Re: (idm) music commentary

From david turgeon
Sent Fri, Mar 19th 1999, 18:34

andrew,

first, nice commentary, although it's mostly common sense.  :)

> Buy a turntable--it doesn’t have to be a Technics 1200--
> you can get a good used model at a flea market/pawn shop just about
> anywhere.  If you’re just buying CDs, there’s a lot of good music
> available only on vinyl that you’re missing out on.  But, in the same
> regard, buy the records because you enjoy the music--don’t be sucked
> into the hopes of becoming a superstar DJ.  Enjoy music for the sake of
> it; leave the ulterior motives behind.

this makes me wonder--i mean, i love vinyl & all, & i'm about to get my
first turntable (not a technics!), but why in hell is there so much
stuff released on vinyl as opposed to cd?  is there some hidden rule
about cds being unsuitable for electronic music?  is pressing vinyl
cheaper?  (i heard it wasn't.)

> Support your local music store before the national chain; support your
> local music scene and put an end to the sad reality that most artists
> are never appreciated in their own area.  Listen to everything before

i was thinking about that lately.  the scene in montréal is downright
pathetic, but then again, the rare things that come out don't get any
recognition from the local stores.  i was in a store recently & 2 french
girls (french as in from france, with the accent & all) asked the clerk
for local stuff.  i had already spotted 2-3 releases which i knew were
local just from reading a few recent reviews, but the guy basically said
that he didn't have anything local.

moreover, record stores rarely buy anything local--they always do
consignment.  i understand the motive behind that, but the rule gets
kind of tedious.  how do you expect a record store to support (i.e.
sell) something that they won't even take the time to listen to & then
back with real money?

someone on the list recently said that "in chicago every record store
has thrill jockey stuff".  i'd say that this is probably one of the
things that makes the chicago music scene so strong; they are supported
by record stores.  then again, did the stores support those labels when
they were small & thriving?  i would suppose that they did--otherwise,
how else could they have started?  (maybe someone can hook me up with
real info to back or attack this assertion.)

my point is that much of the unknown stuff i buy, i discovered because
of a knowledgeable record store clerk.  so many of them, however, will
look at you strange whenever you ask them a question: "how does this
sound?"  "who's that?"  usually they barely know what it is.  many seem
to not read any news or reviews.

the other problem with record stores is that once one of them has one
rare/import release-of-the-moment, everybody else has to have it.  i was
all happy recently when i found the 0161 cd, then i found out that every
other record store had gotten the same deal recently.  i don't have
anything against music being widely available, but it often seems to me
like no store ever orders things that aren't in the "new releases" of
the current catalogue.  

(then again, this is merely a personal point of view about a situation
which happens in many, but thank god not all local record stores.  it's
also mostly about idm--i couldn't say if the other areas of electronic
music are well-covered or not.)

oh, & your point about large music chains is quite valid.  even if you
find good electronic music instore, don't expect anybody in there to
know about it (unless one of the employees happens to be a technohead,
but then again--"so how's this new autechre cd?"  "waaaaaayyyyy fucked
up dude....")  this is because unlike independent record stores,
employees cannot choose the music that they listen to instore, or borrow
cds for home listening.  thus, unless they _buy_ the releases, they're
completely in the dark as to what exactly they're selling.

this rant is probably quite redundant, but you guys get the drift so
that's it for this message.  :)

-- 
david turgeon
curator, http://www.notype.com
web programmer, http://www.jumpmedia.com
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