, 24 Feb 2005 02:20:26 +0000 Date: Wed, 23 Feb 2005 21:20:21 -0500 From: "tobias c. van Veen" <xxxxxx@xxxxxx.xx> Subject: Re: [microsound] book citations? In-reply-to: <p06200711be42bb8e5dbf@[192.168.0.2]> To: Microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE42A415.1BA83%xxxxxx@xxxxxx.xx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Entourage/10.1.4.030702.0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx > The Audible Past: Cultural Origins of Sound Reproduction > by Jonathan Sterne Who, may I add, is Professor at McGill University in Communication Studies, one of my departments. Excellent book; excellent professor, and a lefty to boot: http://eserver.org/bs/ And a blog here: http://sterneworks.org/blog.html tV --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 24 00:41:43 2005 Return-path: <microsound-return-34545-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 19:41:43 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 19:41:43 -0500 (EST) Received: (qmail 98369 invoked by uid 1095); Thu, 24 Feb 2005 00:41:40 +0000 Received: (qmail 98358 invoked from network); Thu, 24 Feb 2005 00:41:39 +0000 Date: Wed, 23 Feb 2005 16:35:51 -0800 From: Richard Zvonar <xxxxxx@xxxxxx.xxx> Subject: Re: [microsound] book citations? In-reply-to: <007e01c51a07$9d70b630$xxxxxxxx@xxxxxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <p06200701be42d1535801@[192.168.0.2]> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxxxxxx.xxx> <p06200711be42bb8e5dbf@[192.168.0.2]> <007e01c51a07$9d70b630$xxxxxxxx@xxxxxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx At 4:27 PM -0800 2/23/05, roberth wrote: >great list add r murray shaeffer's tunning of the world I should have, but thought it was too obvious. FYI I just went to Amazon and plugged in variations on "soundscape" and various modifiers, then used their recommendations to track down others. Most of these books I'm not directly familiar with, but they're now in my wish list. I really am amazed at how much there is, especially compared to just a few years ago. -- ______________________________________________________________ Richard Zvonar, PhD (818) 788-2202 http://www.zvonar.com http://salamandersongs.com http://ill-wind.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 24 00:27:56 2005 Return-path: <microsound-return-34544-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 19:27:56 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 19:27:56 -0500 (EST) Received: (qmail 94543 invoked by uid 1095); Thu, 24 Feb 2005 00:27:51 +0000 Received: (qmail 94533 invoked from network); Thu, 24 Feb 2005 00:27:50 +0000 Date: Wed, 23 Feb 2005 16:27:23 -0800 From: roberth <xxxxxxx@xxxxxx.xxx> Subject: Re: [microsound] book citations? To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <007e01c51a07$9d70b630$xxxxxxxx@xxxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Mailer: Microsoft Outlook Express 6.00.2900.2180 Content-type: text/plain; reply-type=original; charset=iso-8859-1; format=flowed Content-transfer-encoding: 7BIT X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxxxxxx.xxx> <p06200711be42bb8e5dbf@[192.168.0.2]> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx great list add r murray shaeffer's tunning of the world ----- Original Message ----- From: "Richard Zvonar" <xxxxxx@xxxxxx.xxx> To: "microsound" <xxxxxxxxxx@xxxxxxxxx.xxx> Sent: Wednesday, February 23, 2005 3:18 PM Subject: Re: [microsound] book citations? > At 5:50 PM -0500 2/23/05, xxxxxxxx@xxxxxxxxx.xxx wrote: >> >>Anybody recall the titles/author of the, I believe TWO, books that >>have come out recently treating the acoustic landscapes of the past? >> >>One I think dealt with London in Hogarth's time and the other,,, >> >>another English period. > > > > Victorian Soundscapes > by John M. Picker > > Soundscapes > by Kay Kaufman Shelemay > > The Audible Past: Cultural Origins of Sound Reproduction > by Jonathan Sterne > > The Auditory Culture Reader (Sensory Formations) > by Michael Bull (Editor), Les Back (Editor) > > The Audible Past: Cultural Origins of Sound Reproduction > by Jonathan Sterne > > Listening to Nineteenth-Century America > by Mark M. Smith > > The Soundscape of Modernity: Architectural Acoustics and the Culture > of Listening in America, 1900-1933 > by Emily Thompson > > Sensory Worlds in Early America > by Peter Charles Hoffer > > How Early America Sounded > by Richard Cullen Rath > > Listening to Nineteenth-Century America > by Mark M. Smith > > Wild Soundscapes: Discovering the Voice of the Natural World > by Bernard L. Krause > > Into a Wild Sanctuary: A Life in Music & Natural Sound > by Bernard L. Krause > > > -- > > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 23:35:57 2005 Return-path: <microsound-return-34543-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 18:35:57 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 18:35:56 -0500 (EST) Received: (qmail 69996 invoked by uid 1095); Wed, 23 Feb 2005 23:35:54 +0000 Received: (qmail 69738 invoked from network); Wed, 23 Feb 2005 23:35:53 +0000 Date: Thu, 24 Feb 2005 00:37:26 +0100 From: Noisejihad <xxxx@xxxxxxxxxx.xx> Subject: Re: [microsound] Petition... To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx>, xxxxxxxx@xxxxx.xx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <022501c51a00$a1a82280$xxxxxxxx@xxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Mailer: Microsoft Outlook Express 6.00.2800.1158 Content-type: text/plain; charset=Windows-1252 Content-transfer-encoding: 8BIT X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <20050222232901.1810719838.xxxxxxxx@xxxxx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx To where in Europe and for how long? Lars ----- Original Message ----- From: "Plagasul" <xxxxxxxx@xxxxx.xx> To: <xxxxxxxxxx@xxxxxxxxx.xxx> Sent: Tuesday, February 22, 2005 11:29 PM Subject: [microsound] Petition... Hello. I am planning a trip for the weekend of the 4th, March, and i would like to know if there is anything interesting going on around Europe involving arts or sound, or both. After frustrating googleing i found that emailing the list members could be a fast an effective way of getting such an information. Any help or guidance will be greatly appreciated. Thank you! ______________________________________________ Renovamos el Correo Yahoo!: ¡250 MB GRATIS! Nuevos servicios, más seguridad http://correo.yahoo.es --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 23:20:13 2005 Return-path: <microsound-return-34542-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta12.srv.hcvlny.cv.net (mta12.srv.hcvlny.cv.net [167.206.5.81]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 18:20:13 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta12.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 18:20:13 -0500 (EST) Received: (qmail 63046 invoked by uid 1095); Wed, 23 Feb 2005 23:20:10 +0000 Received: (qmail 63036 invoked from network); Wed, 23 Feb 2005 23:20:10 +0000 Date: Wed, 23 Feb 2005 15:18:37 -0800 From: Richard Zvonar <xxxxxx@xxxxxx.xxx> Subject: Re: [microsound] book citations? In-reply-to: <xxxxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <p06200711be42bb8e5dbf@[192.168.0.2]> MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_EjOJvLzdIwGMJuBpiFChvg)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_EjOJvLzdIwGMJuBpiFChvg) Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit At 5:50 PM -0500 2/23/05, xxxxxxxx@xxxxxxxxx.xxx wrote: > >Anybody recall the titles/author of the, I believe TWO, books that >have come out recently treating the acoustic landscapes of the past? > >One I think dealt with London in Hogarth's time and the other,,, > >another English period. Victorian Soundscapes by John M. Picker Soundscapes by Kay Kaufman Shelemay The Audible Past: Cultural Origins of Sound Reproduction by Jonathan Sterne The Auditory Culture Reader (Sensory Formations) by Michael Bull (Editor), Les Back (Editor) The Audible Past: Cultural Origins of Sound Reproduction by Jonathan Sterne Listening to Nineteenth-Century America by Mark M. Smith The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933 by Emily Thompson Sensory Worlds in Early America by Peter Charles Hoffer How Early America Sounded by Richard Cullen Rath Listening to Nineteenth-Century America by Mark M. Smith Wild Soundscapes: Discovering the Voice of the Natural World by Bernard L. Krause Into a Wild Sanctuary: A Life in Music & Natural Sound by Bernard L. Krause -- --Boundary_(ID_EjOJvLzdIwGMJuBpiFChvg)-- From ???@??? Wed Feb 23 22:51:12 2005 Return-path: <microsound-return-34541-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 17:51:12 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 17:51:12 -0500 (EST) Received: (qmail 51912 invoked by uid 1095); Wed, 23 Feb 2005 22:51:09 +0000 Received: (qmail 51893 invoked from network); Wed, 23 Feb 2005 22:51:08 +0000 Date: Wed, 23 Feb 2005 17:50:37 -0500 From: xxxxxxxx@xxxxxxxxx.xxx Subject: [microsound] book citations? To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: iPlanet Messenger Express 5.2 HotFix 1.25 (built Mar 3 2004) Content-type: text/plain; charset=us-ascii Content-language: en Content-transfer-encoding: 7BIT Content-disposition: inline X-Accept-Language: en Priority: normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hey- Anybody recall the titles/author of the, I believe TWO, books that have come out recently treating the acoustic landscapes of the past? One I think dealt with London in Hogarth's time and the other,,, another English period. Help! Tad xxxxxxxx@xxxxxxxxx.xxx --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 21:57:34 2005 Return-path: <microsound-return-34540-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta12.srv.hcvlny.cv.net (mta12.srv.hcvlny.cv.net [167.206.5.81]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 16:57:34 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta12.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 16:57:34 -0500 (EST) Received: (qmail 30355 invoked by uid 1095); Wed, 23 Feb 2005 21:57:32 +0000 Received: (qmail 30345 invoked from network); Wed, 23 Feb 2005 21:57:31 +0000 Date: Wed, 23 Feb 2005 21:57:24 +0000 From: paulo raposo || sirr <xxxx-xxxxxx@xxxx-xxxxxx.xxx> Subject: Re: [microsound] Marc Behrens / Paulo Raposo / @c [ To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE42ACC4.13530%xxxx-xxxxxx@xxxx-xxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Entourage/10.0.0.1309 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx I took the text, or part of it, from the press-release of the label. But googling a little bit is easy to find the following text: "" The year 2009, looks set to be the final turn in the long standing vinyl revolution. A June 2003 press release from The Institute of Chemical Engineering, advised that key by- products of the current petroleum refining process would no longer be generated by 2009, due to deadlines agreed, in principle, with the chemical industry back in 1992. These deadlines were however, only finalised in 1999, in the face of increasing environmental concerns and lobbying. the institute of chemical engineering (iChemE) went on to advise that a voluntary co-funded research and development program to seek a green alternative, possibly a polycarbonate based compound had been proposed in the 1999 summary. However no members of the industry wide syndicate had been able to substantiate a sufficiently high market demand for a replacement for the petroleum by-product, which is the primary base for vinyl record albums. "" http://members4.boardhost.com/culturama/msg/3281.html http://www.tvaus.com/viewtopic.php?t=7122 Anyway, I tend to agree with John about being more a rumour than anything else. But nevertheless is symbolic of a part of audio culture that is about to disappear, if not completely, or not due to global agreements, at least because it turned culturally (and of course, economically) residual. Paulo raposo --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 21:01:15 2005 Return-path: <microsound-return-34539-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 16:01:15 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 16:01:15 -0500 (EST) Received: (qmail 6464 invoked by uid 1095); Wed, 23 Feb 2005 21:01:08 +0000 Received: (qmail 6454 invoked from network); Wed, 23 Feb 2005 21:01:08 +0000 Date: Wed, 23 Feb 2005 21:00:01 +0000 From: bobby whn <xxxx_xxxxxx@xxxxxxx.xxx> Subject: Re: [microsound] Re: microsound Digest 19 Feb 2005 17:10:31 -0000 Issue 1356 In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> X-Originating-IP: [82.32.67.177] X-Sender: xxxx_xxxxxx@xxxxxxx.xxx To: xxxxxxxxxx@xxxxxxxxx.xxx Bcc: Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Originating-Email: [xxxx_xxxxxx@xxxxxxx.xxx] X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 23 Feb 2005 21:01:02.0024 (UTC) FILETIME=[C81BE480:01C519EA] i also agree, the point was made that expensive studio gear is fetishized , and i think also that manufacturers such as digidesign, focusrite and others have tried to set up a monopoly over 'sound quality' and establish this tinted window view of the cosy (deluxe)home studio as some kind of norm, i tend to simplify it a little and see it so as sound is amplitude/phase change over time only, so what really are you getting for all these amounts of money? the sampling rate is fixed, the bit-rate is fixed. i got GIVEN two atari 1040ste's which sequence midi as well as any current midi sequencer. home-made gear is great too, i made a spring reverb for £15 recently, and am now much more reluctant to spend money on any equipment, unless it was a dat recorder AND a hovercraft at the same time or something....for the price of a new hat. im lucky to even have the choice, but why waste money? >From: sylvain solaro <xxxxx@xxxxxx.xxx> >Reply-To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> >To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> >Subject: Re: [microsound] Re: microsound Digest 19 Feb 2005 17:10:31 -0000 Issue 1356 >Date: Wed, 23 Feb 2005 19:47:46 +0100 > >bravo! > >>First, I buy almost all of these cheap electronics USED. They are >>cheap >>because they are obsolete. They may not have been cheap >>originally. >>And people are exploited somewhere for almost every new item we buy >>here >>in the USA. Anyway, new musical instruments aren't actually cheap >>at >>all here, at least typical gear might cost an entire month of my >>wages. >> >> >........ > > >I live in France, and i think as you... In my home, my work and my >homework, i like to use old instuments... always i feel not so quiet >when i think i can have a good oportunity to buy new computers only >because they are cheaps... > > >Sylvain > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >website: http://www.microsound.org > _________________________________________________________________ Is your PC infected? Get a FREE online computer virus scan from McAfee® Security. http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 20:07:26 2005 Return-path: <microsound-return-34538-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 15:07:26 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 15:07:26 -0500 (EST) Received: (qmail 85559 invoked by uid 1095); Wed, 23 Feb 2005 20:07:22 +0000 Received: (qmail 85541 invoked from network); Wed, 23 Feb 2005 20:07:22 +0000 Date: Wed, 23 Feb 2005 15:07:16 -0500 From: Eloy Anzola <xxxx@xxxxxxxxx.xxx> Subject: [microsound] [OT] U.S. appeals court debates anti-piracy TV technology To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxx.xxxxx.xxx> Organization: groovylab MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Mailer: Microsoft Outlook, Build 10.0.4510 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Importance: Normal X-Priority: 3 (Normal) X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - liberty.dnsprotect.com X-AntiAbuse: Original Domain - hyperreal.org X-AntiAbuse: Originator/Caller UID/GID - [0 0] / [47 12] X-AntiAbuse: Sender Address Domain - groovylab.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx U.S. Circuit Judge Harry Edwards told the FCC "(it) does not mean you get to rule the world." Another circuit judge, David Sentelle said: "It's going to have less content if it's not protected, but Congress didn't direct that you have to maximize content. You can't regulate washing machines. You can't rule the world." http://www.usatoday.com/news/washington/2005-02-22-tv-piracy_x.htm cheers, Eloy ----- xxxx@xxxxxxxxx.xxx http://groovylab.com/ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 18:48:23 2005 Return-path: <microsound-return-34537-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta12.srv.hcvlny.cv.net (mta12.srv.hcvlny.cv.net [167.206.5.81]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 13:48:23 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta12.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 13:48:23 -0500 (EST) Received: (qmail 45960 invoked by uid 1095); Wed, 23 Feb 2005 18:48:20 +0000 Received: (qmail 45950 invoked from network); Wed, 23 Feb 2005 18:48:20 +0000 Date: Wed, 23 Feb 2005 19:47:46 +0100 From: sylvain solaro <xxxxx@xxxxxx.xxx> Subject: Re: [microsound] Re: microsound Digest 19 Feb 2005 17:10:31 -0000 Issue 1356 In-reply-to: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx bravo! > First, I buy almost all of these cheap electronics USED. They are > cheap > because they are obsolete. They may not have been cheap originally. > And people are exploited somewhere for almost every new item we buy > here > in the USA. Anyway, new musical instruments aren't actually cheap at > all here, at least typical gear might cost an entire month of my wages. > > ......... I live in France, and i think as you... In my home, my work and my homework, i like to use old instuments... always i feel not so quiet when i think i can have a good oportunity to buy new computers only because they are cheaps... Sylvain --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 15:14:27 2005 Return-path: <microsound-return-34536-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 10:14:27 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 10:14:27 -0500 (EST) Received: (qmail 59822 invoked by uid 1095); Wed, 23 Feb 2005 15:14:24 +0000 Received: (qmail 59810 invoked from network); Wed, 23 Feb 2005 15:14:24 +0000 Date: Wed, 23 Feb 2005 07:14:22 -0800 (PST) From: Curtis Cousins <xxxxxx_xxxxxxxxxx@xxxxx.xxx> Subject: Re: [microsound] Mysterious on air phenomenon... In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_dQUml60NpB5+naEEiMVVYQ)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=iApgs1YYgWGv7KKYL5UoOw7tmNUlud1DTdcPb97va6aOL+UFp/f4o+07uOCNZuBQeJkg+7OSosPUWI2DaZW6/flV7VVucDZ6YN4dTNLcOvHaDTHgfLPswT8TARJsPbiSBHfrFF+uE9QCbKhvnR8Y1Y2UaxO/oetJXBd6k56fRSY= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_dQUml60NpB5+naEEiMVVYQ) Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Yes, I know of this phenomenon. I have captured one EVP so far of a woman whose voice sounded like she had a box over her head. I couldn't hear her words, but could hear her inflections and her accent. Every now and then I could tell when she was saying "uhhh" or "um" but after a while, she just got cut off during the middle of a sentence. I captured this recording at a graveyard with a group of people scattered off in different directions of the cemetary (it's a big one) at night (it's one that's open all day and night). The voice started right as I stopped talking, and before a friend replied to something I said. It was total quietness inbetween the times we said something to each other. There was a woman there with us, but she was on the opposite side of the cemetary, so it wasn't her. The voice didn't even sound like her at all. The equipment I used: stereo microphones and a minidisk player/recorder. That same night, about a few minutes after the EVP occurred, most of us saw a red streak in the outline, blurred form of a human going fast down the main cemetary road, towards the adjoining mosyleum. Then it slowly faded out 6 seconds later. There was definitely some strange stuff happening that night. __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com --Boundary_(ID_dQUml60NpB5+naEEiMVVYQ)-- From ???@??? Wed Feb 23 15:08:54 2005 Return-path: <microsound-return-34535-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 10:08:54 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 10:08:54 -0500 (EST) Received: (qmail 56913 invoked by uid 1095); Wed, 23 Feb 2005 15:08:51 +0000 Received: (qmail 56903 invoked from network); Wed, 23 Feb 2005 15:08:51 +0000 Date: Wed, 23 Feb 2005 16:08:49 +0100 From: kristen_ <xxxxxxx_@xxxxxxxxxxxxx.xxx> Subject: [microsound] mzweig / kristen_ To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: multipart/alternative; boundary="Boundary_(ID_7kAWoNDNhP2/Z1z0BUfEiA)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_7kAWoNDNhP2/Z1z0BUfEiA) Content-Type: text/plain; charset=WINDOWS-1252 Content-Transfer-Encoding: 8bit schwarzer gegenwartskunst contemporary art listening/concert mzweig / kristen_ 25.2.2005 21 h free entrance / drinks 1€ schlegelstrasse 31 10115 berlin tel +49.30.24 63 97 39 di-sa 14-19 h www.schwarzer.ws --Boundary_(ID_7kAWoNDNhP2/Z1z0BUfEiA)-- From ???@??? Wed Feb 23 15:06:31 2005 Return-path: <microsound-return-34534-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 10:06:31 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 10:06:31 -0500 (EST) Received: (qmail 55071 invoked by uid 1095); Wed, 23 Feb 2005 15:06:28 +0000 Received: (qmail 55061 invoked from network); Wed, 23 Feb 2005 15:06:27 +0000 Date: Wed, 23 Feb 2005 16:06:25 +0100 From: kristen_ <xxxxxxx_@xxxxxxxxxxxxx.xxx> Subject: [microsound] mzweig / kristen_ To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: multipart/alternative; boundary="Boundary_(ID_7Zpk1nSYrcSsrhn+5xhMjw)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_7Zpk1nSYrcSsrhn+5xhMjw) Content-Type: text/plain; charset=WINDOWS-1252 Content-Transfer-Encoding: 8bit schwarzer gegenwartskunst contemporary art listening/concert mzweig / kristen_ 25.2.2005 21 h free entrance / drinks 1€ schlegelstrasse 31 10115 berlin tel +49.30.24 63 97 39 di-sa 14-19 h www.schwarzer.ws --Boundary_(ID_7Zpk1nSYrcSsrhn+5xhMjw)-- From ???@??? Wed Feb 23 14:59:38 2005 Return-path: <microsound-return-34533-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 09:59:38 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 09:59:38 -0500 (EST) Received: (qmail 52015 invoked by uid 1095); Wed, 23 Feb 2005 14:59:35 +0000 Received: (qmail 52004 invoked from network); Wed, 23 Feb 2005 14:59:35 +0000 Date: Wed, 23 Feb 2005 15:59:32 +0100 From: kristen_ <xxxxxxx_@xxxxxxxxxxxxx.xxx> Subject: [microsound] mzweig / kristen_ To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: multipart/alternative; boundary="Boundary_(ID_MknZ55TaTtaX8Fu4hNHhvQ)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_MknZ55TaTtaX8Fu4hNHhvQ) Content-Type: text/plain; charset=WINDOWS-1252 Content-Transfer-Encoding: 8bit schwarzer gegenwartskunst contemporary art listening/concert mzweig / kristen_ 25.2.2005 21 h free entrance / drinks 1€ schlegelstrasse 31 10115 berlin tel +49.30.24 63 97 39 di-sa 14-19 h www.schwarzer.ws --Boundary_(ID_MknZ55TaTtaX8Fu4hNHhvQ)-- From ???@??? Wed Feb 23 13:57:39 2005 Return-path: <microsound-return-34532-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 08:57:39 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 08:57:39 -0500 (EST) Received: (qmail 37573 invoked by uid 1095); Wed, 23 Feb 2005 13:57:34 +0000 Received: (qmail 37562 invoked from network); Wed, 23 Feb 2005 13:57:34 +0000 Date: Wed, 23 Feb 2005 07:57:32 -0600 (CST) From: Mika Martini <xxxxxxxxxxx@xxxxx.xxx> Subject: [microsound] Micromusic in Buenos Aires? In-reply-to: <xxxx.xxx.x.xx.xxxxxxxxxxxxx.xxxxx@xxx.xxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_eDlznNvSFN8NmSxhO2zagQ)" Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=GbMMc8JVnf8XDLVodH5GOMQlC9sNY8rnNcDundAdMrbedU2A2uN8Fo1HH2B9AI8RlvByg46zAyTCvzFWVaNtbuNxmX5/XHEfAZCQn1gzCbceFCmmbIlYMNgId3BpJgnlEEVhFiuvUnfPW7Go2OQOk6VY8lqVPrjH4aC3SOlQyoo= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_eDlznNvSFN8NmSxhO2zagQ) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hello to all, I go to Buenos Aires, Argentina, at finish of March. ¿Some recomendation to see or listen? Thanks, Mika. Phil Thomson <xxxxxxxx@xxxxxxxxx.xxx> wrote: http://microsound.nexthop.net/bin/view.cgi/Main/OpenPatches If you're into sharing your tools with the list, post your code and/or patches here for AudioMulch, Csound, Max/MSP, PD, SuperCollider, or sim. Email me for more details. P "Computers in the future may weigh no more than 1.5 tons." Popular Mechanics, 1949 ========= Phil Thomson home: http://www.sfu.ca/~pthomson label: http://centibel.org/ blog: http://pthomson.blogspot.com/ group: http://groups.yahoo.com/group/databenders/ ========= SDF Public Access UNIX System http://www.freeshell.org/ Geekier than you since 1987. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org ------------------------------------------- [M!M] [SCL] [www.mikamartini.scd.cl] --------------------------------- Do You Yahoo!? Todo lo que quieres saber de Estados Unidos, América Latina y el resto del Mundo. Visíta Yahoo! Noticias. --Boundary_(ID_eDlznNvSFN8NmSxhO2zagQ)-- From ???@??? Wed Feb 23 13:50:21 2005 Return-path: <microsound-return-34531-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 08:50:21 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 08:50:20 -0500 (EST) Received: (qmail 35053 invoked by uid 1095); Wed, 23 Feb 2005 13:50:14 +0000 Received: (qmail 35043 invoked from network); Wed, 23 Feb 2005 13:50:14 +0000 Date: Wed, 23 Feb 2005 14:40:45 +0100 From: cjitter <xxxxxxx@xxxxxxx.xx> Subject: [microsound] [ot] aventuras sonoras - madrid To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE42466C.10AD2%xxxxxxx@xxxxxxx.xx> MIME-version: 1.0 Content-type: text/plain; charset=UTF-8 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.0.6 X-Spam-Score: 0.0 (/) X-Spam-Score: 0.0 (/) X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Aventuras sonoras La Casa Encendida Ronda de Valencia,2 28012 Madrid T 91 506 38 75/88 www.lacasaencendida.com Asmus Tietchens y Thomas Köner Jueves 3 y viernes 4 de marzo, 20h Philip Jeck y Janek Schaefer Jueves 10 y viernes 11 de marzo, 20h Kaffe Matthews y Andrea Neumann Jueves 17 y viernes 18 de marzo, 20h Auditorio Entrada 3€ cada dÃa Venta de entradas desde tres dÃas antes de cada jueves en: www.entradas.com, en el T. 902 22 16 22 y en La Casa Encendida. Colaboran ROTOR: www.geometrikrecords.com/rotor.php3 y Pulpa: www.pulpa.net <http://www.pulpa.net/> Aventuras sonoras Aventuras sonoras es una programación que presenta tres proyectos de seis creadores de música contemporánea avanzada. Los jueves se muestran los trabajos en solitario de cada uno de ellos y los viernes, las colaboraciones en dúo de estos artistas que aúnan inquietudes para aventurarse en los territorios profundos de sonidos insólitos. Asmus Tietchens y Thomas Köner Música exploratoria Jueves 3 y viernes 4 de marzo Asmus Tietchens http://www.tietchens.de/ Jueves 3 de marzo Asmus Tietchens (Hamburgo) es toda una leyenda y una de las más importantes figuras en el campo de la música electrónica no-académica y la manipulación sonora. Considerado un pionero, además de compositor es también un teórico de la música. Comenzando a grabar a finales de los sesenta, ha publicado más de 50 trabajos en diversos formatos y en distintos sellos de todo el mundo, aparte de colaboraciones con otros artistas. Su música, analÃtica y emocional a la vez, ha evolucionado desde las melodÃas y atmósferas sintéticas (colaborando con Cluster y Eno en los setenta), hasta sus más recientes exploraciones sonoras con medios digitales, como en la serie "Menge" publicada por el prestigioso sello Mille Plateaux/Ritornell. Thomas Köner http://www.koener.de/ Jueves 3 de marzo La carrera de este prestigioso artista electrónico multimedia nacido en Dortmund abarca quince años de intensa investigación en el estudio de grabación, abandonando el ritmo y la melodÃa y centrándose en particular en el fenómeno del color del sonido, un concepto que ha extendido recientemente al campo de la video instalación y la imagen en movimiento. Ha publicado más de una docena de discos y trabajado en prestigiosos centros culturales como el Museo Louvre y el centro Georges Pompidou en ParÃs y la Hayward Gallery de Londres. El pasado año fue premiado con el importante "Golden Nica" Prix de Ars Electronica (Digital Musics), y el "Norman Prize" al mejor film en el Filmwinter Sttugart. En la escena techno experimental es más conocido por su proyecto Porter Ricks. Kontakt Der Jünglinge http://www.kontaktderjunglinge.de/ Viernes 4 de marzo Tomando el nombre de dos composiciones de K.Stockhausen, KdJ es el proyecto conjunto de Asmus Tietchens y Thomas Köner, que cuenta ya con cuatro discos publicados con grabaciones de algunas de sus actuaciones en directo. Dos talentos se unen para explorar las profundidades oscuras de la electrónica. Su intensidad parece heredada de la música post-industrial de los ochenta. Philip Jeck y Janek Schaefer Turntablismo Jueves 10 y viernes 11 de marzo Philip Jeck www.philipjeck.com <http://www.philipjeck.com/> Jueves 10 de marzo Tras haberse dado a conocer con su subversiva instalación 'Vinyl Requiem', junto a Lol Sargent, en la que se empleaban 180 tocadiscos, merecedora del Time Out Performance Award en 1993, Philip Jeck se ha convertido en uno de los exponentes de la música experimental más inquieta. 7 es su último cd para Touch, séptimo álbum en solitario en una trayectoria siempre fiel a la misma premisa: la música nace de la experimentación con loops de vinilo y scratches, empleando tocadisdos Bush, Ferguson y Fidelity & Philips, asà como mini-discs Sony y teclados Casio. Janek Schaefer www.audioh.com Jueves 10 de marzo Arquitecto y artista sonoro, Janek Schaefer siempre ha estado interesado en la creación de música especÃfica para un lugar. Especializándose en los diferentes aspectos del sonido, ha dado luz a multitud de discos para Asphodel, Sub Rosa, Staalplaat o Diskono entre muchos otros, además de instalaciones, bandas sonoras para exhibiciones, etc. En 1997 presentó su 'Tri-phonic Turntable', un tocadiscos con 3 brazos, el más versátil del mundo según el Libro Guiness de los Records. Songs for Europe Viernes 11 de marzo Philip Jeck y Janek Schaefer, artistas británicos, presentarán en directo su álbum conjunto, Songs For Europe (Asphodel), mostrando las posibilidades del vinilo y de sus reproductores, una actuación que evocará la grabación de un trabajo que les llevó hasta Estambul y Atenas, donde las ondas herzinas y la música local inspiraron a ambos artistas. Electroacústica y electrónica para situarnos en otro contexto espacial y sonoro. Kaffe Matthews y Andrea Neumann Improvisación electroacústica Jueves 17 y viernes 18 de marzo Kaffe Matthews www.annetteworks.com <http://www.annetteworks.com/> Jueves 17 de marzo Artista sonora ubicada en Londres, Kaffe Matthews creó en 1997 Annette Works, sello discográfico y estudio desde el que lanza sus propias grabaciones, inmersas en la electroacústica. Grabaciones todas ellas que reproducen sus directos, improvisaciones basadas en el uso de software auto-diseñado con el que reprocesa un sonido matriz, moviéndose, según sus palabras, “en esa frágil frontera entre éxito y fracasoâ€. Andrea Neumann Jueves 17 de marzo Comenzando su carrera como pianista, Andrea Neumann quiso explorar las posibilidades del piano, reduciéndolo a cuerdas, tabla de resonancia y marco de metal, además de emplear electrónica para manipular y ampliar sonidos que de otra forma serÃan imperceptibles en muchas ocasiones. Entre los artistas con los que ha colaborado se encuentran Toshimaru Nakamura, Annette Krebs, Ignaz Schick, Sachiko M y Kaffe Matthews. Un dúo del momento Viernes 18 de marzo La Casa Encendida volverá a reunir en un concierto a Andrea Neumann y Kaffe Matthews, alemana e inglesa respectivamente, quienes no actuaban juntas desde Tokyo 2002. Un directo que jugará con el concepto de la improvisación, en el que Kaffe sampleará y reprocesará los sonidos que genere Andrea, a tiempo real, según nazcan, para depararnos algo totalmente nuevo. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 12:56:48 2005 Return-path: <microsound-return-34530-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 23 Feb 2005 07:56:48 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 23 Feb 2005 07:56:48 -0500 (EST) Received: (qmail 15464 invoked by uid 1095); Wed, 23 Feb 2005 12:56:44 +0000 Received: (qmail 15454 invoked from network); Wed, 23 Feb 2005 12:56:43 +0000 Date: Wed, 23 Feb 2005 23:59:13 +1100 From: Brendan Palmer <xx@xxxxx.xxx> Subject: [microsound] Australia: Uber Lingua in Melbourne and Hobart over the next few daze... In-reply-to: <BE42C923.FE14%xx@xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE42C951.FE16%xx@xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.0.6 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx MELBOURNE: This Thursday the 24th of Feb at St Jeromes Uber Lingua is in full effect with three guests, alongside regulars Raceless, Saigon Sausage and bP Bubotic Hellfire, a member of the band Morloch expands on his regular repertoire and enters the DJ realm, messin' with your head in many ways .... Vocal, funky uplifting intelligent nu-jack folk music moving through to rootsy, non-stop bangin' Latvian pagan-metal with happy-hardcore jazzy braindance bong'n'grind anthems in the mixxx: DJ BUBOTIC HELLPHIRE will play pre-recorded music. http://www.emilezile.com Expero sound man from Brisbane, 2 Pants Rotation is Alan Nguyen. He gets motion sickness doing head-spins on abruptly halting bus aisles. Bites mics for prior vocalist dried saliva flavour whilst his noisy r’n’b beats and stutter-hop blows earwax on your shirt collar. Hailing from Sydney, Mashy P plays Uber once again, this time enjoying a stint in the late guest spot allowing him to energise his normally eclectic mix of electro, Arab and Indian inspired mashups, DnB and neo-techno... The heat is thick and Jeromes (not Jerome himself) has got it's top off at the moment so it's daintily the time to come down and enjoy the outdoor space that makes St Jeromes so unique... For more info, bios, photos and free mp3s look at http://www.uberlingua.com/melb St Jeromes 7 Caledonian lane Melb CBD (directly behind the lounge) Every thursday 6pm till 1am _______ HOBART: After two solid events in 2004, Uber Lingua and Hobart's own Cluster collective join together once again to present LINGO III... at Sirens Focussing once again on the incredibly diverse and ecclectic sound found in other languages around the world, LINGO this time brings together some of Hobart's most active exponents of trans-lingual music. Joining in from Melbourne once again is bP, bringing a fresh batch of sonics gathered since he was last in Hobart in November 04... bP is one of the hosts of Uber Lingua's weekly Melbourne club and the energy behind the national wanderings of the crew as a whole. Also involved in both LINGO events previously were sakamoiz and Gusto who are revolutionary thinkers, putting their preaching into practice thru Djing highly exotic sounds in other languages... sakamoiz (who proudly lives in Cygnet) is originally from Switzerland and spent a large portion of his recent life in Mexico. Hence the quite mutant like fusion of Euro-Central American influences in his music. Being Swiss however, encourages Sakamoiz to be global in approach and uphold the reputation of his people. Gusto, one of the key figures in the Cluster Collective is fairly obsessed with Japanese music (and other Japanese stuff) and has a comprehensive collection of Nipon Hip Hop, Dub, Expero and electronic sounds... DJ BTC hosted Hobart's longest running dub®gae radio show, a sound which influences his newly evolved show What Am I on Edge Radio. Going LINGO, this time BTC is focusing on eastern european & italian hip hop. Fabio Chivandha, a well-known musician in his native Zimbabwe, is collaborating with a DJ line-up for the first time in Hobart. Nitriya from Edge Radio's 'Rhythms of India' is back due to popular demand from LINGO in September and several sets at the recent Hobart Fringe Festival, spinning Bollywood remixes and classics. In fact, all but one of the Hobartian line-up have radio programs on Edge... Venue: Sirens : 10 Victoria Street (near Chickenfeed Collins Street) Price: $6 or $10 with a CD for more info, bios and free mp3s goto http://www.uberlingua.com also look at the new Cluster site http://www.clustercollective.com Demos can be sent to PO Box 2613 Fitzroy 3065 Australia Stay tuned for Adelaide info ... and a potential Uber Lingua tour of Sydney, Brisbane and Perth... --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 04:13:40 2005 Return-path: <microsound-return-34529-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 23:13:40 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 23:13:40 -0500 (EST) Received: (qmail 81057 invoked by uid 1095); Wed, 23 Feb 2005 04:13:39 +0000 Received: (qmail 81047 invoked from network); Wed, 23 Feb 2005 04:13:38 +0000 Date: Tue, 22 Feb 2005 20:13:33 -0800 From: Galen Elfert <xxxxxxxx@xxx.xx> Subject: [microsound] Re: poverty In-reply-to: <xxxxxxxxxx.xxxxx.xxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxx.xx> MIME-version: 1.0 X-Mailer: Apple Mail (2.553) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx > First, I buy almost all of these cheap electronics USED. They are > cheap > because they are obsolete. They may not have been cheap originally. Right. But then you can hardly go cite the price of a top of the line violin as a reason why acoustic instruments are elitist. But I don't think that quite what you were saying. Sure, the violin is associated with an aristocratic tradition, but it knows nothing of that. Poor people can just as easily make music on any instrument, whether it's a cheap fiddle or a cheap casio. And those people privileged with time and money can make "better" music, according to a certain standard, whether it is on a violin and years of training, or a G5 and extensive DSP knowledge. Or, one of the worst culprits in my opinion, the ridiculous formalism of modern recording, where vague terms such as "warm" and "punchy" are code words for "the sound you get from an insanely expensive compressor with World War II radio knobs on it". > Second, the developed world - and here I can only speak from experience > of the United States - has quite a few of those truly destitute people. > I see so many homeless people everyday here in Chicago, it's quite sad > really. And if you go into the worse off urban areas things are really > bad. Average working people are still exploited in the United States, > regardless of a somewhat better lifestyle, and wages have generally > been > decreasing over the last few years [...] Quite right. I sometimes forget about the scary 'other' third world growing in the heart of the biggest cities. I often tend to take analogies too far. It just seems to me sometimes that we are not as far from feudalism as we are often taught. > As soon as I get off work, I'm going to play my lovely DX-21 with three > broken keys (luckily only at the extreme registers) thought I bought > for > $100. > ~David And I will play my $30 ukulele :) Galen --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 04:04:42 2005 Return-path: <microsound-return-34528-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 23:04:42 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 23:04:42 -0500 (EST) Received: (qmail 77442 invoked by uid 1095); Wed, 23 Feb 2005 04:04:40 +0000 Received: (qmail 77432 invoked from network); Wed, 23 Feb 2005 04:04:40 +0000 Date: Wed, 23 Feb 2005 15:06:05 +1100 From: Ian Andrews <x.xxxxxxx@xxxxxxxxxxx.xxx.xx> Subject: [microsound] testing (don't read) In-reply-to: <xxxxx.xxx.xxx.xx.xx.xxxxxxxxxx.xxxxxxxx@xxx.xxxxxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE424C5D.10F11%x.xxxxxxx@xxxxxxxxxxx.xxx.xx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Entourage/10.1.4.030702.0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx sorry! testing new mailserver --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 23 00:04:58 2005 Return-path: <microsound-return-34527-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 19:04:58 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 19:04:58 -0500 (EST) Received: (qmail 96503 invoked by uid 1095); Wed, 23 Feb 2005 00:04:53 +0000 Received: (qmail 96493 invoked from network); Wed, 23 Feb 2005 00:04:52 +0000 Date: Wed, 23 Feb 2005 01:04:48 +0100 (CET) From: guidohenneboehl <xxxxxxxxxxx@xxxxx.xx> Subject: Re: [microsound] Mysterious on air phenomenon... In-reply-to: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx http://www.worlditc.org/k_06_spiricom.htm gives a great example of how absurd it can get :-) good fun though... --- Polly Glott <xxxxx.xxxxx@xxxxxxx.xxx> schrieb: > > > Hi all! > This might sound a bit odd... But i'll give it a > shot. > I was just wondering if anyone out there, ever had > come across the mysteries with mysterious voice > phenomenon on the air? In the late 50:s, while > recording songbirds in his backyard, the Swedish > filmproducer Friedrich Jürgensson happened to catch > some mysterious voices on tape. The scary, but yet > fascinating messages also appeared on air when > recording randomly from the short, medium or long > wave bands on his radio... > By Jürgensson's explaination the mysterious voices > originated from the dead. > Voices from the other side. > These phenomenon continued to appear and over the > next 25 years, Jürgensson became a celebrity among > the paranormal society. Konstantine Raudive is > another highly respected name in this field. My > question to whomever it may concern: Have you ever > heard of anything like this? Do you believe in it? > Can anyone refer to own experiences on this matter? > Ever heard of EVP? (Electronic Voice Phenomenon) > Performing a study and thankful for all help. > > Polly > > > > > > -- > ___________________________________________________________ > Sign-up for Ads Free at Mail.com > http://promo.mail.com/adsfreejump.htm > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > ___________________________________________________________ Gesendet von Yahoo! Mail - Jetzt mit 250MB Speicher kostenlos - Hier anmelden: http://mail.yahoo.de --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 23:28:40 2005 Return-path: <microsound-return-34526-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 18:28:40 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 18:28:40 -0500 (EST) Received: (qmail 57698 invoked by uid 1095); Tue, 22 Feb 2005 23:28:36 +0000 Received: (qmail 57688 invoked from network); Tue, 22 Feb 2005 23:28:35 +0000 Date: Tue, 22 Feb 2005 18:28:25 -0500 (EST) From: xxxxxxx@xxx.xxx Subject: Re: [microsound] Mysterious on air phenomenon... To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxx.xxxxxxxx.xxxxxxxx@xxx.xxx> MIME-version: 1.0 X-Mailer: 8.0 for Windows sub 670 Content-type: multipart/alternative; boundary="Boundary_(ID_ZT8BkefTIiuACYQ00UA5ag)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_ZT8BkefTIiuACYQ00UA5ag) Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit fairly recent albums dealing with EVP include: Crepescule - Music For Decay Schloss Tegal - Black Static Transmission Bass Communion - Ghosts On Magnetic Tape Bass Communion - Ghosts On Magnetic Tape Andrew Liles Reconstruction "He who has rejected his demons badgers us to death with his angels" Henri Michaux www.flickr.com/photos/jpaul23/ --Boundary_(ID_ZT8BkefTIiuACYQ00UA5ag)-- From ???@??? Tue Feb 22 23:20:03 2005 Return-path: <microsound-return-34525-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 18:20:03 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 18:20:02 -0500 (EST) Received: (qmail 54191 invoked by uid 1095); Tue, 22 Feb 2005 23:20:00 +0000 Received: (qmail 54179 invoked from network); Tue, 22 Feb 2005 23:20:00 +0000 Date: Wed, 23 Feb 2005 00:17:38 +0100 From: Malte Steiner <xxxxxxx@xxxxxx.xxx> Subject: Re: [microsound] Mysterious on air phenomenon... In-reply-to: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: xxxxxxx@xxxxxx.xxx Message-id: <xxxxxxxx.xxxxxxx@xxxxxx.xxx> Organization: block 4 MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1; format=flowed Content-transfer-encoding: 8BIT X-Accept-Language: en-us, en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla/5.0 (Macintosh; U; PPC Mac OS X Mach-O; en-US; rv:1.8a6) Gecko/20050111 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Polly Glott wrote: > > Hi all! > This might sound a bit odd... But i'll give it a shot. > I was just wondering if anyone out there, ever had come across the mysteries with mysterious voice phenomenon on the air? In the late 50:s, while recording songbirds in his backyard, the Swedish filmproducer Friedrich Jürgensson happened to catch some mysterious voices on tape. The scary, but yet fascinating messages also appeared on air when recording randomly from the short, medium or long wave bands on his radio... > By Jürgensson's explaination the mysterious voices originated from the dead. > Voices from the other side. > These phenomenon continued to appear and over the next 25 years, Jürgensson became a celebrity among the paranormal society. Konstantine Raudive is another highly respected name in this field. My question to whomever it may concern: Have you ever heard of anything like this? Do you believe in it? Can anyone refer to own experiences on this matter? Ever heard of EVP? (Electronic Voice Phenomenon) > Performing a study and thankful for all help. > > Polly > just some thoughts, I didn't read deeply on that topic so far but its interesting: - voices might be frequency pollution There are loads of sounds around us which we cant hear. Although recording equipment has its limits (digital obviousily but also analog), maybe even due a mal- or not foreseen function it translates some sound pollution into human audible range. I have here for instance a device which is supposed to transfer supersonic to our range and it produces some noises and actually works at least as a supersonic detector, I tested it against supersonic emitters I used in an robotproject. But the results sounds a bit that it uses FM to 'pitch' down the sounds, not very convincing and nothing which can't be done on a Yamaha FM or Software Synth. - wish is the driver of perception Sometimes people refer to unknown sounds to voices, for instance the Theremin. Humans are trained, used, made to or whatever to filter / recognizes patterns out of chaos. Especially faces seems to be important for survival, there was once an experiment which shows that babys reacts to pattern which barly resemble to a face, like you will do in a second :) Stare on a whitenoise TV and soon you start to phantasize things into, I guess thats why all the tinfoilhat afficiendos sees faces or hear voices all around so take care. Listen to noise or another example the wind, and you might recognize something because you are trainend to hear something. Phrepas it is a smilaur tnihg lkie tihs. Your brain bridge the gaps and make something out of chaos, simular to an checksum error correction. My point is that these researcher picked up some noise by accident and put more meaning into it then there it is. Don't get me wrong, there is a lot of stuff out there which can't be explainend yet and need more research. Things which are paranormal now will be routine tomorrow. Cheers, Malte -- Malte Steiner media art + development -www.block4.com- New release: Notstandskomitee track for compilation 12" 'world of disorder' on http://www.geneticmusic.de more at blog 4, also available as rss feed: http://java.block4.com/blog4/ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 22:53:21 2005 Return-path: <microsound-return-34524-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 17:53:21 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 17:53:21 -0500 (EST) Received: (qmail 40286 invoked by uid 1095); Tue, 22 Feb 2005 22:46:41 +0000 Received: (qmail 40276 invoked from network); Tue, 22 Feb 2005 22:46:41 +0000 Date: Tue, 22 Feb 2005 22:46:36 +0000 From: xxxxxx@xxxxxxx.xxx Subject: Re: [microsound] Mysterious on air phenomenon... To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxx.xxxx.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxx.xxx> MIME-version: 1.0 X-Mailer: AT&T Message Center Version 1 (Dec 17 2004) Content-type: TEXT/PLAIN Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Authenticated-Sender: bWh3cnBjQGNvbWNhc3QubmV0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx the artist mike kelley has referenced the tradition of interest in EVP in several of his art works.... A wonderful book that sheds some light on the history of investigations into EVP as well as many other subjects of interest to many on this list is entitled 'Wireless Imagination".... mhw > > > Hi all! > This might sound a bit odd... But i'll give it a shot. > I was just wondering if anyone out there, ever had come across the mysteries > with mysterious voice phenomenon on the air? In the late 50:s, while recording > songbirds in his backyard, the Swedish filmproducer Friedrich Jürgensson > happened to catch some mysterious voices on tape. The scary, but yet fascinating > messages also appeared on air when recording randomly from the short, medium or > long wave bands on his radio... > By Jürgensson's explaination the mysterious voices originated from the dead. > Voices from the other side. > These phenomenon continued to appear and over the next 25 years, Jürgensson > became a celebrity among the paranormal society. Konstantine Raudive is another > highly respected name in this field. My question to whomever it may concern: > Have you ever heard of anything like this? Do you believe in it? Can anyone > refer to own experiences on this matter? Ever heard of EVP? (Electronic Voice > Phenomenon) > Performing a study and thankful for all help. > > Polly > > > > > > -- > ___________________________________________________________ > Sign-up for Ads Free at Mail.com > http://promo.mail.com/adsfreejump.htm > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 22:33:21 2005 Return-path: <microsound-return-34523-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta19.srv.hcvlny.cv.net (mta19.srv.hcvlny.cv.net [167.206.5.113]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 17:33:21 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta19.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 17:33:21 -0500 (EST) Received: (qmail 33732 invoked by uid 1095); Tue, 22 Feb 2005 22:33:19 +0000 Received: (qmail 33715 invoked from network); Tue, 22 Feb 2005 22:33:18 +0000 Date: Tue, 22 Feb 2005 14:33:15 -0800 (PST) From: | KADET | <xxxxxxx@xxxxx.xxx> Subject: [microsound] RADICAL CUTS: Experiments in Music, Sound & Image To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: xxxxxxx@xxxxx.xxx Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=WMot90bSEMqdJZgzsxl9LOA2UJcZaMoTFpojy8EJsaWJqpGToEhYB3M4BGHrkaiMJ+vKBNBL6am6oJFPTb0a9ahOR5zNveKs0AgmuQYoJ5k52f5df06lqyhaYRLrHtZ/uFCiTbABjQnRN64hhngsUv9bywXdl/vkVVk5uCJg7fs= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx RADICAL CUTS Experiments in Music, Sound & Image Friday March 4th & Saturday March 5th @ 8pm Crazy Space, 18th St. Art Center, 1629 18th St. #2, Santa Monica, LA Suggested Donation: $5 curated by Adam Overton and Kadet Kuhne info: xxxxx@xxxxxxxxxxxxx.xxx Crazy Space proudly presents "Radical Cuts: Experiments in Music, Sound & Image," a weekend of sound performances and audio/video screenings that explore reactive space between the artists and their works. The event will showcase new works by ANDRE VIDA from LA on Friday, and SCOTT ARFORD, TONY CROSS and MASAKO TANAKA from San Francisco on Saturday. There will be a reception for the artists both nights. FRIDAY, MARCH 4, 2005, 8-10PM >VIDATONE This evening will showcase Los Angeles composer and performer ANDRE VIDA and his new series of animated scores for improvisers, the Vidatone Notation System. His system uses motion graphics as a primary element of musical scoring and interpretation. Eric Clark, a String Quartet, and other improvisers will perform a dynamic range of strategies interpreting Vida’s notation system; with costumes by Leah Piehl and lighting by Jeanette Yew. SATURDAY MARCH 5, 2005, 8-9:30PM >REACTIVE An evening of performances and screenings by three San Francisco artists, SCOTT ARFORD, TONY CROSS AND MASAKO TANAKA. ARFORD will perform TV-IV, live processing of audio/video feedback loops from TV monitors, and The Song of the Station, a live interpretation of his time-lapse video that is an homage to Giorgio DeChirico’s poem. Marrow, by CROSS, is an improvisation involving intersecting textures created with violin, field recordings and live reprocessing of sounds. TANAKA’s digital video ìr.e.mî (2004) is an experimental short that repeats a process of random changes to let it achieve an arbitrary execution. --- THANKS FOR YOUR SUPPORT!!! __________________________________ Do you Yahoo!? Yahoo! Mail - You care about security. So do we. http://promotions.yahoo.com/new_mail --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 22:28:43 2005 Return-path: <microsound-return-34522-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 17:28:43 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 17:28:42 -0500 (EST) Received: (qmail 30476 invoked by uid 1095); Tue, 22 Feb 2005 22:28:40 +0000 Received: (qmail 30465 invoked from network); Tue, 22 Feb 2005 22:28:40 +0000 Date: Tue, 22 Feb 2005 23:29:01 +0100 From: Plagasul <xxxxxxxx@xxxxx.xx> Subject: [microsound] Petition... To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: xxxxxxxx@xxxxx.xx Message-id: <20050222232901.1810719838.xxxxxxxx@xxxxx.xx> MIME-version: 1.0 X-Mailer: Bloomba 1.0.5 Content-type: text/plain Content-transfer-encoding: 8BIT X-Priority: 3 (normal) Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hello. I am planning a trip for the weekend of the 4th, March, and i would like to know if there is anything interesting going on around Europe involving arts or sound, or both. After frustrating googleing i found that emailing the list members could be a fast an effective way of getting such an information. Any help or guidance will be greatly appreciated. Thank you! ______________________________________________ Renovamos el Correo Yahoo!: ¡250 MB GRATIS! Nuevos servicios, más seguridad http://correo.yahoo.es --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 22:06:10 2005 Return-path: <microsound-return-34521-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 17:06:10 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 17:06:10 -0500 (EST) Received: (qmail 17522 invoked by uid 1095); Tue, 22 Feb 2005 22:06:07 +0000 Received: (qmail 17511 invoked from network); Tue, 22 Feb 2005 22:06:06 +0000 Date: Tue, 22 Feb 2005 14:05:56 -0800 From: Craque <xxxxxx@xxxxxx.xxx> Subject: Re: [microsound] Mysterious on air phenomenon... In-reply-to: <xxxxxxxx.xxxxxxxx@xxxxxxxxx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> <xxxxxxxx.xxxxxxxx@xxxxxxxxx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 22 Feb 2005 22:10:29.0274 (UTC) FILETIME=[519207A0:01C5192B] William Gibson uses this stuff in his most recent novel (Pattern Recognition). Very cool book. The main character's mother is a huge proponent and researcher/analyzer of EVP messages. On Feb 22, 2005, at 2:00 PM, graham miller wrote: > http://www.apple.com/trailers/universal/white_noise/ > > never saw it but heard it was bad, though... > > Polly Glott wrote: > >> Hi all! >> This might sound a bit odd... But i'll give it a shot. >> I was just wondering if anyone out there, ever had come across the >> mysteries with mysterious voice phenomenon on the air? In the late >> 50:s, while recording songbirds in his backyard, the Swedish >> filmproducer Friedrich Jürgensson happened to catch some mysterious >> voices on tape. The scary, but yet fascinating messages also appeared >> on air > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 21:58:07 2005 Return-path: <microsound-return-34520-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 16:58:07 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 16:58:07 -0500 (EST) Received: (qmail 12417 invoked by uid 1095); Tue, 22 Feb 2005 21:58:04 +0000 Received: (qmail 12407 invoked from network); Tue, 22 Feb 2005 21:58:04 +0000 Date: Tue, 22 Feb 2005 17:00:57 -0500 From: graham miller <xxxxxxxxxxxx@xxxxxxxxx.xx> Subject: Re: [microsound] Mysterious on air phenomenon... To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxxxxx@xxxxxxxxx.xx> MIME-version: 1.0 X-Mailer: Mozilla 4.73C-SYMPA (Macintosh; U; PPC) Content-type: text/plain; x-mac-creator=4D4F5353; x-mac-type=54455854; charset=iso-8859-1 Content-transfer-encoding: quoted-printable X-Accept-Language: en,fr-CA Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx http://www.apple.com/trailers/universal/white_noise/ never saw it but heard it was bad, though... Polly Glott wrote: > Hi all! > This might sound a bit odd... But i'll give it a shot. > I was just wondering if anyone out there, ever had come across the mysteries with mysterious voice phenomenon on the air? In the late 50:s, while recording songbirds in his backyard, the Swedish filmproducer Friedrich Jürgensson happened to catch some mysterious voices on tape. The scary, but yet fascinating messages also appeared on air --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 21:53:42 2005 Return-path: <microsound-return-34518-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 16:53:42 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 16:53:41 -0500 (EST) Received: (qmail 8240 invoked by uid 1095); Tue, 22 Feb 2005 21:53:36 +0000 Received: (qmail 8213 invoked from network); Tue, 22 Feb 2005 21:53:34 +0000 Date: Tue, 22 Feb 2005 16:59:06 -0500 From: tkrakowiak <xxxxxxxxx@xxxxxxxxx.xx> Subject: Re: [microsound] Mysterious on air phenomenon... In-reply-to: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxx@xxxxxxxxx> MIME-version: 1.0 Content-type: text/plain; format=flowed; delsp=yes; charset=utf-8 Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Opera M2(BETA1)/8.00 (FreeBSD, build 913) X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx http://www.evprecording.com/ (lol:) quite all right: http://www.stefanbion.de/evpmaker/index.htm there also was a recording of Zbigniew Karkowski's attempt to capture some of the evps ( btw. dedicated to Raymond Cass ) good luck with the study t On Tue, 22 Feb 2005 16:38:59 -0500, Polly Glott <xxxxx.xxxxx@xxxxxxx.xxx> wrote: > > > Hi all! > This might sound a bit odd... But i'll give it a shot. > I was just wondering if anyone out there, ever had come across the > mysteries with mysterious voice phenomenon on the air? In the late 50:s, > while recording songbirds in his backyard, the Swedish filmproducer > Friedrich Jürgensson happened to catch some mysterious voices on tape. > The scary, but yet fascinating messages also appeared on air when > recording randomly from the short, medium or long wave bands on his > radio... > By Jürgensson's explaination the mysterious voices originated from the > dead. > Voices from the other side. > These phenomenon continued to appear and over the next 25 years, > Jürgensson became a celebrity among the paranormal society. Konstantine > Raudive is another highly respected name in this field. My question to > whomever it may concern: Have you ever heard of anything like this? Do > you believe in it? Can anyone refer to own experiences on this matter? > Ever heard of EVP? (Electronic Voice Phenomenon) > Performing a study and thankful for all help. > > Polly > > > > > -- Using Opera's revolutionary e-mail client: http://www.opera.com/m2/ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 21:53:56 2005 Return-path: <microsound-return-34519-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 16:53:56 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 16:53:56 -0500 (EST) Received: (qmail 8895 invoked by uid 1095); Tue, 22 Feb 2005 21:53:43 +0000 Received: (qmail 8861 invoked from network); Tue, 22 Feb 2005 21:53:43 +0000 Date: Tue, 22 Feb 2005 15:53:38 -0600 (CST) From: Manrico Montero <xxxxxxxxxxxxxx@xxxxx.xxx.xx> Subject: [microsound] manrico xxxxxxx@xxxxxx.xxx In-reply-to: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxx.xxxxx@xxxxxxxx.xxxx.xxx.xxxxx.xxx> MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_NBYuuCvMSIDULBayhBrMcQ)" Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_NBYuuCvMSIDULBayhBrMcQ) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Greetings to all the Microsounders, just to share more sounds with the list, thanx so much to John Nowak, for the chance to upload some stuff at the Ruccas.org server, pure respect and the best wishes from Mexico City, http://www.ruccas.org/index.php?Manrico%20Montero Manrico --------------------------------- Do You Yahoo!? Yahoo! Net: La mejor conexión a internet y 25MB extra a tu correo por $100 al mes. --Boundary_(ID_NBYuuCvMSIDULBayhBrMcQ)-- From ???@??? Tue Feb 22 21:39:12 2005 Return-path: <microsound-return-34517-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 16:39:12 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 16:39:11 -0500 (EST) Received: (qmail 98261 invoked by uid 1095); Tue, 22 Feb 2005 21:39:05 +0000 Received: (qmail 98244 invoked from network); Tue, 22 Feb 2005 21:39:04 +0000 Date: Tue, 22 Feb 2005 16:38:59 -0500 From: Polly Glott <xxxxx.xxxxx@xxxxxxx.xxx> Subject: [microsound] Mysterious on air phenomenon... X-Originating-IP: 83.166.11.179 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxxxxxxx@xxx-x.xxx.xxxxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: quoted-printable Content-disposition: inline Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-OB-Received: from unknown (205.158.62.51) by wfilter.us4.outblaze.com; 22 Feb 2005 21:38:59 -0000 X-Originating-Server: ws1-5.us4.outblaze.com X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hi all! This might sound a bit odd... But i'll give it a shot. I was just wondering if anyone out there, ever had come across the mysteries with mysterious voice phenomenon on the air? In the late 50:s, while recording songbirds in his backyard, the Swedish filmproducer Friedrich Jürgensson happened to catch some mysterious voices on tape. The scary, but yet fascinating messages also appeared on air when recording randomly from the short, medium or long wave bands on his radio... By Jürgensson's explaination the mysterious voices originated from the dead. Voices from the other side. These phenomenon continued to appear and over the next 25 years, Jürgensson became a celebrity among the paranormal society. Konstantine Raudive is another highly respected name in this field. My question to whomever it may concern: Have you ever heard of anything like this? Do you believe in it? Can anyone refer to own experiences on this matter? Ever heard of EVP? (Electronic Voice Phenomenon) Performing a study and thankful for all help. Polly -- ___________________________________________________________ Sign-up for Ads Free at Mail.com http://promo.mail.com/adsfreejump.htm --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 20:45:28 2005 Return-path: <microsound-return-34516-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 15:45:28 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 15:45:27 -0500 (EST) Received: (qmail 69531 invoked by uid 1095); Tue, 22 Feb 2005 20:45:25 +0000 Received: (qmail 69518 invoked from network); Tue, 22 Feb 2005 20:45:25 +0000 Date: Tue, 22 Feb 2005 12:45:25 -0800 (PST) From: xxxxxx@xxxxxxxxxxxxx.xxx Subject: [microsound] [ music in black and white ] To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxx.xxx.xxx.xx.xx.xxxxxxxxxx.xxxxxxxx@xxx.xxxxxxxxxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT Importance: Normal X-Priority: 3 (Normal) Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Hostbaby Webmail X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Music in Black and White New mp3 release from Archive Available for a limited time only at http://www.darkwinter.com "Synesthesia" is the experience of a stimulus by a different sense than that for which it was intended-- hearing colors, for example. Whether or not he's a full-fledged synesthetic, sound artist Mike Hallenbeck tends to "see" sounds-- as a space of constantly evolving form, dimension, hue, value, highlight, and shadow. Hallenbeck's "musique plastique" project Archive explores sound as an experience of margin and threshold, of the microscopic and the parenthetical, as a mutable component of a listening space. A group of Archive pieces deemed "greyscale" by Hallenbeck have been collected for "Music in Black and White", a new mp3 release from Dark Winter. The material ranges from long-form "demixes" of tracks by Fadladder and Datura 1.0 ("In De Stijl of the Night", "That Will Be All") to pieces derived entirely from a binaural recording of a bike shop ("Trappr Keepr") and from the sound of Hallenbeck clucking his tongue ("Spork"). From stark and prickly to gauzy and ephemeral, the pieces blend with the incidental sounds of one's environment to provide a unique listening experience with each playback. Try it on your headphones at a Man Ray photo exhibit, or as a soundtrack for "The Cabinet of Dr. Caligari". Enjoy! Download "Music in Black and White" at Dark Winter: http://www.darkwinter.com Thanks for your time... Best regards, Mike Hallenbeck [ a r c h i v e ] http://www.juniorbirdman.com/archive --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 17:17:28 2005 Return-path: <microsound-return-34514-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 12:17:28 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 12:17:28 -0500 (EST) Received: (qmail 57189 invoked by uid 1095); Tue, 22 Feb 2005 17:17:23 +0000 Received: (qmail 57178 invoked from network); Tue, 22 Feb 2005 17:17:23 +0000 Date: Tue, 22 Feb 2005 18:17:14 +0100 From: John Hopkins <xxxxxxxx@xxxx.xx> Subject: Re: [microsound] Marc Behrens / Paulo Raposo / @c [ http://www.cronica.pt ] In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> X-Sender: john.hopkins%xxxxxxxx.xx@xxx.xxxxxxxxxxx.xx To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <a0610050abe411190e973@[134.102.222.115]> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx > > Word's out that the good old vinyl industry will be >> off by the year 2009, it >> seems that an agreement within the chemical industry >> states that the key >> by-products of the current petroleum refining >> process will no longer be > > generated by that time, meaning: bye-bye new vinyl > > Bogus -- I don't believe that at all... There is no monumental agreement between those two sectors to begin with, nor is there standardization ("the process") with refineries globally... sounds like an extreme irrational net-rumor. and besides, there wil always be the responsibility to melt all those old albums ;-\ jh --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 16:38:41 2005 Return-path: <microsound-return-34513-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 22 Feb 2005 11:38:41 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 22 Feb 2005 11:38:41 -0500 (EST) Received: (qmail 44454 invoked by uid 1095); Tue, 22 Feb 2005 16:38:38 +0000 Received: (qmail 44439 invoked from network); Tue, 22 Feb 2005 16:38:37 +0000 Date: Tue, 22 Feb 2005 11:38:29 -0500 (EST) From: Neil Wiernik <xxxx@xxxxxxxx.xxx> Subject: [microsound] BETA_LAB - Feb 26th 2005 - MTL To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxxx@xxxxxxxx.xxxxxxxx.xxx> MIME-version: 1.0 Content-type: TEXT/PLAIN; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by amavisd-new at dreaming.org X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx phoniq - beta lab press release PHONIQ presents BETA-LAB when: saturday february 26th 2005 where: la salle d'attente (the back room of cafe esperanza) 5490 st-laurent, montreal, canada time: 9pm - 3am how much: FREE BETA-LAB is a monthly night of electronic music collaberation and experimentation featuring phoniq resident artists: naw, cyan, scant intone, various, anton along side a variey of monthly guests. This month's BETA-LAB will feature: Heart & Soul - Live - esoterik NAW V.S. Anton - live - antontrax.com/noisefactoryrecords.com Bopp - laptop DJ - bopp.ca for more info visit: www.phoniq.net ---------------------------------------------------- PRESS RELEASE The PHONIQ collective brings you another twist on another year of electronic music showcases. This time around PHONIQ is happy to present BETA-LAB a monthly showcase of electronic music collaberation and experimentation. BETA-LAB will focus on teaming up resident PHONIQ artists with other members of the canadian electronic music community. BETA-LAB is a space for experimentation to try out new ideas, for artists to try out new ideas, projects, collaberations. a testing ground for laptop artists, hardware musicians, djs and video artists a like. every month a different project or projects will be presented. each of these events are designed to act as an exploration into the different intersections between technology and music/art making. BETA-LAB is not designed to feature one artist in particular but to act more as an equal testing ground for all, for both the performer and the audience member. the BETA-LAB series is about an ever changing creative process, each months event details will be announced at www.phoniq.net BIOS/INFO PHONIQ www.phoniq.net phoniq is a collective of individuals dedicated to promoting bleeding edge electronic music/art in interesting variable environments, with an emphasis on exposing aural and visual talent that has not yet been exposed to the electronic arts communities of montreal and canada. we aim to showcase upstart music producers, djs, and emerging visual artists all working in electronic realms. our foremost goal is to showcase off the wall and raw genres of music and visual electronic arts- not just those that are currently "en vogue" or will be shortly. the concept for phoniq came together through the chance meeting of 2 active members of the montreal/canadian electronic music and digital arts community: ckut-fm dj/host cyan and dub glitch techno producer naw. phoniq has grown out of the combined histories of these 2 individuals. naw brings the clonk legacy that he created 6 years ago in toronto, which hosted such artists as: monolake, kit clayton and sutekh. cyan brings her ongoing involvement in community radio, event coordinating and dj talents. since then the collective has grown to include 5 core members responsible for keeping things running. after 6 short months, phoniq has grown from an idea of "how can we create a viable promotional vehicle for canadian electronic artists", into a music series, a net-label, an active community mailing-list and a canadian electronic music resource. HEART & SOUL Humanity receives hundreds of cosmic signals on a daily basis. Of these, certainly the most complex come from a place simply known as Planet Nebula.Chief among the Nebular codebreakers here on Earth is the team of Heart & Soul. Their working methods combine the pioneering inter-planetary research of the eminent Dr. Blowfin, the study of subterranean, or underground, wave-form activity, a careful monitering of circle makers, as well as their previously established Solar Mist Approach. The H&S team are working towards a comprehensive decryption program for the Nebular codes and a better understanding of what they can mean for us. BOPP www.bopp.ca Montreal based Laptop DJ Bopp currently plays the "Deep Fried Daze" netradio show on netmusique.com every friday at 4 pm. NAW www.noisefactoryrecords.com montreal native neil wiernik began his explorations in electronic music making as early as 1988. known to push the boundaries of his musical form, naws music is a blend of sound manipulation/design, experimental music and dub-tech rhythms, which on the surface sound quite simple, but incorporate a number of touches that steer this artist away from being simply another minimal techno or experimental laptop artist. he combines post-house, dubby minimal techno, microsound and thick ambience, to create his own version of deep techno, house and other electronic laptop oriented musics. neil has released music on various national and international record labels, including recent releases on clever-music, and his follow up full length to his 2002 noise factory release called green nights orange days. he has recently returned from tours in france, germany, and canada.to co-enside with his recent releases on these labels and plans to return to europe this summer for more tours including a performance at the now legendary sonar festival in barcelona, spain. ANTON www.antontrax.com recently relocated to montreal from the west coast, anton has been refining his sound since 1999. in an era where most are abandoning their hardware to go the software route, anton has taken advantage of cheap pawn-shop synths and samplers, made obsolete by economic cycle, but still rich with potential. his signature sound features emotive melodies, lush minor chords, and distant textures. as somewhat of a reaction to the clean computer-based sound prevalent today, antons music tends to be rough, gritty, and deeply compressed. the influence of the environment of the west coast of canada has certainly left its mark. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 04:37:54 2005 Return-path: <microsound-return-34512-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 23:37:54 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 23:37:54 -0500 (EST) Received: (qmail 34488 invoked by uid 1095); Tue, 22 Feb 2005 04:37:48 +0000 Received: (qmail 34470 invoked from network); Tue, 22 Feb 2005 04:37:48 +0000 Date: Mon, 21 Feb 2005 20:37:43 -0800 (PST) From: zach layton <xxxxxxxxxx@xxxxx.xxx> Subject: [microsound] Darmstadt @ Galapagos WED 2/23 : the =?UNKNOWN?Q?N=BAZONE?= TRIO Vs MOSTRA To: nymax yahoogroup <xxxxx@xxxxxxxxxxx.xxx>, xxxxxxxxxx@xxxxxxxxx.xxx, xxxxxxxxxx@xxxxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=KVOAk6I29Ylocm5OsTvUrRBjHdhqy8m1gCqTmPHtZF58d4MS8B3cAqaWmzsXYm8fN9TMaZPUKuCEAFDR0GUkvJxF1oF9PVs4hMSjJwUBlwnef8WMD3ti7XHe7myUWN0zEq7QPY0qb1eIBKx4GOpvbJ5U+dD6EC4tFmQiACULYnM= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Darmstadt "classics of the avant garde listening party" proudly presents: 'NøZone Trio' feat: Anthony Coleman (farfisa), Charles Cohen (Buchla Music Easel), & David Linton (electronics) with live video processing by: MOSTRA - Caspar Stracke & Gabriela Monroy With host DJ Zach Layton spinning Stockhausen, Cage, Wolff, Feldman, Ashley, Stravinsky and other surprise special guests TBA Wednesday, Feb. 23rd, 10pm, free Galapagos Arts Space Williamsburg, Brooklyn the NºZONE TRIO Vs MOSTRA Accomplished keys player and composer Anthony Coleman has gained recognition as an inspired player and talented standout of the avant-garde and klezmer-oriented jazz coming out of NYC's downtown throughout the '80s and '90s. Coleman has performed and recorded with just about every musician involved in this downtown scene, including John Zorn, guitarist Elliot Sharp, David Moss, renowned trumpeter Dave Douglas, premier accordian player Guy Klucevsek, David Shea, former Captain Beefheart band member Gary Lucas, classical and klezmer clarinetist David Krakauer, guitarist Marc Ribot and many more. Coleman has performed and recorded all over the world, with his groups Sephardic Tinge trio -- they've toured Europe three times, and released two CDs -- and Selfhaters; all of their releases are on the Tzadik label. Found on the related Avant label is Coleman's Disco by Night, a recording inspired by his experiences in ex-Yugoslavia. Through most of the '90s, Coleman and saxophonist Roy Nathanson have co-led projects, performing all over the U.S. and Europe together. The duo have also recorded several albums, including Lobster and Friend. Coleman has received commissions for his compositions from various ensembles including Bang On a Can, Concert Artists Guild, and The Crosstown Ensemble. His compositions can also be heard on harpist Carol Emanuel's Koch release, Tops of Trees, and Guy Klucevsek's accordian extravaganza, Manhattan Cascade, among others. ~ (Joslyn Layne, All Music Guide) The "NºZone Trio" lineup provides a context where Anthony gets to do something he'd rarely do anywhere else - namely: play his vintage 'Farfisa Compact' 1960's combo electric organ through a Moogfooger in an entirely electronic setting. CHARLES COHEN - Buchla Music Easle Based in the Philadelphia area, Charles Cohen has been amazing and challenging audiences for over 20 years. His music is entirely improvisational and produced solely on a vintage Buchla Music Easle analog synthesizer. An avid collaborator, Cohen is best known to NYC listeners from his many inspired improvisational sets with the cream of the crop of NYC electronic and acoustic musicians as well as stunning solos in many multimedia contexts. His sound ranges from challengingly abstract tonescapes to pleasantly rhythmic and infectious percolations. With few commercially recorded works available, Cohen prefers to concentrate on creating realtime Electronic Music in the setting of the live performance space. In his own words: "Atmosphere, landscape, and travel are what my sounds are about. Collaboration and exploration are what my process is about. The simple intent is sharing my favorite pastime with others." DAVID LINTON - Assorted Electronics (analog processed 'circuit bent' digital drumboxes +... ) David Linton has witnessed the sun's rise and fall on nearly 4 decades worth of american subcultural music practice. For the past 2 1/2 of these decades he has lived and worked in NYC - first hitting his stride as a 'downtown' drummer in the early 1980's. (See early recordings: Rhys Chatham, Glenn Branca, among others soon to see the light of day). From the drums he moved to solo performing, live electronics, and computer assisted composition and sound design for dance and theater - etc... (more than a dozen scores for choreographer Stephen Petronio - and a couple of noteworthy works for the Wooster Group- among many others) His mid 80¹s solo release "Orchesography" (Neutral 14) represents downtown sensibility at the crossroads of post punk, primal noise, early sampling technique, and theatrical post modernism. By the early '90's an experimental foray into venue building ( as 'in house' producer at the 'hausofouch' loft in Chinatown) led to transformative zeitgeist events (Ouch, Sensate, SoundLab, & Step Forward) and a burgeoning absorption in the multimedia design parameters associated with the 'immersive' movement. By the late '90's a perfect balance between audio and visual elements in the live electronic performance environment was sought with the launch of the Unit¥Gain platform and integrated modus operandi. From here it was a curious but natural progression to the community media architectured explorations of Unitygain Television (1AM Sunday mornings on MNN CH 34/mnn.org still running). At present, in his own music, Linton seeks to build a (con)temporary structure (as in: Œshelter¹ to house the diverse creative offspring of his endeavors 'under one roof'. He will present his first solo audiovisual work: "Stroboscopy: Bicameral Research: GODBOX 101" in the Roulette Mixology Festival at Location One this spring. David is the instigator of this grouping... MOSTRA is a duo of video artists Gabriela Monroy + Caspar Stracke who also work with interactive video installation and single channel video. Their video work has been shown in the US, Mexico, Brazil, Germany, France and UK. MOSTRA conglomerates and transforms images according to single themes, mostly sociological and architectural motives. Harvesting the net as their primary image source, they juxtapose raw content in which images are treated like text fragments (sometimes literally, in ASCII code). wed, feb 23rd, 10pm - late (free) galapagos 70 north 6 street, williamsburg, ny, 718.384.4586 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 03:20:59 2005 Return-path: <microsound-return-34511-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 22:20:59 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 22:20:58 -0500 (EST) Received: (qmail 10415 invoked by uid 1095); Tue, 22 Feb 2005 03:20:57 +0000 Received: (qmail 10405 invoked from network); Tue, 22 Feb 2005 03:20:57 +0000 Date: Tue, 22 Feb 2005 04:21:44 +0100 From: Plagasul <xxxxxxxx@xxxxx.xx> Subject: [microsound] Petition To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: xxxxxxxx@xxxxx.xx Message-id: <20050222042144.1397121721.xxxxxxxx@xxxxx.xx> MIME-version: 1.0 X-Mailer: Bloomba 1.0.5 Content-type: text/plain Content-transfer-encoding: 7BIT X-Priority: 3 (normal) Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hello. I am planning a trip for the weekend of the 4th, March, and i would like to know if there is anything interesting going on around Europe involving arts or sound, or both. After frustrating googleing i found that emailing the list members could be a fast an effective way of getting such an information. Any help or guidance will be greatly appreciated. Thank you! --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 22 00:05:51 2005 Return-path: <microsound-return-34510-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 19:05:51 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 19:05:51 -0500 (EST) Received: (qmail 42893 invoked by uid 1095); Tue, 22 Feb 2005 00:05:46 +0000 Received: (qmail 42875 invoked from network); Tue, 22 Feb 2005 00:05:46 +0000 Date: Mon, 21 Feb 2005 16:06:48 -0800 From: "b.phenix" <xx@xxxxxxxxx.xxx> Subject: Re: [microsound] Marc Behrens / Paulo Raposo / @c [ http://www.cronica.pt ] In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.618) Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx this seems to surface from time to time dating back at least 3 years now. no one anywhere that i've seen can back it up. vinyl byproducts are used in huge volumes, records being such a small amount that it doesn't even scratch into the whole percent numbers. there is nary a mention searching within google in the larger industry, just a bunch of music newsgroup blather. b. On Feb 21, 2005, at 1:33 PM, Brian Klein wrote: is the part about the vinyl true? can you send some links to where you found this info? > Word's out that the good old vinyl industry will be > off by the year 2009, it > seems that an agreement within the chemical industry > states that the key > by-products of the current petroleum refining > process will no longer be > generated by that time, meaning: bye-bye new vinyl > records! With that in > mind, and of course the dance floors, Crónica > decided to give her special > tribute to the old industry medium and put out a > 10'' with Further > Reinterpretations by Marc Behrens, Paulo Raposo and > @c which is a > post-scriptum to Paulo Raposo/Marc Behrens 2004 > Crónica CD "Further > Consequences of Reinterpretation". > http://www.cronicaelectronica.org > > ------------------------------------------------------------------------ > ------------------------------------------------------------------------ > UPCOMING RELEASES > ------------------------------------------------------------------------ > > "Untitled" > In "Untitled Songs - 49 Years from 'Gesang der > Jünglinge' (2005-1956)" > 2CD SIRR > > "Verbatim" > in Essays on Radio: Can I Have Two Minutes of Your > Time? > Various Artists > CD+DVD CRONICA > > Marfa Lights > Solo CD > SIRR > > ------------------------------------------------------------------------ > ------------------------------------------------------------------------ > UPCOMING PERFORMANCES > ------------------------------------------------------------------------ > > 2005 February 25 > Paulo Raposo, Rui Costa, André Gonçalves > ZDB > Lisboa, Portugal > > 2005 April > Paulo Raposo > Artist in residence > Moks, Mooste, Estonia > > 2005 April 8/9 > Pablo Coello / Paulo Raposo > Teatro Ensalle, Vigo > Vigo, Spain > > 2005 April 28 > Paulo Raposo > Festival Sonorities > Belfast, UK --> > > 2005 May 11 > Pablo Coello / Paulo Raposo > Sala Nasa > Santiago de Compostela, Spain > > 2005 May 20 > Paulo Raposo with John Grzinich > Fundação de Serralves > Porto, PT --> > > ------------------------------------------------------------------------ > ------------------------------------------------------------------------ > > Thanks for your attention > Paulo Raposo > > ||||||||xxxx@xxxx-xxxxxx.xxx > |http://www.sirr-ecords.com > > ---------------------------------------- > --------------------------------- > no more news? please reply with: Remove > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________ Do you Yahoo!? Yahoo! Mail - Find what you need with new enhanced search. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 21 21:33:48 2005 Return-path: <microsound-return-34509-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 16:33:48 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 16:33:48 -0500 (EST) Received: (qmail 76286 invoked by uid 1095); Mon, 21 Feb 2005 21:33:44 +0000 Received: (qmail 76275 invoked from network); Mon, 21 Feb 2005 21:33:43 +0000 Date: Mon, 21 Feb 2005 13:33:39 -0800 (PST) From: Brian Klein <xxxxxxx@xxxxx.xxx> Subject: Re: [microsound] Marc Behrens / Paulo Raposo / @c [ http://www.cronica.pt ] In-reply-to: <BE3FD4CB.1329C%xxxx-xxxxxx@xxxx-xxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=gvrEZ2L4KHNV0aA5WkLtTGRE5jHlHsPDR11gIGoZZXUiKHLgsjuZeLEBMPV8sOgtcrqcnRtW0pryRbE2rtXhXKuCRizeyLGt6slvnmkqQTArqW0DDRNGLeqNrdlk8tHaIVV0vZODiXslBE+37ksEqzwCqUsaPujrw2O2BbOkMsI= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx is the part about the vinyl true? can you send some links to where you found this info? > Word's out that the good old vinyl industry will be > off by the year 2009, it > seems that an agreement within the chemical industry > states that the key > by-products of the current petroleum refining > process will no longer be > generated by that time, meaning: bye-bye new vinyl > records! With that in > mind, and of course the dance floors, Crónica > decided to give her special > tribute to the old industry medium and put out a > 10'' with Further > Reinterpretations by Marc Behrens, Paulo Raposo and > @c which is a > post-scriptum to Paulo Raposo/Marc Behrens 2004 > Crónica CD "Further > Consequences of Reinterpretation". > http://www.cronicaelectronica.org > > ------------------------------------------------------------------------ > ------------------------------------------------------------------------ > UPCOMING RELEASES > ------------------------------------------------------------------------ > > "Untitled" > In "Untitled Songs - 49 Years from 'Gesang der > Jünglinge' (2005-1956)" > 2CD SIRR > > "Verbatim" > in Essays on Radio: Can I Have Two Minutes of Your > Time? > Various Artists > CD+DVD CRONICA > > Marfa Lights > Solo CD > SIRR > > ------------------------------------------------------------------------ > ------------------------------------------------------------------------ > UPCOMING PERFORMANCES > ------------------------------------------------------------------------ > > 2005 February 25 > Paulo Raposo, Rui Costa, André Gonçalves > ZDB > Lisboa, Portugal > > 2005 April > Paulo Raposo > Artist in residence > Moks, Mooste, Estonia > > 2005 April 8/9 > Pablo Coello / Paulo Raposo > Teatro Ensalle, Vigo > Vigo, Spain > > 2005 April 28 > Paulo Raposo > Festival Sonorities > Belfast, UK --> > > 2005 May 11 > Pablo Coello / Paulo Raposo > Sala Nasa > Santiago de Compostela, Spain > > 2005 May 20 > Paulo Raposo with John Grzinich > Fundação de Serralves > Porto, PT --> > > ------------------------------------------------------------------------ > ------------------------------------------------------------------------ > > Thanks for your attention > Paulo Raposo > > ||||||||xxxx@xxxx-xxxxxx.xxx > |http://www.sirr-ecords.com > > ---------------------------------------- > --------------------------------- > no more news? please reply with: Remove > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________ Do you Yahoo!? Yahoo! Mail - Find what you need with new enhanced search. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 21 21:30:26 2005 Return-path: <microsound-return-34508-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 16:30:26 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 16:30:25 -0500 (EST) Received: (qmail 73901 invoked by uid 1095); Mon, 21 Feb 2005 21:30:19 +0000 Received: (qmail 73890 invoked from network); Mon, 21 Feb 2005 21:30:18 +0000 Date: Mon, 21 Feb 2005 21:30:14 +0000 From: ". m u r m e r ." <xxxxxx@xxxxxx.xxx> Subject: [microsound] [playlist] framework - 18.02.05 To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <01cb01c5185c$87def180$xxxxxxxx@xxxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Mailer: Microsoft Outlook Express 6.00.2900.2180 Content-type: multipart/alternative; boundary="Boundary_(ID_sGCFQH/t1gZ/a0WxWZHO+w)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_sGCFQH/t1gZ/a0WxWZHO+w) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit framework broadcasts live every friday (except the first one of each month) on resonance104.4fm in london (uk) or worldwide on http://www.resonancefm.com between 8:30 and 9:30pm gmt, and is repeated the following wednesday between 11:00am and 12:00 noon gmt next live broadcast: 25.02.05 ~ time zone converter: http://www.thesaturnv.com/converter.html RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM. THANK YOU! -------------------------------------------------------------------------------- framework - phonography/field recording; contextual and decontextualized sound activity presented by patrick mcginley this was our first edition of framework:focus for 2005, and was curated and produced by uk sound artist dallas simpson. entitled peggy's paradise, it featured a sound walk/environmental diary recorded by dallas' mother on a fall day in 1988. dallas himself describes his mother's recordings, which began in the 70's as letters to her son, thusly: 'Mum's work is about emotive description, rather than any kind of objective accuracy. It is the sheer simplistic joy of the moment by moment experience that is communicated.' for more information on dallas' work, and on peggy's paradise, you can visit his website at http://www.waterpump.f9.co.uk/. if you missed this edition of framework:focus, or would like to hear it again, it will be repeated this wednesday, the 23rd of february, at 11:00am gmt. our next live broadcast will be this coming friday, the 25th of february, at 8:30pm gmt. again, we are always looking for material for the show, whether raw field recordings, field recording based composition or introduction submissions. send material, released or not, on any format, to the address below. we are also hoping to have live performances as often as possible, so if you are in or passing through london please get in touch! framework 31 nevill road london n16 8sl uk xxxxxxxxx@xxxxxx.xxx -------------------------------------------------------------------------------- framework intro submissions: 1) take yourself and an audio recording device to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read the following text: welcome to framework. framework is a show consecrated to field recording, and it's use in composition. field recording, phonography, the art of sound-hunting; open your ears and listen! 4) continue your recording for AT LEAST 2 minutes after you've finish speaking 5) send the recording on any format to the address above, or as an mp3 via email thanks! -------------------------------------------------------------------------------- the framework 2003 cd has been reprinted and is now once again available directly from the resonancefm online shop, along with a selection of other benefit cds, t-shirts, and general paraphernalia. drop in here to have a look: http://www.resonancefm.com/shop.php framework 2003 resonancefm benefit cd featuring highlights from the year's broadcasting rob grant & melanie clifford / framework intro thomas dimuzio / unearth & lift and spear / sonicism / rrrecords chris watson / river mara at night / stepping into the dark / touch johannes helden / - / sketchbook / trente oiseaux toy bizarre / - / kdi dctb 116 / absurd murmer / liquid solid / definition / absurd jgrzinich & seth nehil / the distant edge / confluence / intransitive seth nehil & jgrzinich / the mirrored corner / stria / erewhon annette lissauer / framework intro toby paddock / air, surface and magnetic vibrations / - / - steve roden / - / resonant cities / trente oiseaux francisco lopez / untitled #101 / untitled (2000) / ignis projekt mnortham / ancient sewer pipe, valletta, malta / phonography.org 5 / phonography.org the quiet american / donkey trains leaving marpha, nepal / phonography.org 4 / phonography.org steve barsotti / trainyard presence / phonography.org 5 / phonography.org k. m. krebs / jericho sailing center (nautical gamelan) / phonography.org 4 / phonography.org david daniell / highway 371, forty miles south of farmington, january 19, 1998, 2:25 pm / sem / antiopic joyce hinterding / - / spectral / antiopic/sigma editions david daniell / dixon lake road, july 31, 1999, 5:45 am / sem / antiopic tacet ncv / live on framework jean-luc guionnet & bertrand denzler / live on framework dallas simpson / framework intro --Boundary_(ID_sGCFQH/t1gZ/a0WxWZHO+w)-- From ???@??? Mon Feb 21 19:25:17 2005 Return-path: <microsound-return-34507-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 14:25:17 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 14:25:17 -0500 (EST) Received: (qmail 25543 invoked by uid 1095); Mon, 21 Feb 2005 19:25:14 +0000 Received: (qmail 25533 invoked from network); Mon, 21 Feb 2005 19:25:13 +0000 Date: Mon, 21 Feb 2005 12:26:51 -0700 From: devslashnull <xxx@xxxxxxx.xxx> Subject: [microsound] New CommTom Release To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.553) Content-type: multipart/alternative; boundary="Boundary_(ID_/LFBCazRh2pGvCbS4ufxXQ)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_/LFBCazRh2pGvCbS4ufxXQ) Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Greetings, New audio/video material from David Fodel: david fodel (aka devslashnull ) had a rare chance to play outside of the denver area on a recent trip to Berlin, (feb2-9th, 2005). this material represents some of the work being done by Fodel in the area of "live cimnemonics" (read: cinema and mnemonics), a process linking audio, with literal and abstract visual elements using narrative structures in addition to commonly used formal relationships. "shovel" is part of an upcoming DVD release entitled "wet wood drying" which pays homage to simplicity, and the poetic experience of the mundane. the piece was performed live in the Salon of Transmediale 05 in Berlin at the Haus der Kulteren der Welt. http://www.commtom.com/releases/devslashnull/berlin_shovel.html large file (around 50 mb.) CommTom Communications of Tomorrow "it's only a day away" unique electronic music for the adventurous ear. http://www.commtom.com --Boundary_(ID_/LFBCazRh2pGvCbS4ufxXQ)-- From ???@??? Mon Feb 21 18:58:32 2005 Return-path: <microsound-return-34506-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 13:58:32 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 13:58:31 -0500 (EST) Received: (qmail 18747 invoked by uid 1095); Mon, 21 Feb 2005 18:58:29 +0000 Received: (qmail 18737 invoked from network); Mon, 21 Feb 2005 18:58:28 +0000 Date: Mon, 21 Feb 2005 13:58:21 -0500 (EST) From: xxxxxxxxx@xxx.xxx Subject: [microsound] Re: microsound Digest 21 Feb 2005 17:11:32 -0000 Issue 1357 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxx.xxxxxxxx.xxxxxxxx@xxx.xxx> MIME-version: 1.0 X-Mailer: 9.0 for Windows sub 5038 Content-type: multipart/alternative; boundary="Boundary_(ID_D/vhhbgpqA/iHCYqgFNobQ)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_D/vhhbgpqA/iHCYqgFNobQ) Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit In a message dated 2/21/2005 11:11:58 AM Central Standard Time, xxxxxxxxxx-xxxxxx-xxxx@xxxxxxxxx.xxx writes: Before you get too carried away, do not forget that those "cheap" electronics are cheap largely because of the continued subjugation of the truly poor who comprise such a huge part of our manufacturing base today (and who do not own computers). And if they didn't have the income coming from working for the "oppressive Western industrail base" just what do you think they'd be doing? Probabaly starving to death is my guess. You have to start somewhere if you're going to join the rest of the world and begin the climb to developed status. Maybe they should get rid of their socialist dictators first instead of blaming America for all their troubles. We had to throw off the European yoke at the beginning of our own development. John --Boundary_(ID_D/vhhbgpqA/iHCYqgFNobQ)-- From ???@??? Mon Feb 21 18:14:53 2005 Return-path: <microsound-return-34505-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 13:14:53 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 13:14:52 -0500 (EST) Received: (qmail 237 invoked by uid 1095); Mon, 21 Feb 2005 18:14:47 +0000 Received: (qmail 227 invoked from network); Mon, 21 Feb 2005 18:14:47 +0000 Date: Mon, 21 Feb 2005 18:11:23 +0000 From: paulo raposo || sirr <xxxx-xxxxxx@xxxx-xxxxxx.xxx> Subject: [microsound] Marc Behrens / Paulo Raposo / @c [ http://www.cronica.pt ] To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE3FD4CB.1329C%xxxx-xxxxxx@xxxx-xxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Entourage/10.0.0.1309 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hi all, new release at http://www.cronicaelectronica.org Also available (as all cronica releases) at http://www.sirr-ecords.com ------------------------------------------------------------------------ ------------------------------------------------------------------------ Marc Behrens / Paulo Raposo / @c Product Crónica 017~2004 4 tracks 10" vinyl ------------------------------------------------------------------------ A1: Marc Behrens: I was Never A2: Marc Behrens: A Disco Boy A3: Paulo Raposo: Bunny and Clyde Take the Desert Ride B1: @c: 36 Word's out that the good old vinyl industry will be off by the year 2009, it seems that an agreement within the chemical industry states that the key by-products of the current petroleum refining process will no longer be generated by that time, meaning: bye-bye new vinyl records! With that in mind, and of course the dance floors, Crónica decided to give her special tribute to the old industry medium and put out a 10'' with Further Reinterpretations by Marc Behrens, Paulo Raposo and @c which is a post-scriptum to Paulo Raposo/Marc Behrens 2004 Crónica CD "Further Consequences of Reinterpretation". http://www.cronicaelectronica.org ------------------------------------------------------------------------ ------------------------------------------------------------------------ UPCOMING RELEASES ------------------------------------------------------------------------ "Untitled" In "Untitled Songs - 49 Years from 'Gesang der Jünglinge' (2005-1956)" 2CD SIRR "Verbatim" in Essays on Radio: Can I Have Two Minutes of Your Time? Various Artists CD+DVD CRONICA Marfa Lights Solo CD SIRR ------------------------------------------------------------------------ ------------------------------------------------------------------------ UPCOMING PERFORMANCES ------------------------------------------------------------------------ 2005 February 25 Paulo Raposo, Rui Costa, André Gonçalves ZDB Lisboa, Portugal 2005 April Paulo Raposo Artist in residence Moks, Mooste, Estonia 2005 April 8/9 Pablo Coello / Paulo Raposo Teatro Ensalle, Vigo Vigo, Spain 2005 April 28 Paulo Raposo Festival Sonorities Belfast, UK --> 2005 May 11 Pablo Coello / Paulo Raposo Sala Nasa Santiago de Compostela, Spain 2005 May 20 Paulo Raposo with John Grzinich Fundação de Serralves Porto, PT --> ------------------------------------------------------------------------ ------------------------------------------------------------------------ Thanks for your attention Paulo Raposo ||||||||xxxx@xxxx-xxxxxx.xxx |http://www.sirr-ecords.com ---------------------------------------- --------------------------------- no more news? please reply with: Remove --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 21 17:36:13 2005 Return-path: <microsound-return-34504-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 12:36:13 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 12:36:13 -0500 (EST) Received: (qmail 86360 invoked by uid 1095); Mon, 21 Feb 2005 17:36:10 +0000 Received: (qmail 86350 invoked from network); Mon, 21 Feb 2005 17:36:09 +0000 Date: Mon, 21 Feb 2005 11:37:29 -0600 From: David Powers <xxxxxxxx@xxxxxx.xxx> Subject: [microsound] Re: microsound Digest 19 Feb 2005 17:10:31 -0000 Issue 1356 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> MIME-version: 1.0 X-Mailer: Novell GroupWise Internet Agent 6.5.2 Beta Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Content-disposition: inline Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx First, I buy almost all of these cheap electronics USED. They are cheap because they are obsolete. They may not have been cheap originally. And people are exploited somewhere for almost every new item we buy here in the USA. Anyway, new musical instruments aren't actually cheap at all here, at least typical gear might cost an entire month of my wages. Second, the developed world - and here I can only speak from experience of the United States - has quite a few of those truly destitute people. I see so many homeless people everyday here in Chicago, it's quite sad really. And if you go into the worse off urban areas things are really bad. Average working people are still exploited in the United States, regardless of a somewhat better lifestyle, and wages have generally been decreasing over the last few years. Meanwhile, prisons are growing larger and larger and entire communities are devestated by drug laws which systematically remove "delinquent" parts of the population. Most workers here hardly have lifestyles that are "opulent." Many people are one paycheck from being homeless and broke. Depending on where one lives, one may have more income but it all goes towards higher rent. Better off than workers in underdeveloped countries, sure, but hardly a new aristocracy. Finally, a greater purchasing power vis-a-vis other workers does not translate into political power and autonomy - characteristics which one would expect to in an aristocracy. Third, yes, exploitation of labor in underdeveloped countries is a serious global political issue. But I think this focus on consumption is problematic. There are many conscious people that try to make reasonable purchases for only things they really need and do not live the hyper-consumer lifestyle that is promoted on television. I suggest that a politics of guilt is in appropriate in this issue. In this case, the focus needs to be on what can be done to better the working conditions and increase the bargaining power of the workers in underdeveloped countries. In this area it is still the struggle between workers and global capital that is most important. Reducing the position or income of, say, American workers isn't going to bring any advantage to other workers in underdeveloped countries. Can I go back to button-pushing music now, PLEASE?! ;) As soon as I get off work, I'm going to play my lovely DX-21 with three broken keys (luckily only at the extreme registers) thought I bought for $100. ~David David Powers Secretary DePaul University, School of Education Department of Leadership in Education, Language, and Human Services 773-325-4806 >>> xxxxxxxx@xxx.xx 02/20/05 05:33PM >>> Before you get too carried away, do not forget that those "cheap" electronics are cheap largely because of the continued subjugation of the truly poor who comprise such a huge part of our manufacturing base today (and who do not own computers). We in the developed (overdeveloped?) world are all, with the exception of a few truly destitute, the elite, privileged, aristocratic few, and the opulence of our lifestyle rivals that of noblemen throughout history. The separation of rich and poor has not changed, it has merely been globalized. At least, that has been my growing impression lately. Galen > So if I can create music through the use of buttons and sliders, > computers, cheap consumer electronics, and anything that is readily > available and affordable to the working person, that's an incredible > opportunity! I'm a piano player but I don't own a piano, so the > availability of cheap keyboard instruments is also an amazing asset. I > don't understand why some people want music to be an elite activity > only > available to a privileged few. > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 21 17:26:46 2005 Return-path: <microsound-return-34503-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 12:26:46 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 12:26:45 -0500 (EST) Received: (qmail 82495 invoked by uid 1095); Mon, 21 Feb 2005 17:26:42 +0000 Received: (qmail 82485 invoked from network); Mon, 21 Feb 2005 17:26:42 +0000 Date: Mon, 21 Feb 2005 18:26:38 +0100 From: herv=?ISO-8859-1?B?6Q==?= boghossian <xxxxxxxxxxx@xxxx-xx.xxx> Subject: [microsound] G.Muller & Steinbruchel "perspectives" OUT NOW ! and more .... To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE3FD85D.8C93%xxxxxxxxxxx@xxxx-xx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2106 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx hi all, LIST is proud to announce the release of Gunter Muller & Steinbruchel "perspectives" (L6) cd . more info on List website http://www.list-en.com ( including mp3 extracts) . >the cd is available through LIST paypal shop http://www.list-en.com : account : xxxxxxxxxxx@xxxx-xx.xxx write "perspectives" on your mail, the price is 14 euros shipping offered for every countries ! and List Events this week : 24.02.05 Kunstraum Walcheturm > Zurich (ch) "Perspectives" cd release concert : :: live : Gunter Muller & Steinbruchel + Herve Boghossian http://www.walcheturm.ch 25.02.05 Bad Bonn > Dudingen (ch) :: live : Herve Boghossian http://www.badbonn.ch thanks for your attention all the best rv --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 21 16:08:11 2005 Return-path: <microsound-return-34502-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 21 Feb 2005 11:08:11 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 21 Feb 2005 11:08:11 -0500 (EST) Received: (qmail 46382 invoked by uid 1095); Mon, 21 Feb 2005 16:08:07 +0000 Received: (qmail 46371 invoked from network); Mon, 21 Feb 2005 16:08:07 +0000 X-URL: http://mail2web.com/ Date: Mon, 21 Feb 2005 11:08:06 -0500 From: "xxxxxxxx@xxxx.xxx" <xxxxxxxx@xxxx.xxx> Subject: Re: [microsound] TATE dicussion cont. X-Originating-IP: 216.8.171.235 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: xxxxxxxx@xxxx.xxx Message-id: <xxxxxx-xxxxxxxxxxxxxxxx@xxxxxx.xxxxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT X-Priority: 3 Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 21 Feb 2005 16:08:05.0647 (UTC) FILETIME=[86F219F0:01C5182F] A lot of good questions in derek's post. Nice too how it cuts through some of the resistence to a deeper rather than broader discussion. I'd like to center on one of the questions that might 'resonate' the most with folks on this list - that is this one: > -If artifacts are always in flux, when is an historical work determined to be "finished"? I find that Lev Manovich's writings on digital media are sometimes a bit too polemical but I think there is great value in how he writes about this subject. The nature of digital media is that it is never fixed and thus never finished. We have all likely named files or projects and then appended new dates to the file names to indicate that they has been revisited or "improved" upon. Or we have swapped files with one another and then, at some point, lost the impressions of the original strands and cannot determine where each artist's imprints really are. It is sometimes exciting to be able to rework an object over a long period of time - but with that constant state of flux we sometimes lose what, in the times of high modernism, must have been, on occasion, the nice sense of satisfaction over "finishing something" - to be able to say "voila" it is done. I would argue that these new works of "digital art" are rarely, if ever, finished. Chris McNamara thinkbox Original Message: ----------------- From: derek holzer xxxxx@x-x.xxx Date: Fri, 18 Feb 2005 19:11:56 +0100 To: xxxxxxxxxx@xxxxxxxxx.xxx Subject: Re: [microsound] TATE dicussion cont. Dear microsounders, in the hopes we can "elevate" the banter around here beyond one-liners and such: Arie van Schutterhoef wrote: >>it's all high-concept gobledegook speak... > > -But does it matter? I'd like to post the point that the Tate discussion leaves off [right now anyway], as I think that Lina Dzuverovic and Kenneth Goldsmith pose some interesting questions about different models of online collaboration, participation and distribution. Some of this dovetails quite nicely into previous threads here concerning CD vs CDR vs MP3 at the very least.... at http://tinyurl.com/6ub6e, Lina Dzuverovic wrote: > nude media > > It is interesting how the collaboration/participation discussion initially shot off into two different directions (online vs offline collaborative models) only to come back to what are essentially different appropriation methods and individual choices of crediting/presentation. > > Going back to Doug and John's posts, to me 'nude media' (a great term, Kenneth, btw) is one way of talking about a history of appropriation whether it is offline or online. As John just illustrated - it is a question of choice, not medium. > > That MP3 file 'stripped of its external signifiers' is essentially no different then a photocopied page separated from the author/title info. Are we not just replacing a pair of scissors (Gysin) with sound processing software? Perhaps the the main difference is in the speed with which the 'nude media' file makes it's way back into the remixing and sampling pool and how long it stays there for (and if it ever becomes used up/ finished)? > > And on that note, I thought Kenneth's asked some really interesting questions a few posts back, which we all seem to have skipped and I'd like to return to those: > > > -How does having a variety of contexts influence the cultural reception of such objects? > > -Who or what determines an avant-garde artifact's value, both commercially and intellectually? > > -How does this in turn impact the artist's reputation, both commercially and intellectually? > > -If artifacts are always in flux, when is an historical work determined to be "finished"? happy discourse, d. -- derek holzer ::: http://www.umatic.nl ---Oblique Strategy # 36: "Consult other sources -promising -unpromising" --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org -------------------------------------------------------------------- mail2web - Check your email from the web at http://mail2web.com/ . --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sun Feb 20 23:33:52 2005 Return-path: <microsound-return-34501-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sun, 20 Feb 2005 18:33:52 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sun, 20 Feb 2005 18:33:52 -0500 (EST) Received: (qmail 2727 invoked by uid 1095); Sun, 20 Feb 2005 23:33:50 +0000 Received: (qmail 2716 invoked from network); Sun, 20 Feb 2005 23:33:50 +0000 Date: Sun, 20 Feb 2005 15:33:38 -0800 From: Galen Elfert <xxxxxxxx@xxx.xx> Subject: [microsound] Re: microsound Digest 19 Feb 2005 17:10:31 -0000 Issue 1356 In-reply-to: <xxxxxxxxxx.xxxxx.xxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxx.xx> MIME-version: 1.0 X-Mailer: Apple Mail (2.553) Content-type: multipart/alternative; boundary="Boundary_(ID_HPMW3bRAS8QKI55n+u9tQw)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_HPMW3bRAS8QKI55n+u9tQw) Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Before you get too carried away, do not forget that those "cheap" electronics are cheap largely because of the continued subjugation of the truly poor who comprise such a huge part of our manufacturing base today (and who do not own computers). We in the developed (overdeveloped?) world are all, with the exception of a few truly destitute, the elite, privileged, aristocratic few, and the opulence of our lifestyle rivals that of noblemen throughout history. The separation of rich and poor has not changed, it has merely been globalized. At least, that has been my growing impression lately. Galen > So if I can create music through the use of buttons and sliders, > computers, cheap consumer electronics, and anything that is readily > available and affordable to the working person, that's an incredible > opportunity! I'm a piano player but I don't own a piano, so the > availability of cheap keyboard instruments is also an amazing asset. I > don't understand why some people want music to be an elite activity > only > available to a privileged few. > --Boundary_(ID_HPMW3bRAS8QKI55n+u9tQw)-- From ???@??? Sun Feb 20 22:26:57 2005 Return-path: <microsound-return-34500-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sun, 20 Feb 2005 17:26:57 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sun, 20 Feb 2005 17:26:57 -0500 (EST) Received: (qmail 83876 invoked by uid 1095); Sun, 20 Feb 2005 22:26:53 +0000 Received: (qmail 83866 invoked from network); Sun, 20 Feb 2005 22:26:53 +0000 Date: Sun, 20 Feb 2005 23:26:42 +0100 From: klif <x.x.xxxx@xxxxx.xxx> Subject: Re: [microsound] Lemur! In-reply-to: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:mime-version:in-reply-to:references:content-type:message-id:content-transfer-encoding:from:subject:date:to:x-mailer; b=HR7S4iGMJ/2fwQxZMSx8ZXiH06BwTOGF4/mStabbTb2X03Prr1jhOHCIzYBcHgt7uCf8nEP5iii8UmOoEQfXvuFGaUkdgk08bFXIXRJwOWlyqrnvEfqskEt+dgiB1ISZhVPCR7G4i3DILGR3305p1Chh2m5adNAMGEdu9U72rJ4= X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 17, 2005, at 6:07 PM, David Powers wrote: > The history of violin playing, the virtuosity that must be attained, is > precisely what makes it an esoteric and aristocratic discipline, > something inacessible to most of us. there are many virtuoso gipsy violin players. for shure they are not aristocrats. > I love violin playing, but in a > hierarchical society founded on wage labor and dead end jobs, it's not > an option for most people, and to hold it up as a musical ideal is > tantamount to declare that music is an activity that should only be > accessible to the privileged few. > my close relative plays first violin in berlin philharmony. he grew in zagreb, went to local music school, and moved to germay at the age of 20. his parents are not rich. they did put as much as they could in his education, but for the most part it was his will and talent. klif --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sun Feb 20 06:21:32 2005 Return-path: <microsound-return-34499-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sun, 20 Feb 2005 01:21:32 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sun, 20 Feb 2005 01:21:32 -0500 (EST) Received: (qmail 78666 invoked by uid 1095); Sun, 20 Feb 2005 06:21:32 +0000 Received: (qmail 78655 invoked from network); Sun, 20 Feb 2005 06:21:31 +0000 Date: Sat, 19 Feb 2005 22:21:26 -0800 (PST) From: tasty radish <xxxxxxxxxxx@xxxxx.xxx> Subject: [microsound] natural's not in it In-reply-to: <xxxxxxxxxx.xxxxx.xxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=i9Gp591zDDL/vsZQ4pEgMmk0tnKJcEnYfWh3ATv6djEeW+o67hknE9hKR3oE/teoaPtJtnQ6BdSh1gsbJBadCjm/mqMTLSS7F5jScvpLjXbvZIkjx54DGSdjHS83kbpKWVrelYvEy6tnkBhFXj6mqiksK65/z3nq4GezTrGLxDQ= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx does it really matter whether music/sound art is developed thru a traditional analog instrument or something else?!! why is this discussion happening now? tho, yeah the great analog instruments are beauties no doubt! It would be nice if some one would make a mouse that was mahogony! ;) this is a very new instrument -- this laptop-able 'instrument' -- and it is pretty incredible, as it is!! Let's see how it goes. there is much ahead. Probably hundreds of years... __________________________________ Do you Yahoo!? Yahoo! Mail - Easier than ever with enhanced search. Learn more. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sun Feb 20 05:23:10 2005 Return-path: <microsound-return-34498-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sun, 20 Feb 2005 00:23:10 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sun, 20 Feb 2005 00:23:10 -0500 (EST) Received: (qmail 63347 invoked by uid 1095); Sun, 20 Feb 2005 05:23:03 +0000 Received: (qmail 63315 invoked from network); Sun, 20 Feb 2005 05:23:03 +0000 Date: Sun, 20 Feb 2005 00:22:58 -0500 From: jbible <xxxxxxxxxxx@xxxxx.xxx> Subject: [microsound] new releases @ experimedia.net To: xxx@xxxxxxxxx.xxx, xxxxx-xxx@xxxxxx.xxx, xxxxxxxxxx@xxxxxxxxx.xxx, xxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: jbible <xxxxxxxxxxx@xxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:mime-version:content-type:content-transfer-encoding; b=YrN5VkTiIjs4TLoOMlSLprgNaGIGcZOs8BkuaQPApJrpWHFMu4cD2O/95GnWp2RcjRz0KyD+N0dZ687bikYxv6DQAaGdCmwWtHFm1KURQeSmYwmTFI/S7peqDefly+6k5Yp9UE1WcIKGKhzu2uXPLanxN8wn/+o2MHIbbQkMSP0= X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx download > listen New albums by : Plantre Milieu Silo Romano Helen Keller New mixset by : Dan Mcleod And of course all our past releases and mixsets. Only at http://www.experimedia.net ....the worlds first Ogg-Vorbis net label. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 19 08:24:34 2005 Return-path: <microsound-return-34497-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta16.srv.hcvlny.cv.net (mta16.srv.hcvlny.cv.net [167.206.5.110]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 19 Feb 2005 03:24:34 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta16.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 19 Feb 2005 03:24:34 -0500 (EST) Received: (qmail 22701 invoked by uid 1095); Sat, 19 Feb 2005 08:24:35 +0000 Received: (qmail 22690 invoked from network); Sat, 19 Feb 2005 08:24:34 +0000 Date: Sat, 19 Feb 2005 19:24:27 +1100 From: xxxxx@xxx.xxx.xx Subject: Re: [microsound] ot use your spare processing power to figure out what we are... In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxx.xxxxxxxxxxxxx@xxxxxxxxxx.xxx.xxx.xx> MIME-version: 1.0 Content-type: text/plain; charset=ISO-8859-1 Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Internet Messaging Program (IMP) 3.1 X-ISP: TPG Internet Australia http://www.tpg.com.au/ X-TPG-Antivirus: Passed X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <p06002000be3ac384d775@[209.86.96.95]> <xxxxxxxx.xxxxxxx@xxxxx.xx.xx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx .... or the only ones with idle processors .... Kwak Quoting John Nowak <xxxx@xxxxxxxxx.xxx>: > > On Feb 18, 2005, at 4:42 PM, xxxx@xxxxx.xxx wrote: > > > i am bored. so heres my contribution to for the day that i think > > everyone should have, especially all of you on this list who must > > have access to a pc, > > get on this project use your spare thinking time when you've tranced > > out for too many hours to do something useful to contribute to > > humanity by running this here screensaver, > > [well if you are not already looking for green men with SETI....] > > http://www.worldcommunitygrid.org > > http://news.bbc.co.uk/2/hi/science/nature/4270241.stm > > Apparently only Windows users are worthy of saving the planet. > > They should have their stock photography CDs taken away as well... > > - John > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Sat Feb 19 05:59:07 2005 Return-path: <microsound-return-34496-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Sat, 19 Feb 2005 00:59:07 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Sat, 19 Feb 2005 00:59:07 -0500 (EST) Received: (qmail 90130 invoked by uid 1095); Sat, 19 Feb 2005 05:59:07 +0000 Received: (qmail 90119 invoked from network); Sat, 19 Feb 2005 05:59:06 +0000 Date: Sat, 19 Feb 2005 00:58:58 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] ot use your spare processing power to figure out what we are... In-reply-to: <xxxxxxxx.xxxxxxx@xxxxx.xx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-PopBeforeSMTPSenders: xxxx@xxxxxxxxx.xxx,xxxxxxxxx@xxxxxx.xxx X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - jet16.hasweb.com X-AntiAbuse: Original Domain - hyperreal.org X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - johnnowak.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <p06002000be3ac384d775@[209.86.96.95]> <xxxxxxxx.xxxxxxx@xxxxx.xx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 18, 2005, at 4:42 PM, xxxx@xxxxx.xxx wrote: > i am bored. so heres my contribution to for the day that i think > everyone should have, especially all of you on this list who must > have access to a pc, > get on this project use your spare thinking time when you've tranced > out for too many hours to do something useful to contribute to > humanity by running this here screensaver, > [well if you are not already looking for green men with SETI....] > http://www.worldcommunitygrid.org > http://news.bbc.co.uk/2/hi/science/nature/4270241.stm Apparently only Windows users are worthy of saving the planet. They should have their stock photography CDs taken away as well... - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 21:42:33 2005 Return-path: <microsound-return-34495-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta19.srv.hcvlny.cv.net (mta19.srv.hcvlny.cv.net [167.206.5.113]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 16:42:33 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta19.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 16:42:33 -0500 (EST) Received: (qmail 92485 invoked by uid 1095); Fri, 18 Feb 2005 21:42:25 +0000 Received: (qmail 92450 invoked from network); Fri, 18 Feb 2005 21:42:24 +0000 Date: Sat, 19 Feb 2005 05:42:13 +0800 From: "xxxx@xxxxx.xxx" <xxxxxxxxxxxxxxx@xxxxx.xx.xx> Subject: [microsound] ot use your spare processing power to figure out what we are... In-reply-to: <p06002000be3ac384d775@[209.86.96.95]> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: xxxxxxxxxxxxxxx@xxxxx.xx.xx Message-id: <xxxxxxxx.xxxxxxx@xxxxx.xx.xx> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: 7BIT X-Accept-Language: en-us, en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla Thunderbird 0.7.1 (Windows/20040626) X-Enigmail-Version: 0.85.0.0 X-Enigmail-Supports: pgp-inline, pgp-mime X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <p06002000be3ac384d775@[209.86.96.95]> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx i am bored. so heres my contribution to for the day that i think everyone should have, especially all of you on this list who must have access to a pc, get on this project use your spare thinking time when you've tranced out for too many hours to do something useful to contribute to humanity by running this here screensaver, [well if you are not already looking for green men with SETI....] http://www.worldcommunitygrid.org http://news.bbc.co.uk/2/hi/science/nature/4270241.stm --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 21:03:20 2005 Return-path: <microsound-return-34494-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta11.srv.hcvlny.cv.net (mta11.srv.hcvlny.cv.net [167.206.5.86]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 16:03:20 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta11.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 16:03:18 -0500 (EST) Received: (qmail 72805 invoked by uid 1095); Fri, 18 Feb 2005 20:56:08 +0000 Received: (qmail 72793 invoked from network); Fri, 18 Feb 2005 20:56:08 +0000 Date: Fri, 18 Feb 2005 21:52:11 +0100 From: Claudio Parodi <xxx.xxxxxx@xxxxxx.xx> Subject: [microsound] Guido Huebner/Claudio Parodi To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <003601c515fc$8b5b8560$xxxxxxxx@xxxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1106 X-Mailer: Microsoft Outlook Express 6.00.2800.1106 Content-type: multipart/alternative; boundary="Boundary_(ID_3CPT5q/SOC/DRpltEG4Hfg)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by amavisd-new at libero.it serv3 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_3CPT5q/SOC/DRpltEG4Hfg) Content-Type: text/plain; charset=Windows-1252 Content-Transfer-Encoding: 7bit Hello everybody I am looking for gigs in south France/Liguria (Italia) for the electroacoustic improvisation duo Guido Huebner/Claudio Parodi. The duo is available from the 21st to the 27th of March. If you are interested, please contact me offlist. Thank you in advance. Best. Claudio Parodi xxx.xxxxxx@xxxxxx.xx --Boundary_(ID_3CPT5q/SOC/DRpltEG4Hfg)-- From ???@??? Fri Feb 18 20:47:22 2005 Return-path: <microsound-return-34493-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 15:47:22 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 15:47:22 -0500 (EST) Received: (qmail 68970 invoked by uid 1095); Fri, 18 Feb 2005 20:47:19 +0000 Received: (qmail 68960 invoked from network); Fri, 18 Feb 2005 20:47:19 +0000 Date: Fri, 18 Feb 2005 12:46:17 -0800 From: roberth <xxxxxxx@xxxxxx.xxx> Subject: Re: [microsound] visiting san francisco To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <009101c515fb$05baccf0$xxxxxxxx@xxxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Mailer: Microsoft Outlook Express 6.00.2900.2180 Content-type: text/plain; reply-type=original; charset=iso-8859-1; format=flowed Content-transfer-encoding: 7BIT X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> <p06200708be3be0a330a4@[192.168.0.3]> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xx-xx-xxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx additions to list below on the more underground side of things check out any jeweled antler shows, thuja, blithe sons, etc. or tom carter, yellow swans, axolotl, gino robair, daniel popsicle, etc or the more academic side, mills college has great shows, for instance, james tenney is performing tonight (cage's sonatas and interludes for prepared piano) and his own pieces tomorrow night. enjoy r ----- Original Message ----- From: "Alan So" <xxxx@xx-xx-xxx.xxx> To: "microsound" <xxxxxxxxxx@xxxxxxxxx.xxx> Sent: Friday, February 18, 2005 11:08 AM Subject: Re: [microsound] visiting san francisco > Robert: > Check out http://transbaycalendar.org/ and http://www.bayimproviser.com > for news, calendar and artists in the experimental music scene. Some > great spaces showcasing experimental scene include the Luggage Store > Gallery http://www.luggagestoregallery.org/, 21 Grand > http://www.21grand.org and 964 Natoma. Not sure what is happening when > you are here but some festivals include 23five's Activating the Medium > http://www.23five.org, Other Minds Festival http://www.otherminds.org, > and SFEMF http://www.sfemf.org > > I am also planning the 2nd season of the Soundwave>Series: Exploring > sound, language, noise and music but unfortunately would not be until > probably summer or fall. Check out http://www.me-di-ate.net and > http://www.projectsoundwave.com. > > Hope you have a great time. > > > Alan So_Directeur > ME'D1.ATE NETWORK | www.me-di-ate.net > > (((Project>Soundwave))) | www.projecsoundwave.com > (((The.ME.Project))) | www.MEproject.com > > > > On Feb 18, 2005, at 10:52 AM, robert van heumen wrote: > >> unfortunately not. >> maybe next time. how's the atmosphere there for experimental >> electronic music? >> >> >> >> >> >> ---+-----+--+-+--+-++---+-+++--+---+++--- >> robert van heumen >> managing director STEIM >> http://www.steim.nl ++--- >> electric sound hardhatarea >> http://hardhatarea.com --+- >> http://humanelectric.net +-- >> ---+-----+--+-+--+-++++---+-+--+---+-+-+- >> >> On Feb 18, 2005, at 19:13, Richard Zvonar wrote: >> >>> At 2:33 PM +0100 2/18/05, robert van heumen wrote: >>> >>>> i'm going to visit the san francisco area from april 8 through april >>>> 14, together with my collegues from steim, michel waisvisz and joel >>>> ryan. >>> >>> >>> Will you also visit southern California? >>> >>> -- >>> >>> ______________________________________________________________ >>> Richard Zvonar, PhD >>> (818) 788-2202 >>> http://www.zvonar.com >>> http://salamandersongs.com >>> http://ill-wind.com >>> >>> --------------------------------------------------------------------- >>> To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >>> For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >>> website: http://www.microsound.org >>> >>> >> >> >> --------------------------------------------------------------------- >> To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >> For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >> website: http://www.microsound.org >> > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 19:36:27 2005 Return-path: <microsound-return-34492-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 14:36:27 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 14:36:27 -0500 (EST) Received: (qmail 12192 invoked by uid 1095); Fri, 18 Feb 2005 19:36:20 +0000 Received: (qmail 12178 invoked from network); Fri, 18 Feb 2005 19:36:20 +0000 Date: Fri, 18 Feb 2005 11:31:21 -0800 From: Richard Zvonar <xxxxxx@xxxxxx.xxx> Subject: Re: [microsound] visiting san francisco In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <p0620070bbe3bee04536d@[192.168.0.3]> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> <p06200708be3be0a330a4@[192.168.0.3]> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx At 7:52 PM +0100 2/18/05, robert van heumen wrote: >unfortunately not. >maybe next time. how's the atmosphere there for experimental electronic music? Excellent. In addition to several schools (UC Santa Barbara, CalArts, UC Irvine, UC San Diego, etc.) there are many independent arts groups doing performances, workshops, and other public programs. I work with the LA chapter of American Composers Forum and have to date produced 17 programs ranging from workshops (Max/MSP/Jitter, recording, laptop performance, etc.) to technology salons (digital looping, interactive video, surround sound, microtonal instruments, etc.) to composer seminiars (Trevor Wishart, Gavin Bryars, Fred Frith, et al.). I always look for opportunities to present visiting artists and technologists. I don't have a large budget but am generally able to provide an honorarium. It would be wonderful to present work from STEIM. -- ______________________________________________________________ Richard Zvonar, PhD (818) 788-2202 http://www.zvonar.com http://salamandersongs.com http://ill-wind.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 19:14:57 2005 Return-path: <microsound-return-34491-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 14:14:57 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 14:14:57 -0500 (EST) Received: (qmail 654 invoked by uid 1095); Fri, 18 Feb 2005 19:14:50 +0000 Received: (qmail 636 invoked from network); Fri, 18 Feb 2005 19:14:50 +0000 Date: Fri, 18 Feb 2005 11:08:20 -0800 From: Alan So <xxxx@xx-xx-xxx.xxx> Subject: Re: [microsound] visiting san francisco In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xx-xx-xxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619) Content-type: multipart/alternative; boundary="Boundary_(ID_kOEqHi4IlCkrJwK8GKy+tg)" Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> <p06200708be3be0a330a4@[192.168.0.3]> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_kOEqHi4IlCkrJwK8GKy+tg) Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Robert: Check out http://transbaycalendar.org/ and http://www.bayimproviser.com for news, calendar and artists in the experimental music scene. Some great spaces showcasing experimental scene include the Luggage Store Gallery http://www.luggagestoregallery.org/, 21 Grand http://www.21grand.org and 964 Natoma. Not sure what is happening when you are here but some festivals include 23five's Activating the Medium http://www.23five.org, Other Minds Festival http://www.otherminds.org, and SFEMF http://www.sfemf.org I am also planning the 2nd season of the Soundwave>Series: Exploring sound, language, noise and music but unfortunately would not be until probably summer or fall. Check out http://www.me-di-ate.net and http://www.projectsoundwave.com. Hope you have a great time. Alan So_Directeur ME'D1.ATE NETWORK | www.me-di-ate.net (((Project>Soundwave))) | www.projecsoundwave.com (((The.ME.Project))) | www.MEproject.com On Feb 18, 2005, at 10:52 AM, robert van heumen wrote: > unfortunately not. > maybe next time. how's the atmosphere there for experimental > electronic music? > > > > > > ---+-----+--+-+--+-++---+-+++--+---+++--- > robert van heumen > managing director STEIM > http://www.steim.nl ++--- > electric sound hardhatarea > http://hardhatarea.com --+- > http://humanelectric.net +-- > ---+-----+--+-+--+-++++---+-+--+---+-+-+- > > On Feb 18, 2005, at 19:13, Richard Zvonar wrote: > >> At 2:33 PM +0100 2/18/05, robert van heumen wrote: >> >>> i'm going to visit the san francisco area from april 8 through april >>> 14, together with my collegues from steim, michel waisvisz and joel >>> ryan. >> >> >> Will you also visit southern California? >> >> -- >> >> ______________________________________________________________ >> Richard Zvonar, PhD >> (818) 788-2202 >> http://www.zvonar.com >> http://salamandersongs.com >> http://ill-wind.com >> >> --------------------------------------------------------------------- >> To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >> For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >> website: http://www.microsound.org >> >> > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --Boundary_(ID_kOEqHi4IlCkrJwK8GKy+tg)-- From ???@??? Fri Feb 18 18:53:06 2005 Return-path: <microsound-return-34490-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 13:53:06 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 13:53:06 -0500 (EST) Received: (qmail 84364 invoked by uid 1095); Fri, 18 Feb 2005 18:52:58 +0000 Received: (qmail 84337 invoked from network); Fri, 18 Feb 2005 18:52:57 +0000 Date: Fri, 18 Feb 2005 19:52:52 +0100 From: robert van heumen <xxxxxx@xxxxx.xx> Subject: Re: [microsound] visiting san francisco In-reply-to: <p06200708be3be0a330a4@[192.168.0.3]> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> <p06200708be3be0a330a4@[192.168.0.3]> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx unfortunately not. maybe next time. how's the atmosphere there for experimental electronic music? ---+-----+--+-+--+-++---+-+++--+---+++--- robert van heumen managing director STEIM http://www.steim.nl ++--- electric sound hardhatarea http://hardhatarea.com --+- http://humanelectric.net +-- ---+-----+--+-+--+-++++---+-+--+---+-+-+- On Feb 18, 2005, at 19:13, Richard Zvonar wrote: > At 2:33 PM +0100 2/18/05, robert van heumen wrote: > >> i'm going to visit the san francisco area from april 8 through april >> 14, together with my collegues from steim, michel waisvisz and joel >> ryan. > > > Will you also visit southern California? > > -- > > ______________________________________________________________ > Richard Zvonar, PhD > (818) 788-2202 > http://www.zvonar.com > http://salamandersongs.com > http://ill-wind.com > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 18:16:34 2005 Return-path: <microsound-return-34489-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 13:16:34 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 13:16:34 -0500 (EST) Received: (qmail 65475 invoked by uid 1095); Fri, 18 Feb 2005 18:16:31 +0000 Received: (qmail 65464 invoked from network); Fri, 18 Feb 2005 18:16:30 +0000 Date: Fri, 18 Feb 2005 10:13:21 -0800 From: Richard Zvonar <xxxxxx@xxxxxx.xxx> Subject: Re: [microsound] visiting san francisco In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <p06200708be3be0a330a4@[192.168.0.3]> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx At 2:33 PM +0100 2/18/05, robert van heumen wrote: >i'm going to visit the san francisco area from april 8 through april >14, together with my collegues from steim, michel waisvisz and joel >ryan. Will you also visit southern California? -- ______________________________________________________________ Richard Zvonar, PhD (818) 788-2202 http://www.zvonar.com http://salamandersongs.com http://ill-wind.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 18:06:54 2005 Return-path: <microsound-return-34488-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 13:06:54 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 13:06:53 -0500 (EST) Received: (qmail 60240 invoked by uid 1095); Fri, 18 Feb 2005 18:06:50 +0000 Received: (qmail 60230 invoked from network); Fri, 18 Feb 2005 18:06:50 +0000 Date: Fri, 18 Feb 2005 19:11:56 +0100 From: derek holzer <xxxxx@x-x.xxx> Subject: Re: [microsound] TATE dicussion cont. In-reply-to: <l03130301be3bd7447372@[213.84.105.55]> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxxxx@x-x.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: 7BIT X-Accept-Language: en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla Thunderbird 1.0 (X11/20041206) X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <l03130301be3bd7447372@[213.84.105.55]> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Dear microsounders, in the hopes we can "elevate" the banter around here beyond one-liners and such: Arie van Schutterhoef wrote: >>it's all high-concept gobledegook speak... > > -But does it matter? I'd like to post the point that the Tate discussion leaves off [right now anyway], as I think that Lina Dzuverovic and Kenneth Goldsmith pose some interesting questions about different models of online collaboration, participation and distribution. Some of this dovetails quite nicely into previous threads here concerning CD vs CDR vs MP3 at the very least.... at http://tinyurl.com/6ub6e, Lina Dzuverovic wrote: > nude media > > It is interesting how the collaboration/participation discussion initially shot off into two different directions (online vs offline collaborative models) only to come back to what are essentially different appropriation methods and individual choices of crediting/presentation. > > Going back to Doug and John's posts, to me 'nude media' (a great term, Kenneth, btw) is one way of talking about a history of appropriation whether it is offline or online. As John just illustrated - it is a question of choice, not medium. > > That MP3 file 'stripped of its external signifiers' is essentially no different then a photocopied page separated from the author/title info. Are we not just replacing a pair of scissors (Gysin) with sound processing software? Perhaps the the main difference is in the speed with which the 'nude media' file makes it's way back into the remixing and sampling pool and how long it stays there for (and if it ever becomes used up/finished)? > > And on that note, I thought Kenneth's asked some really interesting questions a few posts back, which we all seem to have skipped and I'd like to return to those: > > > -How does having a variety of contexts influence the cultural reception of such objects? > > -Who or what determines an avant-garde artifact's value, both commercially and intellectually? > > -How does this in turn impact the artist's reputation, both commercially and intellectually? > > -If artifacts are always in flux, when is an historical work determined to be "finished"? happy discourse, d. -- derek holzer ::: http://www.umatic.nl ---Oblique Strategy # 36: "Consult other sources -promising -unpromising" --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 17:58:57 2005 Return-path: <microsound-return-34485-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 12:58:57 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 12:58:56 -0500 (EST) Received: (qmail 55281 invoked by uid 1095); Fri, 18 Feb 2005 17:58:51 +0000 Received: (qmail 55260 invoked from network); Fri, 18 Feb 2005 17:58:51 +0000 Date: Fri, 18 Feb 2005 19:03:56 +0100 From: derek holzer <xxxxx@x-x.xxx> Subject: Re: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <xxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxxxx@x-x.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: 7BIT X-Accept-Language: en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla Thunderbird 1.0 (X11/20041206) X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx COSTELLOE Richard wrote: > ah, actually, I think he's getting to the real site but > it's all high-concept gobledegook speak... something about > politics and sound... who knows?! : ) ummmm.... in that case, the IDM-list is over _that_ way... Maybe summer will be better for serious discussion on this list, when all the anti-intellectuals are at the beach playing football or something ;-) d. -- derek holzer ::: http://www.umatic.nl ---Oblique Strategy # 36: "Consult other sources -promising -unpromising" --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 18:00:17 2005 Return-path: <microsound-return-34487-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta19.srv.hcvlny.cv.net (mta19.srv.hcvlny.cv.net [167.206.5.113]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 13:00:17 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta19.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 13:00:17 -0500 (EST) Received: (qmail 57353 invoked by uid 1095); Fri, 18 Feb 2005 18:00:14 +0000 Received: (qmail 57342 invoked from network); Fri, 18 Feb 2005 18:00:14 +0000 Date: Fri, 18 Feb 2005 10:00:09 -0800 (PST) From: bryan garcia <xxxxxxxxx@xxxxx.xxx> Subject: Re: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <xxxxxxxx.xxxxxxx@x-x.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=sQJZGAV+8i1YzuJsW1o1hFPnul5+RLOouYGJKkEyV9QBOMYCQEP7hTlJIUPU1fkYUDBwdK4rII6qwcbvnFrzcVhMzuwBLqv++11V9ds/NfO87krDjjJ31DjBQAPzgdGVilTTf623boaQlh5SxnMmBEXKs6rkiaARlw06v98Z5ZY= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx gentlemen, skip it . there will be more links. fo shizzle. snoop --- derek holzer <xxxxx@x-x.xxx> wrote: > COSTELLOE Richard wrote: > > ah, actually, I think he's getting to the real > site but > > it's all high-concept gobledegook speak... > something about > > politics and sound... who knows?! : ) > > ummmm.... in that case, the IDM-list is over _that_ > way... Maybe summer > will be better for serious discussion on this list, > when all the > anti-intellectuals are at the beach playing football > or something ;-) > > d. > > -- > derek holzer ::: http://www.umatic.nl > ---Oblique Strategy # 36: > "Consult other sources > -promising > -unpromising" > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________ Do you Yahoo!? Yahoo! Mail - 250MB free storage. Do more. Manage less. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 17:59:06 2005 Return-path: <microsound-return-34486-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 12:59:06 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 12:59:06 -0500 (EST) Received: (qmail 55678 invoked by uid 1095); Fri, 18 Feb 2005 17:58:55 +0000 Received: (qmail 55628 invoked from network); Fri, 18 Feb 2005 17:58:55 +0000 Date: Fri, 18 Feb 2005 11:58:52 -0600 From: Charlie <xxxxxxx@xxxxxxxxxxxxxxxxxx.xxx> Subject: [microsound] Also visiting SF To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxx.xxxxxxxxxxxx@xxxxxxxxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: NeoMail 1.25 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-IPAddress: 64.207.53.2 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hi, I will be in SanFran for the Autechre show may17-20th or so. Just wondering if the locals could turn me onto any events, exhibits, record shops and vegan cuisine. We're probably going to be staying in Union Square. Thanks, ~Charlie -- Amitabha --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 17:33:50 2005 Return-path: <microsound-return-34484-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta19.srv.hcvlny.cv.net (mta19.srv.hcvlny.cv.net [167.206.5.113]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 12:33:50 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta19.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 12:33:49 -0500 (EST) Received: (qmail 44461 invoked by uid 1095); Fri, 18 Feb 2005 17:33:47 +0000 Received: (qmail 44450 invoked from network); Fri, 18 Feb 2005 17:33:46 +0000 Date: Fri, 18 Feb 2005 18:33:44 +0100 From: Arie van Schutterhoef <xxxxxx@xxxxxx.xx> Subject: RE: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <xxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <l03130301be3bd7447372@[213.84.105.55]> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx >it's all high-concept gobledegook speak... -But does it matter? AvS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...................................................................... ` |Schreck Ensemble . . . . . . . . . . . . . . . . . . . . + ` |# -laboratory for live electro-acoustic music- # | | http://www.schreck.nl/ | | http://www.xs4all.nl/~schreck/ | ` *===========================================================++ ` |Compositions http://www.xs4all.nl/~schreck/html/compo.html | ` |Samples http://www.xs4all.nl/~schreck/html/samp.html | ` |Patches http://www.xs4all.nl/~schreck/html/pat.html | ` |Videos http://www.xs4all.nl/~schreck/html/video.html | ` |Scores http://www.xs4all.nl/~schreck/html/scores.html | *===========================================================++ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...................................................................... --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 17:30:55 2005 Return-path: <microsound-return-34483-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 12:30:55 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 12:30:55 -0500 (EST) Received: (qmail 42225 invoked by uid 1095); Fri, 18 Feb 2005 17:30:50 +0000 Received: (qmail 42214 invoked from network); Fri, 18 Feb 2005 17:30:50 +0000 Date: Fri, 18 Feb 2005 18:30:22 +0100 From: COSTELLOE Richard <xxxxxxx.xxxxxxxxx@xxxxx.xxx> Subject: RE: [microsound] TATE dicussion: Oswald, Kahn et al. To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxx.xxxxx.xxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft Exchange V6.5.6944.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Content-class: urn:content-classes:message Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Thread-topic: [microsound] TATE dicussion: Oswald, Kahn et al. Thread-index: AcUV3nVoJG5N9x/UQVyYdRu656FmmAAADwUA Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-MS-Has-Attach: X-MS-TNEF-Correlator: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 18 Feb 2005 17:30:22.0542 (UTC) FILETIME=[86533EE0:01C515DF] ah, actually, I think he's getting to the real site but it's all high-concept gobledegook speak... something about politics and sound... who knows?! : ) -----Original Message----- From: derek holzer [mailto:xxxxx@x-x.xxx] Sent: 18 February 2005 17:28 To: microsound Subject: Re: [microsound] TATE dicussion: Oswald, Kahn et al. Can I suggest, espc to "repeat offenders" like Kim and Tobias ;-), using "tinyurl.com" to shorten these links to managable lengths? Here's the tinyurl for the Tate site: http://tinyurl.com/6ub6e If you are still having trouble seeing it, it's definitly a browser issue, and you should complain directly to the Tate's web dept for making something that doesn't meet the normal W3 standard. derek tkrakowiak wrote: > http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t hread=2471&tstart=0&trange=15 > > > > On Fri, 18 Feb 2005 08:51:07 -0800 (PST), guiver ben > <xxxxxxxxx@xxxxx.xxx> wrote: > >> nope i get the same shit. maybe someone could sya what >> the page is about then i can jsut search it on the >> tate site..... >> >> >> --- COSTELLOE Richard <xxxxxxx.xxxxxxxxx@xxxxx.xxx> >> wrote: >> >>> make sure you have the full link in the address bar >>> >>> >> http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t >> >>> hrea d=2471&tstart=0&trange=15 >>> >>> not just the first line >>> >>> - R >>> >>> >>> -----Original Message----- >>> From: guiver ben [mailto:xxxxxxxxx@xxxxx.xxx] >>> Sent: 18 February 2005 15:39 >>> To: microsound >>> Subject: Re: [microsound] TATE dicussion: Oswald, >>> Kahn et al. >>> >>> er i dont understand i got the page but it was a >>> load >>> of gobledegook. any tips..... >>> >>> >>> >>> --- "tobias c. van Veen" <xxxxxx@xxxxxx.xx> wrote: >>> >>> > >>> > >>> >> http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t >> >>> hrea >>> > d=2471&tstart=0&trange=15 >>> > >>> > Dig it. >>> > >>> > tV -- derek holzer ::: http://www.umatic.nl ---Oblique Strategy # 36: "Consult other sources -promising -unpromising" --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 17:22:28 2005 Return-path: <microsound-return-34482-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 12:22:28 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 12:22:28 -0500 (EST) Received: (qmail 35245 invoked by uid 1095); Fri, 18 Feb 2005 17:22:25 +0000 Received: (qmail 35232 invoked from network); Fri, 18 Feb 2005 17:22:25 +0000 Date: Fri, 18 Feb 2005 18:27:30 +0100 From: derek holzer <xxxxx@x-x.xxx> Subject: Re: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <xxxxxxxxxxxxxxxx@xxxxxxxxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxxxx@x-x.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: 7BIT X-Accept-Language: en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla Thunderbird 1.0 (X11/20041206) X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> <xxxxxxxxxxxxxxxx@xxxxxxxxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Can I suggest, espc to "repeat offenders" like Kim and Tobias ;-), using "tinyurl.com" to shorten these links to managable lengths? Here's the tinyurl for the Tate site: http://tinyurl.com/6ub6e If you are still having trouble seeing it, it's definitly a browser issue, and you should complain directly to the Tate's web dept for making something that doesn't meet the normal W3 standard. derek tkrakowiak wrote: > http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&thread=2471&tstart=0&trange=15 > > > > On Fri, 18 Feb 2005 08:51:07 -0800 (PST), guiver ben > <xxxxxxxxx@xxxxx.xxx> wrote: > >> nope i get the same shit. maybe someone could sya what >> the page is about then i can jsut search it on the >> tate site..... >> >> >> --- COSTELLOE Richard <xxxxxxx.xxxxxxxxx@xxxxx.xxx> >> wrote: >> >>> make sure you have the full link in the address bar >>> >>> >> http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t >> >>> hrea d=2471&tstart=0&trange=15 >>> >>> not just the first line >>> >>> - R >>> >>> >>> -----Original Message----- >>> From: guiver ben [mailto:xxxxxxxxx@xxxxx.xxx] >>> Sent: 18 February 2005 15:39 >>> To: microsound >>> Subject: Re: [microsound] TATE dicussion: Oswald, >>> Kahn et al. >>> >>> er i dont understand i got the page but it was a >>> load >>> of gobledegook. any tips..... >>> >>> >>> >>> --- "tobias c. van Veen" <xxxxxx@xxxxxx.xx> wrote: >>> >>> > >>> > >>> >> http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t >> >>> hrea >>> > d=2471&tstart=0&trange=15 >>> > >>> > Dig it. >>> > >>> > tV -- derek holzer ::: http://www.umatic.nl ---Oblique Strategy # 36: "Consult other sources -promising -unpromising" --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 17:17:15 2005 Return-path: <microsound-return-34481-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta11.srv.hcvlny.cv.net (mta11.srv.hcvlny.cv.net [167.206.5.86]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 12:17:15 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta11.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 12:17:15 -0500 (EST) Received: (qmail 32327 invoked by uid 1095); Fri, 18 Feb 2005 17:17:12 +0000 Received: (qmail 32317 invoked from network); Fri, 18 Feb 2005 17:17:11 +0000 Date: Fri, 18 Feb 2005 12:17:08 -0500 From: Jim Lee <xxx.xxx@xxxxxxx.xxx> Subject: Re: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxx@xxxxxxx.xxx> MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_DNSa1GkJereSjJZg97gvtg)" X-Accept-Language: en-us, en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.7.2) Gecko/20040804 Netscape/7.2 (ax) X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_DNSa1GkJereSjJZg97gvtg) Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit try this link http://tinyurl.com/6ub6e guiver ben wrote: >nope i get the same shit. maybe someone could sya what >the page is about then i can jsut search it on the >tate site..... > > -- Jim Lee - Bamboo Turtle Studio Forensic Audio, Group Facilitation, Sound Art, Sculpture, Photography, and Lighting Design. http://www.bambooturtle.us/ 919 682 5853 Co-Curator: upstART Gallery http://www.upstartgallery.com --Boundary_(ID_DNSa1GkJereSjJZg97gvtg)-- From ???@??? Fri Feb 18 17:09:38 2005 Return-path: <microsound-return-34480-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 12:09:38 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 12:09:38 -0500 (EST) Received: (qmail 27869 invoked by uid 1095); Fri, 18 Feb 2005 17:09:35 +0000 Received: (qmail 27858 invoked from network); Fri, 18 Feb 2005 17:09:35 +0000 Date: Fri, 18 Feb 2005 12:14:42 -0500 From: tkrakowiak <xxxxxxxxx@xxxxxxxxx.xx> Subject: Re: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxx@xxxxxxxxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii; delsp=yes; format=flowed Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Opera M2(BETA1)/8.00 (FreeBSD, build 913) X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&thread=2471&tstart=0&trange=15 On Fri, 18 Feb 2005 08:51:07 -0800 (PST), guiver ben <xxxxxxxxx@xxxxx.xxx> wrote: > nope i get the same shit. maybe someone could sya what > the page is about then i can jsut search it on the > tate site..... > > > --- COSTELLOE Richard <xxxxxxx.xxxxxxxxx@xxxxx.xxx> > wrote: > >> make sure you have the full link in the address bar >> >> > http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t >> hrea d=2471&tstart=0&trange=15 >> >> not just the first line >> >> - R >> >> >> -----Original Message----- >> From: guiver ben [mailto:xxxxxxxxx@xxxxx.xxx] >> Sent: 18 February 2005 15:39 >> To: microsound >> Subject: Re: [microsound] TATE dicussion: Oswald, >> Kahn et al. >> >> er i dont understand i got the page but it was a >> load >> of gobledegook. any tips..... >> >> >> >> --- "tobias c. van Veen" <xxxxxx@xxxxxx.xx> wrote: >> >> > >> > >> > http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t >> hrea >> > d=2471&tstart=0&trange=15 >> > >> > Dig it. >> > >> > tV >> > >> > >> > tobias c. van Veen -----------++++ >> > http://www.quadrantcrossing.org -- >> > http://www.thisistheonlyart.com -- >> > McGill Communication + Philosophy >> > ICQ: 18766209 | AIM: thesaibot +++ >> > >> > >> > >> > --------------------------------------------------------------------- >> > To unsubscribe, e-mail: >> > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >> > For additional commands, e-mail: >> > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >> > website: http://www.microsound.org >> > >> > >> >> >> __________________________________________________ >> Do You Yahoo!? >> Tired of spam? Yahoo! Mail has the best spam >> protection around >> http://mail.yahoo.com >> >> > --------------------------------------------------------------------- >> To unsubscribe, e-mail: >> xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >> For additional commands, e-mail: >> xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >> website: http://www.microsound.org >> >> >> >> >> > --------------------------------------------------------------------- >> To unsubscribe, e-mail: >> xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >> For additional commands, e-mail: >> xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >> website: http://www.microsound.org >> >> > > > __________________________________________________ > Do You Yahoo!? > Tired of spam? Yahoo! Mail has the best spam protection around > http://mail.yahoo.com > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > -- Using Opera's revolutionary e-mail client: http://www.opera.com/m2/ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 16:51:16 2005 Return-path: <microsound-return-34479-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 11:51:16 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 11:51:16 -0500 (EST) Received: (qmail 16006 invoked by uid 1095); Fri, 18 Feb 2005 16:51:10 +0000 Received: (qmail 15995 invoked from network); Fri, 18 Feb 2005 16:51:10 +0000 Date: Fri, 18 Feb 2005 08:51:07 -0800 (PST) From: guiver ben <xxxxxxxxx@xxxxx.xxx> Subject: RE: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <xxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=TW4lpQJc5ZkH3zwykIx1t/S0Bhce5P6maofUZ7hjyigvXQw6CJbjme9y5VO254D+nP6TkMsBTOM8hC/0j2/SaAWxfCjDiKyjl0UxRmUntUosclnikQbv7MCQhV05Bkg14Gi5yJoHH6jc843NKdsW/EsWEF7B5icmnM6CzlnOIHw= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx nope i get the same shit. maybe someone could sya what the page is about then i can jsut search it on the tate site..... --- COSTELLOE Richard <xxxxxxx.xxxxxxxxx@xxxxx.xxx> wrote: > make sure you have the full link in the address bar > > http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t > hrea d=2471&tstart=0&trange=15 > > not just the first line > > - R > > > -----Original Message----- > From: guiver ben [mailto:xxxxxxxxx@xxxxx.xxx] > Sent: 18 February 2005 15:39 > To: microsound > Subject: Re: [microsound] TATE dicussion: Oswald, > Kahn et al. > > er i dont understand i got the page but it was a > load > of gobledegook. any tips..... > > > > --- "tobias c. van Veen" <xxxxxx@xxxxxx.xx> wrote: > > > > > > http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t > hrea > > d=2471&tstart=0&trange=15 > > > > Dig it. > > > > tV > > > > > > tobias c. van Veen -----------++++ > > http://www.quadrantcrossing.org -- > > http://www.thisistheonlyart.com -- > > McGill Communication + Philosophy > > ICQ: 18766209 | AIM: thesaibot +++ > > > > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: > > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > > For additional commands, e-mail: > > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > > website: http://www.microsound.org > > > > > > > __________________________________________________ > Do You Yahoo!? > Tired of spam? Yahoo! Mail has the best spam > protection around > http://mail.yahoo.com > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 16:09:56 2005 Return-path: <microsound-return-34478-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta12.srv.hcvlny.cv.net (mta12.srv.hcvlny.cv.net [167.206.5.81]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 11:09:56 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta12.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 11:09:55 -0500 (EST) Received: (qmail 95729 invoked by uid 1095); Fri, 18 Feb 2005 16:09:52 +0000 Received: (qmail 95719 invoked from network); Fri, 18 Feb 2005 16:09:52 +0000 Date: Fri, 18 Feb 2005 17:09:24 +0100 From: COSTELLOE Richard <xxxxxxx.xxxxxxxxx@xxxxx.xxx> Subject: RE: [microsound] TATE dicussion: Oswald, Kahn et al. To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxx.xxxxxxxxxxxxxx@xxxxx.xxxxx.xxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft Exchange V6.5.6944.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Content-class: urn:content-classes:message Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Thread-topic: [microsound] TATE dicussion: Oswald, Kahn et al. Thread-index: AcUVz/APzFIzfBYBTNizVp48HDJ03AABCMYg Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-MS-Has-Attach: X-MS-TNEF-Correlator: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 18 Feb 2005 16:09:24.0432 (UTC) FILETIME=[36AA7D00:01C515D4] make sure you have the full link in the address bar http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t hrea d=2471&tstart=0&trange=15 not just the first line - R -----Original Message----- From: guiver ben [mailto:xxxxxxxxx@xxxxx.xxx] Sent: 18 February 2005 15:39 To: microsound Subject: Re: [microsound] TATE dicussion: Oswald, Kahn et al. er i dont understand i got the page but it was a load of gobledegook. any tips..... --- "tobias c. van Veen" <xxxxxx@xxxxxx.xx> wrote: > > http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&t hrea > d=2471&tstart=0&trange=15 > > Dig it. > > tV > > > tobias c. van Veen -----------++++ > http://www.quadrantcrossing.org -- > http://www.thisistheonlyart.com -- > McGill Communication + Philosophy > ICQ: 18766209 | AIM: thesaibot +++ > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 15:38:37 2005 Return-path: <microsound-return-34477-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta19.srv.hcvlny.cv.net (mta19.srv.hcvlny.cv.net [167.206.5.113]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 10:38:37 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta19.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 10:38:36 -0500 (EST) Received: (qmail 83695 invoked by uid 1095); Fri, 18 Feb 2005 15:38:33 +0000 Received: (qmail 83682 invoked from network); Fri, 18 Feb 2005 15:38:32 +0000 Date: Fri, 18 Feb 2005 07:38:30 -0800 (PST) From: guiver ben <xxxxxxxxx@xxxxx.xxx> Subject: Re: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <BE3B70C7.1B78D%xxxxxx@xxxxxx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=31w3yudtWJL18g2BQgbWN2QR1YB1a54AQWFOSHKaBZZRY8QpOGpIwOfLUpq2loNsrUCDJ5yA0x3koXHlID9TjDiwf/4sS6o1p9AI4gTS9SkAOQWnC4FlaHlXJAJAxB9rmLcXet+IljUA9DsfWsWnMTdmyKPwSKGZbWf6pIePb8A= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx er i dont understand i got the page but it was a load of gobledegook. any tips..... --- "tobias c. van Veen" <xxxxxx@xxxxxx.xx> wrote: > > http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&threa > d=2471&tstart=0&trange=15 > > Dig it. > > tV > > > tobias c. van Veen -----------++++ > http://www.quadrantcrossing.org -- > http://www.thisistheonlyart.com -- > McGill Communication + Philosophy > ICQ: 18766209 | AIM: thesaibot +++ > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 15:15:44 2005 Return-path: <microsound-return-34476-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 10:15:44 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 10:15:44 -0500 (EST) Received: (qmail 74247 invoked by uid 1095); Fri, 18 Feb 2005 15:15:40 +0000 Received: (qmail 74237 invoked from network); Fri, 18 Feb 2005 15:15:39 +0000 Date: Fri, 18 Feb 2005 10:15:35 -0500 From: "tobias c. van Veen" <xxxxxx@xxxxxx.xx> Subject: [microsound] TATE dicussion: Oswald, Kahn et al. In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xx> To: Microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE3B70C7.1B78D%xxxxxx@xxxxxx.xx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Entourage/10.1.4.030702.0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx http://www.tate.org.uk/contact/forums/onlineevents/thread.jsp?forum=43&threa d=2471&tstart=0&trange=15 Dig it. tV tobias c. van Veen -----------++++ http://www.quadrantcrossing.org -- http://www.thisistheonlyart.com -- McGill Communication + Philosophy ICQ: 18766209 | AIM: thesaibot +++ --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 13:33:27 2005 Return-path: <microsound-return-34475-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 08:33:27 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 08:33:27 -0500 (EST) Received: (qmail 34825 invoked by uid 1095); Fri, 18 Feb 2005 13:33:22 +0000 Received: (qmail 34780 invoked from network); Fri, 18 Feb 2005 13:33:21 +0000 Date: Fri, 18 Feb 2005 14:33:18 +0100 From: robert van heumen <xxxxxx@xxxxx.xx> Subject: [microsound] visiting san francisco In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx hello all. i'm going to visit the san francisco area from april 8 through april 14, together with my collegues from steim, michel waisvisz and joel ryan. we're looking for places to play, or present the steim software / hardware (LiSa, junXion, the junXion box). now i know this question comes up every now and then but with the search engine offline (skylined.org or propheticdesire.com/microsound.htm right??)..., does anyone has any recommendations? please contact me offlist. thanks in advance. greetings, robert ---+-----+--+-+--+-++---+-+++--+---+++--- robert van heumen managing director STEIM http://www.steim.nl ++--- electric sound hardhatarea http://hardhatarea.com --+- http://humanelectric.net +-- ---+-----+--+-+--+-++++---+-+--+---+-+-+- --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Fri Feb 18 05:27:53 2005 Return-path: <microsound-return-34474-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Fri, 18 Feb 2005 00:27:53 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Fri, 18 Feb 2005 00:27:53 -0500 (EST) Received: (qmail 91209 invoked by uid 1095); Fri, 18 Feb 2005 05:27:52 +0000 Received: (qmail 91199 invoked from network); Fri, 18 Feb 2005 05:27:51 +0000 Date: Thu, 17 Feb 2005 21:27:43 -0800 From: Kevin Ponto <xxxxx@xxxxxxxxxxxx.xxx> Subject: Re: [microsound] Lemur! In-reply-to: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Provags-ID: perfora.net xxxxx@xxxxxxx.xxx login:85f6f213efa75345adbd40246e580591 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Oh snap! I humbly stand corrected. kp On Feb 17, 2005, at 9:07 AM, David Powers wrote: > The history of violin playing, the virtuosity that must be attained, is > precisely what makes it an esoteric and aristocratic discipline, > something inacessible to most of us. I love violin playing, but in a > hierarchical society founded on wage labor and dead end jobs, it's not > an option for most people, and to hold it up as a musical ideal is > tantamount to declare that music is an activity that should only be > accessible to the privileged few. > > Button pushing, on the other hand, is very relevant to the > post-industrial experience. I am a trained composer, who makes my > living as a secretary at a university. If the only possibility of > creating music was to play an instrument like a violin that takes a > lifetime to master, I would not be able to make music. Even if I rely > on others to do the playing, I'm in a similar situation - I wrote a > string quartet that has never been played, due to my lack of ability to > pay good string players to play it, or even read through it! > > So if I can create music through the use of buttons and sliders, > computers, cheap consumer electronics, and anything that is readily > available and affordable to the working person, that's an incredible > opportunity! I'm a piano player but I don't own a piano, so the > availability of cheap keyboard instruments is also an amazing asset. I > don't understand why some people want music to be an elite activity > only > available to a privileged few. > > I can make beautiful music through button pushing, it's a way of > transforming the drudge work of button pushing that I do in my office > monkey job into something totally different. In my personal artistic > philosophy, I look at art as the transformation of every day life, a > micro-revolution where the mundane undergoes a secret mutation to > become > extraordinary and potentially liberating. > > ~David > >>>> xxxxxxx@x.xxxxxxxxxx.xxx 02/10/05 03:10PM >>> > Aside from the lesser level of physical minutiae involved in the act of > > pushing buttons/twiddling knobs, it seems important that virtuosity on > > a violin is also the result of hundreds of years of technique, > training, and experimentation... when you listen to the playing of a > violin, you're engaging with that history as much as you're engaging > with the physical process of playing. This is something that simply > doesn't exist for Lemur-type instruments, synthesizers, etc., at this > point in time. > > - Scott Carver > > On Feb 10, 2005, at 11:37 AM, Frank D'Urso wrote: > >> Oh dear God I hope you're kidding, but if you're not, that's a jaw >> dropping statement. I don't see how anyone can consider themselves a > >> musician or even a lover of music without being awed at a display of > >> mastery over a physical instrument. The amount of minute motor > control >> honed over decades, synapses working in perfect harmony with >> appendages, the mind performing astronomical calculations on the fly > >> in order to make horse hair dragging over cat gut sound beautiful? >> It's one of the greatest heights to which a human can aspire. I'm >> sorry, but it doesn't take a tenth the skill to twiddle knobs (even > if >> you built the box and wrote the software) that it does to master a >> "dead-ended physical instrument". kp >> ------------------------------------------------------------ >> >> ha, in my first real band I often would get into this argument with >> our ham fisted guitar player, he likened my magnus air organ to >> "pushing buttons" >> >> This is my first post here, I'm Frank D'Urso of Roman the Edge from >> Boston. Interesting discussions, I like it here. >> >> Frank "RtE" D'Urso >> >> >> > --------------------------------------------------------------------- >> To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx >> For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx >> website: http://www.microsound.org >> > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 17 21:57:06 2005 Return-path: <microsound-return-34473-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 17 Feb 2005 16:57:06 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 17 Feb 2005 16:57:06 -0500 (EST) Received: (qmail 24325 invoked by uid 1095); Thu, 17 Feb 2005 21:57:04 +0000 Received: (qmail 24315 invoked from network); Thu, 17 Feb 2005 21:57:03 +0000 Date: Thu, 17 Feb 2005 15:57:39 -0600 From: john kannenberg <xxxx@xxxxxxxxxxx.xxx> Subject: [microsound] Kendra Juul contact? X-Originating-IP: 165.124.162.47 X-Sender: xxxx@xxxxxxxxxxx.xxx@mail.stasisfield.com To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <p06002000be3ac384d775@[209.86.96.95]> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-ELNK-Trace: 8044adbcdf4a5156069ad2b59907cf439ef193a6bfc3dd484a26b4bceb8363756299645efe61124419c9e15d1c7c699c350badd9bab72f9c350badd9bab72f9c X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hi everyone, Does anyone have a current e-mail address for Kendra Juul? The address I have for her just bounced. Please contact me off-list. Thanks, john -- >> john kannenberg [ http://www.johnkannenberg.com ] [ http://www.stasisfield.com ] --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 17 19:52:45 2005 Return-path: <microsound-return-34472-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 17 Feb 2005 14:52:45 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 17 Feb 2005 14:52:45 -0500 (EST) Received: (qmail 55886 invoked by uid 1095); Thu, 17 Feb 2005 19:52:36 +0000 Received: (qmail 55875 invoked from network); Thu, 17 Feb 2005 19:52:36 +0000 Date: Thu, 17 Feb 2005 11:52:34 -0800 (PST) From: bryan garcia <xxxxxxxxx@xxxxx.xxx> Subject: Re: [microsound] Lemur! In-reply-to: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=LfqrMT8GupSmuYFQ1fCrjLnHmmXbMWSfdKBG5DOiXIdk5kjzpsnS2qjQuyd2EKJl89zsZyLIXgUgL95NwEQ1/lSrrU629w/fKZouhiL9/pErjFvtVCNuPm3v+gbnxtraM9HX/rzHK5Ia1Jd1LT4VeqHg97HPSr4L+K/KwsQO9ys= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx david's right. i advocate the playing of 4'33'' on a lemur. and ya don't quit./ b. g. --- David Powers <xxxxxxxx@xxxxxx.xxx> wrote: > The history of violin playing, the virtuosity that > must be attained, is > precisely what makes it an esoteric and aristocratic > discipline, > something inacessible to most of us. I love violin > playing, but in a > hierarchical society founded on wage labor and dead > end jobs, it's not > an option for most people, and to hold it up as a > musical ideal is > tantamount to declare that music is an activity that > should only be > accessible to the privileged few. > > Button pushing, on the other hand, is very relevant > to the > post-industrial experience. I am a trained > composer, who makes my > living as a secretary at a university. If the only > possibility of > creating music was to play an instrument like a > violin that takes a > lifetime to master, I would not be able to make > music. Even if I rely > on others to do the playing, I'm in a similar > situation - I wrote a > string quartet that has never been played, due to my > lack of ability to > pay good string players to play it, or even read > through it! > > So if I can create music through the use of buttons > and sliders, > computers, cheap consumer electronics, and anything > that is readily > available and affordable to the working person, > that's an incredible > opportunity! I'm a piano player but I don't own a > piano, so the > availability of cheap keyboard instruments is also > an amazing asset. I > don't understand why some people want music to be an > elite activity only > available to a privileged few. > > I can make beautiful music through button pushing, > it's a way of > transforming the drudge work of button pushing that > I do in my office > monkey job into something totally different. In my > personal artistic > philosophy, I look at art as the transformation of > every day life, a > micro-revolution where the mundane undergoes a > secret mutation to become > extraordinary and potentially liberating. > > ~David > > >>> xxxxxxx@x.xxxxxxxxxx.xxx 02/10/05 03:10PM >>> > Aside from the lesser level of physical minutiae > involved in the act of > > pushing buttons/twiddling knobs, it seems important > that virtuosity on > > a violin is also the result of hundreds of years of > technique, > training, and experimentation... when you listen to > the playing of a > violin, you're engaging with that history as much as > you're engaging > with the physical process of playing. This is > something that simply > doesn't exist for Lemur-type instruments, > synthesizers, etc., at this > point in time. > > - Scott Carver > > On Feb 10, 2005, at 11:37 AM, Frank D'Urso wrote: > > > Oh dear God I hope you're kidding, but if you're > not, that's a jaw > > dropping statement. I don't see how anyone can > consider themselves a > > > musician or even a lover of music without being > awed at a display of > > > mastery over a physical instrument. The amount of > minute motor > control > > honed over decades, synapses working in perfect > harmony with > > appendages, the mind performing astronomical > calculations on the fly > > > in order to make horse hair dragging over cat gut > sound beautiful? > > It's one of the greatest heights to which a human > can aspire. I'm > > sorry, but it doesn't take a tenth the skill to > twiddle knobs (even > if > > you built the box and wrote the software) that it > does to master a > > "dead-ended physical instrument". kp > > > ------------------------------------------------------------ > > > > ha, in my first real band I often would get into > this argument with > > our ham fisted guitar player, he likened my magnus > air organ to > > "pushing buttons" > > > > This is my first post here, I'm Frank D'Urso of > Roman the Edge from > > Boston. Interesting discussions, I like it here. > > > > Frank "RtE" D'Urso > > > > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > > website: http://www.microsound.org > > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________ Do you Yahoo!? Yahoo! Mail - Easier than ever with enhanced search. Learn more. http://info.mail.yahoo.com/mail_250 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 17 17:05:18 2005 Return-path: <microsound-return-34471-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 17 Feb 2005 12:05:18 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 17 Feb 2005 12:05:18 -0500 (EST) Received: (qmail 71050 invoked by uid 1095); Thu, 17 Feb 2005 17:05:08 +0000 Received: (qmail 71007 invoked from network); Thu, 17 Feb 2005 17:05:08 +0000 Date: Thu, 17 Feb 2005 11:07:20 -0600 From: David Powers <xxxxxxxx@xxxxxx.xxx> Subject: Re: [microsound] Lemur! To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> MIME-version: 1.0 X-Mailer: Novell GroupWise Internet Agent 6.5.2 Beta Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Content-disposition: inline Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx The history of violin playing, the virtuosity that must be attained, is precisely what makes it an esoteric and aristocratic discipline, something inacessible to most of us. I love violin playing, but in a hierarchical society founded on wage labor and dead end jobs, it's not an option for most people, and to hold it up as a musical ideal is tantamount to declare that music is an activity that should only be accessible to the privileged few. Button pushing, on the other hand, is very relevant to the post-industrial experience. I am a trained composer, who makes my living as a secretary at a university. If the only possibility of creating music was to play an instrument like a violin that takes a lifetime to master, I would not be able to make music. Even if I rely on others to do the playing, I'm in a similar situation - I wrote a string quartet that has never been played, due to my lack of ability to pay good string players to play it, or even read through it! So if I can create music through the use of buttons and sliders, computers, cheap consumer electronics, and anything that is readily available and affordable to the working person, that's an incredible opportunity! I'm a piano player but I don't own a piano, so the availability of cheap keyboard instruments is also an amazing asset. I don't understand why some people want music to be an elite activity only available to a privileged few. I can make beautiful music through button pushing, it's a way of transforming the drudge work of button pushing that I do in my office monkey job into something totally different. In my personal artistic philosophy, I look at art as the transformation of every day life, a micro-revolution where the mundane undergoes a secret mutation to become extraordinary and potentially liberating. ~David >>> xxxxxxx@x.xxxxxxxxxx.xxx 02/10/05 03:10PM >>> Aside from the lesser level of physical minutiae involved in the act of pushing buttons/twiddling knobs, it seems important that virtuosity on a violin is also the result of hundreds of years of technique, training, and experimentation... when you listen to the playing of a violin, you're engaging with that history as much as you're engaging with the physical process of playing. This is something that simply doesn't exist for Lemur-type instruments, synthesizers, etc., at this point in time. - Scott Carver On Feb 10, 2005, at 11:37 AM, Frank D'Urso wrote: > Oh dear God I hope you're kidding, but if you're not, that's a jaw > dropping statement. I don't see how anyone can consider themselves a > musician or even a lover of music without being awed at a display of > mastery over a physical instrument. The amount of minute motor control > honed over decades, synapses working in perfect harmony with > appendages, the mind performing astronomical calculations on the fly > in order to make horse hair dragging over cat gut sound beautiful? > It's one of the greatest heights to which a human can aspire. I'm > sorry, but it doesn't take a tenth the skill to twiddle knobs (even if > you built the box and wrote the software) that it does to master a > "dead-ended physical instrument". kp > ------------------------------------------------------------ > > ha, in my first real band I often would get into this argument with > our ham fisted guitar player, he likened my magnus air organ to > "pushing buttons" > > This is my first post here, I'm Frank D'Urso of Roman the Edge from > Boston. Interesting discussions, I like it here. > > Frank "RtE" D'Urso > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 17 16:20:45 2005 Return-path: <microsound-return-34470-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 17 Feb 2005 11:20:45 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 17 Feb 2005 11:20:45 -0500 (EST) Received: (qmail 32115 invoked by uid 1095); Thu, 17 Feb 2005 16:20:41 +0000 Received: (qmail 32105 invoked from network); Thu, 17 Feb 2005 16:20:41 +0000 Date: Thu, 17 Feb 2005 17:22:18 +0100 From: Noisejihad <xxxx@xxxxxxxxxx.xx> Subject: [microsound] Noisejihad this weekend... To: List Microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <007001c5150c$d9ce3d50$xxxxxxxx@xxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Mailer: Microsoft Outlook Express 6.00.2800.1158 Content-type: multipart/alternative; boundary="Boundary_(ID_YnSbZ0XCIDPqhorhIve96A)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_YnSbZ0XCIDPqhorhIve96A) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit RYFYLKE (N) DANNY KREUTZFELDT (DK) for people who enjoy jazzkammer/pita and/or pure. more info: www.noisejihad.dk tonight @ 1000Fryd, Aalborg, Denmark. sat. 19/2 @ splab, Aarhus, Denmark. coming soon: Noisejihad Net Label: recordings of the liveconcerts published for the public. First up: Mag Necro (J) + Ultimate Combat Noise (DK). Later: Massaccesi, END, Drop the Lime, Milk Muts, Kim Cascone, Caroliner... IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Next: Electrical Bonding on Desolation House >>> www.desolationhouse.com Now: Uncomfortable Positions - mp3-ep on Fukk God >>> www.fukkgod.org key to knowledge on danish noise >>> www.noisejihad.dk art >>> www.ideations.dk www.waldchengarten.dk --Boundary_(ID_YnSbZ0XCIDPqhorhIve96A)-- From ???@??? Thu Feb 17 16:18:38 2005 Return-path: <microsound-return-34469-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 17 Feb 2005 11:18:38 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 17 Feb 2005 11:18:37 -0500 (EST) Received: (qmail 28541 invoked by uid 1095); Thu, 17 Feb 2005 16:18:30 +0000 Received: (qmail 28484 invoked from network); Thu, 17 Feb 2005 16:18:29 +0000 Date: Thu, 17 Feb 2005 11:18:21 -0500 (EST) From: Neil Wiernik <xxxx@xxxxxxxx.xxx> Subject: [microsound] reminder - PHONIQ NETLABEL LAUNCH FEB 19 2005 To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxxx@xxxxxxxx.xxxxxxxx.xxx> MIME-version: 1.0 Content-type: TEXT/PLAIN; charset=ISO-8859-1 Content-transfer-encoding: QUOTED-PRINTABLE Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by amavisd-new at dreaming.org X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx PHONIQ NETLABEL LAUNCH FEATURING NETLABEL ARTISTS: bleupulp - live - Quebec City (syndroma.org, pertin_nce) fm_man - live (rave.ca) insomniak - dj/live (insomniak.ca) sarcastic - dj (level4productions.com) SPECIAL GUEST DJ: philgood -special detroit set- (inbeat records) PHONIQ RESIDENTS: naw - live (noisefactoryrecords.com) cyan - dj (modular systems, ckut) khanfucius - dj (panospria.com) VISUALS: delray - (rx-tx/asphodel/reflective) johnny ranger - (mindroots.com) SATURDAY FEBRUARY 19 le local 7154 st-urbain 2100 - 0600 $5 at the door http://www.phoniq.net/ *PRESS RELEASE* The phoniq collective invites you to the launch of the phoniq netlabel. over the past year phoniq has been active in canada's electronic music community, coordinating live music series, initiating country wide dialog through our mailing list and web portal and involving artists in projects and collaborations. now we are happy to announce the the launch of the phoniq netlabel as well as the launch of the new phoniq.net website which will encourage even more interaction and participation from electronic music artists. phoniq netlabel will release material online in mp3 format at regular intervals, giving exposure to the breadth of canadian talent. the label kicks off with releases from 12 artists, featuring the sounds of up and coming artists as well as those already known within the electronic music community. the launch party on february 19th will play host to 4 of these 12 artists. bleupulp of quebec city will make his first live appearance in montreal with a minimal techno set. montreal's fm_man will perform a live set of his dancefloor rocking beats, insomniak brings his techno infused breakbeat sound, and sarcastic will play his signature blend of cutting edge tek. also appearing at the launch will be guest dj philgood, well known in montreal for his unique electro style. for this event he will delve into the crates to bring us a rare detroit techno set - not to be missed! phoniq residents naw, khanfucius and cyan will be rounding out the night into minimal, deep, glitch and dub techno territories. throughout the night, vjs johnny ranger and delray will stimulate and intrigue with their diverse visual textures and techniques. *BIOS/INFO* PHONIQ [www.phoniq.net] phoniq is a collective working to foster collaboration and communication between electronic music artists in canada. phoniq.net is a web portal where artists are invited to join our growing community by participating in our mailing list as well as ongoing projects. projects include live music series, file sharing collaborations, and the phoniq netlabel. BLEUPULP [syndroma.org] maxime tanguay aka bleupulp is an active member of quebec city electronic music scene he fisrt started dj-ing jungle music in rave parties around 2000, then opened up for various electronic music style such as techno, house, idm, minimal ... his love for electronic music pushed him to start creating his own music, since about 2002 you can hear him playing live with machines and laptop. his music could be described as colourful, texturized and experimental. he is currently working on a few projects such as a net label, cd-r, and cd album releases. maxime is part of the syndroma colective and the pertinence crew, organizations that focus on promoting quality electronic music. PHILGOOD [inbeat records] Having spent more than half of his life behind turntables, Philgood has always given priority to music that takes the listener into new dimensions, stimulating dance, excitement, and an escape from the rigors of everyday life. Philgood has by now caught the ears and attention of electronica scenesters the world over. Through appearances at such renowned Montreal clubs as Sona, Circus, Red Lite or Playground, and via his performances overseas, Philgood has dropped records alongside techno luminaries including Laurent Garnier, Marco Carola, Richie Hawtin, DJ Rush, Sven Väth, Green Velvet, Thomas Krome, Joel Mull and T-1000. SARCASTIC [level4productions.com] This amorphous being has contributed to the subculture’s cabalistic causes on many levels for the past decade, performing at virtually all of Montreal's clubs and coast-to-coast across the country alongside techno luminaries including Frankie Bones, Thomas Krome, Slobodan or The Punisher, and minimal experimentalists such as Andrew Duke, Kero, Algorithm, or Deadbeat. Possessed since childhood with a needling drive to splice together discrete musical compositions, first with cassette decks, microphones, CD players or 8-tracks, it was only a matter of time before an unwitting companion introduced Sarcastic to his destiny in the early nineties: the Technics-1200. Since, Sarcastic has founded Level 4 Productions, a record label, artist collective and promotion company synonymous with the cutting-edge of techno. His love for the chugging repetitive nature of ghettotek, pure tek, acid house and hardcore genres remains informed by an early appreciation for hip-hop, stoner rock, jazz and psychedelia of all sorts. Equally at home behind two or three decks, Sarcastic’s styles range from the abstract headiness of minimal and experimental tek to his own tongue-in-cheek productions based largely on recognizable samples from such disparate sources as movies, rap or funk. INSOMNIAK [insomniak.ca] ___ Base:: Montreal, Canada. ___ Weapon of choice:: a mashup of heavyweight breakbeats and funky analog techno. ___ Releases:: two 12” singles (under the name Phreak) and numerous compilation and independent cd releases. The single “Deep Phreak” was remixed by house legend John Aquaviva and found its way on to DJ play-lists around the world. ___ Televison:: creation of breakbeat theme songs and cues for MTV’s “Blame Game” and “Crush” on the USA Network as well as station ID beats for the new channel “MTV Jams”. Also heard on CBC "ZED TV" and soon on "Nerve". ___ Live performances:: have included opening for such international acts as The Art of Trance, Spacetime Continuum, Misjah, Westbam, The Stickmen, Skylab 2000, Delta 9 and Kenny Ken. FM_MAN [rave.ca] 21 year old Montreal native Scott Philip has been producing electronic music since 1996, covering a wide range of musical styles. Fm_man is his latest solo music project, combining the influences of house, techno, dub, jazz, synthpop, idm, industrial, and electro into a fusion of dance floor friendly sounds. Widely respected in the underground online music community, Scott's music has topped charts on several music portals including mp3.com and rave.ca. NAW [noisefactoryrecords.com] montreal native neil wiernik began his explorations in electronic music making as early as 1988. known to push the boundaries of his musical form, naws music is a blend of sound manipulation/design, experimental music and dub-tech rhythms, which on the surface sound quite simple, but incorporate a number of touches that steer this artist away from being simply another minimal techno or experimental laptop artist. he combines post-house, dubby minimal techno, microsound and thick ambience, to create his own version of deep techno, house and other electronic laptop oriented musics. neil has released music on various national and international record labels, including recent releases on clever-music, and his follow up full length to his 2002 noise factory release called green nights orange days. he has recently returned from tours in france, germany, and canada.to co-enside with his recent releases on these labels and pans to retunr to europe this summer for more tours including a performance at the now legendary sonar festival in barcelona, spain. CYAN [ckut, traktion.com] Montreal based dj, radio host and producer cyan aka Corina MacDonald has been an active participant in montreal’s electronic music scene since 1996. She currently hosts modular systems, an electronic music magazine show on ckut 90.3 fm and is also involved in organizing phoniq collective events and projects. Her sound can best be described as layered, dense and deep rhythms intersecting the genres of techno, house and electro. Her independently produced DJ mix ‘The Gravity Protocol’ has been received in a very positive light by reviewers and techno fans alike. KHANFUCIUS [panospria.com] Constantine has been active in exploring the electronic arts since the early 1990s. He became involved in the BBS scene at a young age, tracking music modules and drawing ascii art. By 1996 he chose the alias Khanfucius and began as a DJ, playing an assortment of strange, abstract and ambient music at local clubs, raves and other events in the prairies. His active involvement in the scene spawned many projects, including the event production company Uninhibited Sound System with his fellow DJs and the artistic collective Panospria. Musical side projects around this time included playing laptop and synths in the improv electronic band Mandelbrot Set and co-producing an album as Break Fluid with Sasafras of the hip hop group Isosceles. His first solo album as Khanfucius, The Phuzzillogikal Basement Tapes 96-98, was compiled and released independently prior to moving to Dublin, Ireland in 1999. This release caught the attention of radio DJ Keith Downey who invited him to co-host his show on Kiss FM called Psychonavigation. Keith would go on to start Psychonavigation Records and release music by Constantine and his Canadian associates. Upon his return to Canada, he took up residence in Ontario and studied in the fields of audio and multimedia. Since 2001, his focus has been fixed on his experimental music and sound-art project as Scant Intone. Currently living in Montreal, he is working on upcoming solo and collaborative works as well as coordinating projects for both Panospria and Psychonavigation Records. DELRAY [rx-tx/asphodel/reflective] Matthew Biederman’s (DelRay) diverse range of audiovisual performances and installations find their common ground in themes of “cut-up” electronic image delivery, media saturation, data systems and electromagnetic spectrum scanning. Biederman, who has performed and exhibited both nationally and internationally, has recently developed his work via various prestigious artist-in-residence programs or festival “laboratories” including the Center for Experimental Television (New York), Makrolab (while situated at Blair Atholl, Scotland) and SIGGRAPH. In addition to winning awards as Bay Area Artist in New Media (New Langton Arts) and first prize at the Break21 Festival (Slovenia), his work has been exhibited in numerous festivals including the 7 Festival Internacional (Lima, Peru) New Forms Festival (Vancouver, Canada), the Chicago Underground Film Festival, Paris/Berlin Recontres International, and Edinburgh Fringe Festival. Biederman also performs extensively in the US and abroad most recently at such venues as Signal Sever! (Futuresonic04, ISEA, and venues in Vienna, Ljubljana, and Paris) as well as the Museum of Contemporary Art, Chicago where he works with a variety of sound artists to perform Audio/Visual compositions. JOHNNY RANGER [mindroots.com] The artistic projects of Johnny Ranger include VJING, Interdisciplinary Shows, Performances and Web art. He is the founder of Mindroots a sensuous poetic laboratory of non linear creation. He has been a regular at the SAT, he presented works at the Biennale d’art contemporain, the New Museum of Contemporary art in New York, EspaceTangente and at the Lachapelle theater amongs other. He is currently working on a new live performance of open ended audio-visual narratives entitled: The Dynamic Constellations which includes footages he has shot in Brazil, India, Indonesia and Canada. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 17 14:36:23 2005 Return-path: <microsound-return-34468-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 17 Feb 2005 09:36:23 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 17 Feb 2005 09:36:23 -0500 (EST) Received: (qmail 55401 invoked by uid 1095); Thu, 17 Feb 2005 14:36:19 +0000 Received: (qmail 55385 invoked from network); Thu, 17 Feb 2005 14:36:18 +0000 Date: Thu, 17 Feb 2005 09:36:15 -0500 From: "tobias c. van Veen" <xxxxxx@xxxxxx.xx> Subject: [microsound] new publication: Torben Sangild In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxx.xxx.xx.xx> To: Microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE3A160F.1B6E8%xxxxxx@xxxxxx.xx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Entourage/10.1.4.030702.0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx ola, Torben Sangild lets me know that he has some work out.. best, tobias ============== From: Torben Sangild I just thought I'd let you know that the book "Bad Music" was finally published in October 2004. Apart from my essay "Glitch The Beauty of Malfunction" there is also an essay by Eliot Bates called "Glitches, bugs and hisses: the degeneration of musical recordings and the contemporary musical work" that might be of interest. More info here: http://cat.lib.unimelb.edu.au/search/i?SEARCH=0415943655+ Feel free to post the reference on the microsound group. Best, Torben ----- --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 17 13:48:15 2005 Return-path: <microsound-return-34467-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 17 Feb 2005 08:48:15 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 17 Feb 2005 08:48:15 -0500 (EST) Received: (qmail 36935 invoked by uid 1095); Thu, 17 Feb 2005 13:48:11 +0000 Received: (qmail 36925 invoked from network); Thu, 17 Feb 2005 13:48:10 +0000 Date: Thu, 17 Feb 2005 07:48:07 -0600 From: bremsstrahlung recordings <xxxx@xxxxxxxxxxxxxx-xxxxxxxxxx.xxx> Subject: [microsound] jos smolders? In-reply-to: <xxxxxxxx.xxxxxxx@xxxxxxxx.xx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <HAEGJCNFIDPIDMHFGAIFEECBCAAA.xxxx@xxxxxxxxxxxxxx-xxxxxxxxxx.xxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2910.0) Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT Importance: Normal X-Priority: 3 (Normal) X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx i am trying to contact jos smolders but the earlabs addresses i have tried keep bouncing. if anyone has an address of his which has worked in the last week i'd really appreciate it if you could send it to me off list. thanks! josh ---- www.bremsstrahlung-recordings.org NEW: net-audio sublabel TRANS>PARENT RADIATION trans001 - Spellewauerynsherde, Interpretations Various & Sundry featuring freely downloadable tracks by Fennesz/Kit Clayton/Taylor Deupree/Steve Roden/Stephan Matthieu/Alejandra & Aeron/etc. physical releases: blung002 lowercasesound 2002 2cd box set 3" cd metal box series [2 CD] - 2nd edition blung003 toshiya tsunoda/civyiu kkliu . blung004 radu malfatti/ilya monosov --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Thu Feb 17 12:36:17 2005 Return-path: <microsound-return-34466-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Thu, 17 Feb 2005 07:36:17 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Thu, 17 Feb 2005 07:36:17 -0500 (EST) Received: (qmail 18290 invoked by uid 1095); Thu, 17 Feb 2005 12:35:53 +0000 Received: (qmail 18277 invoked from network); Thu, 17 Feb 2005 12:35:53 +0000 Date: Thu, 17 Feb 2005 13:35:51 +0100 (CET) From: Onda Sonora Radio <xxxxxxxxxxxxxxx@xxxxx.xx> Subject: [microsound] Contents Onda Sonora 16-02-05 To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_RmooU7Pu90pD7r8wotcq9Q)" Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_RmooU7Pu90pD7r8wotcq9Q) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit ONDA SONORA (Radio Sesiones Experimentales), Madrid (ES) Radio Círculo de Bellas Artes 100.4 FM - Miércoles/Wednesday 15h - www.circulobellasartes.com Radio Autónoma 88.8 FM - Mar-Jue/Tue-Thu 16h - www.uam.es/ra Escucha en directo a cualquier hora / Listen live real time - www.ondasonoraradio.com _________________________________ Contenidos Onda Sonora 16-02-05 01. AMON TOBIN Track: - Album: Tom Clancy's Splinter Cell: Chaos Theory OST Label: Ninja Tune Abrimos el programa de esta semana con la sorprendente banda sonora de la última edición del videojuego Splinter Cell, compuesta por el músico electrónico brasileño Amon Tobin. Edita Ninja Tune con una mezcla de los contenidos musicales del videojuego Soundtrack for the lastest edition of the videogame Splinter Cell, composed by the Brazilian electronic musician Amon Tobin. Released by Ninja Tune with a mix from the musical contents of the game 02. TADD MULLINIX Track: Shaven Glass Album: VA- Condominium Label: Mousike lab Compilación titulada "Condominium", recientemente editada por el sello italiano Mousike Lab. Una colección de electrónica de corte más o menos frío en la que encontramos entre otros artistas a los alemanes Tarwater, los islandeses Mùm o Tadd Mullinix, un joven DJ de Michigan formado en el mundo del techno que progresivamente ha ido trasladándose hacia terrenos más experimentales Compilation entitled "Condominium", recently released by the Italian imprint Mousike Lab. A collection of more or less cold electronics with, among other artists, the German Tarwater, the Icelandic Mùm or Tadd Mullinix, a young DJ from Michigan formed in the world of techno that progressively moved towards more experimental lands 03. RESINA Track: Jeninbophal Disco: Opinio Omnium Sello: Mousike Lab Continuamos en Mousike Lab desde Nápoles, precisamente de la mano de los impulsores del sello, Marco Messina del grupo 99 Posse, y el dúo electrónico italiano Retina.it, a quienes conocemos por sus lanzamientos en el sello norteamericano Hefty. Su proyecto conjunto se llama Resina y esta es una muestra de electrónica analógica procedente de su debut en largo: "Opinio Omnium" Still in Mousike Lab from Naples, in fact by the hand of the promoters of the idea, Marco Messina from the group 99 Posse, and the Italian electronic duet Retina.it, who we know for their releases on the Hefty label in the US. Their combined project is Resina and analogical electronics for their debut LP: "Opinio Omnium" 04. FABRICE PLANQUETTE Track: 4 Album: Dans La Solitude Des Champs De Coton Label: Con-v Artista que viene trabajando desde 1995, interesado por la creación electrónica y electroacústica para teatro, danza, videoarte, multimedia e instalaciones, aunque practica igualmente la poesía sonora y la composición abstracta, siendo fundador del grupo Morituri, además de dirigir los sellos Centrum y Optium, donde ha publicado gran parte de su discografía, a caballo con otros sellos como el belga Entity, el portugués Enough o el netlabel madrileño Con-v, dirigido por Miguel Ángel Tolosa, un sello muy dinámico en los últimos tiempos Fabrice Planquette is an artist working since 1995 interested in electronic and electroacoustic creation for theater, dance, videoart, multimedia and installations, practising equally sound poetry and abstract composition. He is founder member of the group Morituri, besides directing the labels Centrum and Optium, where he has released great part of its discography, together with other labels as the Belgian Entity, the Portuguese Enough or more recently Con-v netlabel from Madrid 05. DEAD LETTERS SPELL OUT DEAD WORDS Track: The Hills Are Alive Album: 11 Instances Of Dead Letters + Words Label: Ideal Recordings Sonidos concretos encontrados junto a drones melódicos, ensamblados a lo largo de 50 minutos y 11 instancias por el sueco Thomas Ekelund, diseñador gráfico y artista sonoro, involucrado en varios proyectos (entre ellos Normal Music), casi todos editados en net-labels con base en los Estados Unidos como Zeromoon o Fukk God. Este es su último trabajo como Dead Letters Spell Out Dead Words Concrete found sounds next to melodic drones, assembled along 50 minutes and 11 instances by Thomas Ekelund, Swedish graphic designer and sound artist, involved in several projects (among them Normal Music), almost every of them released in net-labels with base in the United States like Zeromoon or Fukk God. This is his last work as Dead Letters Spell Out Dead Words on Ideal Recordings (Sweden) 06. MARK FELL Track: 12,13,14 Album: Ten Types Of Elsewhere Label: Line Nueva aventura en solitario de Mark Fell tras su prolífica colaboración con Mat Steel en SND. Este disco, "Ten Types Of Elsewhere", parte de obras realizadas para instalaciones de sonido en las que investiga en la relación entre los sonidos y el espacio geográfico en el que efímeramente residen Mark Fell rushes a new adventure after his fruitful collaboration with Mat Steel in SND. Their last record, "Ten Types Of Elsewhere", departs from works carried out for sound installations in which he investigates the relationship between sounds and the geographical environments in which they fleetingly reside 07. MONOS Track: Entering Album: Landscapes Label: Twentyhertz Uno de los largos cortes del nuevo CD de Monos, "Landscapes", una colaboración entre el dúo formado por Darren Tate (de Ora) y Colin Potter (que formó NWW junto a Steven Stapleton), en esta ocasión con el apoyo de Robin Barnes y junto al también británico Paul Bradley, compositor por ordenador que edita el disco en su propio sello Twentyhertz, bautizado así tras el debut de Bradley en el sello ICR, del propio Colin Potter Collaboration between the duet formed by Darren Tate (of Ora) and Colin Potter (that formed NWW with Steven Stapleton), in this occasion with the support of Robin Barnes (for this track) and Paul Bradley, British computer-based composer that is releasing the work in his own Twentyhertz label, baptized this way after Bradley's debut in Colin Potter's ICR label 08. NAKED CITY Track: Louange A L'Eternite De Jesus (Messiaen) Album: Grand Guignol (The Complete Studio Recordings) Label: Tzadik Para los minutos finales de Onda Sonora esta semana hemos reservado una novedad que hará las delicias de los admiradores del saxofonista John Zorn y en especial a los de su más heterogéneo proyecto, Naked City, banda formada en 1988 por Zorn y otros cuatro músicos del downtown neoyorkino: Bill Frisell, Fred Frith, Joey Baron y Wayne Horvitz. Naked City editaron originalmente casi todo su material sólo en Japón, por lo que actualmente John Zorn se ha lanzado a la publicación de las grabaciones completas de la banda, remasterizadas y con colaboraciones de lujo como la de Mike Patton. Nos despedimos con Naked City y una versión del compositor francés Olivier Messiaen, incluída en una de los discos reeditados, "Grand Guignol" For the final minutes of Onda Sonora this week we reserved a novelty for the pleasure of saxophonist John Zorn's admirers and especially to those of his most heterogeneous project, Naked City, band formed in 1988 by Zorn and other four musicians from the downtown: Bill Frisell, Fred Frith, Joey Baron and Wayne Horvitz. Naked City originally released almost all their material in Japan, reason for John Zorn to re-release the complete recordings of the band in his Tzadik label, remastered and with collaborators such as Mike Patton. This is a version from the French composer Olivier Messiaen, included in one of the reissued works, "Grand Guignol" _____ Nota: Este mensaje no ha sido solicitado, pero consideramos que podría interesarte. De no ser así, responde con un mensaje titulado "borrame" y serás inmediatamente eliminado del mailing. Muchas gracias. Note: This is an undemanded message, but we have considered it could be interesting for you. If that’s not the case, then reply us with this subject for the message: "delete me", and you will be inmediately out from the mailing. Thank you. --------------------------------- --Boundary_(ID_RmooU7Pu90pD7r8wotcq9Q)-- From ???@??? Thu Feb 17 00:44:21 2005 Return-path: <microsound-return-34465-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 19:44:21 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 19:44:21 -0500 (EST) Received: (qmail 39191 invoked by uid 1095); Thu, 17 Feb 2005 00:44:09 +0000 Received: (qmail 39180 invoked from network); Thu, 17 Feb 2005 00:44:08 +0000 Date: Wed, 16 Feb 2005 18:14:02 -0600 From: David Powers <xxxxxxxx@xxxxxx.xxx> Subject: Re: [microsound] Lemur! To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxx@xxxx-xxxx-x.xxx.xxxxxx.xxx> MIME-version: 1.0 X-Mailer: Novell GroupWise Internet Agent 6.5.2 Beta Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Content-disposition: inline Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Well... Playing an instrument is impressive, true, but - is it really what makes music so amazing? Isn't that more along the level of enjoying sports and athletic events? Personally, I'm more interested in the way a musical performance SOUNDS than in how much skill was required to create the music. I think the fetishization of technique is problematic, to say the least. I'd say that technique is just a means to an end, and that the kind of skills and techniques needed for one project might be total different from another. Being a great jazz pianist might not help you create a brilliant electronic composition, and being a great electronic composer won't help you play jazz piano. Each activity should be evaluated on its own merits. I play jazz piano, but I'm just as happy twiddling knobs if that is what the music I'm currently involved in requires. ~David David Powers Secretary DePaul University, School of Education Department of Leadership in Education, Language, and Human Services 773-325-4806 >>> xxxxx@xxxxxxxxxxxx.xxx 02/08/05 01:07PM >>> Oh dear God I hope you're kidding, but if you're not, that's a jaw dropping statement. I don't see how anyone can consider themselves a musician or even a lover of music without being awed at a display of mastery over a physical instrument. The amount of minute motor control honed over decades, synapses working in perfect harmony with appendages, the mind performing astronomical calculations on the fly in order to make horse hair dragging over cat gut sound beautiful? It's one of the greatest heights to which a human can aspire. I'm sorry, but it doesn't take a tenth the skill to twiddle knobs (even if you built the box and wrote the software) that it does to master a "dead-ended physical instrument". kp --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 21:53:27 2005 Return-path: <microsound-return-34464-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 16:53:27 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 16:53:27 -0500 (EST) Received: (qmail 70295 invoked by uid 1095); Wed, 16 Feb 2005 21:53:23 +0000 Received: (qmail 70284 invoked from network); Wed, 16 Feb 2005 21:53:23 +0000 Date: Wed, 16 Feb 2005 16:53:17 -0500 From: bruce tovsky <xxxxx@xxxxxxxxxxxx.xxx> Subject: Re: [microsound] bias peak license change In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Errors-to: xxxxx@xxxxxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 16, 2005, at 4:07 PM, Anthony Saunders wrote: > > DSP-Quattro is the new competition to Peak and it's very significantly > cheaper than Peak and just as powerful, with significantly better tech > support; you generally get an email back from the guy who writes the > app, rather than a faceless customer service person, and they are > incredibly responsive to feature suggestions. stefano (the author) is great. i've used his products for many years (dsp-quattro was originally d-sound-pro) and they've always been way more than worth the money. nice to see that he's still making them better and getting kudos in major trades. cheers b bruce tovsky www.skeletonhome.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 21:48:15 2005 Return-path: <microsound-return-34463-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 16:48:15 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 16:48:15 -0500 (EST) Received: (qmail 67921 invoked by uid 1095); Wed, 16 Feb 2005 21:48:10 +0000 Received: (qmail 67909 invoked from network); Wed, 16 Feb 2005 21:48:09 +0000 Date: Wed, 16 Feb 2005 16:50:01 -0500 From: Mike Hansen <xxxxxxxxxx@xxxxxxxxx.xx> Subject: [microsound] Toronto Microsounders: TMHNIYL To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxxxx.xx> MIME-version: 1.0 X-Mailer: Apple Mail (2.553) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx > > ======================= > > "The Most Horrible Night In Your Life" vol. 3 > 'Noise of a Woman' > Wednesday, February 16th , 8:30pm > PWYC > > New Works Studio > 319 Spadina Ave. ( 1 lights north of Spadina and Dundas) > 3 solo sets by: > > Cathryn Crockett - 1x4 space > Jasmine Landau - metal wires, last breath melodica > Dominique Banoun - cpu freezes , memory leaks. > > followed by a trio > > > ======================= > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 21:07:31 2005 Return-path: <microsound-return-34462-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 16:07:31 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 16:07:31 -0500 (EST) Received: (qmail 52240 invoked by uid 1095); Wed, 16 Feb 2005 21:07:16 +0000 Received: (qmail 52198 invoked from network); Wed, 16 Feb 2005 21:07:16 +0000 Date: Wed, 16 Feb 2005 16:07:11 -0500 From: Anthony Saunders <xxxxxxx@xxxxxxxxxxx.xxx> Subject: Re: [microsound] bias peak license change In-reply-to: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx DSP-Quattro is the new competition to Peak and it's very significantly cheaper than Peak and just as powerful, with significantly better tech support; you generally get an email back from the guy who writes the app, rather than a faceless customer service person, and they are incredibly responsive to feature suggestions. Highly recommended for anyone looking for an alternative to Peak for whom Audacity doesn't fit the bill. And I agree with Nowak, Sound Effects 0.9.2 is awesome and one of the apps I'm keeping an OS 9 partition on my old g3 ibook for. Weird Tempo forever! Anthony On Feb 16, 2005, at 5:26 AM, Domonkos Nagy wrote: > > although my money has been refunded by the seller I strongly recommend > against buying any product from them. another fine example what happens > when competition (spark) is gone... --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 17:23:06 2005 Return-path: <microsound-return-34461-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 12:23:06 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 12:23:06 -0500 (EST) Received: (qmail 31856 invoked by uid 1095); Wed, 16 Feb 2005 17:22:57 +0000 Received: (qmail 31650 invoked from network); Wed, 16 Feb 2005 17:22:55 +0000 Date: Wed, 16 Feb 2005 18:27:19 +0100 From: "xxxx@xxx" <xxxx_xx@xxx.xxx> Subject: [microsound] ilios & special guests live! To: Microsound-Liste <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: xxxx_xx@xxx.xxx Message-id: <OKEKJJALPLHCGDKBOCMJOEBIFHAA.xxxx_xx@xxx.xxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1165 X-Mailer: Microsoft Outlook IMO, Build 9.0.2416 (9.0.2911.0) Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 8BIT Importance: Normal X-Priority: 3 (Normal) X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Authenticated: #1462046 X-Y-GMX-Trusted: 0 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx aufabwegen presents 18.02.2005, einlass: 20.00h ILIOS (antifrost/greece) & XABIER ERKIZIA (antifrost/spain) live: kulturbunker mülheim berliner str. 20 51063 koeln http://www.kulturbunker-muelheim.de UND: 19.02.2005, einlass: 20.00h geraeuschwelten XIX ILIOS (antifrost/greece) & SPEHRICAL DISRUPTED (audiophrob/germany) & XABIER ERKIZIA (antifrost/spain) live: cuba achtermannstr. 12 48143 muenster http://www.geraeuschwelten.de http://www.aufabwegen.com http://www.cuba-cultur.de info: http://www.siteilios.gr/ http://www.disrupted.de http://www.ertza.net/erkizia.htm http://www.antifrost.gr/ Dimitris Kariofillis zählt mit seinem Musikprojekt ILIOS und seinem Label Antifrost zu den wichtigsten Vertretern der internationalen Szene der nicht-akademischen elektronischen Musik. ILIOS hat auf zahlreichen internationalen Festivals gespielt und mit Musikern wie Thurston Moore (Sonic Youth) oder Francisco Lopez zusammen gearbeitet. Außerdem komponiert ILIOS Musik für Theater- und Filmarbeiten. Als Support stellt Kariofillis den hierzulande noch neuen Sound-Manipulator XABIER ERKIZIA vor. ILIOS: is a sonic experimentalist from Greece. He started in 1992 and since has released a number of solo albums, staged several multimedia shows and contributed tracks to numerous compilations on labes such as Staalplaat, Diskono and Absurd. In 1997 he launched his own label Antifrost on which he publishes the music of like-minded experimental musicians including Francisco Lopez, Sachiko M, Daniel Menche, Kim Cascone, Jason Kahn, Zbigniew Karkowski, Maja Ratkje and Philip Samartzis. Ilios also works for dance, theatre, cinema and communication projects. He did collaboration projects with: Francisco Lopez, Jason Kahn, Coti, Steinbruechel, Teleform, Thurston Moore, as11, a.o. In the last 10 years ilios´s sonic spectrum has been moving constantly from orthodox silence to catholic noise stopping over to infamous covers including Gainsbourg's "Je t'aime" and the theme from american soap opera "Dynasty". SPHERICAL DISRUPTED SPHERICAL DISRUPTED ist ein Solo-Projekt von Mirko Hentrich (Experimentum Crucis, Sick En For, SKAB). Zunächst wurden die Tonträger im Eigenvertrieb unter dem Namen SPHERICAL veröffentlicht. Aus rechtlichen Gründen jedoch ab 1999 unter dem Namen SPHERICAL DISRUPTED. SPHERICAL DISRUPTED bewegt sich musikalisch zwischen Industrial, Noise und Ambient, was bereits eine unkonventionelle Herangehensweise an Klänge, bzw. deren Erzeugung und Bearbeitung, voraussetzt. Folgende Veröffentlichungen sind von SPHERICAL DISRUPTED im Eigenvertrieb erschienen: "Zerschellt, zersplittert" (MC, 1995) "Vergeltung" (CD-R, 1998) "Endstation" (CD-R, 1998) "Entsorgung" (CD-R, 2000) "Kontingent" (2CD-R, 2003) "Torrent" (CD-R, 2002, Kaos Interim vs. Spherical Disrupted, live) "Alarmen / Spherical Disrupted" (CD-R, 2003, Split mit Alarmen) XABIER ERKIZIA: is a multidisciplinary artist from the Basque Country in Spain. Has been working on different media. Erkizia's principal characteristics are investigation, some kind of curiosity on any art or communication form and diversity. His debut album "Entresol" was just released on Antifrost. Xabier Erkizia has collaborated with the likes of: Mattin, Eddie Prevost, Ilios, TV Pow, Alejandra & Aeron, Margarida Garcia, Mark Wastell, Josh Abrams and others. He organises a yearly international festival in Bera (Nafarroa) ERTZ , dedicated to experimental arts. Currently his work is concentrated on music collaborations, solo works and installations. ----------------- a u f a b w e g en magazine - label - mailorder p.o.box 100152 50441 cologne germany fax.: 0221-2720056 http://www.aufabwegen.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 17:01:42 2005 Return-path: <microsound-return-34460-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 12:01:42 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 12:01:41 -0500 (EST) Received: (qmail 22619 invoked by uid 1095); Wed, 16 Feb 2005 17:01:36 +0000 Received: (qmail 22607 invoked from network); Wed, 16 Feb 2005 17:01:36 +0000 Date: Wed, 16 Feb 2005 12:03:28 -0500 From: Mike Hansen <xxxxxxxxxx@xxxxxxxxx.xx> Subject: [microsound] CKLN FM's Whynot Jazz playlist for Febuary 2, 2005 To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx-xxxx-xxxx-xxxx-xxxxxxxxxxxx@xxxxxxxxx.xx> MIME-version: 1.0 X-Mailer: Apple Mail (2.553) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx > > Dear Artist and Label > > Welcome to the radio program Whynot Jazz on Toronto's CKLN FM 88.1. > Heard Every Wednesday Morning from 7am-11am est, 1pm thru most of > Europe and noon in the UK. Available around the world at: > > www.ckln.fm > > Here is the playlist from the last Whynot Jazz Program. Please note > that radio program, hosted by Mike Hansen, takes an outside > examination of new improvised and jazz musics. Whynotjazz is one of > the very few voices for progessive new music heard in Toronto or > around the world. > > Why Not? > 2005/02/02 > > > Artist > Song Title > Album Title > Label > > Hubbub > Hoib 1 > Hoib > Matchless Records > > > > Wayne Horivitz/Ron Samworth, etc... > Childern At Play > Intersection Poems > Spool > * > > > > Cecil Taylor/Italian Instabile Orchestra > Part 5 > The Owner of The Riverbank > Enja Records > > > > Peter Brotzmann Tentet > Six Gun Territory > Signs > Okka disc > > > > Nathan Hubbard > Skeleton Key Orchestra > East on 53rd Street > Skeleton Key Orchestra > Circumvention Music > > > > Kenny Baldwin > Quartet > 25th Street Rag > Distillery > Static Airport Records > * > > > > Nick Fraser/Justin Haynes > The Anaheim Angels > Are Faking It > independent > * > > > > Manuel Mota > Deep in Your Face > Quartets > Headlights > > > > Ernesto Rodriques > 32' 45' > Kreis > Creative Sources > > > > Yuko Nexus 6 > Village Blacksmith > Nexus6 Songbook > Sonore > > > > Sarah Peebles > Drillbit Skiploop > Insect Groove > Studio Excelo > * > > > > Mike Hansen/Pau Torres > track 1 > demo > independent > * > > > > Paul Dutton > Stereo Head > Oralizations > Ambience Magnestiques > * > > > > The Reveries > My Reverie > Blase Kisses > Rat-Drifting > * > > > > Maja Ratkje/Lasse > Marhaug > How Much Noise > Can We Make?(Lets Find Out) > Music For Faking > C3R > > > > Mats Gustafsson/Sonic Youth and Friends > Hidros pt 3 > Hidros 3 > Smalltown Supersound > > > > Franz Hautzinger/Gene Coleman/etc > Concert in St Louis 2 > Concert in St Louis > Grob > > > > John Butcher > Ashfall > Cavern With Nightlife > Weight of Wax > > > > James Duncan > Encounters 2 > Solo Works > inbound Recordings > * > > > > Michael Keith > Horses > Non Adhersive Electric Guitar Solos > www.alexteric.com > * > > > > Pau Torres/Strand > Closed Schools > Strand Guitar and Noises > Red > > > > A.Sheldon/Z.Buck/E.Karel/J.Ajemian/T.Daisy > Don't Get Arrested > Relay Signals > Lucky Kitchen > > > > Yuko nexus6 > Lazy Bones > Nexus6 Songbook > Sonore > > > > Sarah peebles > Higurashi In Yamanashi > Insect groove > Studio Excelo > * > > > > Barbardah > Peliczaple > Babardah > Abzu > > * denotes Canadian Content > > > Your support is necessary in keeping this voice for the music current. > Please feel free to forward music to the address below. Thanks again > for your support. Keep Listening > > > Thanks > Mike > > > Mike Hansen > CKLN FM 88.1 > Whynot Jazz Program > 79 Benson Ave. > Toronto,On > Canada > M6G 2H7 > xxxxxxxxxx@xxxxxxx.xxx > > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 16:10:09 2005 Return-path: <microsound-return-34459-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 11:10:09 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 11:10:09 -0500 (EST) Received: (qmail 96999 invoked by uid 1095); Wed, 16 Feb 2005 16:10:05 +0000 Received: (qmail 96989 invoked from network); Wed, 16 Feb 2005 16:10:05 +0000 Date: Wed, 16 Feb 2005 15:20:14 +0000 From: ian stewart <xxxxxxxxx@xxxxxxx.xxx> Subject: [microsound] more London action In-reply-to: <001201c512d7$68d53900$xxxxxxxx@xxxx.xx> X-Originating-IP: [138.40.30.70] X-Sender: xxxxxxxxx@xxxxxxx.xxx To: xxxxxxxxxx@xxxxxxxxx.xxx Bcc: Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Originating-Email: [xxxxxxxxx@xxxxxxx.xxx] X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 16 Feb 2005 15:21:03.0600 (UTC) FILETIME=[20CF2700:01C5143B] more to do in London- There's a Christian Marclay show at the Barbican that opens tomorrow, til early May, and an interesting Guardian article about Marclay, old and new- www.guardian.co.uk/arts/features/story/0,,1412362,00.html And a Tarkovsky season at the NFT beginning early March... best, Ian --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 16:06:35 2005 Return-path: <microsound-return-34458-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 11:06:35 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 11:06:35 -0500 (EST) Received: (qmail 93441 invoked by uid 1095); Wed, 16 Feb 2005 16:06:30 +0000 Received: (qmail 93431 invoked from network); Wed, 16 Feb 2005 16:06:30 +0000 Date: Wed, 16 Feb 2005 15:15:20 +0000 From: ian stewart <xxxxxxxxx@xxxxxxx.xxx> Subject: RE: [microsound] London EA concert In-reply-to: <001201c512d7$68d53900$xxxxxxxx@xxxx.xx> X-Originating-IP: [138.40.30.70] X-Sender: xxxxxxxxx@xxxxxxx.xxx To: xxxxxxxxxx@xxxxxxxxx.xxx Bcc: Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed Content-transfer-encoding: 8BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Originating-Email: [xxxxxxxxx@xxxxxxx.xxx] X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 16 Feb 2005 15:16:03.0392 (UTC) FILETIME=[6DDF0C00:01C5143A] Theophraste Peeble wrote: >2 - I'll be in London from the 20th february to the 5 march... if you've got plans for concerts, exhibitions, etc that should be great There's an electroacoustic concert at City U in London on the eve of Thurs Feb 24 (7pm), with new works by Jean-Claude Risset, Daniel Teruggi, Mario Mary and Jon Appleton. Advisable to reserve tickets by phone, and show up early- details here: www.city.ac.uk/music/concert.htm If any microsounders end up there, say hello- anyone involved with setup will know who I am. We always go for drinks after the show, Ian --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 15:12:58 2005 Return-path: <microsound-return-34457-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 10:12:58 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 10:12:58 -0500 (EST) Received: (qmail 74077 invoked by uid 1095); Wed, 16 Feb 2005 15:12:54 +0000 Received: (qmail 74067 invoked from network); Wed, 16 Feb 2005 15:12:54 +0000 Date: Wed, 16 Feb 2005 15:12:50 +0000 From: Edward George <xxxxxxxxxxxx@xxxxx.xxx> Subject: Re: [microsound] Collectibility of Digital Files? In-reply-to: <xxxxxxxxx-xxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx.x.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: Edward George <xxxxxxxxxxxx@xxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxx@xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:reply-to:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:references; b=VFPvzA96GROyBmy7q9x+UM4KQtAnZhh5wYAiDGt2/hbXPt6TB0DjrBLiHN0mgB1szPowAMwa7zL4/3+gto4kLaZ0ovpBWbOgspcbEvHBNP+pHNhlNcllq1NpjYo+F6GA8mHPP82d1PcnBBVpq8CN9F7xQnrDrvEvi4wQAaDGS1o= X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> <xxxxxxxxx-xxxx-xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxx.xxx.x.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx > if you can remember when cassette tape came out, people were upset. i > forget the ad, but it went something like: "taping is killing..." the > independent recording artist's income. "Home Taping is Killing Music" http://usability.typepad.com/confusability/images/taping_killing.gif ;) --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 15:07:05 2005 Return-path: <microsound-return-34456-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta11.srv.hcvlny.cv.net (mta11.srv.hcvlny.cv.net [167.206.5.86]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 10:07:05 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta11.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 10:07:05 -0500 (EST) Received: (qmail 71120 invoked by uid 1095); Wed, 16 Feb 2005 15:07:01 +0000 Received: (qmail 71110 invoked from network); Wed, 16 Feb 2005 15:07:00 +0000 Date: Wed, 16 Feb 2005 10:06:56 -0500 From: john hudak <xxxxxx@xxxxx.xxx> Subject: Re: [microsound] Collectibility of Digital Files? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <r02010400-1026-6697E6B4802C11D9B6A8000502896A9E@[192.168.0.100]> MIME-version: 1.0 X-Mailer: Mailsmith 2.1.4 (Blindsider) Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT X-Priority: 3 Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx hello folks, i think permanence has a lot to do with collecting. physical objects are more permanent than digital files. if someone likes something enough, i think they will always want a copy of it in a tangible form. if you can remember when cassette tape came out, people were upset. i forget the ad, but it went something like: "taping is killing..." the independent recording artist's income. so how do musicians make a living these days if you can't sell an object? playing live is important these days for musicians who want to make an income. there is always a certain amount of energy/excitement generated from a live situation...if only in expectations or curiousity. it seems for convenince's sake, people are downloading albums and songs from places like the itunes store, but i don't think artists will get much out of that. who knows where things are going. personally, i like to use my airport express to play mp3s through my stereo on the other side of the room, as well as other rooms in the house. wireless technology is probably going to play a part in how things go in the future. maybe musicians will make more unique, one-of-a-kind works, similar to the way painting and sculpture are sold/traded/exhibited... best future, john > > On Feb 16, 2005, at 2:48 AM, Kevin Ponto wrote: > > > By "collector", I think he meant someone who is interested in the rare > > finds and complete catalogs, bootlegs and so forth as well as huge > > libraries, as opposed to people who just amass as many files as they > > can with little regard for what they have. > > > > The point of course, is that the limitations of physical distribution > > have provided people with the pastime of collecting, yet the digital > > distribution model is not hampered by these limitations. So will > > collecting, in this sense, survive and if it does, how will it differ > > from today? > > > > Personally, I've had the experience of trying to track down a rare mp3 > > online. it's no easy chore, almost as hard as trying to track down > > something in real life. It was an mp3 that was only posted to an > > artists website for a few weeks. I grabbed it and had for a while, > > then I lost it (fried computer parralled a physically corrupted backup > > cd) and spent six months or so trying to track it down on p2p networks > > and the internet before I found it again. The whole experience, and > > the rush I got when I finally found it, was not unlike that of > > physical collecting. > > > > Anyone else have a similar experience or insight? jhudak at pobox.com http://www.johnhudak.net --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 14:32:19 2005 Return-path: <microsound-return-34455-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 09:32:19 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 09:32:19 -0500 (EST) Received: (qmail 57701 invoked by uid 1095); Wed, 16 Feb 2005 14:32:15 +0000 Received: (qmail 57690 invoked from network); Wed, 16 Feb 2005 14:32:14 +0000 Date: Wed, 16 Feb 2005 14:31:44 +0000 From: Alex Young <xxxx@xxxxx.xx.xx> Subject: Re: [microsound] bias peak license change In-reply-to: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxx.xx.xx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 16 Feb 2005 14:32:48.0234 (UTC) FILETIME=[63095CA0:01C51434] I had the opposite experience with DSP Quattro (http://www.i3net.it): I stupidly messed up my license when I upgraded it to version 2, and they sorted it out for me. I much prefer it to Audacity (not that Audacity isn't a great project, I just like some of DSP Quattro's features), and it's a lot cheaper than Peak. i3 seem to be quite nice, too :) On 16 Feb 2005, at 10:26, Domonkos Nagy wrote: > before anyone else learns this the hard way, do *not* buy peak (or any > bias > product) 2nd hand (as i did on ebay), as bias does not allow > registration/license > transfers anymore. quote from their cust. rep's mail: > >> Unfortunately, our company policy regarding >> license transfers changed several months ago, and >> I am unable to transfer this license to a new user. > > although my money has been refunded by the seller I strongly recommend > against buying any product from them. another fine example what happens > when competition (spark) is gone... > > d. -- homepage: http://alexyoung.org music: http://noise.me.uk --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 11:10:26 2005 Return-path: <microsound-return-34454-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 06:10:26 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 06:10:26 -0500 (EST) Received: (qmail 95219 invoked by uid 1095); Wed, 16 Feb 2005 11:10:23 +0000 Received: (qmail 95209 invoked from network); Wed, 16 Feb 2005 11:10:22 +0000 Date: Wed, 16 Feb 2005 12:10:11 +0100 From: Bernhard Schreiner <xxxxxxxxxxx@xxx.xx> Subject: [microsound] Ilios + Xabier Erkizia in Frankfurt/Germany To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxx@xxx.xx> Organization: http://freemail.web.de/ MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: quoted-printable Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx LIVE: Ilios and Xabier Erkizia ATELIERFRANKFURT, Hohenstaufenstr. 27, Frankfurt/M. Thursday 17.02.2005 open 21:30 ANTIFROST (GR) : http://www.antifrost.gr/ Extreme sound souvenirs since 1997 info: http://www.siteilios.gr/ http://www.ertza.net/erkizia.htm Dimitris Kariofillis zählt mit seinem Musikprojekt ILIOS und seinem Label Antifrost zu den wichtigsten Vertretern der internationalen Szene der nicht-akademischen elektronischen Musik. ILIOS hat auf zahlreichen internationalen Festivals gespielt und mit Musikern wie Thurston Moore (Sonic Youth) oder Francisco Lopez zusammen gearbeitet. Außerdem komponiert ILIOS Musik für Theater- und Filmarbeiten. Als Support stellt Kariofillis den hierzulande noch neuen Sound-Manipulator XABIER ERKIZIA vor. ILIOS: is a sonic experimentalist from Greece. He started in 1992 and since has released a number of solo albums, staged several multimedia shows and contributed tracks to numerous compilations on labes such as Staalplaat, Diskono and Absurd. In 1997 he launched his own label Antifrost on which he publishes the music of like-minded experimental musicians including Francisco Lopez, Sachiko M, Daniel Menche, Kim Cascone, Jason Kahn, Zbigniew Karkowski, Maja Ratkje and Philip Samartzis. Ilios also works for dance, theatre, cinema and communication projects. He did collaboration projects with: Francisco Lopez, Jason Kahn, Coti, Steinbruechel, Teleform, Thurston Moore, as11, a.o. In the last 10 years ilios´s sonic spectrum has been moving constantly from orthodox silence to catholic noise stopping over to infamous covers including Gainsbourg's "Je t'aime" and the theme from american soap opera "Dynasty". XABIER ERKIZIA: is a multidisciplinary artist from the Basque Country in Spain. Has been working on different media. Erkizia's principal characteristics are investigation, some kind of curiosity on any art or communication form and diversity. His debut album "Entresol" was just released on Antifrost. Xabier Erkizia has collaborated with the likes of: Mattin, Eddie Prevost, Ilios, TV Pow, Alejandra & Aeron, Margarida Garcia, Mark Wastell, Josh Abrams and others. He organises a yearly international festival in Bera (Nafarroa) ERTZ , dedicated to experimental arts. Currently his work is concentrated on music collaborations, solo works and installations. ______________________________________________________________ Verschicken Sie romantische, coole und witzige Bilder per SMS! Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 10:36:17 2005 Return-path: <microsound-return-34453-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta14.srv.hcvlny.cv.net (mta14.srv.hcvlny.cv.net [167.206.5.83]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 05:36:17 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta14.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 05:36:17 -0500 (EST) Received: (qmail 88021 invoked by uid 1095); Wed, 16 Feb 2005 10:36:18 +0000 Received: (qmail 88011 invoked from network); Wed, 16 Feb 2005 10:36:17 +0000 Date: Wed, 16 Feb 2005 05:36:08 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] bias peak license change In-reply-to: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-PopBeforeSMTPSenders: xxxx@xxxxxxxxx.xxx,xxxxxxxxx@xxxxxx.xxx X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - jet16.hasweb.com X-AntiAbuse: Original Domain - hyperreal.org X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - johnnowak.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 16, 2005, at 5:26 AM, Domonkos Nagy wrote: > before anyone else learns this the hard way, do *not* buy peak (or any > bias > product) 2nd hand (as i did on ebay), as bias does not allow > registration/license > transfers anymore. quote from their cust. rep's mail: > >> Unfortunately, our company policy regarding >> license transfers changed several months ago, and >> I am unable to transfer this license to a new user. > > although my money has been refunded by the seller I strongly recommend > against buying any product from them. another fine example what happens > when competition (spark) is gone... Thanks for the heads up. Audacity suits me fine now, but should it not in the future I know what to avoid. I miss SoundEffects 0.9.2. - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 10:26:53 2005 Return-path: <microsound-return-34452-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 05:26:53 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 05:26:53 -0500 (EST) Received: (qmail 84260 invoked by uid 1095); Wed, 16 Feb 2005 10:26:55 +0000 Received: (qmail 84249 invoked from network); Wed, 16 Feb 2005 10:26:54 +0000 Date: Wed, 16 Feb 2005 10:26:45 +0000 From: Domonkos Nagy <xxxxxxx@xxxxx.xx.xx> Subject: [microsound] bias peak license change To: xxxxxxxxxx@xxxxxxxxx.xxx Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxxx@xxx-xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Content-disposition: inline Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mutt/1.4.1i X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx X-OriginalArrivalTime: 16 Feb 2005 10:26:46.0091 (UTC) FILETIME=[041D19B0:01C51412] before anyone else learns this the hard way, do *not* buy peak (or any bias product) 2nd hand (as i did on ebay), as bias does not allow registration/license transfers anymore. quote from their cust. rep's mail: > Unfortunately, our company policy regarding > license transfers changed several months ago, and > I am unable to transfer this license to a new user. although my money has been refunded by the seller I strongly recommend against buying any product from them. another fine example what happens when competition (spark) is gone... d. --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 09:07:55 2005 Return-path: <microsound-return-34451-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta17.srv.hcvlny.cv.net (mta17.srv.hcvlny.cv.net [167.206.5.111]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 04:07:55 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta17.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 04:07:55 -0500 (EST) Received: (qmail 65138 invoked by uid 1095); Wed, 16 Feb 2005 09:07:55 +0000 Received: (qmail 65124 invoked from network); Wed, 16 Feb 2005 09:07:55 +0000 Date: Wed, 16 Feb 2005 11:07:46 +0200 From: Andrey Kiritchenko <xxxxxxxx@xxx.xxx> Subject: [microsound] [adv] zavoloka - plavyna [cd] on Nexsound. In-reply-to: <xxxxxxxxxx.xxxxx.xxxxx@xxxxxxxxx.xxx> X-Originating-IP: unknown via proxy [80.249.229.86] To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: Andrey Kiritchenko <xxxxxxxx@xxx.xxx> Message-id: <xxxxxxx-xxxxxx-xx@xxxxxxx.xxx.xxx> MIME-version: 1.0 X-Mailer: mPOP Web-Mail 2.19 Content-type: text/plain; charset=windows-1251 Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hello dear comrades. new CD on Nexsound is out now: Zavoloka - Plavyna - /CD ns37 Katja Zavoloka - musician from Kyiv / Ukraine, who released significant mp3 album Suspenzia, continues with her invented type of sound when melodies and crazy rhythms combined with abstract analogue and digital noises. The sound of Zavoloka is very impuslive mixture of rich, dense and often unexpected soundscapes, but at the same time it goes into warm and nice atmosphere. PLAVYNA inspired a lot by ethnic culture of Ciscarpathian region of Ukraine and thus mixed with ethno-folk music of that area. take a look: http://www.nexsound.org/zavoloka-plavyna.html thanks for attention. - .. - + , , .. +++> - environmental music : http://www.nexsound.org --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 08:14:42 2005 Return-path: <microsound-return-34450-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 03:14:42 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 03:14:42 -0500 (EST) Received: (qmail 53114 invoked by uid 1095); Wed, 16 Feb 2005 08:14:36 +0000 Received: (qmail 53085 invoked from network); Wed, 16 Feb 2005 08:14:35 +0000 Date: Wed, 16 Feb 2005 03:14:27 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] Collectibility of Digital Files? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-PopBeforeSMTPSenders: xxxx@xxxxxxxxx.xxx,xxxxxxxxx@xxxxxx.xxx X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - jet16.hasweb.com X-AntiAbuse: Original Domain - hyperreal.org X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - johnnowak.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 16, 2005, at 2:48 AM, Kevin Ponto wrote: > By "collector", I think he meant someone who is interested in the rare > finds and complete catalogs, bootlegs and so forth as well as huge > libraries, as opposed to people who just amass as many files as they > can with little regard for what they have. > > The point of course, is that the limitations of physical distribution > have provided people with the pastime of collecting, yet the digital > distribution model is not hampered by these limitations. So will > collecting, in this sense, survive and if it does, how will it differ > from today? > > Personally, I've had the experience of trying to track down a rare mp3 > online. it's no easy chore, almost as hard as trying to track down > something in real life. It was an mp3 that was only posted to an > artists website for a few weeks. I grabbed it and had for a while, > then I lost it (fried computer parralled a physically corrupted backup > cd) and spent six months or so trying o track it down on p2p networks > and the internet before I found it again. The whole experience, and > the rush I got when I finally found it, was not unlike that of > physical collecting. > > Anyone else have a similar experience or insight? Collecting is an obsessive behavior. My obsessive behaviors come out in other ways. I have thought about this in the past. One thing I came up with was releasing mp3s on my site, and then having the server remove them after N number of downloads. Of course such an effort is easily thwarted by any number of means. I think its best to give up the idea of collecting really. Actually, I do sort of collect stuffed octopi... - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 07:48:50 2005 Return-path: <microsound-return-34449-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Wed, 16 Feb 2005 02:48:50 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Wed, 16 Feb 2005 02:48:50 -0500 (EST) Received: (qmail 46384 invoked by uid 1095); Wed, 16 Feb 2005 07:48:51 +0000 Received: (qmail 46373 invoked from network); Wed, 16 Feb 2005 07:48:51 +0000 Date: Tue, 15 Feb 2005 23:48:40 -0800 From: Kevin Ponto <xxxxx@xxxxxxxxxxxx.xxx> Subject: Re: [microsound] Collectibility of Digital Files? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Provags-ID: perfora.net xxxxx@xxxxxxx.xxx login:85f6f213efa75345adbd40246e580591 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx By "collector", I think he meant someone who is interested in the rare finds and complete catalogs, bootlegs and so forth as well as huge libraries, as opposed to people who just amass as many files as they can with little regard for what they have. The point of course, is that the limitations of physical distribution have provided people with the pastime of collecting, yet the digital distribution model is not hampered by these limitations. So will collecting, in this sense, survive and if it does, how will it differ from today? Personally, I've had the experience of trying to track down a rare mp3 online. it's no easy chore, almost as hard as trying to track down something in real life. It was an mp3 that was only posted to an artists website for a few weeks. I grabbed it and had for a while, then I lost it (fried computer parralled a physically corrupted backup cd) and spent six months or so trying o track it down on p2p networks and the internet before I found it again. The whole experience, and the rush I got when I finally found it, was not unlike that of physical collecting. Anyone else have a similar experience or insight? kp On Feb 15, 2005, at 8:26 PM, John Nowak wrote: > > On Feb 15, 2005, at 10:17 PM, Kevin Ponto wrote: > >> Since it is inevitable that music as a media will be a virtual object >> what will happen to the collector? > > People already have massive mp3 collections that they never listen to. > People are already collecting. Where's the dilemma? > > - John > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 04:35:12 2005 Return-path: <microsound-return-34448-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 23:35:12 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 23:35:12 -0500 (EST) Received: (qmail 56458 invoked by uid 1095); Wed, 16 Feb 2005 04:35:07 +0000 Received: (qmail 56448 invoked from network); Wed, 16 Feb 2005 04:35:06 +0000 Date: Wed, 16 Feb 2005 05:35:06 +0100 From: xxxxxxxxx@xxxxx.xx Subject: [microsound] call::for::submissions________projet arsonore.net ="ar[eu]"_________ To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <064e01c513e0$e41f3660$xxxxxxxx@xxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2800.1441 X-Mailer: Microsoft Outlook Express 6.00.2800.1437 Content-type: multipart/alternative; boundary="Boundary_(ID_I+rWL6xDOT6irIJIt6eXmw)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_I+rWL6xDOT6irIJIt6eXmw) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit ///// //////////////// /////////////////////// //////////////////////////////////////////////////////////////////////////// /// //////////////////////////////////////////////////////////////////////////// // ar[eu] An art project around the european constitutional treaty. //////////////////////////////////////////////////////////////////////////// /// //////////////////////////////////////////////////////////////////////////// // /////////////////////// //////////////// ///// -------------------[european citizen only]------------------------- _________________________________________________ Europe doesn't say what it does; it doesn't do what it says. It says what it doesn't do; and does what it doesn't say. This Europe they're building for us is ab eyewash. Pierre Bourdieu _____________________________________________________________ The Europe they want us to approve is not ours. It is directed and decided in the high spheres, through dubious negociations and by authorities thar are not submitted to democratic rules. This european construction, and the way it is being imposed on us shows the victory of technocracy over democracy. There is nevertheless a logic of the people to counter this logic of the states, of the economic and financial consortiums. It is a fragile and a disorganized one. Can we avoid those traps that have been set for us? Could we conceive an Europe that, according to Jean Monnet, "doesn't unite states, but unites men between themselves?" And as was written in the 1793 constitution, art 28 : "the people have a right to reform, change or amend its constitution. One generation cannot abide by the rules forced upon itself by the previous one. /////////////////////// //////////////// ///// ________________________________________________________ THE PROJECT --------------------- You are invited to contribute to our project called " ar[eu] ", and which will be presented by www.arsonore.net in a special section of the website. Contributors shall keep in mind Bourdieu's words previously quoted, and their work will be clearly linked with the ratification of the present constitutional treaty, the european policy and/or the role and situation of individuals within the union. Technically speaking, we accept all kinds of contributions, may they be text, images, videos, music, as well as conceptual projects. These works will be integrated into the global project byt the Arsonore team. For any actual example, check the projects that are already available from our website. /////////////////////// //////////////// ///// ______________________________________________________________ CONTRIBUTIONS ------------------------- We do not accept pieces that have already been broadcasted or distributed; all of them must be original compositions. They shall include an audio track as well as other creative elements, and can be grouped in a creative multimedia project. Audio formats : mp3 128/192 kbit, 44100Hz stereo. We accept all other documents with the following extensions : .swf, .php, ..html, .pl, .dcr, .jar, .svg, .mov, .jpg, .png, .gif, .avi. /////////////////////// //////////////// ///// ______________________________________________________________ MAILING LIST -------------------- In order to keep everyone informed, as well as provide practical information (how to send / share the files, etc..) and encourage discussions regarding the aesthetic qualities of the final project, we have created a mailing list which you can join by emailing : mailto:xx.xx_xxxxxxx@xxxxxxxx.xxx?subject=subscribe /////////////////////// //////////////// ///// ______________________________________________________________________ IDEOLOGY ---------------- This project will never be put forward as a way to artistically defend the constitutional treaty or its opposite. Every contributor remains free to include political activism within his work to the extent he finds most relevant /////////////////////// //////////////// ///// __________________________________________________ DEADLINE --------------- Contributions should be sent to us by the 31th of march, 2005. http://www.arsonore.net/ar_eu_/ ' , :.-' '.'. -'. . . : . . .' '. -- ..'. -'. . . : . . .' '. -- _-" _-' ' +-----+ +-----+ +-----+ +-----+ +-----+01101000.01101111. 01110010.01110010.01100101.01110101.01110010 | -1__--""""""""-__. .'. _-' ' '..'' ' | ." .-" _" '. _-' ' '..'' ' | ." .-" _-' ' '..'' ' | ." .-" _-' ' '..'' ' | ." .-" _-' ' '..'' ' | ." .-" _-' ' '..'' ' | ." -------------------- http://www.arsonore.net --Boundary_(ID_I+rWL6xDOT6irIJIt6eXmw)-- From ???@??? Wed Feb 16 04:26:47 2005 Return-path: <microsound-return-34447-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta23.srv.hcvlny.cv.net (mta23.srv.hcvlny.cv.net [167.206.5.184]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 23:26:47 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta23.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 23:26:47 -0500 (EST) Received: (qmail 53621 invoked by uid 1095); Wed, 16 Feb 2005 04:26:40 +0000 Received: (qmail 53609 invoked from network); Wed, 16 Feb 2005 04:26:38 +0000 Date: Tue, 15 Feb 2005 23:26:23 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] Collectibility of Digital Files? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-PopBeforeSMTPSenders: xxxx@xxxxxxxxx.xxx,xxxxxxxxx@xxxxxx.xxx X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - jet16.hasweb.com X-AntiAbuse: Original Domain - hyperreal.org X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - johnnowak.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 15, 2005, at 10:17 PM, Kevin Ponto wrote: > Since it is inevitable that music as a media will be a virtual object > what will happen to the collector? People already have massive mp3 collections that they never listen to. People are already collecting. Where's the dilemma? - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 03:33:55 2005 Return-path: <microsound-return-34446-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 22:33:55 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 22:33:54 -0500 (EST) Received: (qmail 35102 invoked by uid 1095); Wed, 16 Feb 2005 03:33:51 +0000 Received: (qmail 35084 invoked from network); Wed, 16 Feb 2005 03:33:50 +0000 Date: Wed, 16 Feb 2005 14:33:42 +1100 From: Noel Peters <xxxxxxx@xxxxxxx.xxx> Subject: RE: [microsound] Collectibility of Digital Files? To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxx.xxxxxxxxxxxx.xxx.xx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx A healthy mechanism for reducing attachment to the physical :) Noel -----Original Message----- From: Frank D'Urso [mailto:xxxxxx@xxxxxxx.xxx] Sent: Wednesday, 16 February 2005 2:31 PM To: microsound Subject: Re: [microsound] Collectibility of Digital Files? I have pondered this myself. I have enjoyed MP3's since the 1990's but have been confused how to "collect" them. A guy here in Boston did a CDrom release of all his albums as MP3 files...WAY ahead of his time - (KINGS OF FEEDBACK - Bill T Miller) I didn't buy it because I did not understand it....and have not been able to find a copy since.... Meanwhile I amassed maybe 1 GB of music/sound from many obscure sources on my work computer.....I have that disk drive packed away soemplace but didn't consider the MP3s as part of my collection..... When MP3.com starting sending out CDroms of MP3 files I finally got that these were professional releases and thus "worthy" of my collection. Since I've accumulated MP3 files but not added them to my collection. I'd download stuff and burn CDs occasionally over the years, but no big deal. IPOD made organizing my MP3's way easier, but mostly I used it as a way to track my CD's at work and share music via IPOD station. I finally got an MP3 player this xmas and NOW I think that MP3's are fully valid form of media worthy of my attention now that I have a way to listen and transport sounds and music files. I "collect" music by creating a file for each album and storing right on my MP3 player, I can burn CDroms when I want to but no rush. I think the keys for me is the ability to play this music anywhere, have a easy to use hi tech database, and the flexibility/storability to handle a LARGE amount of information. Frank "recent convert" D'Urso Kevin Ponto wrote: > Hey list, > > Someone posted this question on the Ableton Live forum, and I though > it would be a good question to ask this bunch and see what your take > on it was, so here goes... > > kp > > ................................... > > Cosmosuave wrote: > > Since it is inevitable that music as a media will be a virtual object > what will happen to the collector? The reason people collect CD's and > LP's is because it is a tangible object, nice artwork, posters, pop up > album cover all that sort of stuff which down the road increases the > value of that said media.... > > How will this transcribe to a digital release? Will the collector > have a special electronic id indicating limited release and where is > the enjoyment in that... If a release is deemed to be a hit I guess > the label could release a limited edtion MP3 USB chip with fancy > packaging for the collector.... > > Something to ponder... --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org _____________________________________________________________________ This e-mail has been scanned for viruses by MCI's Internet Managed Scanning Services - powered by MessageLabs. For further information visit http://www.mci.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 03:31:24 2005 Return-path: <microsound-return-34445-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 22:31:24 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 22:31:24 -0500 (EST) Received: (qmail 32998 invoked by uid 1095); Wed, 16 Feb 2005 03:31:23 +0000 Received: (qmail 32988 invoked from network); Wed, 16 Feb 2005 03:31:23 +0000 Date: Tue, 15 Feb 2005 22:31:00 -0500 From: Frank D'Urso <xxxxxx@xxxxxxx.xxx> Subject: Re: [microsound] Collectibility of Digital Files? In-reply-to: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxxxx@xxxxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: 7BIT X-Accept-Language: en-us, en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla Thunderbird 0.7.2 (Windows/20040707) X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx I have pondered this myself. I have enjoyed MP3's since the 1990's but have been confused how to "collect" them. A guy here in Boston did a CDrom release of all his albums as MP3 files...WAY ahead of his time - (KINGS OF FEEDBACK - Bill T Miller) I didn't buy it because I did not understand it....and have not been able to find a copy since.... Meanwhile I amassed maybe 1 GB of music/sound from many obscure sources on my work computer.....I have that disk drive packed away soemplace but didn't consider the MP3s as part of my collection..... When MP3.com starting sending out CDroms of MP3 files I finally got that these were professional releases and thus "worthy" of my collection. Since I've accumulated MP3 files but not added them to my collection. I'd download stuff and burn CDs occasionally over the years, but no big deal. IPOD made organizing my MP3's way easier, but mostly I used it as a way to track my CD's at work and share music via IPOD station. I finally got an MP3 player this xmas and NOW I think that MP3's are fully valid form of media worthy of my attention now that I have a way to listen and transport sounds and music files. I "collect" music by creating a file for each album and storing right on my MP3 player, I can burn CDroms when I want to but no rush. I think the keys for me is the ability to play this music anywhere, have a easy to use hi tech database, and the flexibility/storability to handle a LARGE amount of information. Frank "recent convert" D'Urso Kevin Ponto wrote: > Hey list, > > Someone posted this question on the Ableton Live forum, and I though > it would be a good question to ask this bunch and see what your take > on it was, so here goes... > > kp > > ................................... > > Cosmosuave wrote: > > Since it is inevitable that music as a media will be a virtual object > what will happen to the collector? The reason people collect CD's and > LP's is because it is a tangible object, nice artwork, posters, pop up > album cover all that sort of stuff which down the road increases the > value of that said media.... > > How will this transcribe to a digital release? Will the collector > have a special electronic id indicating limited release and where is > the enjoyment in that... If a release is deemed to be a hit I guess > the label could release a limited edtion MP3 USB chip with fancy > packaging for the collector.... > > Something to ponder... --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 03:17:16 2005 Return-path: <microsound-return-34444-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta22.srv.hcvlny.cv.net (mta22.srv.hcvlny.cv.net [167.206.5.183]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 22:17:16 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta22.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 22:17:15 -0500 (EST) Received: (qmail 28665 invoked by uid 1095); Wed, 16 Feb 2005 03:17:14 +0000 Received: (qmail 28654 invoked from network); Wed, 16 Feb 2005 03:17:13 +0000 Date: Tue, 15 Feb 2005 19:17:02 -0800 From: Kevin Ponto <xxxxx@xxxxxxxxxxxx.xxx> Subject: [microsound] Collectibility of Digital Files? To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Provags-ID: perfora.net xxxxx@xxxxxxx.xxx login:85f6f213efa75345adbd40246e580591 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Hey list, Someone posted this question on the Ableton Live forum, and I though it would be a good question to ask this bunch and see what your take on it was, so here goes... kp .................................... Cosmosuave wrote: Since it is inevitable that music as a media will be a virtual object what will happen to the collector? The reason people collect CD's and LP's is because it is a tangible object, nice artwork, posters, pop up album cover all that sort of stuff which down the road increases the value of that said media.... How will this transcribe to a digital release? Will the collector have a special electronic id indicating limited release and where is the enjoyment in that... If a release is deemed to be a hit I guess the label could release a limited edtion MP3 USB chip with fancy packaging for the collector.... Something to ponder... --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Wed Feb 16 02:22:21 2005 Return-path: <microsound-return-34443-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta16.srv.hcvlny.cv.net (mta16.srv.hcvlny.cv.net [167.206.5.110]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 21:22:21 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta16.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 21:22:21 -0500 (EST) Received: (qmail 9284 invoked by uid 1095); Wed, 16 Feb 2005 02:22:19 +0000 Received: (qmail 9271 invoked from network); Wed, 16 Feb 2005 02:22:18 +0000 Date: Tue, 15 Feb 2005 21:21:54 -0500 (EST) From: Neil Wiernik <xxxx@xxxxxxxx.xxx> Subject: [microsound] dimanche electrique en fevrier MTL To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxxx@xxxxxxxx.xxxxxxxx.xxx> MIME-version: 1.0 Content-type: TEXT/PLAIN; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Virus-Scanned: by amavisd-new at dreaming.org X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx ---------- Forwarded message ---------- From: le-son666 <xxxx@xx-xxxxxx.xxx> Subject: dimanche electrique en fevrier le prochain dimanche electrique sera le 20 fevrier portes 20h, show 21h, 5$ naw simon called peter bunny clide et invite(e) special(e)! hemisphere gauche, 221 beaubien est (metro beaubien) www.le-son666.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 15 23:09:31 2005 Return-path: <microsound-return-34442-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta15.srv.hcvlny.cv.net (mta15.srv.hcvlny.cv.net [167.206.5.109]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 18:09:31 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta15.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 18:09:31 -0500 (EST) Received: (qmail 41952 invoked by uid 1095); Tue, 15 Feb 2005 23:09:28 +0000 Received: (qmail 41942 invoked from network); Tue, 15 Feb 2005 23:09:28 +0000 Date: Wed, 16 Feb 2005 10:11:41 +1100 From: Brendan Palmer <xx@xxxxx.xxx> Subject: [microsound] Melb: uber lingua over the coming week(s) In-reply-to: <BE38CCB0.F899%xx@xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <BE38CCDD.F8A4%xx@xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.0.6 X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx Uber Lingua at St Jeromes chugs along nicely with some solid Melbourne based and interstate guests over the coming weeks... this week Cheops, a member of the act Qua, and Paulie Penguin are the featured guest disc spinners ... goto http://www.uberlingua.com/melb for more info Coming up over the coming weeks are Mashy P from Sydney, Sakamoiz from Hobart, Alan Nguyen from Brisbane and a few others still to be confirmed... We're still starting at around 6pm each week so pop down for an after work beverage or come later as we're open till 1am.... St Jeromes 7 Caledonian Lane Melb CBD (directly behind the lounge) Every Thursday from 6pm to 1am Residents: Raceless, bP and Saigon Sausage ______________________ Other News DJs Raceless, bP and Saigon Sausage will also be featured throughout the (completely sold out) St Jeromes laneway festival on Feb 27th.... so if you're comin we'll see you there. Uber Lingua is about to do events in Adelaide during the Womad weekend (March 4th, 5th, 6th) and two more lingo events in Hobart with the cluster collective, one in Feb (25th) and one in late March (25th)... DJs for these gigs are coming from all over Australia and teaming up with similarly motivated locals. More info closer to those dates... Demos can be sent to PO Box 2613 Fitzroy 3065 --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 15 21:47:22 2005 Return-path: <microsound-return-34441-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta20.srv.hcvlny.cv.net (mta20.srv.hcvlny.cv.net [167.206.5.114]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 16:47:22 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta20.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 16:47:21 -0500 (EST) Received: (qmail 7807 invoked by uid 1095); Tue, 15 Feb 2005 21:47:14 +0000 Received: (qmail 7795 invoked from network); Tue, 15 Feb 2005 21:47:13 +0000 Date: Tue, 15 Feb 2005 21:47:08 +0000 From: ". m u r m e r ." <xxxxxx@xxxxxx.xxx> Subject: [microsound] [playlist] framework - 11.02.05 To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <004f01c513a7$e6495940$xxxxxxxx@xxxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Mailer: Microsoft Outlook Express 6.00.2900.2180 Content-type: multipart/alternative; boundary="Boundary_(ID_wgjPqf5//fqa6OCZAUyzUQ)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_wgjPqf5//fqa6OCZAUyzUQ) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit framework broadcasts live every friday (except the first one of each month) on resonance104.4fm in london (uk) or worldwide on http://www.resonancefm.com between 8:30 and 9:30pm gmt, and is repeated the following wednesday between 11:00am and 12:00 noon gmt next live broadcast: 18.02.05 ~ time zone converter: http://www.thesaturnv.com/converter.html RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM. THANK YOU! -------------------------------------------------------------------------------- framework - phonography/field recording; contextual and decontextualized sound activity presented by patrick mcginley first, a correction: i announced last playlist that 2005's first edition of framework:focus, which is coming up this friday, the 18th of february, would feature a live performance by stasisfield's john kannenberg. in fact, john will be joining us for our second edition of framework:focus, which will air on the 18th of march. this coming friday's edition will feature a work presented by regular framework contributor dallas simpson, in the form of an unedited soundwalk recorded in 1988 by his mother, entitled peggy's paradise. dallas himself describes his mother's detailed narrative description of her surroundings thusly: 'Mum's work is about emotive description, rather than any kind of objective accuracy. It is the sheer simplistic joy of the moment by moment experience that is communicated.' please tune in if you can - it should be a great show. this edition was held together by a skeleton of tranquil recordings made by jesse paul miller, along with some of his composed (although still very raw) work. we also heard recent unreleased work by jean-luc guionnet, both solo and in collaboration with eric la casa. this was tempered by noisier outings on the 23five label; some live material from francisco lopez, and some re-released archival material by gum, a vinyl manipulating project by andrew curtis and philip samartzis from the late 80's. again, we are always looking for material for the show, whether raw field recordings, field recording based composition or introduction submissions. send material, released or not, on any format, to the address below. we are also hoping to have live performances as often as possible, so if you are in or passing through london please get in touch! framework 31 nevill road london n16 8sl uk xxxxxxxxx@xxxxxx.xxx -------------------------------------------------------------------------------- 11.02.05 this edition will be rebroadcast this wednesday, 16.02.05, at 11:00am gmt (artist / title / album / label) sarah hall / framework intro ambient room recording from the inside of an empty jug c/o xxxxxxxx@xxxxxx.xxx gum / stormy weather / vinyl anthology / 23five vinyl crackle and noise from unidentified record sources, a storm of static http://www.23five.org jesse paul miller / ponce inlet / searching for a quiet place / - a sleepy seaside town where sharks are seen coming in where the warm waters meet http://www.gogoweb.com/jpm eric la casa & jean-luc guionnet / - / inscape / - edited from recordings made of an installation in lille using found sound captures http://ascendre.free.fr, xxxxxxxx.xxxx-xxx@xxxxxxx.xx jesse paul miller / bait shop, merritt island / searching for a quiet place / - unexpected sounds of this small shop, filled with convenience items, novelty goods, caged crickets and fishtanks http://www.gogoweb.com/jpm jesse paul miller / - / 2000-2003 / - edited from field recordings taken from nebraska, colorado and washington state http://www.gogoweb.com/jpm francisco lopez / live at the lab - hexaphonic, 08.05.00 / live in san francisco / 23five trademark slow build of white noise and unrecognisable tonal material, blending nicely with jesse's untreated soundscapes http://www.franciscolopez.net/, http://www.23five.org jesse paul miller / swamp at sunset / searching for a quiet place / - at the edge of blue springs park, insects sing as three small hawks battle overhead http://www.gogoweb.com/jpm gum / outfits for agony / vinyl anthology / 23five more musical outing consisting of tonal drones from sound captures and found voices http://www.23five.org eric la casa & jean-luc guionnet / track 3 / inscape / - second edit from the installation, this time grittier and wetter http://ascendre.free.fr, xxxxxxxx.xxxx-xxx@xxxxxxx.xx jesse paul miller / night insects / searching for a quiet place / - strange insect noises captured on a winter night after a downpour http://www.gogoweb.com/jpm jean-luc guionnet / - / triangles de poussieres / - first of three parts from this unreleased solo electro-acoustic work xxxxxxxx.xxxx-xxx@xxxxxxx.xx jesse paul miller / footsteps: north central florida / 2000-2003 / - soundwalk collage made during a residency at the atlantic center for the arts, new smyrna, fl http://www.gogoweb.com/jpm -------------------------------------------------------------------------------- framework intro submissions: 1) take yourself and an audio recording device to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read the following text: welcome to framework. framework is a show consecrated to field recording, and it's use in composition. field recording, phonography, the art of sound-hunting; open your ears and listen! 4) continue your recording for AT LEAST 2 minutes after you've finish speaking 5) send the recording on any format to the address above, or as an mp3 via email thanks! -------------------------------------------------------------------------------- the framework 2003 cd has been reprinted and is now once again available directly from the resonancefm online shop, along with a selection of other benefit cds, t-shirts, and general paraphernalia. drop in here to have a look: http://www.resonancefm.com/shop.php framework 2003 resonancefm benefit cd featuring highlights from the year's broadcasting rob grant & melanie clifford / framework intro thomas dimuzio / unearth & lift and spear / sonicism / rrrecords chris watson / river mara at night / stepping into the dark / touch johannes helden / - / sketchbook / trente oiseaux toy bizarre / - / kdi dctb 116 / absurd murmer / liquid solid / definition / absurd jgrzinich & seth nehil / the distant edge / confluence / intransitive seth nehil & jgrzinich / the mirrored corner / stria / erewhon annette lissauer / framework intro toby paddock / air, surface and magnetic vibrations / - / - steve roden / - / resonant cities / trente oiseaux francisco lopez / untitled #101 / untitled (2000) / ignis projekt mnortham / ancient sewer pipe, valletta, malta / phonography.org 5 / phonography.org the quiet american / donkey trains leaving marpha, nepal / phonography.org 4 / phonography.org steve barsotti / trainyard presence / phonography.org 5 / phonography.org k. m. krebs / jericho sailing center (nautical gamelan) / phonography.org 4 / phonography.org david daniell / highway 371, forty miles south of farmington, january 19, 1998, 2:25 pm / sem / antiopic joyce hinterding / - / spectral / antiopic/sigma editions david daniell / dixon lake road, july 31, 1999, 5:45 am / sem / antiopic tacet ncv / live on framework jean-luc guionnet & bertrand denzler / live on framework dallas simpson / framework intro --Boundary_(ID_wgjPqf5//fqa6OCZAUyzUQ)-- From ???@??? Tue Feb 15 16:13:53 2005 Return-path: <microsound-return-34440-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta25.srv.hcvlny.cv.net (mta25.srv.hcvlny.cv.net [167.206.5.186]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 11:13:53 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta25.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 11:13:53 -0500 (EST) Received: (qmail 73913 invoked by uid 1095); Tue, 15 Feb 2005 16:13:50 +0000 Received: (qmail 73903 invoked from network); Tue, 15 Feb 2005 16:13:50 +0000 Date: Tue, 15 Feb 2005 08:13:48 -0800 (PST) From: jeff gburek <xxxxxxxxxx@xxxxx.xxx> Subject: Re: [microsound] audacity not there In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=sCkSrZbnlY+X3ZN0YGH78G2RdoblVx9MEgwS7WhXysUm/LuJ3OsFj3n66P/ThNsNqwCgOgFXwWIGC4SibcC0IOPba0Yu8Voit1qnYUj05Xp47/YLzWfBFcspcGC7AITgXH+IeOrVznhK3HO05FNSmpRXPZ4TBppES9bBUzVKojc= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx i was excited about audacity and still think it works fairly well having established the buggy limits. i still cannot save projects in it and have them remain retrievable. it breaks down the project into multiple smaller files and it may be an issue with windows but it will never reopen the files claiming that it doesn't recoginize them (and i have tried changing file extensions etc)--maddening. I've not used it yet beyond 6 tracks but I always do the project in one sitting and export it. many on the fx plug-ins don't work that well but a few that do are actually very nice. the denoiser is great. --- tasty radish <xxxxxxxxxxx@xxxxx.xxx> wrote: > i was using audacity to do some sound design for a > piece. and i have to say, though it supposedly can > handle having limitless tracks going on, this is > really not the case. more then four in one file and > you run into trouble --sometimes commands wouldn't > register, etc, etc. (i am working on osx 867 600+ > ram) > While good for making mp3's (better codec then > itunes), it is not really up to the task of solid > editing -- particularly where you need to work with > a > large number of different sounds in a sequence, and > don't have the time to struggle with its buggy > slow-downs. but I like the amplification feature > (automatically gains to point before clipping) and > the > mp3's it generates are the best. > > -afs > > > > __________________________________ > Do you Yahoo!? > The all-new My Yahoo! - Get yours free! > http://my.yahoo.com > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: > xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: > xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > __________________________________ Do you Yahoo!? Yahoo! Mail - You care about security. So do we. http://promotions.yahoo.com/new_mail --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 15 05:46:07 2005 Return-path: <microsound-return-34439-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta24.srv.hcvlny.cv.net (mta24.srv.hcvlny.cv.net [167.206.5.185]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Tue, 15 Feb 2005 00:46:07 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta24.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Tue, 15 Feb 2005 00:46:07 -0500 (EST) Received: (qmail 30286 invoked by uid 1095); Tue, 15 Feb 2005 05:46:06 +0000 Received: (qmail 30276 invoked from network); Tue, 15 Feb 2005 05:46:06 +0000 Date: Tue, 15 Feb 2005 00:45:52 -0500 From: John Nowak <xxxx@xxxxxxxxx.xxx> Subject: Re: [microsound] audacity not there In-reply-to: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx@xxxxxxxxx.xxx> MIME-version: 1.0 X-Mailer: Apple Mail (2.619.2) Content-type: text/plain; format=flowed; charset=US-ASCII Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-PopBeforeSMTPSenders: xxxx@xxxxxxxxx.xxx,xxxxxxxxx@xxxxxx.xxx X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - jet16.hasweb.com X-AntiAbuse: Original Domain - hyperreal.org X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - johnnowak.com X-Source: X-Source-Args: X-Source-Dir: X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx On Feb 14, 2005, at 9:15 PM, tasty radish wrote: > it is not really up to the task of solid > editing -- particularly where you need to work with a > large number of different sounds in a sequence, and > don't have the time to struggle with its buggy > slow-downs. Works fine for me (1.25GHz Albook w/ 10.3.8). > but I like the amplification feature > (automatically gains to point before clipping) This is the same as the normalize feature that all wave editors have. > and the > mp3's it generates are the best. I'm not sure about that. - John --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Tue Feb 15 02:15:57 2005 Return-path: <microsound-return-34438-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta19.srv.hcvlny.cv.net (mta19.srv.hcvlny.cv.net [167.206.5.113]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 14 Feb 2005 21:15:57 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta19.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 14 Feb 2005 21:15:57 -0500 (EST) Received: (qmail 45270 invoked by uid 1095); Tue, 15 Feb 2005 02:15:53 +0000 Received: (qmail 45259 invoked from network); Tue, 15 Feb 2005 02:15:53 +0000 Date: Mon, 14 Feb 2005 18:15:49 -0800 (PST) From: tasty radish <xxxxxxxxxxx@xxxxx.xxx> Subject: [microsound] audacity not there In-reply-to: <xxxxxxxxxx.xxxxx.xxxxx@xxxxxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxxxxxxxx.xxxxx.xxxxx@xxxxxxxx.xxxx.xxxxx.xxx> MIME-version: 1.0 Content-type: text/plain; charset=us-ascii Content-transfer-encoding: 7BIT Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm Comment: DomainKeys? See http://antispam.yahoo.com/domainkeys DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; b=M8RcZudXcdxYVcttbtVvtbjgatGtVBWkunE/xJWyYReLg6cMIJvD6GNd+PdFQrD96nZR3bC+ROekVg3t4GSrh9pYD6QGdJLwKHlA7LGLVGVjuKFxP5EVBuePmX1JXh/iaVxxNJoTsphno4kvBra6utjMbf6V1glPGcXxNaqzLgo= ; X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx i was using audacity to do some sound design for a piece. and i have to say, though it supposedly can handle having limitless tracks going on, this is really not the case. more then four in one file and you run into trouble --sometimes commands wouldn't register, etc, etc. (i am working on osx 867 600+ ram) While good for making mp3's (better codec then itunes), it is not really up to the task of solid editing -- particularly where you need to work with a large number of different sounds in a sequence, and don't have the time to struggle with its buggy slow-downs. but I like the amplification feature (automatically gains to point before clipping) and the mp3's it generates are the best. -afs __________________________________ Do you Yahoo!? The all-new My Yahoo! - Get yours free! http://my.yahoo.com --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 14 22:30:01 2005 Return-path: <microsound-return-34437-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta21.srv.hcvlny.cv.net (mta21.srv.hcvlny.cv.net [167.206.5.182]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 14 Feb 2005 17:30:01 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta21.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 14 Feb 2005 17:29:59 -0500 (EST) Received: (qmail 16518 invoked by uid 1095); Mon, 14 Feb 2005 22:29:56 +0000 Received: (qmail 16508 invoked from network); Mon, 14 Feb 2005 22:29:56 +0000 Date: Mon, 14 Feb 2005 23:34:34 +0100 From: derek holzer <xxxxx@x-x.xxx> Subject: [microsound] Berlin.Soundscape-FM.Net achive online To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxxxx@x-x.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: 7BIT X-Accept-Language: en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla Thunderbird 1.0 (X11/20041206) X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx http://berlin.soundscape-fm.net/ Berlin.Soundscape-FM is a collaborative soundwork in the city of Berlin, produced at the Transmediale Festival, 4-8 February 2005. During these four days, sound artists, amateur sound hunters, phonographers and other interested participants collaborated on gathering sounds from different locations within the city of Berlin. The collected sounds ranged from the ever-present crosswalk signals, children's voices and U-Bahn wires to the acoustics of former CIA spy stations, empty theatres and the "Memory Void" of the Jewish Museum. All of the sounds have been plotted out on a scalable map of Berlin which remains open to further contribution, making it a vital ongoing collaboration and online community. For more info, please visit: http://berlin.soundscape-fm.net/ http://www.soundscape-fm.net/ -- derek holzer ::: http://www.umatic.nl ---Oblique Strategy # 36: "Consult other sources -promising -unpromising" --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 14 22:09:52 2005 Return-path: <microsound-return-34436-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta18.srv.hcvlny.cv.net (mta18.srv.hcvlny.cv.net [167.206.5.112]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 14 Feb 2005 17:09:52 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta18.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 14 Feb 2005 17:09:52 -0500 (EST) Received: (qmail 2811 invoked by uid 1095); Mon, 14 Feb 2005 22:09:10 +0000 Received: (qmail 2795 invoked from network); Mon, 14 Feb 2005 22:09:09 +0000 Date: Mon, 14 Feb 2005 22:09:04 +0000 From: "David @ Audiobulb" <xxxxxxxx@xxxxx.xx.xx> Subject: Re: [microsound] small label deals To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <001301c512e1$ccd61190$xxxxxxxx@xxxxx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V6.00.2900.2180 X-Mailer: Microsoft Outlook Express 6.00.2900.2180 Content-type: text/plain; reply-type=original; charset=iso-8859-1; format=flowed Content-transfer-encoding: 7BIT X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <015b01c512cc$d03834e0$xxxxxxxx@xxxxxx.xxx> <xxxxxxxx.xxxxxxx@x-x.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx You can couch it in terms of art (and if its artistically good enough it will shine and people will want it) You can couch it in terms of commercialism (and if you create a sense that the music is a necessary part of people's lives they should buy it) You can couch it in terms of altruistic love (and do it because you love the medium and want to share) You can couch it in terms of arrogance and narcissistic focus (and release it because you want everyone to feel you are important and cool) Or you can just release it because it feels like a satisfactory end point to a lot of hard work and you promised yourself you would do it because you wanted to see that you could (and you can) David @ Audiobulb ----- Original Message ----- From: "derek holzer" <xxxxx@x-x.xxx> To: "microsound" <xxxxxxxxxx@xxxxxxxxx.xxx> Sent: Monday, February 14, 2005 10:04 PM Subject: Re: [microsound] small label deals > To add another dimension here, consider this: > > After conversations with several small-label owners and self-releasing > artists, I've drawn the conclusion that most of these ventures are pretty > much just self-sustaining. After the costs of producing and promoting the > release, anything that comes back turns into seed capital for the next > release. > > So for me, the question is of intention. If the intent is to put more > physical merchandise into the world, then this is probably still a good > way to go. But what is the point of that merchandise? No one's going to > make any money on it in the long run. To me, a CD is just a method of > distributing content, something like a calling card. The only way just > about *any* experimental artist is going to make a living is through > selling their time and prescence through commissions, lectures, > installations, performances, workshops and so on. [Or at least that's how > I do it, as a full-time working artist.] But certainly *not* from selling > CDs. Hands up if you know *anyone* besides Green Day that actually lives > on record sales... > > So, if the point is to get your material out there so people can hear it, > and from that make a living from personal appearences and so on, then you > might consider other methods beyond a limited-run CD release. I've found > weblabels to be great for this, as there is a minimum of money and a > minimum of fuss involved in this method of distribution. > > OTOH, having a great-looking CD out in the racks or in your hand to give > to people is also a great way of spreading the message. I really do wonder > if it reaches more or less people than on the web, espc considering that > there are at least 1000 copies of each 12K release [for example] floating > around on Slsk, Gnutella, EDonkey, Bittorrent, Hotline, etc at any given > moment. > > So, if you find a label that is willing to do all those cool things like > the artwork, promo and distribution, give it a shot. But unless it's a > label with some brand-name recognition, you might reach a wider public via > other, less costly channels. Just a thought, certainly nothing > conclusive... > > best, > derek > > > -- > derek holzer ::: http://www.umatic.nl > ---Oblique Strategy # 36: > "Consult other sources > -promising > -unpromising" > > --------------------------------------------------------------------- > To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx > For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx > website: http://www.microsound.org > > > > --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 14 21:59:40 2005 Return-path: <microsound-return-34435-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta26.srv.hcvlny.cv.net (mta26.srv.hcvlny.cv.net [167.206.5.187]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 14 Feb 2005 16:59:40 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta26.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 14 Feb 2005 16:59:40 -0500 (EST) Received: (qmail 94160 invoked by uid 1095); Mon, 14 Feb 2005 21:59:30 +0000 Received: (qmail 94140 invoked from network); Mon, 14 Feb 2005 21:59:29 +0000 Date: Mon, 14 Feb 2005 23:04:07 +0100 From: derek holzer <xxxxx@x-x.xxx> Subject: Re: [microsound] small label deals In-reply-to: <015b01c512cc$d03834e0$xxxxxxxx@xxxxxx.xxx> To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <xxxxxxxx.xxxxxxx@x-x.xxx> MIME-version: 1.0 Content-type: text/plain; format=flowed; charset=ISO-8859-1 Content-transfer-encoding: 7BIT X-Accept-Language: en Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm User-Agent: Mozilla Thunderbird 1.0 (X11/20041206) X-Virus-Scanned: by XS4ALL Virus Scanner X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <015b01c512cc$d03834e0$xxxxxxxx@xxxxxx.xxx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx To add another dimension here, consider this: After conversations with several small-label owners and self-releasing artists, I've drawn the conclusion that most of these ventures are pretty much just self-sustaining. After the costs of producing and promoting the release, anything that comes back turns into seed capital for the next release. So for me, the question is of intention. If the intent is to put more physical merchandise into the world, then this is probably still a good way to go. But what is the point of that merchandise? No one's going to make any money on it in the long run. To me, a CD is just a method of distributing content, something like a calling card. The only way just about *any* experimental artist is going to make a living is through selling their time and prescence through commissions, lectures, installations, performances, workshops and so on. [Or at least that's how I do it, as a full-time working artist.] But certainly *not* from selling CDs. Hands up if you know *anyone* besides Green Day that actually lives on record sales... So, if the point is to get your material out there so people can hear it, and from that make a living from personal appearences and so on, then you might consider other methods beyond a limited-run CD release. I've found weblabels to be great for this, as there is a minimum of money and a minimum of fuss involved in this method of distribution. OTOH, having a great-looking CD out in the racks or in your hand to give to people is also a great way of spreading the message. I really do wonder if it reaches more or less people than on the web, espc considering that there are at least 1000 copies of each 12K release [for example] floating around on Slsk, Gnutella, EDonkey, Bittorrent, Hotline, etc at any given moment. So, if you find a label that is willing to do all those cool things like the artwork, promo and distribution, give it a shot. But unless it's a label with some brand-name recognition, you might reach a wider public via other, less costly channels. Just a thought, certainly nothing conclusive... best, derek -- derek holzer ::: http://www.umatic.nl ---Oblique Strategy # 36: "Consult other sources -promising -unpromising" --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 14 20:54:16 2005 Return-path: <microsound-return-34434-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta13.srv.hcvlny.cv.net (mta13.srv.hcvlny.cv.net [167.206.5.82]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 14 Feb 2005 15:54:16 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta13.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 14 Feb 2005 15:54:16 -0500 (EST) Received: (qmail 62901 invoked by uid 1095); Mon, 14 Feb 2005 20:54:11 +0000 Received: (qmail 62890 invoked from network); Mon, 14 Feb 2005 20:54:11 +0000 Date: Mon, 14 Feb 2005 21:57:44 +0100 From: =?iso-8859-1?Q?Th=E9ophraste_Peeble?= <xxxxxxxxxxxxx@xxxx.xx> Subject: Re: [microsound] the clouds' harp and other things To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <001d01c512d7$d4c55d20$xxxxxxxx@xxxx.xx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Mailer: Microsoft Outlook Express 5.00.2615.200 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N References: <001201c512d7$68d53900$xxxxxxxx@xxxx.xx> List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx oops it was not the good link http://ingallian.design.uqam.ca/gestatio/index.html --------------------------------------------------------------------- To unsubscribe, e-mail: xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx For additional commands, e-mail: xxxxxxxxxx-xxxx@xxxxxxxxx.xxx website: http://www.microsound.org From ???@??? Mon Feb 14 20:51:16 2005 Return-path: <microsound-return-34433-vze26m98=xxxxxxxxx.xxx@xxxxxxxxx.xxx> Received: from mta11.srv.hcvlny.cv.net (mta11.srv.hcvlny.cv.net [167.206.5.86]) by mstr3.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Nov 5 2004)) with ESMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx; Mon, 14 Feb 2005 15:51:16 -0500 (EST) Received: from hyperreal.org (taz3.hyperreal.org [209.237.226.90]) by mta11.srv.hcvlny.cv.net (iPlanet Messaging Server 5.2 HotFix 1.25 (built Mar 3 2004)) with SMTP id <xxxxxxxxxxxxxx@xxxxx.xxx.xxxxxx.xx.xxx> for xxxxxxxx@xxxxxxxxx.xxx (ORCPT xxxxxxxx@xxxxxxxxx.xxx); Mon, 14 Feb 2005 15:51:15 -0500 (EST) Received: (qmail 61042 invoked by uid 1095); Mon, 14 Feb 2005 20:51:11 +0000 Received: (qmail 61031 invoked from network); Mon, 14 Feb 2005 20:51:11 +0000 Date: Mon, 14 Feb 2005 21:54:41 +0100 From: =?iso-8859-1?Q?Th=E9ophraste_Peeble?= <xxxxxxxxxxxxx@xxxx.xx> Subject: [microsound] the clouds' harp and other things To: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Reply-to: microsound <xxxxxxxxxx@xxxxxxxxx.xxx> Message-id: <001201c512d7$68d53900$xxxxxxxx@xxxx.xx> MIME-version: 1.0 X-MIMEOLE: Produced By Microsoft MimeOLE V5.00.2615.200 X-Mailer: Microsoft Outlook Express 5.00.2615.200 Content-type: multipart/alternative; boundary="Boundary_(ID_HLyJV4GTXX5H+A3QBvlivw)" X-Priority: 3 X-MSMail-priority: Normal Precedence: bulk Delivered-to: mailing list xxxxxxxxxx@xxxxxxxxx.xxx Mailing-List: contact xxxxxxxxxx-xxxx@xxxxxxxxx.xxx; run by ezmlm X-Spam-Rating: taz3.hyperreal.org 1.6.2 0/1000/N List-Post: <mailto:xxxxxxxxxx@xxxxxxxxx.xxx> List-Unsubscribe: <mailto:xxxxxxxxxx-xxxxxxxxxxx@xxxxxxxxx.xxx> List-Help: <mailto:xxxxxxxxxx-xxxx@xxxxxxxxx.xxx> X-No-Archive: yes Original-recipient: rfc822;xxxxxxxx@xxxxxxxxx.xxx --Boundary_(ID_HLyJV4GTXX5H+A3QBvlivw) Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 7bit Hi I post this mail for three reasons : 1 - I wanted to share my tracks http://mapage.noos.fr/verchonfourgu only one now but other soon 2 - I'll be in London from the 20th february to the 5 march... if you've got plans for concerts, exhibitions, etc that should be great 3 - http://ingallian.design.uqam.ca/ateliers-u/ website of a canadian "laboratory" which works on the links between artificial intelligence, music, architecture...